Thom Brennan

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The Killer | ShotOnWhat?

Foley Editor

The Killer (2023)

Directed by: David Fincher

Cinematography by: Erik Messerschmidt

Edited by: Kirk Baxter

Cameras: Red Komodo Camera, Red Komodo-X Camera, Red V-Raptor Camera, Red V-Raptor XL Camera

Lenses: Fujinon Premier Lenses, Leitz Summilux-C Series Lenses

Editing System: Adobe Premiere Editing System

Toy Story 4 | ShotOnWhat?

Foley Supervisor

Toy Story 4 (2019)

Directed by: Josh Cooley

Cinematography by: Jean-Claude Kalache, Patrick Lin

Edited by: Axel Geddes

Incredibles 2 | ShotOnWhat?

Foley Editor

Incredibles 2 (2018)

Directed by: Brad Bird

Cinematography by: Mahyar Abousaeedi, Erik Smitt

Edited by: Stephen Schaffer

Ralph Breaks the Internet | ShotOnWhat?

Foley Editor

Ralph Breaks the Internet (2018)

Directed by: Phil Johnston, Rich Moore

Cinematography by: Nathan Warner

Edited by: Jeremy Milton, Fabienne Rawley

War for the Planet of the Apes | ShotOnWhat?

Foley Editor

War for the Planet of the Apes (2017)

Directed by: Matt Reeves

Cinematography by: Michael Seresin

Edited by: William Hoy, Stan Salfas

Cameras: ARRI ALEXA 65 Camera

Lenses: ARRI Rental Prime 65 Lenses, ARRI Rental Vintage 765 Lenses

Inside Out | ShotOnWhat?

Foley Editor

Inside Out (2015)

Directed by: Pete Docter, Ronnie Del Carmen

Edited by: Kevin Nolting

The Boxtrolls | ShotOnWhat?

Foley Editor

The Boxtrolls (2014)

Directed by: Graham Annable, Anthony Stacchi

Cinematography by: John Ashlee Prat

Edited by: Edie Ichioka

Cameras: Canon EOS-5D Mark III Camera

Gone Girl | ShotOnWhat?

Foley Editor

Gone Girl (2014)

Directed by: David Fincher

Cinematography by: Jeff Cronenweth

Edited by: Kirk Baxter

Cameras: Red Epic Dragon Camera

Lenses: Leitz Summilux-C Series Lenses

Editing System: Adobe Premiere Editing System

Oblivion | ShotOnWhat?

Foley Editor

Oblivion (2013)

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: Richard Francis-Bruce

Cameras: Red Epic Camera, Sony CineAlta F65 Camera

Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens

Editing System: Avid Editing System

Her | ShotOnWhat?

Foley Editor

Her (2013)

Directed by: Spike Jonze

Cinematography by: Hoyte Van Hoytema

Edited by: Jeff Buchanan, Eric Zumbrunnen

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Studio Camera, Canon EOS-C300 Camera

Lenses: Canon Lenses, Cooke Lenses, Zeiss Lenses

Captain America: The First Avenger | ShotOnWhat?

Supervising Foley Editor

Captain America: The First Avenger (2011)

Directed by: Joe Johnston

Cinematography by: Shelly Johnson

Edited by: Robert Dalva, Jeffrey Ford

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

The Girl with the Dragon Tattoo | ShotOnWhat?

Foley Editor: Supervising, Sound Editor

The Girl with the Dragon Tattoo (2011)

Directed by: David Fincher

Cinematography by: Jeff Cronenweth

Edited by: Kirk Baxter, Angus Wall

Cameras: Red Epic Camera, Red One MX Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Final Cut Pro Editing System, Sony Vegas Editing System

Red Riding Hood | ShotOnWhat?

Supervising Foley Editor

Red Riding Hood (2011)

Directed by: Catherine Hardwicke

Cinematography by: Mandy Walker

Edited by: Nancy Richardson, Julia Wong

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

The Social Network | ShotOnWhat?

Foley Supervisor

The Social Network (2010)

Directed by: David Fincher

Cinematography by: Jeff Cronenweth

Edited by: Kirk Baxter, Angus Wall

Cameras: Red One MX Camera

Editing System: Adobe Premiere Editing System

Where the Wild Things Are | ShotOnWhat?

