Re-recording Mixer
Dunkirk (2017)
Directed by: Christopher Nolan
Cinematography by: Hoyte Van Hoytema
Edited by: Lee Smith
Cameras: IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Editing System: Avid Editing System
Re-recording Mixer
How to Be Single (2016)
Directed by: Christian Ditter
Cinematography by: Christian Rein
Edited by: Tia Nolan
Re-recording Mixer
San Andreas (2015)
Directed by: Brad Peyton
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Re-recording Mixer
Godzilla (2014)
Directed by: Gareth Edwards
Cinematography by: Seamus McGarvey
Edited by: Bob Ducsay
Cameras: ARRI ALEXA Plus Camera, Phantom Flex Camera
Re-recording Mixer
Interstellar (2014)
Directed by: Christopher Nolan
Cinematography by: Hoyte Van Hoytema
Edited by: Lee Smith
Cameras: Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Hasselblad Lenses, Leitz Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Re-recording Mixer
Tammy (2014)
Directed by: Ben Falcone
Cinematography by: Russ T. Alsobrook
Edited by: Michael L. Sale
Re-recording Mixer
Jack the Giant Slayer (2013)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Re-recording Mixer
RED 2 (2013)
Directed by: Dean Parisot
Cinematography by: Enrique Chediak
Edited by: Don Zimmerman
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Hawk V-Lite Lenses
Re-recording Mixer
The Hangover Part III (2013)
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Re-recording Mixer
The Conjuring (2013)
Directed by: James Wan
Cinematography by: John R. Leonetti
Edited by: Kirk M. Morri
Cameras: ARRI ALEXA Camera
Lenses: Leitz Summilux-C Series Lenses
Re-recording Mixer
The Lucky One (2012)
Directed by: Scott Hicks
Cinematography by: Alar Kivilo
Edited by: Scott Gray
Re-recording Mixer
The Dark Knight Rises (2012)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: ARRIFLEX 235 Camera, Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera, Panavision System 65 Camera
Lenses: Hasselblad Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Re-recording Mixer
Journey 2: The Mysterious Island (2012)
Directed by: Brad Peyton
Cinematography by: David Tattersall
Edited by: David Rennie
Re-recording Mixer
The Hangover Part II (2011)
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Re-recording Mixer
The Ides of March (2011)
Directed by: George Clooney
Cinematography by: Phedon Papamichael
Edited by: Stephen Mirrione
Cameras: Panavision Panaflex Platinum Camera
Additional Re-recording Mixer
Extremely Loud & Incredibly Close (2011)
Directed by: Stephen Daldry
Cinematography by: Chris Menges
Edited by: Claire Simpson
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System, Final Cut Pro Editing System
Re-recording Mixer
Bad Teacher (2011)
Directed by: Jake Kasdan
Cinematography by: Alar Kivilo
Edited by: Tara Timpone
Cameras: Panavision Panaflex Platinum Camera
Re-recording Mixer
Takers (2010)
Directed by: John Luessenhop
Cinematography by: Michael Barrett
Edited by: Armen Minasian
Re-recording Mixer
Country Strong (2010)
Directed by: Shana Feste
Cinematography by: John Bailey
Re-recording Mixer
Easy A (2010)
Directed by: Will Gluck
Cinematography by: Michael Grady
Edited by: Susan Littenberg
Cameras: Panavision Genesis Camera
Re-recording Mixer
The Crazies (2010)
Directed by: Breck Eisner
Cinematography by: Maxime Alexandre
Edited by: Billy Fox
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lenses: Zeiss Master Prime Lenses
Re-recording Mixer
Marmaduke (2010)
Directed by: Tom Dey
Cinematography by: Greg Gardiner
Edited by: Don Zimmerman
Re-recording Mixer
The Town (2010)
Directed by: Ben Affleck
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
Re-recording Mixer
Ramona and Beezus (2010)
Directed by: Elizabeth Allen Rosenbaum
Cinematography by: John Bailey
Edited by: Jane Moran
Re-recording Mixer
Dragonball Evolution (2009)
Directed by: James Wong
Cinematography by: Robert McLachlan
Re-recording Mixer
