Mark O. Forker

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The Batman | ShotOnWhat?

Visual Effects Supervisor: Chicago

The Batman (2022)

Directed by: Matt Reeves

Cinematography by: Greig Fraser

Edited by: William Hoy, Tyler Nelson

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera, ARRI ALEXA Plus 4:3 Camera

Lenses: ARRI Rental ALFA Lenses, ARRI Rental Prime DNA Lenses, Atlas Orion Anamorphic Series Lenses, Cooke Xtal Express Lenses

Avengers: Endgame | ShotOnWhat?

Additional Visual Effects Supervisor: Second Unit, Visual Effects Supervisor: Additional Second Unit

Avengers: Endgame (2019)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera

Lenses: Panavision APO Panatar Lenses, Panavision Sphero 65 Series Lenses

Avengers: Infinity War | ShotOnWhat?

Additional Visual Effects Supervisor: Second Unit

Avengers: Infinity War (2018)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, Red Helium (Weapon) 8K, Red Weapon Dragon Camera

Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

The Greatest Showman | ShotOnWhat?

Visual Effects Supervisor

The Greatest Showman (2017)

Directed by: Michael Gracey

Cinematography by: Seamus McGarvey

Edited by: Tom Cross, Robert Duffy, Joe Hutshing, Michael McCusker, Jon Poll, Spencer Susser

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses, Panavision Super Speed Lenses

"Marco Polo" White Moon | ShotOnWhat?

Visual Effects Supervisor

'Marco Polo' White Moon (2014)

Television Episode

Directed by: Daniel Minahan

Cinematography by: Xavier Grobet

Edited by: Barbara Tulliver

Marco Polo | ShotOnWhat?

Visual Effects Supervisor - 10 Episodes, 2014

Marco Polo (2014)

Television Series

Directed by: Daniel Minahan, David Petrarca, Alik Sakharov, John Maybury, Joachim Rønning, Espen Sandberg, Jon Amiel, James McTeigue

Cinematography by: Vanja Cernjul, Romain Lacourbas, Xavier Grobet, Gavin Struthers

Edited by: Michael Berenbaum, Malcolm Jamieson, Erica Freed Marker, William Henry, Andy Keir, Allyson C. Johnson, Elizabeth Kling, Martin Nicholson, Barbara Tulliver

Cameras: Sony PMW-F55 Camera

"Marco Polo" Feast | ShotOnWhat?

Visual Effects Supervisor

'Marco Polo' Feast (2014)

Television Episode

Directed by: Alik Sakharov

Cinematography by: Vanja Cernjul

Edited by: Michael Berenbaum

"Marco Polo" The Heavenly and Primal | ShotOnWhat?

Visual Effects Supervisor

'Marco Polo' The Heavenly and Primal (2014)

Television Episode

Directed by: John Maybury

Cinematography by: Vanja Cernjul

Edited by: Erica Freed Marker

"Marco Polo" Prisoners | ShotOnWhat?

Visual Effects Supervisor

'Marco Polo' Prisoners (2014)

Television Episode

Directed by: David Petrarca

Cinematography by: Romain Lacourbas

Edited by: Martin Nicholson

"Marco Polo" Rendering | ShotOnWhat?

Visual Effects Supervisor

'Marco Polo' Rendering (2014)

Television Episode

Directed by: John Maybury

Cinematography by: Vanja Cernjul

Edited by: Michael Berenbaum

"Marco Polo" The Scholar's Pen | ShotOnWhat?

Visual Effects Supervisor

'Marco Polo' The Scholar's Pen (2014)

Television Episode

Directed by: David Petrarca

Cinematography by: Romain Lacourbas

Edited by: Elizabeth Kling

"Marco Polo" Hashshashin | ShotOnWhat?

Visual Effects Supervisor

'Marco Polo' Hashshashin (2014)

Television Episode

Directed by: Daniel Minahan

Cinematography by: Xavier Grobet

"Marco Polo" The Fourth Step | ShotOnWhat?

