Dailies Advisor
The Adjustment Bureau (2011)
Directed by: George Nolfi
Cinematography by: John Toll
Edited by: Jay Rabinowitz
Dailies Advisor
The Art of Getting By (2011)
Directed by: Gavin Wiesen
Cinematography by: Ben Kutchins
Edited by: Mollie Goldstein
Dailies Advisor
Henry's Crime (2010)
Directed by: Malcolm Venville
Cinematography by: Paul Cameron
Edited by: Curtiss Clayton
Dailies Advisor
The Romantics (2010)
Directed by: Galt Niederhoffer
Cinematography by: Sam Levy
Edited by: Jacob Craycroft
Dailies Advisor
The Fighter (2010)
Directed by: David O. Russell
Cinematography by: Hoyte Van Hoytema
Edited by: Pamela Martin
Dailies Advisor: Technicolor New York
Blue Valentine (2010)
Directed by: Derek Cianfrance
Cinematography by: Andrij Parekh
Cameras: ARRIFLEX 416 Camera, Red One Camera
Lenses: Angenieux Lenses, Zeiss Lenses
Dailies Advisor: Technicolor N.Y.
When in Rome (2010)
Directed by: Mark Steven Johnson
Cinematography by: John Bailey
Dailies Advisor
You Don't Know Jack (2010)
Directed by: Barry Levinson
Cinematography by: Eigil Bryld
Edited by: Aaron Yanes
Dailies Advisor: Technicolor N.Y.
Jack Goes Boating (2010)
Directed by: Philip Seymour Hoffman
Cinematography by: W. Mott Hupfel III
Edited by: Brian A. Kates
Lenses: Cooke S4 Lenses
Dailies Advisor
Brooklyn's Finest (2009)
Directed by: Antoine Fuqua
Cinematography by: Patrick Murguia
Edited by: Barbara Tulliver
Dailies Advisor: Technicolor New York
Precious (2009)
Directed by: Lee Daniels
Cinematography by: Andrew Dunn
Edited by: Joe Klotz
Lenses: Angenieux Lenses, Cooke S4 Lenses
Dailies Advisor: Print Dailies
After.Life (2009)
Directed by: Agnieszka Wojtowicz-Vosloo
Cinematography by: Anastas N. Michos
Edited by: Niven Howie
Dailies Advisor
Duplicity (2009)
Directed by: Tony Gilroy
Cinematography by: Robert Elswit
Edited by: John Gilroy
Cameras: Panavision Panaflex Platinum Camera
Dailies Coordinator
The Road (2009)
Directed by: John Hillcoat
Cinematography by: Javier Aguirresarobe
Edited by: Jon Gregory
Cameras: ARRICAM Lite (LT) Camera
Dailies Advisor: Technicolor, NY
Whatever Works (2009)
Directed by: Woody Allen
Cinematography by: Harris Savides
Edited by: Alisa Lepselter
Dailies Advisor
Brief Interviews with Hideous Men (2009)
Directed by: John Krasinski
Cinematography by: John Bailey
Cameras: Panavision Panaflex Camera
Dailies Advisor
The Private Lives of Pippa Lee (2009)
Directed by: Rebecca Miller
Cinematography by: Declan Quinn
Edited by: Sabine Hoffman
Dailies Advisor
The Blind Side (2009)
Directed by: John Lee Hancock
Cinematography by: Alar Kivilo
Edited by: Mark Livolsi
Lenses: Zeiss Master Prime Lenses
Print Dailies Supervisor
Gigantic (2008)
Directed by: Matt Aselton
Cinematography by: Peter Donahue
Edited by: Beatrice Sisul
Lab Dailies Advisor
August (2008)
Directed by: Austin Chick
Cinematography by: Andrij Parekh
Edited by: Pete Beaudreau
Dailies Advisor
New York, I Love You (2008)
Directed by: Fatih Akin, Yvan Attal, Randall Balsmeyer, Allen Hughes, Shunji Iwai, Wen Jiang, Shekhar Kapur, Joshua Marston, Mira Nair, Natalie Portman, Brett Ratner
Cinematography by: Jean-Louis Bompoint, Benoît Debie, Pawel Edelman, Ping Bin Lee, Michael McDonough, Andrij Parekh, Declan Quinn, Mauricio Rubinstein
Dailies Supervisor
Sex and the City (2008)
Directed by: Michael Patrick King
Cinematography by: John Thomas
Edited by: Michael Berenbaum
Dailies Advisor: Technicolor NY
Pride and Glory (2008)
Directed by: Gavin O'Connor
Cinematography by: Declan Quinn
Dailies Supervisor: Technicolor
The Happening (2008)
Directed by: M. Night Shyamalan
Cinematography by: Tak Fujimoto
Edited by: Conrad Buff IV
Cameras: Panavision Cameras
Dailies Advisor
Cadillac Records (2008)
Directed by: Darnell Martin
Cinematography by: Anastas N. Michos
Edited by: Peter C. Frank
Dailies Advisor
Burn After Reading (2008)
Cinematography by: Emmanuel Lubezki
Cameras: ARRICAM Lite (LT) Camera
Editing System: Final Cut Pro Editing System
Dailies Advisor: Technicolor N.Y.
