First Assistant Camera: "c" Cam
'13 Reasons Why' Two Girls Kissing (2018)
Directed by: Gregg Araki
Cinematography by: Cameron Duncan
Edited by: Jacques Gravett
First Assistant Camera: "c" Cam
'13 Reasons Why' Bye (2018)
Directed by: Kyle Patrick Alvarez
Cinematography by: Ivan Strasburg
First Assistant Camera: "c" Cam
'13 Reasons Why' Bryce and Chloe (2018)
Directed by: Jessica Yu
Cinematography by: Ivan Strasburg
First Assistant Camera: "c" Cam
'13 Reasons Why' The First Polaroid (2018)
Directed by: Gregg Araki
Cinematography by: Cameron Duncan
Edited by: Jacques Gravett
First Assistant Camera: "c" Cam
'13 Reasons Why' The Box of Polaroids (2018)
Directed by: Jessica Yu
Cinematography by: Ivan Strasburg
First Assistant Camera: "c" Cam
'13 Reasons Why' Tape 6, Side B (2017)
Directed by: Jessica Yu
Cinematography by: Ivan Strasburg
Edited by: Matthew Ramsey
First Assistant Camera: "c" Cam - 6 Episodes, 2017-2018
13 Reasons Why (2017)
Directed by: Jessica Yu, Kyle Patrick Alvarez, Gregg Araki, Michael Morris, Kevin Dowling, Carl Franklin, Tom McCarthy, Helen Shaver, Kat Candler, Eliza Hittman, Karen Moncrieff, Aurora Guerrero, Bronwen Hughes, John T. Kretchmer
Cinematography by: Ivan Strasburg, Kevin Thompson, Cameron Duncan, Tommy Lohmann, Andrij Parekh, Marshall Adams
Edited by: Matthew Ramsey, Leo Trombetta, Philip Harrison, Jacques Gravett, Daniel Gabbe, Sue Blainey, Rich Fox
Cameras: Panasonic VariCam 35
Editing System: Avid Editing System
First Assistant Camera: 32TEN Studios
Rogue One (2016)
Directed by: Gareth Edwards
Cinematography by: Greig Fraser
Cameras: ARRI ALEXA 65 Camera
Lenses: Panavision APO Panatar Lenses
Editing System: Avid Editing System
First Assistant Camera: "a" Camera
Big Sur (2013)
Directed by: Michael Polish
Cinematography by: M. David Mullen
Cameras: Red Epic Camera, Red One Camera
First Assistant Camera: "b" Camera
Chasing Mavericks (2012)
Cinematography by: Bill Pope
Edited by: John Gilbert
Cameras: ARRI ALEXA Camera, Red Epic Camera
First Assistant Camera: Kerner Optical
Big Miracle (2012)
Directed by: Ken Kwapis
Cinematography by: John Bailey
Edited by: Cara Silverman
First Assistant Camera: "b" Camera, San Francisco
Red Tails (2012)
Directed by: Anthony Hemingway
Cinematography by: John B. Aronson
Cameras: Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Sony CineAlta F35 Camera
Editing System: Lightworks Editing System
First Assistant Camera: Oakland
Moneyball (2011)
Directed by: Bennett Miller
Cinematography by: Wally Pfister
Edited by: Christopher Tellefsen
First Assistant Camera: Kerner Optical
Transformers: Dark of the Moon (2011)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Camera Operator: Kerner Optical
Killers (2010)
Directed by: Robert Luketic
Cinematography by: Russell Carpenter
Cameras: ARRIFLEX D-21 Camera
Lenses: Hawk V-Series Lenses
First Assistant Camera: Kerner Optical
The Last Airbender (2010)
Directed by: M. Night Shyamalan
Cinematography by: Andrew Lesnie
Edited by: Conrad Buff IV
First Assistant Camera: Kerner Optical
Terminator Salvation (2009)
Directed by: McG
Cinematography by: Shane Hurlbut
Edited by: Conrad Buff IV
First Assistant Camera: Kerner Optical
Avatar (2009)
Directed by: James Cameron
Cinematography by: Mauro Fiore
Visual Effects First Assistant Camera Operator: Kerner Optical
Evan Almighty (2007)
Directed by: Tom Shadyac
Cinematography by: Ian Baker
Edited by: Scott Hill
Cameras: Panavision Cameras
Editing System: Lightworks Editing System
Cinematographer
Sonata (2004)
Directed by: Boris Undorf
Cinematography by: Vance Piper
Edited by: Daniel Applegate
Effects Director Of Photography
Star Wars: Episode II - Attack of the Clones (2002)
Directed by: George Lucas
Cinematography by: David Tattersall
Cameras: Sony HDW-F900 Camera