The Day the Earth Stood Still (2008)
Directed by: Scott Derrickson
Cinematography by: David Tattersall
Edited by: Wayne Wahrman
Cameras: Panavision Cameras
Additional Sound Re-recording Mixer
August Rush (2007)
Directed by: Kirsten Sheridan
Cinematography by: John Mathieson
Edited by: William Steinkamp
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
Walk Hard: The Dewey Cox Story (2007)
Directed by: Jake Kasdan
Cinematography by: Uta Briesewitz
Cameras: Panavision Genesis Camera
Supervising Sound Mixer
Evan Almighty (2007)
Directed by: Tom Shadyac
Cinematography by: Ian Baker
Edited by: Scott Hill
Cameras: Panavision Cameras
Editing System: Lightworks Editing System
Supervising Sound Re-recording Mixer
Breach (2007)
Directed by: Billy Ray
Cinematography by: Tak Fujimoto
Edited by: Jeffrey Ford
Cameras: Panavision Cameras
Supervising Sound Mixer
First Snow (2006)
Directed by: Mark Fergus
Cinematography by: Eric Alan Edwards
Edited by: Jay Cassidy
Supervising Sound Mixer
American Dreamz (2006)
Directed by: Paul Weitz
Cinematography by: Robert Elswit
Edited by: Myron Kerstein
Re-recording Mixer
Running Scared (2006)
Directed by: Wayne Kramer
Cinematography by: Jim Whitaker
Edited by: Arthur Coburn
Re-recording Mixer, Supervising Sound Mixer
The 40-Year-Old Virgin (2005)
Directed by: Judd Apatow
Cinematography by: Jack N. Green
Edited by: Brent White
Re-recording Mixer
Kicking & Screaming (2005)
Directed by: Jesse Dylan
Cinematography by: Lloyd Ahern II
Supervising Sound Mixer - Segment "Jonathan"
All the Invisible Children (2005)
Directed by: Mehdi Charef, Emir Kusturica, Spike Lee, Kátia Lund, Jordan Scott, Ridley Scott, Stefano Veneruso, John Woo
Cinematography by: Philippe Brelot, Cliff Charles, Changwei Gu, Toca Seabra, Vittorio Storaro, Jim Whitaker, Nianping Zeng, Michel Amathieu
Supervising Sound Mixer
Confessions of a Teenage Drama Queen (2004)
Directed by: Sara Sugarman
Cinematography by: Stephen H. Burum
Edited by: Anita Brandt Burgoyne
Supervising Sound Mixer
Dodgeball: A True Underdog Story (2004)
Directed by: Rawson Marshall Thurber
Cinematography by: Jerzy Zielinski
Cameras: Panavision Cameras
Supervising Sound Mixer
After the Sunset (2004)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Cameras: ARRICAM Lite (LT) Camera, Panavision Cameras
Re-recording Mixer
Bulletproof Monk (2003)
Directed by: Paul Hunter
Cinematography by: Stefan Czapsky
Edited by: Robert K. Lambert
Supervising Sound Mixer
Bruce Almighty (2003)
Directed by: Tom Shadyac
Cinematography by: Dean Semler
Edited by: Scott Hill
Lenses: Panavision Primo Close Focus Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses
Editing System: Lightworks Editing System
Supervising Sound Mixer
The Cat in the Hat (2003)
Directed by: Bo Welch
Cinematography by: Emmanuel Lubezki
Edited by: Don Zimmerman
Editing System: Avid Editing System
Supervising Sound Mixer
American Wedding (2003)
Directed by: Jesse Dylan
Cinematography by: Lloyd Ahern II
Edited by: Stuart H. Pappé
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Additional Re-recording Mixer
The Salton Sea (2002)
Directed by: D.J. Caruso
Cinematography by: Amir Mokri
Edited by: Jim Page
Re-recording Mixer
The Scorpion King (2002)
Directed by: Chuck Russell
Cinematography by: John R. Leonetti
Re-recording Mixer
Blue Crush (2002)
Directed by: John Stockwell
Cinematography by: David Hennings
Edited by: Emma E. Hickox
Re-recording Mixer
The Time Machine (2002)
Directed by: Simon Wells
Cinematography by: Donald McAlpine
Edited by: Wayne Wahrman
Cameras: Panavision Panaflex Camera
Editing System: Avid Editing System
Sound Mixer
Red Dragon (2002)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Re-recording Mixer
How High (2001)
Directed by: Jesse Dylan
Cinematography by: Francis Kenny
Edited by: Larry Bock
Re-recording Mixer
Lara Croft: Tomb Raider (2001)
Directed by: Simon West
Cinematography by: Peter Menzies Jr.
