Visual Effects Supervisor: WOW Industries (uncredited) / VFX Supe At WOW Industries (uncredited) (5 Episodes, 2016)
Stranger Things (2016)
TV Series
Cameras: Red Epic Dragon Camera
Lenses: Leica Lenses
Editing System: Avid Editing System
Compositor: Scanline VFX / Digital Compositor: Scanline VFX
San Andreas (2015)
| USA
Directed by: Brad Peyton
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Digital Compositor: Synaptic VFX (unknown Episodes)
The Man in the High Castle (2015)
| USA
Cameras: Red Epic Dragon Camera
Digital Compositor: Weta Digital
Dawn of the Planet of the Apes (2014)
| USA
Directed by: Matt Reeves
Cinematography by: Michael Seresin
Cameras: ARRI ALEXA M Camera
Editing System: Avid Editing System
Digital Compositor (3 Episodes, 2014-2015)
The Flash (2014)
Compositor: Weta Digital
The Hobbit: The Desolation of Smaug (2013)
| USA, New Zealand
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jabez Olssen
Cameras: GoPro HD Hero3 Camera, Red Epic Camera
Lenses: Angenieux Optimo DP 16-42mm T2.8 Lens, Angenieux Optimo DP 30-80mm T2.8 Lens, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Digital Effects Crew: Weta Digital (as Stephen L. Wilson)
Iron Man Three (2013)
| USA, China
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leica Summilux-C 100 mm T1.4 Lens, Leica Summilux-C 16 mm T1.4 Lens, Leica Summilux-C 18 mm T1.4 Lens, Leica Summilux-C 21 mm T1.4 Lens, Leica Summilux-C 25 mm T1.4 Lens, Leica Summilux-C 29 mm T1.4 Lens, Leica Summilux-C 35 mm T1.4 Lens, Leica Summilux-C 40 mm T1.4 Lens, Leica Summilux-C 50 mm T1.4 Lens, Leica Summilux-C 65 mm T1.4 Lens, Leica Summilux-C 75 mm T1.4 Lens
Compositor: WETA Digital (as Stephen L. Wilson)
The Hobbit: An Unexpected Journey (2012)
| USA, New Zealand
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jabez Olssen
Cameras: Red Epic Camera
Lenses: Angenieux Optimo DP 16-42mm T2.8 Lens, Angenieux Optimo DP 30-80mm T2.8 Lens, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Digital Compositor: Weta Digital
The Avengers (2012)
| USA
Directed by: Joss Whedon
Cinematography by: Seamus McGarvey
Compositing Department: Weta Digital
Prometheus (2012)
| USA, UK
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Cameras: ARRI ALEXA Camera, Red Epic Camera
Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Visual Effects Artist
The Rite (2011)
| USA, Hungary, Italy
Directed by: Mikael Håfström
Cinematography by: Ben Davis
Edited by: David Rosenbloom
Digital Compositor
Something Borrowed (2011)
| USA
Directed by: Luke Greenfield
Cinematography by: Charles Minsky
Edited by: John Axelrad
Digital Compositor (uncredited)
Limitless (2011)
| USA
Directed by: Neil Burger
Cinematography by: Jo Willems
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Red One Camera
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Digital Compositor: Weta Digital
The Adventures of Tintin (2011)
| USA, New Zealand
Directed by: Steven Spielberg
Edited by: Michael Kahn
Cameras: Panavision Cameras
Editing System: Avid Editing System
Compositor: Weta Digital
Rise of the Planet of the Apes (2011)
| USA
Directed by: Rupert Wyatt
Cinematography by: Andrew Lesnie
Cameras: ARRICAM Lite (LT) Camera
Senior Td: Sony Imageworks
Green Lantern (2011)
| USA
Directed by: Martin Campbell
Cinematography by: Dion Beebe
Edited by: Stuart Baird
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Visual Effects Artist: Kolbeco
Due Date (2010)
| USA
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Edited by: Debra Neil-Fisher
2d/comp Artist: Zoic Studios (as Steve Wilson)
Burlesque (2010)
| USA
Directed by: Steve Antin
Cinematography by: Bojan Bazelli
Edited by: Virginia Katz
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Visual Effects Artist (uncredited)
Alice in Wonderland (2010)
| USA
Directed by: Tim Burton
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Cameras: Dalsa Evolution Camera, Panavision Genesis Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera
Editing System: Avid Editing System
Digital Compositor: Zoic Studios (as Steve Wilson)
Zombieland (2009)
| USA
Directed by: Ruben Fleischer
Cinematography by: Michael Bonvillain
Edited by: Alan Baumgarten
Compositor: CIS Hollywood / Digital Compositor
G.I. Joe: The Rise of Cobra (2009)
| USA, Czech Republic
Directed by: Stephen Sommers
Cinematography by: Mitchell Amundsen
Digital Compositor
The Final Destination (2009)
| USA
Directed by: David R. Ellis
Cinematography by: Glen MacPherson
Edited by: Mark Stevens
Cameras: Sony CineAlta F23 Camera, Sony HDC-F950 Camera
Digital Compositor
Street Fighter: The Legend of Chun-Li (2009)
| Canada, India, USA, Japan
Directed by: Andrzej Bartkowiak
Cinematography by: Geoff Boyle
Compositor: CafeFX
Nim's Island (2008)
| USA
Cinematography by: Stuart Dryburgh
Edited by: Stuart Levy
Cameras: Panavision Cameras
Visual Effects Artist: Reality Check Studios
Bangkok Dangerous (2008)
| USA
Cinematography by: Decha Srimantra
Additional Visual Effects: CafeFX
Iron Man (2008)
| USA
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Edited by: Dan Lebental
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Angenieux Optimo 17-80mm T2.2 Lens, Angenieux Optimo 24-290mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Compositor: Digital Domain
Pirates of the Caribbean: At World's End (2007)
| USA
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Editing System: Avid Editing System
Compositor: Rhythm & Hues (as Steve Wilson)
The Golden Compass (2007)
| USA, UK
Directed by: Chris Weitz
Cinematography by: Henry Braham
Compositor: LookFX
Rocky Balboa (2006)
| USA
Directed by: Sylvester Stallone
Cinematography by: Clark Mathis
Edited by: Sean Albertson
Compositor: Hydraulx
300 (2006)
| USA
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: William Hoy
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Editing System: Final Cut Pro Editing System
Compositor: Hydraulx
X-Men: The Last Stand (2006)
| Canada, USA, UK
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Digital Effects Artist: Engine Room
Alpha Dog (2006)
| USA, Germany
Directed by: Nick Cassavetes
Cinematography by: Robert Fraisse
Edited by: Alan Heim
Digital Compositor
The Adventures of Sharkboy and Lavagirl 3-D (2005)
| USA
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Digital Compositor: Ring Of Fire/Engine Room (as Steve Wilson)
Sky Captain and the World of Tomorrow (2004)
| USA, UK, Italy
Directed by: Kerry Conran
Cinematography by: Eric Adkins
Edited by: Sabrina Plisco
Cameras: Sony HDW-F900 Camera
Editing System: Final Cut Pro Editing System
Visual Effects
I, Robot (2004)
| USA, Germany
Directed by: Alex Proyas
Cinematography by: Simon Duggan
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Cooke S4 Lenses, Zeiss Ultra Prime Lenses