Foley Editor

Where the Wild Things Are (2009)

Directed by: Spike Jonze

Cinematography by: Lance Acord

Edited by: James Haygood, Eric Zumbrunnen

Cameras: Aaton 35-III Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Anamorphic Lenses

Editing System: Final Cut Pro Editing System

Public Enemies | ShotOnWhat?

Supervising Foley Editor

Public Enemies (2009)

Directed by: Michael Mann

Cinematography by: Dante Spinotti

Edited by: Jeffrey Ford, Paul Rubell

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Sony HDC-F950 Camera, Sony PMW-EX1 Camera

Lenses: Cooke S4 Lenses, Fujinon E Series Lenses, Zeiss DigiPrime Lenses

2012 | ShotOnWhat?

Foley Editor

2012 (2009)

Directed by: Roland Emmerich

Cinematography by: Dean Semler

Edited by: David Brenner, Peter S. Elliot

Cameras: Panavision Cameras, Panavision Genesis Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

The Curious Case of Benjamin Button | ShotOnWhat?

Foley Supervisor

The Curious Case of Benjamin Button (2008)

Directed by: David Fincher

Cinematography by: Claudio Miranda

Edited by: Kirk Baxter, Angus Wall

Cameras: ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Thomson Viper Camera

Lenses: Zeiss DigiPrime Lenses

Editing System: Final Cut Pro Editing System

Shooter | ShotOnWhat?

Supervising Foley Editor

Shooter (2007)

Directed by: Antoine Fuqua

Cinematography by: Peter Menzies Jr.

Edited by: Conrad Buff IV, Eric A. Sears

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

August Rush | ShotOnWhat?

Foley Editor

August Rush (2007)

Directed by: Kirsten Sheridan

Cinematography by: John Mathieson

Edited by: William Steinkamp

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Mist | ShotOnWhat?

Supervising Foley Editor

The Mist (2007)

Directed by: Frank Darabont

Cinematography by: Rohn Schmidt

Edited by: Hunter M. Via

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Waist Deep | ShotOnWhat?

Supervising Foley Editor

Waist Deep (2006)

Directed by: Vondie Curtis-Hall

Cinematography by: Shane Hurlbut

Edited by: Terilyn A. Shropshire

You, Me and Dupree | ShotOnWhat?

Foley Editor

You, Me and Dupree (2006)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Charles Minsky

Edited by: Peter B. Ellis, Debra Neil-Fisher

All the King's Men | ShotOnWhat?

Foley Editor

All the King's Men (2006)

Directed by: Steven Zaillian

Cinematography by: Pawel Edelman

Edited by: Wayne Wahrman

Freedomland | ShotOnWhat?

Supervising Foley Editor

Freedomland (2006)

Directed by: Joe Roth

Cinematography by: Anastas N. Michos

Edited by: Nick Moore

16 Blocks | ShotOnWhat?

Foley Supervisor

16 Blocks (2006)

Directed by: Richard Donner

Cinematography by: Glen MacPherson

Edited by: Steve Mirkovich

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Miami Vice | ShotOnWhat?

Supervising Foley Editor

Miami Vice (2006)

Directed by: Michael Mann

Cinematography by: Dion Beebe

Edited by: William Goldenberg, Paul Rubell

Cameras: Thomson Viper Camera

Running Scared | ShotOnWhat?

Supervising Foley Editor

Running Scared (2006)

Directed by: Wayne Kramer

Cinematography by: Jim Whitaker

Edited by: Arthur Coburn

Son of the Mask | ShotOnWhat?

Supervising Foley Editor

Son of the Mask (2005)

Directed by: Lawrence Guterman

Cinematography by: Greg Gardiner

Edited by: Malcolm Campbell, John Coniglio, Debra Neil-Fisher

Dreamer: Inspired by a True Story | ShotOnWhat?

Supervising Foley Editor

Dreamer: Inspired by a True Story (2005)

Directed by: John Gatins

Cinematography by: Fred Murphy

Edited by: David Rosenbloom

Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Final Cut Pro Editing System

Lords of Dogtown | ShotOnWhat?

Supervising Foley Editor

Lords of Dogtown (2005)

Directed by: Catherine Hardwicke

Cinematography by: Elliot Davis

Edited by: Nancy Richardson

The Ring Two | ShotOnWhat?

