Special Effects Coordinator: Additional Photography
Bad Santa 2 (2016)
Directed by: Mark Waters
Cinematography by: Theo van de Sande
Edited by: Travis Sittard
Cameras: Panasonic VariCam 35
Lenses: Cooke Lenses
Special Effects Crew
Noah (2014)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Andrew Weisblum
Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera
Editing System: Avid Editing System
Special Effects Crew
The Wolf of Wall Street (2013)
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 140 mm T3.5 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 135 mm T3.0 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Plus 80-180 mm T2.8 Lens, Hawk V-Series 180 mm T3.0 Lens, Zeiss Master Prime Lenses
Editing System: Lightworks Editing System
Special Effects Crew
Argo (2012)
Directed by: Ben Affleck
Cinematography by: Rodrigo Prieto
Edited by: William Goldenberg
Special Effects Foreman
The Amazing Spider-Man (2012)
Directed by: Marc Webb
Cinematography by: John Schwartzman
Cameras: Red Epic Camera
Special Effects Supervisor
Zero Dark Thirty (2012)
Directed by: Kathryn Bigelow
Cinematography by: Greig Fraser
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Lenses: Angenieux HP Zoom Lenses, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Optica Elite Lenses
Editing System: Avid Editing System
Bomb Consultant
Jab Tak Hai Jaan (2012)
Directed by: Yash Chopra
Cinematography by: Anil Mehta
Edited by: Namrata Rao
Cameras: ARRIFLEX 435 Xtreme Camera
Special Effects Coordinator
'Modern Family' Dude Ranch (2011)
Directed by: Jason Winer
Cinematography by: James R. Bagdonas
Edited by: Ryan Case
Special Effects Foreman
Fast Five (2011)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Special Effects Foreman: Pyrotechnics
Takers (2010)
Directed by: John Luessenhop
Cinematography by: Michael Barrett
Edited by: Armen Minasian
Special Effects Foreperson: Second Unit
Shutter Island (2010)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: ARRIFLEX 765 Camera, ARRIFLEX D-21 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Editing System: Lightworks Editing System
Special Effects Coordinator
'Dexter' Blinded by the Light (2009)
Directed by: Marcos Siega
Cinematography by: Romeo Tirone
Edited by: Matthew Colonna
Special Effects Coordinator
'Dexter' Slack Tide (2009)
Directed by: Tim Hunter
Cinematography by: Romeo Tirone
Edited by: Stewart Schill
Special Effects Coordinator
'Dexter' If I Had a Hammer (2009)
Directed by: Romeo Tirone
Cinematography by: Martin J. Layton
Edited by: Matthew Colonna
Special Effects Coordinator
'Dexter' Dirty Harry (2009)
Directed by: Keith Gordon
Cinematography by: Martin J. Layton
Edited by: Louis Cioffi
Special Effects Coordinator
'Dexter' Dex Takes a Holiday (2009)
Directed by: John Dahl
Cinematography by: Romeo Tirone
Edited by: Stewart Schill
Special Effects Coordinator
'Dexter' Remains to Be Seen (2009)
Directed by: Brian Kirk
Cinematography by: Romeo Tirone
Edited by: Louis Cioffi
Special Effects Coordinator
'Dexter' Living the Dream (2009)
Directed by: Marcos Siega
Cinematography by: Romeo Tirone
Edited by: Stewart Schill
Special Effects Coordinator - 1 Episode, 2011
Modern Family (2009)
Directed by: Gail Mancuso, Steven Levitan, Michael Spiller, Beth McCarthy-Miller, Jason Winer, James R. Bagdonas, James Alan Hensz, Fred Savage, Chris Koch, Jeffrey Walker, Ryan Case, Alisa Statman, Eric Dean Seaton, Scott Ellis, Reginald Hudlin, Randall Einhorn, Bryan Cranston, Ken Whittingham, John Riggi, Julie Bowen, Abraham Higginbotham, Iwona Kanclerz, Helena Lamb, Seth Gordon, Kevin Rodney Sullivan, Dean Parisot, Adam Shankman, Jeff Melman, Fred Goss, Lev L. Spiro, Claire Scanlon, Phil Traill, Michelle MacLaren, Kat Coiro, Jaffar Mahmood, Elaine Ko
Edited by: Ryan Case, Tony Orcena, Christian Miglio, Giselle Murillo, Jonathan Schwartz, Steven Rasch, Shaheed Qaasim, Michael Kamens, Jamie Kennedy
Cameras: ARRI ALEXA Camera, Sony CineAlta F35 Camera
Special Effects Technician
Iron Man (2008)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Edited by: Dan Lebental
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Special Effects Supervisor
The Hurt Locker (2008)
Directed by: Kathryn Bigelow
Cinematography by: Barry Ackroyd
Editing System: Avid Editing System
Special Effects
Yes Man (2008)
Directed by: Peyton Reed
Cinematography by: Robert D. Yeoman
Edited by: Craig Alpert
Cameras: Panavision Cameras
Special Effects
Transformers (2007)
Directed by: Michael Bay
Cinematography by: Mitchell Amundsen
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Angenieux HR 25-250 mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens
Editing System: Avid Editing System, Final Cut Pro Editing System
Special Effects Supervisor: Additional Miniatures
X-Men: The Last Stand (2006)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Special Effects Coordinator - 7 Episodes, 2009
Dexter (2006)