Visual Effects Director Of Photography: ILM
Minority Report (2002)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Visual Effects Director Of Photography
Pearl Harbor (2001)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Plate Photography First Assistant Camera
Space Cowboys (2000)
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Edited by: Joel Cox
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Additional First Assistant Camera
True Crime (1999)
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Edited by: Joel Cox
Camera Operator: ILM
Star Wars: Episode I - The Phantom Menace (1999)
Directed by: George Lucas
Cinematography by: David Tattersall
Lenses: Hawk C-Series Lenses
First Assistant Camera: Second Unit
Edtv (1999)
Directed by: Ron Howard
Cinematography by: John Schwartzman
Assistant Camera: ILM
Snake Eyes (1998)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Bill Pankow
Lenses: Panavision C Series Anamorphic Lenses, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens
Editing System: Avid Editing System
Camera Operator: ILM
Mercury Rising (1998)
Directed by: Harold Becker
Cinematography by: Michael Seresin
Edited by: Peter Honess
Visual Effects Camera Assistant
The Lost World: Jurassic Park (1997)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Assistant Camera
Twister (1996)
Directed by: Jan de Bont
Cinematography by: Jack N. Green
Edited by: Michael Kahn
Vistavision Camera Assistant
Jumanji (1995)
Directed by: Joe Johnston
Cinematography by: Thomas E. Ackerman
Edited by: Robert Dalva
Cameras: Panavision Cameras
First Assistant Camera: VistaVision, ILM
Forrest Gump (1994)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Cameras: Panavision Panaflex Platinum Camera
First Assistant Camera
Golden Gate (1993)
Directed by: John Madden
Cinematography by: Bobby Bukowski
Edited by: Sean Barton
First Assistant Camera: "a" Camera
Mrs. Doubtfire (1993)
Directed by: Chris Columbus
Cinematography by: Donald McAlpine
Edited by: Raja Gosnell
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Visual Effects Camera Assistant: ILM
Death Becomes Her (1992)
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Edited by: Arthur Schmidt
First Assistant Camera: San Francisco
Kuffs (1992)
Directed by: Bruce A. Evans
Cinematography by: Thomas Del Ruth
Edited by: Stephen Semel
Assistant Camera, Plate Camera Assistant
Back to the Future Part III (1990)
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Camera Assistant: ILM
Back to the Future Part II (1989)
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
First Assistant Camera
The Dead Pool (1988)
Directed by: Buddy Van Horn
Cinematography by: Jack N. Green
Edited by: Ron Spang
First Assistant Camera
Alien Nation (1988)
Directed by: Graham Baker
Cinematography by: Adam Greenberg
Edited by: Kent Beyda
Cameras: ARRIFLEX Camera
Lenses: ARRI / Zeiss Lenses
First Assistant Camera
Near Dark (1987)
Directed by: Kathryn Bigelow
Cinematography by: Adam Greenberg
Edited by: Howard E. Smith
Second Assistant Camera
At Close Range (1986)
Directed by: James Foley
Cinematography by: Juan Ruiz Anchía
Edited by: Howard E. Smith
Assistant Camera
Moving Violations (1985)
Directed by: Neal Israel
Cinematography by: Robert Elswit
Edited by: Tom Walls
Second Assistant Camera
Choose Me (1984)
Directed by: Alan Rudolph
Cinematography by: Jan Kiesser
Edited by: Mia Goldman
Camera Assistant
The Terminator (1984)
Directed by: James Cameron
Cinematography by: Adam Greenberg
Edited by: Mark Goldblatt
Cameras: ARRIFLEX 35 BL Camera, ARRIFLEX 35 III Camera
Lenses: Zeiss Lenses
Visual Effects Camera Assistant - Special Version
Star Wars: Episode VI - Return of the Jedi (1983)
Directed by: Richard Marquand
Cameras: ARRIFLEX 35 BL3 Camera, ARRIFLEX 35 IIC Camera
