Digital Intermediate Producer
West Side Story (2021)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Senior Digital Intermediate Producer
Us (2019)
Directed by: Jordan Peele
Cinematography by: Mike Gioulakis
Edited by: Nicholas Monsour
Digital Intermediate Producer
Mary Poppins Returns (2018)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Wyatt Smith
Lenses: Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo V Lenses, Panavision Primo V PV21 21mm T1.9 Lens, Panavision Primo V PV27 27mm T1.9 Lens, Panavision Primo V PV50 50mm T1.9 Lens
Digital Intermediate Producer
Ready Player One (2018)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Digital Intermediate Producer
The Post (2017)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Digital Intermediate Producer
Molly's Game (2017)
Directed by: Aaron Sorkin
Cinematography by: Charlotte Bruus Christensen
Digital Intermediate Producer: Technicolor
Ghost in the Shell (2017)
Directed by: Rupert Sanders
Cinematography by: Jess Hall
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Digital Intermediate Producer
The BFG (2016)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: ARRI ALEXA XT Series Cameras
Digital Intermediate Producer
The Huntsman: Winter's War (2016)
Directed by: Cedric Nicolas-Troyan
Cinematography by: Phedon Papamichael
Edited by: Conrad Buff IV
Digital Intermediate Producer
Bridge of Spies (2015)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Editing System: Avid Editing System
Digital Intermediate Producer
Trumbo (2015)
Directed by: Jay Roach
Cinematography by: Jim Denault
Edited by: Alan Baumgarten
Cameras: ARRI ALEXA XT Camera
Digital Intermediate Producer
Noah (2014)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Andrew Weisblum
Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera
Editing System: Avid Editing System
Digital Intermediate Producer
The Judge (2014)
Directed by: David Dobkin
Cinematography by: Janusz Kaminski
Edited by: Mark Livolsi
Digital Intermediate Producer
47 Ronin (2013)
Directed by: Carl Rinsch
Cinematography by: John Mathieson
Edited by: Stuart Baird
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Digital Intermediate Producer
The Odd Life of Timothy Green (2012)
Directed by: Peter Hedges
Cinematography by: John Toll
Edited by: Andrew Mondshein
Digital Intermediate Producer: Technicolor
The Hunger Games (2012)
Directed by: Gary Ross
Cinematography by: Tom Stern
Editing System: Avid Editing System
Digital Intermediate Producer: Technicolor
Lincoln (2012)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Editing System: Avid Editing System
Digital Intermediate Producer
Trouble with the Curve (2012)
Directed by: Robert Lorenz
Cinematography by: Tom Stern
Cameras: Panavision Panaflex Platinum Camera
Digital Intermediate Producer
A Thousand Words (2012)
Directed by: Brian Robbins
Cinematography by: Clark Mathis
Edited by: Ned Bastille
Digital Intermediate Producer
A Better Life (2011)
Directed by: Chris Weitz
Cinematography by: Javier Aguirresarobe
Edited by: Peter Lambert
Cameras: ARRICAM Lite (LT) Camera
Editing System: Avid Editing System
Digital Intermediate Producer
Your Highness (2011)
Directed by: David Gordon Green
Cinematography by: Tim Orr
Edited by: Craig Alpert
Digital Intermediate Producer
J. Edgar (2011)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Digital Intermediate Producer
The Big Bang (2010)
Directed by: Tony Krantz
Cinematography by: Shelly Johnson
Edited by: Fred Raskin
Digital Intermediate Producer
Leap Year (2010)
Directed by: Anand Tucker
Cinematography by: Newton Thomas Sigel
Edited by: Nick Moore
Digital Intermediate Producer
When in Rome (2010)
Directed by: Mark Steven Johnson
Cinematography by: John Bailey
Digital Intermediate Producer
Hereafter (2010)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Digital Intermediate Producer
Devil (2010)
Directed by: John Erick Dowdle
Cinematography by: Tak Fujimoto
Edited by: Elliot Greenberg
Cameras: Panavision Cameras
Digital Intermediate Producer