The Wackness (2008)
Directed by: Jonathan Levine
Cinematography by: Petra Korner
Edited by: Josh Noyes
Dailies Advisor
Brooklyn Rules (2007)
Directed by: Michael Corrente
Cinematography by: Richard Crudo
Edited by: Kate Sanford
Dailies Advisor
New York City Serenade (2007)
Directed by: Frank Whaley
Cinematography by: Ryan Samul
Edited by: Miran Miosic
Dailies Advisor
Anamorph (2007)
Directed by: Henry Miller
Cinematography by: Fred Murphy
Edited by: Geraud Brisson
Dailies Advisor
American Gangster (2007)
Directed by: Ridley Scott
Cinematography by: Harris Savides
Edited by: Pietro Scalia
Editing System: Avid Editing System
Dailies Advisor
Music and Lyrics (2007)
Directed by: Marc Lawrence
Cinematography by: Xavier Grobet
Edited by: Susan E. Morse
Cameras: ARRI Cameras
Lenses: Zeiss Lenses
Dailies Advisor: Technicolor
Perfect Stranger (2007)
Directed by: James Foley
Cinematography by: Anastas N. Michos
Edited by: Christopher Tellefsen
Dailies Advisor
We Own the Night (2007)
Directed by: James Gray
Cinematography by: Joaquín Baca-Asay
Edited by: John Axelrad
Dailies Advisor: Technicolor New York
Evening (2007)
Directed by: Lajos Koltai
Cinematography by: Gyula Pados
Edited by: Allyson C. Johnson
Dailies Advisor
Dedication (2007)
Directed by: Justin Theroux
Cinematography by: Stephen Kazmierski
Edited by: Andy Keir
Dailies Advisor
Joshua (2007)
Directed by: George Ratliff
Cinematography by: Benoît Debie
Edited by: Jacob Craycroft
Dailies Advisor
Margot at the Wedding (2007)
Directed by: Noah Baumbach
Cinematography by: Harris Savides
Edited by: Carol Littleton
Cameras: ARRICAM Lite (LT) Camera
Dailies Advisor
The Visitor (2007)
Directed by: Tom McCarthy
Cinematography by: Oliver Bokelberg
Edited by: Tom McArdle
Cameras: ARRICAM Lite (LT) Camera
Dailies Advisor
Fur: An Imaginary Portrait of Diane Arbus (2006)
Directed by: Steven Shainberg
Cinematography by: Bill Pope
Dailies Advisor: Technicolor
Inside Man (2006)
Directed by: Spike Lee
Cinematography by: Matthew Libatique
Edited by: Barry Alexander Brown
Color Timer: Dailies
Lady in the Water (2006)
Directed by: M. Night Shyamalan
Cinematography by: Christopher Doyle
Edited by: Barbara Tulliver
Advisor: Technicolor New York
Cinematographer Style (2006)
Directed by: Jon Fauer
Edited by: Matthew R. Blute
Dailies Advisor
The Night Listener (2006)
Directed by: Patrick Stettner
Cinematography by: Lisa Rinzler
Edited by: Andy Keir
Dailies Advisor
Lucky Number Slevin (2006)
Directed by: Paul McGuigan
Cinematography by: Peter Sova
Edited by: Andrew Hulme
Dailies Advisor: Technicolor, New York
School for Scoundrels (2006)
Directed by: Todd Phillips
Cinematography by: Jonathan Brown
Dailies Supervisor: Technicolor Creative Services
Sherrybaby (2006)
Directed by: Laurie Collyer
Cinematography by: Russell Lee Fine
Cameras: ARRI Cameras
Color Coordinator: Technicolor
Capote (2005)
Directed by: Bennett Miller
Cinematography by: Adam Kimmel
Edited by: Christopher Tellefsen
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
Dailies Supervisor
Duane Hopwood (2005)
Directed by: Matt Mulhern
Cinematography by: Mauricio Rubinstein
Edited by: Tom McArdle
Dailies Advisor
Broken Flowers (2005)
Directed by: Jim Jarmusch
Cinematography by: Frederick Elmes
Edited by: Jay Rabinowitz
Lenses: Zeiss Variable Prime Lenses
Coordinator: Technicolor
The Woodsman (2004)
Directed by: Nicole Kassell
Cinematography by: Xavier Grobet
Dailies Advisor
The Manchurian Candidate (2004)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Dailies Advisor
A Dirty Shame (2004)
Directed by: John Waters
Cinematography by: Steve Gainer
Edited by: Jeffrey Wolf
Cameras: ARRIFLEX 535 B Camera