Visual Effects Supervisor

'Marco Polo' The Fourth Step (2014)

Television Episode

Directed by: Alik Sakharov

Cinematography by: Vanja Cernjul

Edited by: Allyson C. Johnson

"Marco Polo" The Wolf and the Deer | ShotOnWhat?

Visual Effects Supervisor

'Marco Polo' The Wolf and the Deer (2014)

Television Episode

Directed by: Joachim Rønning, Espen Sandberg

Cinematography by: Romain Lacourbas

Edited by: Malcolm Jamieson

"Marco Polo" The Wayfarer | ShotOnWhat?

Visual Effects Supervisor

'Marco Polo' The Wayfarer (2014)

Television Episode

Directed by: Joachim Rønning, Espen Sandberg

Cinematography by: Romain Lacourbas

Edited by: Malcolm Jamieson

After Earth | ShotOnWhat?

Visual Effects Supervisor: DIVE

After Earth (2013)

Directed by: M. Night Shyamalan

Cinematography by: Peter Suschitzky

Edited by: Steven Rosenblum

Cameras: Canon EOS-C500 Camera, Sony CineAlta F65 Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Cooke S4 Lenses

The Wolf of Wall Street | ShotOnWhat?

Visual Effects Supervisor: Method Studios

The Wolf of Wall Street (2013)

Directed by: Martin Scorsese

Cinematography by: Rodrigo Prieto

Edited by: Thelma Schoonmaker

Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 140 mm T3.5 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 135 mm T3.0 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Plus 80-180 mm T2.8 Lens, Hawk V-Series 180 mm T3.0 Lens, Zeiss Master Prime Lenses

Editing System: Lightworks Editing System

Safety Not Guaranteed | ShotOnWhat?

Visual Effects Consultant: DIVE

Safety Not Guaranteed (2012)

Directed by: Colin Trevorrow

Cinematography by: Benjamin Kasulke

Edited by: Joe Landauer, Franklin Peterson

Cameras: Sony PMW-F3 Camera

Lenses: Panavision Ultra Speed MKII Lenses

Lawless | ShotOnWhat?

Visual Effects Supervisor: DIVE

Lawless (2012)

Directed by: John Hillcoat

Cinematography by: Benoît Delhomme

Edited by: Dylan Tichenor

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

Chernobyl Diaries | ShotOnWhat?

Visual Effects Supervisor

Chernobyl Diaries (2012)

Directed by: Bradley Parker

Cinematography by: Morten Søborg

Edited by: Stan Salfas

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Silver Linings Playbook | ShotOnWhat?

Visual Effects Creative Supervisor: DIVE

Silver Linings Playbook (2012)

Directed by: David O. Russell

Cinematography by: Masanobu Takayanagi

Edited by: Jay Cassidy, Crispin Struthers

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

The Last Airbender | ShotOnWhat?

Visual Effects Consultant: DIVE

The Last Airbender (2010)

Directed by: M. Night Shyamalan

Cinematography by: Andrew Lesnie

Edited by: Conrad Buff IV

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

The Best and the Brightest | ShotOnWhat?

Title Designer: Main Titles

The Best and the Brightest (2010)

Directed by: Josh Shelov

Cinematography by: John Inwood

Edited by: Peter Iannuccilli

Let Me In | ShotOnWhat?

Visual Effects Supervisor: DIVE

Let Me In (2010)

Directed by: Matt Reeves

Cinematography by: Greig Fraser

Edited by: Stan Salfas

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

The Road | ShotOnWhat?

Visual Effects Supervisor

The Road (2009)

Directed by: John Hillcoat

Cinematography by: Javier Aguirresarobe

Edited by: Jon Gregory

Cameras: ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Jumper | ShotOnWhat?

Additional Visual Effects Supervisor / Visual Effects Supervisor: DIVE

Jumper (2008)

Directed by: Doug Liman

Cinematography by: Barry Peterson

Edited by: Saar Klein, Dean Zimmerman, Don Zimmerman

Cameras: Panavision Cameras, Red One Camera

Under Still Waters | ShotOnWhat?

