Alex Gibson

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Oppenheimer | ShotOnWhat?

Music Editor

Oppenheimer (2023)

Directed by: Christopher Nolan

Cinematography by: Hoyte Van Hoytema

Edited by: Jennifer Lame

Cameras: ARRIFLEX 435 Camera, IMAX MKIII Reflex Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Hasselblad Lenses, Panavision Lenses, Panavision Sphero 65 Series Lenses, Panavision System 65 Lenses

Editing System: Avid Editing System

Ambulance | ShotOnWhat?

Music Editor

Ambulance (2022)

Directed by: Michael Bay

Cinematography by: Roberto De Angelis

Edited by: Doug Brandt, Pietro Scalia, Calvin Wimmer

Cameras: Red Epic Helium Camera, Red Komodo Camera

Lenses: Panavision H Series Lenses, Panavision T Series Anamorphic Lenses

The Sea Beast | ShotOnWhat?

Music Editor

The Sea Beast (2022)

Directed by: Chris Williams

Edited by: Joyce Arrastia

Black Panther: Wakanda Forever | ShotOnWhat?

Music Editor

Black Panther: Wakanda Forever (2022)

Directed by: Ryan Coogler

Cinematography by: Autumn Durald Arkapaw

Edited by: Kelley Dixon, Jennifer Lame, Michael P. Shawver

Cameras: Sony CineAlta VENICE Camera

Lenses: Panavision B Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Panatar Anamorphic Lenses

Tenet | ShotOnWhat?

Supervising Music Editor

Tenet (2020)

Directed by: Christopher Nolan

Cinematography by: Hoyte Van Hoytema

Edited by: Jennifer Lame

Cameras: ARRIFLEX 765 Camera, IMAX MKIII Reflex Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision System 65 Camera

Lenses: Hasselblad Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

6 Underground | ShotOnWhat?

Music Editor

6 Underground (2019)

Directed by: Michael Bay

Cinematography by: Bojan Bazelli

Edited by: Roger Barton, William Goldenberg, Calvin Wimmer

Cameras: Apple iPhone Camera, ARRIFLEX 35 IIC Camera, GoPro HD Hero Camera, Red Epic Helium Camera, Red Monstro 8K Camera, Red Raven Camera, Sony CineAlta VENICE Camera

Lenses: Panavision T Series Anamorphic Lenses

Transformers: The Last Knight | ShotOnWhat?

Dunkirk | ShotOnWhat?

Supervising Music Editor

Dunkirk (2017)

Directed by: Christopher Nolan

Cinematography by: Hoyte Van Hoytema

Edited by: Lee Smith

Cameras: IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Hasselblad Lenses, Panavision 65mm Prime Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

13 Hours: The Secret Soldiers of Benghazi | ShotOnWhat?

Supervising Music Editor

13 Hours: The Secret Soldiers of Benghazi (2016)

Directed by: Michael Bay

Cinematography by: Dion Beebe

Edited by: Michael McCusker, Pietro Scalia, Calvin Wimmer

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, GoPro HD Hero3 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Mission: Impossible - Rogue Nation | ShotOnWhat?

Temp Music Editor

Mission: Impossible - Rogue Nation (2015)

Directed by: Christopher McQuarrie

Cinematography by: Robert Elswit

Edited by: Eddie Hamilton

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Fujinon Premier Lenses, Panavision B Series Anamorphic Lenses

Editing System: Avid Editing System

Mad Max: Fury Road | ShotOnWhat?

Music Editor

Mad Max: Fury Road (2015)

Directed by: George Miller

Cinematography by: John Seale

Edited by: Margaret Sixel

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Blackmagic Cinema Camera, Canon EOS-5D Mark II Camera, Nikon D800 Camera, Olympus E-P5 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses

Editing System: Avid Editing System

Terminator Genisys | ShotOnWhat?

Supervising Music Editor

Terminator Genisys (2015)

Directed by: Alan Taylor

Cinematography by: Kramer Morgenthau

Edited by: Roger Barton

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision Anamorphic Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Interstellar | ShotOnWhat?