Lenses: Cooke S4 Lenses
Dailies Advisor
The Stepford Wives (2004)
Directed by: Frank Oz
Cinematography by: Rob Hahn
Edited by: Jay Rabinowitz
Color Coordinator: Technicolor
Red Betsy (2003)
Directed by: Chris Boebel
Cinematography by: David Tumblety
Edited by: David Leonard
Coordinator: Technicolor
The Fog of War: Eleven Lessons from the Life of Robert S. McNamara (2003)
Directed by: Errol Morris
Cameras: Sony HDW-F900 Camera
Dailies Advisor
Anything Else (2003)
Directed by: Woody Allen
Cinematography by: Darius Khondji
Edited by: Alisa Lepselter
Dailies Advisor
Two Weeks Notice (2002)
Directed by: Marc Lawrence
Cinematography by: László Kovács
Edited by: Susan E. Morse
Dailies Advisor
Hollywood Ending (2002)
Directed by: Woody Allen
Cinematography by: Wedigo von Schultzendorff
Edited by: Alisa Lepselter
Dailies Advisor
Changing Lanes (2002)
Directed by: Roger Michell
Cinematography by: Salvatore Totino
Edited by: Christopher Tellefsen
Colorist: Technicolor, New York
People I Know (2002)
Directed by: Daniel Algrant
Cinematography by: Peter Deming
Edited by: Suzy Elmiger
Advisor: Technicolor
Roger Dodger (2002)
Directed by: Dylan Kidd
Cinematography by: Joaquín Baca-Asay
Edited by: Andy Keir
Dailies Advisor
Far from Heaven (2002)
Directed by: Todd Haynes
Cinematography by: Edward Lachman
Edited by: James Lyons
Cameras: Moviecam Compact Camera
Dailies Advisor
City by the Sea (2002)
Directed by: Michael Caton-Jones
Cinematography by: Karl Walter Lindenlaub
Edited by: Jim Clark
Cameras: Panavision Cameras
Dailies Consultant
The Royal Tenenbaums (2001)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: Dylan Tichenor
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Dailies Advisor
Sidewalks of New York (2001)
Directed by: Edward Burns
Cinematography by: Frank Prinzi
Edited by: David Greenwald
Color Coordinator: Technicolor
Wit (2001)
Directed by: Mike Nichols
Cinematography by: Seamus McGarvey
Edited by: John Bloom
Color Timer: Dailies, New York
Zoolander (2001)
Directed by: Ben Stiller
Cinematography by: Barry Peterson
Edited by: Greg Hayden
Dailies Advisor
Kate & Leopold (2001)
Directed by: James Mangold
Cinematography by: Stuart Dryburgh
Edited by: David Brenner
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Dailies Advisor
Crouching Tiger, Hidden Dragon (2000)
Directed by: Ang Lee
Cinematography by: Peter Pau
Edited by: Tim Squyres
Cameras: ARRIFLEX 435 ES Camera
Lenses: Zeiss Lenses
Dailies Advisor
Before Night Falls (2000)
Directed by: Julian Schnabel
Edited by: Michael Berenbaum
Cameras: ARRIFLEX 35 BL4s Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Super Speed Lenses
Dailies Advisor
Songcatcher (2000)
Directed by: Maggie Greenwald
Cinematography by: Enrique Chediak
Edited by: Keith Reamer
Dailies Advisor
The Yards (2000)
Directed by: James Gray
Cinematography by: Harris Savides
Edited by: Jeffrey Ford
Dailies Advisor
You Can Count on Me (2000)
Directed by: Kenneth Lonergan
Cinematography by: Stephen Kazmierski
Edited by: Anne McCabe
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Dailies Advisor
Under Suspicion (2000)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: John Smith
Dailies Advisor
By Courier (2000)
Directed by: Peter Riegert
Cinematography by: Tom Houghton
Edited by: Jeffrey Williams
Dailies Advisor
Summer of Sam (1999)
Directed by: Spike Lee
Cinematography by: Ellen Kuras
Edited by: Barry Alexander Brown
Color Coordinator: Technicolor
The Winslow Boy (1999)
Directed by: David Mamet
Cinematography by: Benoît Delhomme
Edited by: Barbara Tulliver
Dailies Advisor
The Thomas Crown Affair (1999)
Directed by: John McTiernan
Cinematography by: Tom Priestley Jr.