The Wolfman (2010)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Digital Intermediate Producer
Race to Witch Mountain (2009)
Directed by: Andy Fickman
Cinematography by: Greg Gardiner
Edited by: David Rennie
Digital Intermediate Producer
Invictus (2009)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Digital Intermediate Producer
Changeling (2008)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Digital Intermediate Producer
Gran Torino (2008)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Editing System: Avid Editing System
Digital Intermediate Producer
Meet Dave (2008)
Directed by: Brian Robbins
Cinematography by: Clark Mathis
Edited by: Ned Bastille
Digital Intermediate Producer
College Road Trip (2008)
Directed by: Roger Kumble
Cinematography by: Theo van de Sande
Edited by: Roger Bondelli
Digital Intermediate Producer
27 Dresses (2008)
Directed by: Anne Fletcher
Cinematography by: Peter James
Edited by: Priscilla Nedd-Friendly
Digital Intermediate Producer
High School Musical 3: Senior Year (2008)
Directed by: Kenny Ortega
Cinematography by: Daniel Aranyó
Edited by: Don Brochu
Digital Intermediate Producer
Wild Hogs (2007)
Directed by: Walt Becker
Cinematography by: Robbie Greenberg
Cameras: Panavision Cameras
Digital Intermediate Producer
Norbit (2007)
Directed by: Brian Robbins
Cinematography by: Clark Mathis
Edited by: Ned Bastille
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Intermediate Producer: Pacific Title And Art Studio
Evan Almighty (2007)
Directed by: Tom Shadyac
Cinematography by: Ian Baker
Edited by: Scott Hill
Cameras: Panavision Cameras
Editing System: Lightworks Editing System
Digital Intermediate Producer
Enchanted (2007)
Directed by: Kevin Lima
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Digital Intermediate Producer
Underdog (2007)
Directed by: Frederik Du Chau
Cinematography by: David Eggby
Edited by: Tom Finan
Digital Intermediate Producer: Technicolor Digital Intermediates
The Invisible (2007)
Directed by: David S. Goyer
Cinematography by: Gabriel Beristain
Edited by: Conrad Smart
Digital Intermediate Producer: Technicolor Digital Intermediate
The Lookout (2007)
Directed by: Scott Frank
Cinematography by: Alar Kivilo
Edited by: Jill Savitt
Digital Intermediate Producer
The Fast and the Furious: Tokyo Drift (2006)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Digital Intermediate Producer
The Santa Clause 3: The Escape Clause (2006)
Directed by: Michael Lembeck
Cinematography by: Robbie Greenberg
Edited by: David Finfer
Digital Intermediate Producer: Technicolor Digital Intermediates
The Shaggy Dog (2006)
Directed by: Brian Robbins
Cinematography by: Gabriel Beristain
Edited by: Ned Bastille
Digital Intermediate Producer
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)
Directed by: Andrew Adamson
Cinematography by: Donald McAlpine
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera
Editing System: Avid Editing System
Digital Intermediate Producer
Mr 3000 (2004)
Directed by: Charles Stone III
Cinematography by: Shane Hurlbut
Edited by: Bill Pankow
Digital Visual Effects Producer: Technicolor Digital Intermediates
The Aviator (2004)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Editing System: Lightworks Editing System
Digital Intermediate Producer
Wicker Park (2004)
Directed by: Paul McGuigan
Cinematography by: Peter Sova
Edited by: Andrew Hulme
Digital System Coordinator: CIS Hollywood
The Parent Trap (1998)
Directed by: Nancy Meyers
Cinematography by: Dean Cundey
Edited by: Stephen A. Rotter
CGI Operations Manager: CIS/Hollywood
Turbulence (1997)
Directed by: Robert Butler
Cinematography by: Lloyd Ahern II
Edited by: John Duffy
Digital System Coordinator: CIS Hollywood
Dante's Peak (1997)
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Digital System Coordinator: CIS Hollywood
Contact (1997)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Digital System Coordinator: CIS Hollywood
Titanic (1997)
Directed by: James Cameron
Cinematography by: Russell Carpenter