Music Editor

Interstellar (2014)

Directed by: Christopher Nolan

Cinematography by: Hoyte Van Hoytema

Edited by: Lee Smith

Cameras: Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Hasselblad Lenses, Leitz Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

Transformers: Age of Extinction | ShotOnWhat?

Music Editor

Transformers: Age of Extinction (2014)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Paul Rubell

Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

Ender's Game | ShotOnWhat?

Music Editor

Ender's Game (2013)

Directed by: Gavin Hood

Cinematography by: Donald McAlpine

Edited by: Lee Smith, Zach Staenberg

Cameras: Red Epic Camera

Pain & Gain | ShotOnWhat?

Music Editor

Pain & Gain (2013)

Directed by: Michael Bay

Cinematography by: Ben Seresin

Edited by: Tom Muldoon, Joel Negron

Cameras: Canon EOS-7D Camera, GoPro HD Hero3 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Gold Camera, Red Epic Camera

Lenses: Panavision C Series Anamorphic Lenses

Editing System: Avid Editing System

Battleship | ShotOnWhat?

Music Editor

Battleship (2012)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr., Billy Rich, Paul Rubell

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Dark Knight Rises | ShotOnWhat?

Supervising Music Editor

The Dark Knight Rises (2012)

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Lee Smith

Cameras: ARRIFLEX 235 Camera, Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera, Panavision System 65 Camera

Lenses: Hasselblad Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Transformers: Dark of the Moon | ShotOnWhat?

Supervising Music Editor

Transformers: Dark of the Moon (2011)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Joel Negron

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Inception | ShotOnWhat?

The Wolfman | ShotOnWhat?

Music Editor

The Wolfman (2010)

Directed by: Joe Johnston

Cinematography by: Shelly Johnson

Edited by: Walter Murch, Dennis Virkler, Mark Goldblatt

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

X-Men Origins: Wolverine | ShotOnWhat?

Music Editor

X-Men Origins: Wolverine (2009)

Directed by: Gavin Hood

Cinematography by: Donald McAlpine

Edited by: Nicolas De Toth, Megan Gill

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Final Cut Pro Editing System

Transformers: Revenge of the Fallen | ShotOnWhat?

Music Editor

Transformers: Revenge of the Fallen (2009)

Directed by: Michael Bay

Cinematography by: Ben Seresin

Edited by: Roger Barton, Tom Muldoon, Joel Negron, Paul Rubell

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

The Dark Knight | ShotOnWhat?

Music Editor

The Dark Knight (2008)

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Lee Smith

Cameras: Beaumont Vista Vision Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Super Speed Lenses

Editing System: Avid Editing System

Max Payne | ShotOnWhat?

Music Editor

Max Payne (2008)

Directed by: John Moore

Cinematography by: Jonathan Sela

Edited by: Dan Zimmerman

Cameras: ARRIFLEX 435 Camera, Phantom HD Camera

Lenses: Cooke S4 Lenses

Live Free or Die Hard | ShotOnWhat?

Supervising Music Editor

Live Free or Die Hard (2007)

Directed by: Len Wiseman

Cinematography by: Simon Duggan

Edited by: Nicolas De Toth

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0

Editing System: Avid Editing System

Shooter | ShotOnWhat?

Music Editor

Shooter (2007)

Directed by: Antoine Fuqua

Cinematography by: Peter Menzies Jr.

Edited by: Conrad Buff IV, Eric A. Sears

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Scary Movie 4 | ShotOnWhat?

Supervising Music Editor

Scary Movie 4 (2006)

Directed by: David Zucker

Cinematography by: Thomas E. Ackerman

Edited by: Craig Herring, Tom Lewis

Cameras: Panavision Genesis Camera

The Prestige | ShotOnWhat?

Music Editor

The Prestige (2006)

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera, Spacecam Aerial Cameras

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Omen | ShotOnWhat?

Music Editor

The Omen (2006)

Directed by: John Moore

Cinematography by: Jonathan Sela

Edited by: Dan Zimmerman

Cameras: Panavision Cameras

Get Rich or Die Tryin' | ShotOnWhat?