Edited by: John Wright
Cameras: Panavision Panaflex Platinum Camera
Dailies Advisor
Flawless (1999)
Directed by: Joel Schumacher
Cinematography by: Declan Quinn
Edited by: Mark Stevens
Color Coordinator: Technicolor
Tumbleweeds (1999)
Directed by: Gavin O'Connor
Cinematography by: Dan Stoloff
Edited by: John Gilroy
Technical Advisor: Dailies
No Looking Back (1998)
Directed by: Edward Burns
Cinematography by: Frank Prinzi
Edited by: Susan Graef
Dailies Advisor
Great Expectations (1998)
Directed by: Alfonso Cuarón
Cinematography by: Emmanuel Lubezki
Edited by: Steven Weisberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Dailies Advisor
Pecker (1998)
Directed by: John Waters
Cinematography by: Robert M. Stevens
Edited by: Janice Hampton
Dailies Advisor
The Last Days of Disco (1998)
Directed by: Whit Stillman
Cinematography by: John Thomas
Dailies Advisor
Rounders (1998)
Directed by: John Dahl
Cinematography by: Jean-Yves Escoffier
Edited by: Scott Chestnut
Laboratory Advisor
Living Out Loud (1998)
Directed by: Richard LaGravenese
Cinematography by: John Bailey
Cameras: Panavision Cameras
Coordinator: Technicolor
Hurricane Streets (1997)
Directed by: Morgan J. Freeman
Cinematography by: Enrique Chediak
Edited by: Sabine Hoffman
Dailies Advisor
Julian Po (1997)
Directed by: Alan Wade
Cinematography by: Bernd Heinl
Edited by: Jeffrey Wolf
Dailies Advisor
Cop Land (1997)
Directed by: James Mangold
Cinematography by: Eric Alan Edwards
Edited by: Craig McKay
Advisor: Technicolor
The Night Flier (1997)
Directed by: Mark Pavia
Cinematography by: David Connell
Edited by: Elizabeth Schwartz
Dailies Supervisor: Technicolor
Gummo (1997)
Directed by: Harmony Korine
Cinematography by: Jean-Yves Escoffier
Edited by: Christopher Tellefsen
Dailies Advisor
The Spanish Prisoner (1997)
Directed by: David Mamet
Cinematography by: Gabriel Beristain
Edited by: Barbara Tulliver
Coordinator: Technicolor
Four Days in September (1997)
Directed by: Bruno Barreto
Cinematography by: Félix Monti
Edited by: Isabelle Rathery
Cameras: ARRIFLEX 535 B Camera
Dailies Advisor
The Associate (1996)
Directed by: Donald Petrie
Cinematography by: Alex Nepomniaschy
Edited by: Bonnie Koehler
Dailies Advisor
Box of Moonlight (1996)
Directed by: Tom DiCillo
Cinematography by: Paul Ryan
Edited by: Camilla Toniolo
Dailies Advisor
The Daytrippers (1996)
Directed by: Greg Mottola
Cinematography by: John Inwood
Edited by: Anne McCabe
Coordinator: Technicolor
Kama Sutra: A Tale of Love (1996)
Directed by: Mira Nair
Cinematography by: Declan Quinn
Edited by: Kristina Boden
Dailies Advisor
Beautiful Girls (1996)
Directed by: Ted Demme
Cinematography by: Adam Kimmel
Edited by: Jeffrey Wolf
Color Timer
Girl 6 (1996)
Directed by: Spike Lee
Cinematography by: Malik Hassan Sayeed
Edited by: Samuel D. Pollard
Coordinator: Technicolor
Ransom (1996)
Directed by: Ron Howard
Cinematography by: Piotr Sobocinski
Dailies Advisor: Technicolor
The Pallbearer (1996)
Directed by: Matt Reeves
Cinematography by: Robert Elswit
Edited by: Stan Salfas
Dailies Advisor
Heaven's Prisoners (1996)
Directed by: Phil Joanou
Cinematography by: Harris Savides
Edited by: William Steinkamp
Dailies Advisor
Die Hard: With a Vengeance (1995)
Directed by: John McTiernan
Cinematography by: Peter Menzies Jr.
