Visual Effects Supervisor
Shazam! (2019)
Directed by: David F. Sandberg
Cinematography by: Maxime Alexandre
Edited by: Michel Aller
Lenses: Zeiss Master Prime Lenses
Visual Effects Supervisor
The Fate of the Furious (2017)
Directed by: F. Gary Gray
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Camera
Visual Effects Supervisor
Furious 7 (2015)
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
Visual Effects Supervisor
Furious 6 (2013)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Visual Effects Art Director
Snow White and the Huntsman (2012)
Directed by: Rupert Sanders
Cinematography by: Greig Fraser
Visual Effects Supervisor
Fast Five (2011)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Matte Painter: Rhythm & Hues
Knight and Day (2010)
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Visual Effects Supervisor
Flipped (2010)
Directed by: Rob Reiner
Cinematography by: Thomas Del Ruth
Edited by: Robert Leighton
Visual Effects Supervisor
Ballast (2008)
Directed by: Lance Hammer
Cinematography by: Lol Crawley
Edited by: Lance Hammer
Visual Effects: Illusion Arts
The Bucket List (2007)
Directed by: Rob Reiner
Cinematography by: John Schwartzman
Edited by: Robert Leighton
Cameras: Panavision Cameras
Visual Effects Supervisor
Nacho Libre (2006)
Directed by: Jared Hess
Cinematography by: Xavier Grobet
Edited by: Billy Weber
Matte Painting Supervisor: V-Dome
Clerks II (2006)
Directed by: Kevin Smith
Cinematography by: David Klein
Edited by: Kevin Smith
Visual Effects Supervisor
Unaccompanied Minors (2006)
Directed by: Paul Feig
Cinematography by: Christopher Baffa
Visual Effects Supervisor: Illusion Arts
The Fast and the Furious: Tokyo Drift (2006)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Matte Painter: Illusion Arts
Miami Vice (2006)
Directed by: Michael Mann
Cinematography by: Dion Beebe
Cameras: Thomson Viper Camera
Visual Effects: Illusion Arts
Blood Diamond (2006)
Directed by: Edward Zwick
Cinematography by: Eduardo Serra
Edited by: Steven Rosenblum
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Hawk C-Series Lenses, Hawk V-Series Lenses
Supervising Matte Artist: Illusion Arts
Serenity (2005)
Directed by: Joss Whedon
Cinematography by: Jack N. Green
Edited by: Lisa Lassek
Lenses: Panavision Lenses
Matte Artist: Illusion Arts
Casanova (2005)
Directed by: Lasse Hallström
Cinematography by: Oliver Stapleton
Edited by: Andrew Mondshein
Matte Artist: Illusion Arts
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)
Directed by: Andrew Adamson
Cinematography by: Donald McAlpine
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera
Editing System: Avid Editing System
Matte Painting Supervisor
Van Helsing (2004)
Directed by: Stephen Sommers
Cinematography by: Allen Daviau
Editing System: Avid Editing System
Matte Artist Supervisor: Illusion Arts
The Village (2004)
Directed by: M. Night Shyamalan
Cinematography by: Roger Deakins
Edited by: Christopher Tellefsen
Lenses: Cooke S4 Lenses
Matte Artist Supervisor: Illusion Arts
The Notebook (2004)
Directed by: Nick Cassavetes
Cinematography by: Robert Fraisse
Edited by: Alan Heim
Matte Artist
2 Fast 2 Furious (2003)
Directed by: John Singleton
Cinematography by: Matthew F. Leonetti
Lenses: Cooke S4 Lenses
Matte Artist Supervisor: Illusion Arts
Bruce Almighty (2003)
Directed by: Tom Shadyac
Cinematography by: Dean Semler
Edited by: Scott Hill
Lenses: Panavision Primo Close Focus Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses
Editing System: Lightworks Editing System
Matte Artist: Illusion Arts Inc.