Directed by: John Dahl, Steve Shill, Keith Gordon, Marcos Siega, Ernest R. Dickerson, Romeo Tirone, Michael Cuesta, Tony Goldwyn, S.J. Clarkson, Stefan Schwartz, Robert Lieberman, Nick Gomez, Tim Hunter, Michael Lehmann, Holly Dale, Alik Sakharov, Adam Davidson, Jeremy Podeswa, Brian Kirk, Milan Cheylov, Seith Mann, Michael C. Hall
Special Effects Supervisor
A Lot Like Love (2005)
Directed by: Nigel Cole
Cinematography by: John de Borman
Edited by: Susan Littenberg
Special Effects Supervisor
The 40-Year-Old Virgin (2005)
Directed by: Judd Apatow
Cinematography by: Jack N. Green
Edited by: Brent White
Miniature Special Effects Technician / Special Effects Foreman, Pyrotechnic Supervisor: Miniature Effects Unit
The Aviator (2004)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Editing System: Lightworks Editing System
Special Effects Foreman
Identity (2003)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Edited by: David Brenner
Special Effects Foreman
The Matrix Reloaded (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Special Effects Foreman
Hollywood Homicide (2003)
Directed by: Ron Shelton
Cinematography by: Barry Peterson
Edited by: Paul Seydor
Cameras: Panavision Panaflex Camera
Special Effects: Second Unit
Behind Enemy Lines (2001)
Directed by: John Moore
Cinematography by: Brendan Galvin
Edited by: Paul Martin Smith
Effects Coordinator: Second Unit, Pyrotechnics
Hollow Man (2000)
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Second Unit Special Effects Leadman
Stuart Little (1999)
Directed by: Rob Minkoff
Cinematography by: Guillermo Navarro
Edited by: Tom Finan
Cameras: Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Physical Effects Supervisor, Physical Effects Supervisor: Visual Effects
Armageddon (1998)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Special Effects Coordinator: New York
The Horse Whisperer (1998)
Directed by: Robert Redford
Cinematography by: Robert Richardson
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Special Effects Supervisor: Digital Domain
Dante's Peak (1997)
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Special Effects Coordinator
L.A. Confidential (1997)
Directed by: Curtis Hanson
Cinematography by: Dante Spinotti
Edited by: Peter Honess
Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Special Effects Coordinator
A Very Brady Sequel (1996)
Directed by: Arlene Sanford
Cinematography by: Mac Ahlberg
Edited by: Anita Brandt Burgoyne
Special Effects Foreman
Twister (1996)
Directed by: Jan de Bont
Cinematography by: Jack N. Green
Edited by: Michael Kahn
Miniature Pyrotechnician, Pyrotechnic Effects Supervisor
Chain Reaction (1996)
Directed by: Andrew Davis
Cinematography by: Frank Tidy
Cameras: Panavision Cameras
Foreman: Mechanical Effects
Independence Day (1996)
Directed by: Roland Emmerich
Cinematography by: Karl Walter Lindenlaub
Edited by: David Brenner
Cameras: Panavision Panaflex Platinum Camera
Lenses: Panavision Lenses
Special Effects Foreman: Miniature Unit
Waterworld (1995)
Directed by: Kevin Reynolds
Cinematography by: Dean Semler
Edited by: Peter Boyle
Miniature Special Effects: Stetson Visual Services, Inc.
True Lies (1994)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Special Effects Coordinator
A River Runs Through It (1992)
Directed by: Robert Redford
Cinematography by: Philippe Rousselot
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Special Effects Foreman
Toys (1992)
Directed by: Barry Levinson
Cinematography by: Adam Greenberg
Edited by: Stu Linder
Special Effects Foreman
Another 48 Hrs. (1990)
Directed by: Walter Hill
Cinematography by: Matthew F. Leonetti
Cameras: Ultracam 35 Camera
Special Effects Foreman: Miniature Unit
Total Recall (1990)
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Cameras: ARRIFLEX Camera
Lenses: Zeiss Lenses
Special Effects Supervisor
DeepStar Six (1989)
Directed by: Sean S. Cunningham
Cinematography by: Mac Ahlberg
Edited by: David Handman
Special Effects
L.A. Takedown (1989)
Directed by: Michael Mann
Cinematography by: Ronald Víctor García
Edited by: Dov Hoenig
Special Effects Foreman
Poltergeist III (1988)
Directed by: Gary Sherman
Cinematography by: Alex Nepomniaschy
Edited by: Ross Albert
Cameras: Panavision Panaflex Series Cameras
Lenses: Panavision Lenses
Special Effects
The Lost Boys (1987)
Directed by: Joel Schumacher
Cinematography by: Michael Chapman
Edited by: Robert Brown
Special Effects Foreman
Enemy Mine (1985)
Directed by: Wolfgang Petersen
Cinematography by: Tony Imi
Edited by: Hannes Nikel
Special Effects Foreman
Gremlins (1984)
Directed by: Joe Dante
Cinematography by: John Hora
Edited by: Tina Hirsch
Special Effects , Special Effects Technician
Blue Thunder (1983)
Directed by: John Badham
Cinematography by: John A. Alonzo
Cameras: Panavision Cameras
Special Effects Technician
Wrong Is Right (1982)
Directed by: Richard Brooks
Cinematography by: Fred J. Koenekamp
Edited by: George Grenville
Special Effects Technician
Any Which Way You Can (1980)
Directed by: Buddy Van Horn
Cinematography by: David Worth
Special Effects Technician
Jaws (1975)
Directed by: Steven Spielberg
Cinematography by: Bill Butler
Edited by: Verna Fields
Editing System: Moviola Editing System