Edited by: John Wright
Dailies Advisor
Twelve Monkeys (1995)
Directed by: Terry Gilliam
Cinematography by: Roger Pratt
Edited by: Mick Audsley
Cameras: Moviecam Cameras
Lenses: Cooke Lenses
Dailies Coordinator
Clockers (1995)
Directed by: Spike Lee
Cinematography by: Malik Hassan Sayeed
Edited by: Sam Pollard
Cameras: ARRIFLEX 535 Camera, Moviecam Compact Camera
Dailies Advisor
Kiss of Death (1995)
Directed by: Barbet Schroeder
Cinematography by: Luciano Tovoli
Edited by: Lee Percy
Cameras: Panavision Cameras
Color Coordinator
Angels and Insects (1995)
Directed by: Philip Haas
Cinematography by: Bernard Zitzermann
Edited by: Belinda Haas
Consultant: Technicolor
Only You (1994)
Directed by: Norman Jewison
Cinematography by: Sven Nykvist
Edited by: Stephen E. Rivkin
Coordinator: Technicolor
Iron Will (1994)
Directed by: Charles Haid
Cinematography by: William Wages
Edited by: Andrew Doerfer
Dailies Supervisor
It Could Happen to You (1994)
Directed by: Andrew Bergman
Cinematography by: Caleb Deschanel
Edited by: Barry Malkin
Dailies Lab Contact
The Cowboy Way (1994)
Directed by: Gregg Champion
Cinematography by: Dean Semler
Edited by: Michael Tronick
Dailies Advisor
House of Cards (1993)
Directed by: Michael Lessac
Cinematography by: Victor Hammer
Edited by: Walter Murch
Laboratory Coordinator: Technicolor
Mad Dog and Glory (1993)
Directed by: John McNaughton
Cinematography by: Robby Müller
Dailies Advisor
The Ballad of Little Jo (1993)
Directed by: Maggie Greenwald
Cinematography by: Declan Quinn
Edited by: Keith Reamer
Color Coordinator
Life with Mikey (1993)
Directed by: James Lapine
Cinematography by: Rob Hahn
Edited by: Robert Leighton
Advisor: Technicolor
A Bronx Tale (1993)
Directed by: Robert De Niro
Cinematography by: Reynaldo Villalobos
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Dailies Supervisor
Consenting Adults (1992)
Directed by: Alan J. Pakula
Cinematography by: Stephen Goldblatt
Edited by: Sam O'Steen
Cameras: Panavision Panaflex Platinum Camera
Dailies Supervisor
Diary of a Hitman (1991)
Directed by: Roy London
Cinematography by: Yuri Sokol
Edited by: Brian Smedley-Aston
Dailies Advisor
Reversal of Fortune (1990)
Directed by: Barbet Schroeder
Cinematography by: Luciano Tovoli
Edited by: Lee Percy
Dailies Advisor
Second Sight (1989)
Directed by: Joel Zwick
Cinematography by: Dana Christiaansen
Edited by: David Ray
Cameras: Panavision Cameras
Dailies Advisor
The Last Temptation of Christ (1988)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Dailies Advisor
The Untouchables (1987)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Cameras: Panavision Panaflex Gold Camera
Technical Advisor
The Stuff (1985)
Directed by: Larry Cohen
Cinematography by: Paul Glickman
Edited by: Armond Lebowitz
Advisor: Technicolor
Dawn of the Dead (1978)
Directed by: George A. Romero
Cinematography by: Michael Gornick