Re-recording Mixer
Scary Movie 2 (2001)
Directed by: Keenen Ivory Wayans
Cinematography by: Steven Bernstein
Re-recording Mixer
Nutty Professor II: The Klumps (2000)
Directed by: Peter Segal
Cinematography by: Dean Semler
Edited by: William Kerr
Re-recording Mixer
U-571 (2000)
Directed by: Jonathan Mostow
Cinematography by: Oliver Wood
Edited by: Wayne Wahrman
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Cooke S4 Lenses, Nikon - Nikkor Lenses
Sound Mixer
The General's Daughter (1999)
Directed by: Simon West
Cinematography by: Peter Menzies Jr.
Edited by: Glen Scantlebury
Re-recording Mixer
Life (1999)
Directed by: Ted Demme
Cinematography by: Geoffrey Simpson
Edited by: Jeffrey Wolf
Sound Mixer
Patch Adams (1998)
Directed by: Tom Shadyac
Cinematography by: Phedon Papamichael
Edited by: Don Zimmerman
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
Senseless (1998)
Directed by: Penelope Spheeris
Cinematography by: Daryn Okada
Edited by: Ross Albert
Sound Mixer
Mercury Rising (1998)
Directed by: Harold Becker
Cinematography by: Michael Seresin
Edited by: Peter Honess
Re-recording Mixer
Mousehunt (1997)
Directed by: Gore Verbinski
Cinematography by: Phedon Papamichael
Edited by: Craig Wood
Rerecording Mixer
Speed 2: Cruise Control (1997)
Directed by: Jan de Bont
Cinematography by: Jack N. Green
Edited by: Alan Cody
Re-recording Mixer
A Simple Wish (1997)
Directed by: Michael Ritchie
Cinematography by: Ralf D. Bode
Edited by: William S. Scharf
Re-recording Mixer
Nothing to Lose (1997)
Directed by: Steve Oedekerk
Cinematography by: Donald E. Thorin
Edited by: Malcolm Campbell
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
Sgt. Bilko (1996)
Directed by: Jonathan Lynn
Cinematography by: Peter Sova
Edited by: Tony Lombardo
Re-recording Mixer
Twister (1996)
Directed by: Jan de Bont
Cinematography by: Jack N. Green
Edited by: Michael Kahn
Re-recording Mixer
Waterworld (1995)
Directed by: Kevin Reynolds
Cinematography by: Dean Semler
Edited by: Peter Boyle
Re-recording Mixer
Bad Girls (1994)
Directed by: Jonathan Kaplan
Cinematography by: Ralf D. Bode
Edited by: Jane Kurson
Re-recording Mixer: Skywalker Sound
The Getaway (1994)
Directed by: Roger Donaldson
Cinematography by: Peter Menzies Jr.
Edited by: Conrad Buff IV
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer: LA, Skywalker Sound
Rapa Nui (1994)
Directed by: Kevin Reynolds
Cinematography by: Stephen F. Windon
Edited by: Peter Boyle
Re-recording Mixer: Universal Sound Facility
The Little Rascals (1994)
Directed by: Penelope Spheeris
Cinematography by: Richard Bowen
Re-recording Mixer
Speed (1994)
Directed by: Jan de Bont
Cinematography by: Andrzej Bartkowiak
Edited by: John Wright
Rerecording Mixer
The Beverly Hillbillies (1993)
Directed by: Penelope Spheeris
Cinematography by: Robert Brinkmann
Edited by: Ross Albert
Cameras: ARRIFLEX 535 B Camera
Re-recording Mixer
Robin Hood: Men in Tights (1993)
Directed by: Mel Brooks
Cinematography by: Michael D. O'Shea
Edited by: Stephen E. Rivkin
Re-recording Mixer
The Vanishing (1993)
Directed by: George Sluizer
Cinematography by: Peter Suschitzky
Edited by: Bruce Green
Re-recording Mixer: Skywalker Sound
Super Mario Bros. (1993)
Cinematography by: Dean Semler
Edited by: Mark Goldblatt
Re-recording Mixer: Skywalker Sound
Trespass (1992)
Directed by: Walter Hill
Cinematography by: Lloyd Ahern II
Edited by: Freeman A. Davies
Re-recording Mixer
Unlawful Entry (1992)
Directed by: Jonathan Kaplan
Cinematography by: Jamie Anderson
Edited by: Curtiss Clayton
Re-recording Mixer
Rich in Love (1992)
Directed by: Bruce Beresford