Music Editor / Supervising Music Editor

Get Rich or Die Tryin' (2005)

Directed by: Jim Sheridan

Cinematography by: Declan Quinn

Edited by: Roger Barton, Conrad Buff IV

Cameras: Panavision Cameras

xXx: State of the Union | ShotOnWhat?

Supervising Music Editor

xXx: State of the Union (2005)

Directed by: Lee Tamahori

Cinematography by: David Tattersall

Edited by: Mark Goldblatt, Todd E. Miller, Steven Rosenblum

I, Robot | ShotOnWhat?

Music Editor

I, Robot (2004)

Directed by: Alex Proyas

Cinematography by: Simon Duggan

Edited by: William Hoy, Richard Learoyd, Armen Minasian

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Cooke S4 Lenses, Zeiss Ultra Prime Lenses

Scary Movie 3 | ShotOnWhat?

Supervising Music Editor

Scary Movie 3 (2003)

Directed by: David Zucker

Cinematography by: Mark Irwin

Edited by: Malcolm Campbell, Jon Poll

The Recruit | ShotOnWhat?

Music Editor

The Recruit (2003)

Directed by: Roger Donaldson

Cinematography by: Stuart Dryburgh

Edited by: David Rosenbloom

Charlie's Angels: Full Throttle | ShotOnWhat?

Music Editor

Charlie's Angels: Full Throttle (2003)

Directed by: McG

Cinematography by: Russell Carpenter

Edited by: Wayne Wahrman

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Anamorphic Lenses

Insomnia | ShotOnWhat?

Music Editor

Insomnia (2002)

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Dody Dorn

Cameras: Aaton 35-III Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

My Big Fat Greek Wedding | ShotOnWhat?

Music Editor

My Big Fat Greek Wedding (2002)

Directed by: Joel Zwick

Cinematography by: Jeffrey Jur

Edited by: Mia Goldman

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Rollerball | ShotOnWhat?

Music Editor

Rollerball (2002)

Directed by: John McTiernan

Cinematography by: Steve Mason

Edited by: Robert K. Lambert, John Wright

From Hell | ShotOnWhat?

Music Editor

From Hell (2001)

Directed by: Albert Hughes, Allen Hughes

Cinematography by: Peter Deming

Edited by: George Bowers, Dan Lebental

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Corky Romano | ShotOnWhat?

Music Editor: Temp Music

Corky Romano (2001)

Directed by: Rob Pritts

Cinematography by: Steven Bernstein

Edited by: Alan Cody

Cameras: Panavision Cameras

See Spot Run | ShotOnWhat?

Music Editor

See Spot Run (2001)

Directed by: John Whitesell

Cinematography by: John S. Bartley

Edited by: Cara Silverman

Thirteen Days | ShotOnWhat?

Music Editor

Thirteen Days (2000)

Directed by: Roger Donaldson

Cinematography by: Andrzej Bartkowiak

Edited by: Conrad Buff IV

Reindeer Games | ShotOnWhat?

Music Editor

Reindeer Games (2000)

Directed by: John Frankenheimer

Cinematography by: Alan Caso

Edited by: Antony Gibbs, Michael Kahn

Cameras: Panavision Cameras, Spacecam Aerial Cameras

Shanghai Noon | ShotOnWhat?

Music Editor: Temp Track

Shanghai Noon (2000)

Directed by: Tom Dey

Cinematography by: Dan Mindel

Edited by: Richard Chew

Mystery Men | ShotOnWhat?

Supervising Music Editor

Mystery Men (1999)

Directed by: Kinka Usher

Cinematography by: Stephen H. Burum

Edited by: Conrad Buff IV

The Newton Boys | ShotOnWhat?

Music Editor

The Newton Boys (1998)

Directed by: Richard Linklater

Cinematography by: Peter James

Edited by: Sandra Adair

One True Thing | ShotOnWhat?

