Digital Artist
Jurassic World (2015)
Directed by: Colin Trevorrow
Cinematography by: John Schwartzman
Edited by: Kevin Stitt
Special Makeup Effects Artist
St. Vincent (2014)
Directed by: Theodore Melfi
Cinematography by: John Lindley
Editing System: Avid Editing System
Special Makeup Effects Artist
Unbroken (2014)
Directed by: Angelina Jolie
Cinematography by: Roger Deakins
Lenses: Zeiss Master Prime Lenses
Special Makeup Effects Artist
Maleficent (2014)
Directed by: Robert Stromberg
Cinematography by: Dean Semler
Special Makeup Producer
Men in Black 3 (2012)
Directed by: Barry Sonnenfeld
Cinematography by: Bill Pope
Edited by: Don Zimmerman
Storyboard Coordinator
Pirates of the Caribbean: On Stranger Tides (2011)
Directed by: Rob Marshall
Cinematography by: Dariusz Wolski
Cameras: Red Epic Camera, Red One MX Camera
Visual Effects Production Manager
Terminator Salvation (2009)
Directed by: McG
Cinematography by: Shane Hurlbut
Edited by: Conrad Buff IV
Himself
Beware the Moon: Remembering 'An American Werewolf in London' (2009)
Directed by: Paul Davis
Cinematography by: Anthony Bueno
Edited by: Anthony Bueno
Visual Effects Production Manager
Speed Racer (2008)
Cinematography by: David Tattersall
Lenses: Zeiss DigiPrime Lenses
Visual Effects Coordinator
Fred Claus (2007)
Directed by: David Dobkin
Cinematography by: Remi Adefarasin
Edited by: Mark Livolsi
Lenses: Zeiss Ultra Prime Lenses
Visual Effects Coordinator
Pirates of the Caribbean: At World's End (2007)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Makeup Effects Production Supervisor
Norbit (2007)
Directed by: Brian Robbins
Cinematography by: Clark Mathis
Edited by: Ned Bastille
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Special Makeup Effects
Enchanted (2007)
Directed by: Kevin Lima
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Makeup Effects Production Supervisor: Cinovation Studios
Click (2006)
Directed by: Frank Coraci
Cinematography by: Dean Semler
Edited by: Jeff Gourson
Cameras: Panavision Genesis Camera
Makeup Effects Producer: Cinovation Studios
Cursed (2005)
Directed by: Wes Craven
Cinematography by: Robert McLachlan
Visual Effects Creature Coordinator
Doom (2005)
Directed by: Andrzej Bartkowiak
Cinematography by: Tony Pierce-Roberts
Edited by: Derek Brechin
Special Makeup Effects Foreman
The Ring Two (2005)
Directed by: Hideo Nakata
Cinematography by: Gabriel Beristain
Edited by: Michael N. Knue
Makeup Production Supervisor: Cinovation
Hellboy (2004)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Edited by: Peter Amundson
Production Supervisor: Cinovation, Puppeteer , Shop Foreman: Cinovation
Men in Black II (2002)
Directed by: Barry Sonnenfeld
Cinematography by: Greg Gardiner
Project Supervisor: Cinovation
The Ring (2002)
Directed by: Gore Verbinski
Cinematography by: Bojan Bazelli
Edited by: Craig Wood
Editing System: Final Cut Pro Editing System
Production Supervisor: Cinovation Studios
Planet of the Apes (2001)
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Cameras: Panavision Panaflex Platinum Camera
Makeup Production Supervisor, Puppeteer
How the Grinch Stole Christmas (2000)
Directed by: Ron Howard
Cinematography by: Donald Peterman
Puppeteer
Nutty Professor II: The Klumps (2000)
Directed by: Peter Segal
Cinematography by: Dean Semler
Edited by: William Kerr
Special Effects Makeup Foreman
Wild Wild West (1999)
Directed by: Barry Sonnenfeld
Cinematography by: Michael Ballhaus
Edited by: Jim Miller
Makeup Production Supervisor
Life (1999)
Directed by: Ted Demme
Cinematography by: Geoffrey Simpson
Edited by: Jeffrey Wolf
Creature Production Supervisor, Puppeteer
Mighty Joe Young (1998)
Directed by: Ron Underwood
Edited by: Paul Hirsch
Administrator: Cinovation Studios
Men in Black (1997)
Directed by: Barry Sonnenfeld
Cinematography by: Donald Peterman
Edited by: Jim Miller
Crew Member: Cinovation
Batman & Robin (1997)
Directed by: Joel Schumacher
Cinematography by: Stephen Goldblatt
Prototype Deisgner: Alterian Studios
Warriors of Virtue (1997)
Directed by: Ronny Yu
Cinematography by: Peter Pau
Edited by: David Wu
Special Effects Makeup Foreman
Escape from L.A. (1996)
Directed by: John Carpenter
Cinematography by: Gary B. Kibbe
Edited by: Edward A. Warschilka
Shop Foreman: Rick Baker/Cinovation Studio Crew
Batman Forever (1995)
Directed by: Joel Schumacher
Cinematography by: Stephen Goldblatt
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Animatronic Puppets: Alterian Studios, Inc., Puppeteer
Cabin Boy (1994)
Directed by: Adam Resnick
Cinematography by: Steve Yaconelli
Edited by: Jon Poll
Creature Foreman
Addams Family Values (1993)
Directed by: Barry Sonnenfeld
Cinematography by: Donald Peterman
Creature Foreman / Skeleton And Project Foreman: "Evil Ash", Alterian Studios, Puppeteer
Army of Darkness (1992)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Puppeteer
The Addams Family (1991)
Directed by: Barry Sonnenfeld
Cinematography by: Owen Roizman
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Special Makeup Effects
Dogfight (1991)
Directed by: Nancy Savoca
Cinematography by: Bobby Bukowski
Edited by: John Tintori
Cameras: ARRIFLEX 35 BL4s Camera
Lenses: Cooke Lenses
Creature Mechanicals: FX Smith, Inc.
Graveyard Shift (1990)
Directed by: Ralph S. Singleton
Cinematography by: Peter Stein
Creature Effects: Mechanical Department
Pumpkinhead (1988)
Directed by: Stan Winston
Cinematography by: Bojan Bazelli
Edited by: Marcus Manton
Cameras: ARRI Cameras
Fabricator: Klowns
Killer Klowns from Outer Space (1988)
Directed by: Stephen Chiodo
Cinematography by: Alfred Taylor
Edited by: Christopher Roth
Creature Effects Crew
Gorillas in the Mist (1988)
Directed by: Michael Apted
Cinematography by: John Seale
Edited by: Stuart Baird
Cameras: ARRIFLEX 35 BL4s Camera
Creature Effects Crew
Aliens (1986)
Directed by: James Cameron
Cinematography by: Adrian Biddle
Edited by: Ray Lovejoy
Lenses: Canon K35 Prime Lenses
Creature Effects: Mechanical Department
Invaders from Mars (1986)
Directed by: Tobe Hooper
Cinematography by: Daniel Pearl
Edited by: Alain Jakubowicz
Mechanism Builder, Puppeteer
Ghostbusters (1984)
Directed by: Ivan Reitman
Cinematography by: László Kovács
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Special Makeup Effects Artist
Videodrome (1983)
Directed by: David Cronenberg
Cinematography by: Mark Irwin
Edited by: Ronald Sanders
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Creature Effects Crew
The Thing (1982)
Directed by: John Carpenter
Cinematography by: Dean Cundey
Edited by: Todd C. Ramsay