Visual Effects Supervisor

Under Still Waters (2008)

Directed by: Carolyn Miller

Cinematography by: Matthew Irving

Edited by: Mark Wawrzenski

The Book of Caleb | ShotOnWhat?

Additional Conforming Editor: DIVE

The Book of Caleb (2008)

Directed by: Matthew von Manahan

Cinematography by: Mike Gioulakis

Edited by: Adele Romanski

Charlie and the Chocolate Factory | ShotOnWhat?

Visual Effects Supervisor: Digital Domain

Charlie and the Chocolate Factory (2005)

Directed by: Tim Burton

Cinematography by: Philippe Rousselot

Edited by: Chris Lebenzon

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Cinderella Man | ShotOnWhat?

Visual Effects Supervisor: Digital Domain

Cinderella Man (2005)

Directed by: Ron Howard

Cinematography by: Salvatore Totino

Edited by: Daniel P. Hanley, Mike Hill

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Canon Scoopic 16 / 16M Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Dark Water | ShotOnWhat?

Visual Effects Supervisor: Digital Domain

Dark Water (2005)

Directed by: Walter Salles

Cinematography by: Affonso Beato

Edited by: Daniel Rezende

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Anamorphic Lenses

Peter Pan | ShotOnWhat?

Visual Effects Supervisor: Digital Domain

Peter Pan (2003)

Directed by: P.J. Hogan

Cinematography by: Donald McAlpine

Edited by: Garth Craven, Michael Kahn

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Star Trek: Nemesis | ShotOnWhat?

Visual Effects Supervisor

Star Trek: Nemesis (2002)

Directed by: Stuart Baird

Cinematography by: Jeffrey L. Kimball

Edited by: Dallas Puett

The Lord of the Rings: The Fellowship of the Ring | ShotOnWhat?

Visual Effects Supervisor: Digital Domain

The Lord of the Rings: The Fellowship of the Ring (2001)

Directed by: Peter Jackson

Cinematography by: Andrew Lesnie

Edited by: John Gilbert

Cameras: ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 Camera

Lenses: Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Edtv | ShotOnWhat?

Compositing Supervisor: Digital Domain

Edtv (1999)

Directed by: Ron Howard

Cinematography by: John Schwartzman

Edited by: Daniel P. Hanley, Mike Hill

Armageddon | ShotOnWhat?

Digital Compositing Supervisor: Digital Domain

Armageddon (1998)

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Mark Goldblatt, Chris Lebenzon, Glen Scantlebury

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Titanic | ShotOnWhat?

Digital Compositing Supervisor: Digital Domain

Titanic (1997)

Directed by: James Cameron

Cinematography by: Russell Carpenter

Edited by: Conrad Buff IV, James Cameron, Richard A. Harris

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Kundun | ShotOnWhat?

Digital Compositing Supervisor

Kundun (1997)

Directed by: Martin Scorsese

Cinematography by: Roger Deakins

Edited by: Thelma Schoonmaker

Cameras: ARRIFLEX 535 B Camera

Lenses: Cooke Lenses, Cooke Super Cine Varotal 25-250mm f2.8 Lens, Zeiss Standard Speed Prime Lenses

Chain Reaction | ShotOnWhat?

Digital Compositor

Chain Reaction (1996)

Directed by: Andrew Davis

Cinematography by: Frank Tidy

Edited by: Don Brochu, Dov Hoenig, Arthur Schmidt, Mark Stevens

Cameras: Panavision Cameras

Waterworld | ShotOnWhat?

Digital Compositing Supervisor: Digital Domain

Waterworld (1995)

Directed by: Kevin Reynolds

Cinematography by: Dean Semler

Edited by: Peter Boyle

Cameras: Aaton 35-III Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, Cine SL-35 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera

Lenses: Canon Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses

Apollo 13 | ShotOnWhat?

Lead Digital Compositor: Digital Domain

Apollo 13 (1995)

Directed by: Ron Howard

Cinematography by: Dean Cundey

Edited by: Daniel P. Hanley, Mike Hill

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses: Panavision Primo Primes Spherical Lenses

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