Supervising Foley Editor

The Ring Two (2005)

Directed by: Hideo Nakata

Cinematography by: Gabriel Beristain

Edited by: Michael N. Knue

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Prime 100mm T2.0 Lens, Cooke S4 Prime 18mm T2.0 Lens, Cooke S4 Prime 25mm T2.0 Lens, Cooke S4 Prime 32mm T2.0 Lens, Cooke S4 Prime 40mm T2.0 Lens, Cooke S4 Prime 50mm T2.0 Lens, Cooke S4 Prime 75mm T2.0 Lens

Collateral | ShotOnWhat?

Supervising Foley Editor

Collateral (2004)

Directed by: Michael Mann

Cinematography by: Dion Beebe, Paul Cameron

Edited by: Jim Miller, Paul Rubell

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Sony HDC-F950 Camera, Sony HDW-F900 Camera, Thomson Viper Camera

Lenses: Panavision Primo Primes Spherical Lenses, Zeiss DigiPrime Lenses

Editing System: Avid Editing System

Miracle | ShotOnWhat?

Supervising Foley Editor

Miracle (2004)

Directed by: Gavin O'Connor

Cinematography by: Dan Stoloff

Edited by: John Gilroy, Daric Loo

Cameras: Panavision Cameras

Cradle 2 the Grave | ShotOnWhat?

Supervising Foley Editor

Cradle 2 the Grave (2003)

Directed by: Andrzej Bartkowiak

Cinematography by: Daryn Okada

Edited by: Derek Brechin

Cameras: Panavision Cameras

Hollywood Homicide | ShotOnWhat?

Supervising Foley Editor

Hollywood Homicide (2003)

Directed by: Ron Shelton

Cinematography by: Barry Peterson

Edited by: Paul Seydor

Cameras: Panavision Panaflex Camera

The Matrix Reloaded | ShotOnWhat?

Supervising Foley Editor

The Matrix Reloaded (2003)

Directed by: Lana Wachowski, Lilly Wachowski

Cinematography by: Bill Pope

Edited by: Zach Staenberg

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Matrix Revolutions | ShotOnWhat?

Supervising Foley Editor

The Matrix Revolutions (2003)

Directed by: Lana Wachowski, Lilly Wachowski

Cinematography by: Bill Pope

Edited by: Zach Staenberg

Cameras: Pan-Arri 435es Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Salton Sea | ShotOnWhat?

Foley Editor

The Salton Sea (2002)

Directed by: D.J. Caruso

Cinematography by: Amir Mokri

Edited by: Jim Page

Ghost Ship | ShotOnWhat?

Supervising Foley Editor

Ghost Ship (2002)

Directed by: Steve Beck

Cinematography by: Gale Tattersall

Edited by: Roger Barton

8 Mile | ShotOnWhat?

Foley Editor

8 Mile (2002)

Directed by: Curtis Hanson

Cinematography by: Rodrigo Prieto

Edited by: Craig Kitson, Jay Rabinowitz

Cameras: Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Zeiss Ultra Prime Lenses

Insomnia | ShotOnWhat?

Foley Editor

Insomnia (2002)

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Dody Dorn

Cameras: Aaton 35-III Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Osmosis Jones | ShotOnWhat?

Foley Supervisor, Supervising Foley Editor

Osmosis Jones (2001)

Directed by: Bobby Farrelly, Peter Farrelly

Cinematography by: Mark Irwin

Edited by: Lois Freeman-Fox, Stephen Schaffer, Sam Seig

Training Day | ShotOnWhat?

Foley Supervisor

Training Day (2001)

Directed by: Antoine Fuqua

Cinematography by: Mauro Fiore

Edited by: Conrad Buff IV

Cameras: Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Hawk C-Series Lenses

Exit Wounds | ShotOnWhat?

Foley Editor

Exit Wounds (2001)

Directed by: Andrzej Bartkowiak

Cinematography by: Glen MacPherson

Edited by: Derek Brechin

Swordfish | ShotOnWhat?

Supervising Foley Editor

Swordfish (2001)

Directed by: Dominic Sena

Cinematography by: Paul Cameron

Edited by: Stephen E. Rivkin

Shallow Hal | ShotOnWhat?

Foley Supervisor

Shallow Hal (2001)

Directed by: Bobby Farrelly, Peter Farrelly

Cinematography by: Russell Carpenter

Edited by: Christopher Greenbury

Red Planet | ShotOnWhat?

Supervising Foley Editor

Red Planet (2000)

Directed by: Antony Hoffman

Cinematography by: Peter Suschitzky

Edited by: Robert K. Lambert, Dallas Puett

Romeo Must Die | ShotOnWhat?