The Time Machine (2002)
Directed by: Simon Wells
Cinematography by: Donald McAlpine
Edited by: Wayne Wahrman
Cameras: Panavision Panaflex Camera
Editing System: Avid Editing System
Matte Artist
Dragonfly (2002)
Directed by: Tom Shadyac
Cinematography by: Dean Semler
Edited by: Don Zimmerman
Matte Artist
Blue Crush (2002)
Directed by: John Stockwell
Cinematography by: David Hennings
Edited by: Emma E. Hickox
Matte Artist
Star Trek: Nemesis (2002)
Directed by: Stuart Baird
Cinematography by: Jeffrey L. Kimball
Edited by: Dallas Puett
Matte Artist
The Fast and the Furious (2001)
Directed by: Rob Cohen
Cinematography by: Ericson Core
Edited by: Peter Honess
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Matte Artist
The Adventures of Rocky & Bullwinkle (2000)
Directed by: Des McAnuff
Cinematography by: Thomas E. Ackerman
Edited by: Dennis Virkler
Matte Artist
The Skulls (2000)
Directed by: Rob Cohen
Cinematography by: Shane Hurlbut
Edited by: Peter Amundson
Matte Artist: Illusion Arts Inc.
The Gift (2000)
Directed by: Sam Raimi
Cinematography by: Jamie Anderson
Matte Artist
Nutty Professor II: The Klumps (2000)
Directed by: Peter Segal
Cinematography by: Dean Semler
Edited by: William Kerr
Matte Artist
U-571 (2000)
Directed by: Jonathan Mostow
Cinematography by: Oliver Wood
Edited by: Wayne Wahrman
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Cooke S4 Lenses, Nikon - Nikkor Lenses
Matte Artist: Illusion Arts
Dudley Do-Right (1999)
Directed by: Hugh Wilson
Cinematography by: Donald E. Thorin
Edited by: Don Brochu
Matte Artist: Illusion Arts Inc.
Bowfinger (1999)
Directed by: Frank Oz
Cinematography by: Ueli Steiger
Edited by: Richard Pearson
Matte Artist: Illusion Arts
Brokedown Palace (1999)
Directed by: Jonathan Kaplan
Cinematography by: Newton Thomas Sigel
Matte Artist
Anna and the King (1999)
Directed by: Andy Tennant
Cinematography by: Caleb Deschanel
Edited by: Roger Bondelli
Cameras: Panavision Cameras
Matte Artist: Illusion Arts
Mystery Men (1999)
Directed by: Kinka Usher
Cinematography by: Stephen H. Burum
Edited by: Conrad Buff IV
Matte Artist
Six Days Seven Nights (1998)
Directed by: Ivan Reitman
Cinematography by: Michael Chapman
Matte Artist
Dangerous Beauty (1998)
Directed by: Marshall Herskovitz
Cinematography by: Bojan Bazelli
Matte Artist: Illusion Arts Inc.
The Mask of Zorro (1998)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Thom Noble
Lenses: Cooke Lenses
Matte Artist
Psycho (1998)
Directed by: Gus Van Sant
Cinematography by: Christopher Doyle
Edited by: Amy E. Duddleston
Lead Man: Additional L.A. Team
Warriors of Virtue (1997)
Directed by: Ronny Yu
Cinematography by: Peter Pau
Edited by: David Wu
Matte Artist: Illusion Arts
Kundun (1997)
Directed by: Martin Scorsese
Cinematography by: Roger Deakins
Edited by: Thelma Schoonmaker
Cameras: ARRIFLEX 535 B Camera
Art Department Assistant
Batman & Robin (1997)
Directed by: Joel Schumacher
Cinematography by: Stephen Goldblatt
Matte Artist: Illusion Arts
The Jackal (1997)
Directed by: Michael Caton-Jones
Cinematography by: Karl Walter Lindenlaub
Edited by: Jim Clark
Art Department Assistant
Baby's Day Out (1994)
Directed by: Patrick Read Johnson
Cinematography by: Thomas E. Ackerman
Edited by: David Rawlins
Visual Effects Enhancement: Illusion Arts - 2007 Final Cut Version
Blade Runner (1982)
Directed by: Ridley Scott
Cinematography by: Jordan Cronenweth