Supervising Music Editor

One True Thing (1998)

Directed by: Carl Franklin

Cinematography by: Declan Quinn

Edited by: Carole Kravetz Aykanian

Cameras: Moviecam Compact Camera, Panavision Cameras

Lenses: Panavision Lenses

Vegas Vacation | ShotOnWhat?

Supervising Music Editor

Vegas Vacation (1997)

Directed by: Stephen Kessler

Cinematography by: William A. Fraker

Edited by: Seth Flaum

Cameras: Panavision Cameras

Out to Sea | ShotOnWhat?

Music Editor

Out to Sea (1997)

Directed by: Martha Coolidge

Cinematography by: Lajos Koltai

Edited by: Anne V. Coates

Event Horizon | ShotOnWhat?

Music Editor

Event Horizon (1997)

Directed by: Paul W.S. Anderson

Cinematography by: Adrian Biddle

Edited by: Martin Hunter

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

That Thing You Do! | ShotOnWhat?

Music Editor

That Thing You Do! (1996)

Directed by: Tom Hanks

Cinematography by: Tak Fujimoto

Edited by: Richard Chew

Get Shorty | ShotOnWhat?

Music Editor

Get Shorty (1995)

Directed by: Barry Sonnenfeld

Cinematography by: Donald Peterman

Edited by: Jim Miller, Ted Woerner

Devil in a Blue Dress | ShotOnWhat?

Music Editor

Devil in a Blue Dress (1995)

Directed by: Carl Franklin

Cinematography by: Tak Fujimoto

Edited by: Carole Kravetz Aykanian

Virtuosity | ShotOnWhat?

Music Editor

Virtuosity (1995)

Directed by: Brett Leonard

Cinematography by: Gale Tattersall

Edited by: Rob Kobrin, B.J. Sears

Cameras: ARRIFLEX 535 B Camera, Moviecam Compact Camera

Dangerous Minds | ShotOnWhat?

Music Editor

Dangerous Minds (1995)

Directed by: John N. Smith

Cinematography by: Pierre Letarte

Edited by: Tom Rolf

The Getaway | ShotOnWhat?

Music Editor

The Getaway (1994)

Directed by: Roger Donaldson

Cinematography by: Peter Menzies Jr.

Edited by: Conrad Buff IV

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Natural Born Killers | ShotOnWhat?

Music Editor

Natural Born Killers (1994)

Directed by: Oliver Stone

Cinematography by: Robert Richardson

Edited by: Brian Berdan, Hank Corwin

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Avid Editing System

Cabin Boy | ShotOnWhat?

Music Editor

Cabin Boy (1994)

Directed by: Adam Resnick

Cinematography by: Steve Yaconelli

Edited by: Jon Poll

Red Rock West | ShotOnWhat?

Music Editor

Red Rock West (1993)

Directed by: John Dahl

Cinematography by: Marc Reshovsky

Edited by: Scott Chestnut

Point of No Return | ShotOnWhat?

Music Editor

Point of No Return (1993)

Directed by: John Badham

Cinematography by: Michael W. Watkins

Edited by: Frank Morriss

Jack the Bear | ShotOnWhat?

Music Editor

Jack the Bear (1993)

Directed by: Marshall Herskovitz

Cinematography by: Fred Murphy

Edited by: Steven Rosenblum

Trespass | ShotOnWhat?

Music Editor

Trespass (1992)

Directed by: Walter Hill

Cinematography by: Lloyd Ahern II

Edited by: Freeman A. Davies

Whispers in the Dark | ShotOnWhat?

Music Editor

Whispers in the Dark (1992)

Directed by: Christopher Crowe

Cinematography by: Michael Chapman

Edited by: Ray Hubley, Bill Pankow

Unlawful Entry | ShotOnWhat?

Music Editor

Unlawful Entry (1992)

Directed by: Jonathan Kaplan

Cinematography by: Jamie Anderson

Edited by: Curtiss Clayton

Point Break | ShotOnWhat?

Second Assistant Editor

Point Break (1991)

Directed by: Kathryn Bigelow

Cinematography by: Donald Peterman

Edited by: Howard E. Smith

Cameras: Panavision Cameras

Lenses: Panavision Lenses

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