Supervising Foley Editor

Romeo Must Die (2000)

Directed by: Andrzej Bartkowiak

Cinematography by: Glen MacPherson

Edited by: Derek Brechin

The Mummy | ShotOnWhat?

Sound Effects Editor

The Mummy (1999)

Directed by: Stephen Sommers

Cinematography by: Adrian Biddle

Edited by: Bob Ducsay

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

October Sky | ShotOnWhat?

Foley Editor

October Sky (1999)

Directed by: Joe Johnston

Cinematography by: Fred Murphy

Edited by: Robert Dalva

Blue Streak | ShotOnWhat?

Sound Editor

Blue Streak (1999)

Directed by: Les Mayfield

Cinematography by: David Eggby

Edited by: Michael Tronick

The Matrix | ShotOnWhat?

Supervising Foley Editor

The Matrix (1999)

Directed by: Lana Wachowski, Lilly Wachowski

Cinematography by: Bill Pope

Edited by: Zach Staenberg

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics Cameras

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

Buffalo '66 | ShotOnWhat?

Foley Editor

Buffalo '66 (1998)

Directed by: Vincent Gallo

Cinematography by: Lance Acord

Edited by: Curtiss Clayton

Cameras: ARRIFLEX 435 ES Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Zeiss Super Speed Lenses

Small Soldiers | ShotOnWhat?

Foley Supervisor

Small Soldiers (1998)

Directed by: Joe Dante

Cinematography by: Jamie Anderson

Edited by: Marshall Harvey, Michael Thau

Pariah | ShotOnWhat?

Music Editor

Gang Land (1998)

Directed by: Randolph Kret

Cinematography by: Nils Erickson

Edited by: Bill DeRonde

Six Days Seven Nights | ShotOnWhat?

Foley Editor

Six Days Seven Nights (1998)

Directed by: Ivan Reitman

Cinematography by: Michael Chapman

Edited by: Wendy Greene Bricmont, Sheldon Kahn

I Still Know What You Did Last Summer | ShotOnWhat?

Sound Editor

I Still Know What You Did Last Summer (1998)

Directed by: Danny Cannon

Cinematography by: Vernon Layton

Edited by: Peck Prior

Wild Things | ShotOnWhat?

Sound Editor

Wild Things (1998)

Directed by: John McNaughton

Cinematography by: Jeffrey L. Kimball

Edited by: Elena Maganini

Shadow Conspiracy | ShotOnWhat?

Sound Effects Editor

Shadow Conspiracy (1997)

Directed by: George P. Cosmatos

Cinematography by: Buzz Feitshans IV

Edited by: Robert A. Ferretti

Fathers' Day | ShotOnWhat?

Foley Editor

Fathers' Day (1997)

Directed by: Ivan Reitman

Cinematography by: Stephen H. Burum

Edited by: Wendy Greene Bricmont, Sheldon Kahn

My Best Friend's Wedding | ShotOnWhat?

Sound Editor

My Best Friend's Wedding (1997)

Directed by: P.J. Hogan

Cinematography by: László Kovács

Edited by: Garth Craven, Lisa Fruchtman

Cameras: Panavision Panaflex Camera

Lawnmower Man 2: Beyond Cyberspace | ShotOnWhat?

Assistant Sound Editor

Lawnmower Man 2: Beyond Cyberspace (1996)

Directed by: Farhad Mann

Cinematography by: Ward Russell

Edited by: Joel Goodman, James Mitchell, Peter E. Berger

The Truth About Cats & Dogs | ShotOnWhat?

Sound Effects Editor

The Truth About Cats & Dogs (1996)

Directed by: Michael Lehmann

Cinematography by: Robert Brinkmann

Edited by: Stephen Semel

Cameras: ARRIFLEX 535 Camera

Billy Madison | ShotOnWhat?

Assistant Sound Editor

Billy Madison (1995)

Directed by: Tamra Davis

Cinematography by: Victor Hammer

Edited by: John Gilroy, Jeffrey Wolf

Friday | ShotOnWhat?

Music Editor: Acme Soundworks

Friday (1995)

Directed by: F. Gary Gray

Cinematography by: Gerry Lively

Edited by: John Carter

Léon: The Professional | ShotOnWhat?

Assistant Sound Effects

Léon: The Professional (1994)

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Sylvie Landra

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera

Lenses: Angenieux HR Zoom Lenses, Technovision Lenses

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