Cinematography by: Peter James
Edited by: Mark Warner
Cameras: Panavision Cameras
Re-recording Mixer: Skywalker Sound
The Addams Family (1991)
Directed by: Barry Sonnenfeld
Cinematography by: Owen Roizman
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Additional Re-recording Mixer
Hudson Hawk (1991)
Directed by: Michael Lehmann
Cinematography by: Dante Spinotti
Re-recording Mixer
The Indian Runner (1991)
Directed by: Sean Penn
Cinematography by: Anthony B. Richmond
Edited by: Jay Cassidy
Re-recording Mixer
Teenage Mutant Ninja Turtles II: The Secret of the Ooze (1991)
Directed by: Michael Pressman
Cinematography by: Shelly Johnson
Re-recording Mixer
JFK (1991)
Directed by: Oliver Stone
Cinematography by: Robert Richardson
Lenses: Panavision E35 35 mm T2.0 Lens
Editing System: K.E.M. Editing System
Re-recording Mixer
Another 48 Hrs. (1990)
Directed by: Walter Hill
Cinematography by: Matthew F. Leonetti
Cameras: Ultracam 35 Camera
Re-recording Mixer
The Godfather Part III (1990)
Directed by: Francis Ford Coppola
Cinematography by: Gordon Willis
Re-recording Mixer: Skywalker Sound South
Misery (1990)
Directed by: Rob Reiner
Cinematography by: Barry Sonnenfeld
Edited by: Robert Leighton
Re-recording Mixer: Skywalker Sound South
Pacific Heights (1990)
Directed by: John Schlesinger
Cinematography by: Amir Mokri
Cameras: ARRI Cameras
Re-recording Mixer
Lisa (1989)
Directed by: Gary Sherman
Cinematography by: Alex Nepomniaschy
Edited by: Ross Albert
Re-recording Mixer
Johnny Handsome (1989)
Directed by: Walter Hill
Cinematography by: Matthew F. Leonetti
Re-recording Mixer
Pet Sematary (1989)
Directed by: Mary Lambert
Cinematography by: Peter Stein
Cameras: Panavision Cameras
Re-recording Mixer
Arthur 2: On the Rocks (1988)
Directed by: Bud Yorkin
Cinematography by: Stephen H. Burum
Edited by: Michael Kahn
Re-recording Mixer
The Naked Gun: From the Files of Police Squad! (1988)
Directed by: David Zucker
Cinematography by: Robert M. Stevens
Edited by: Michael Jablow
Re-recording Mixer
Beetlejuice (1988)
Directed by: Tim Burton
Cinematography by: Thomas E. Ackerman
Edited by: Jane Kurson
Re-recording Mixer
Johnny Be Good (1988)
Directed by: Bud S. Smith
Cinematography by: Robert D. Yeoman
Edited by: M. Scott Smith
Re-recording Mixer: Los Angeles
The Accused (1988)
Directed by: Jonathan Kaplan
Cinematography by: Ralf D. Bode
Cameras: Panavision Cameras
Re-recording Mixer
Poltergeist III (1988)
Directed by: Gary Sherman
Cinematography by: Alex Nepomniaschy
Edited by: Ross Albert
Cameras: Panavision Panaflex Series Cameras
Lenses: Panavision Lenses
Re-recording Mixer
Extreme Prejudice (1987)
Directed by: Walter Hill
Cinematography by: Matthew F. Leonetti
Re-recording Mixer
Summer School (1987)
Directed by: Carl Reiner
Cinematography by: David M. Walsh
Edited by: Bud Molin
Re-recording Mixer
Outrageous Fortune (1987)
Directed by: Arthur Hiller
Cinematography by: David M. Walsh
Edited by: Tom Rolf
Cameras: Panavision Cameras
Re-recording Mixer
The Hitcher (1986)
Directed by: Robert Harmon
Cinematography by: John Seale
Edited by: Frank J. Urioste
Re-recording Mixer
Jumpin' Jack Flash (1986)
Directed by: Penny Marshall
Cinematography by: Matthew F. Leonetti
Edited by: Mark Goldblatt
Re-recording Mixer
The Golden Child (1986)
Directed by: Michael Ritchie
Cinematography by: Donald E. Thorin
Edited by: Richard A. Harris
Re-recording Mixer
About Last Night... (1986)
Directed by: Edward Zwick
Cinematography by: Andrew Dintenfass
Edited by: Harry Keramidas
Cameras: Panavision Cameras
Re-recording Mixer
Cobra (1986)
Directed by: George P. Cosmatos
Cinematography by: Ric Waite
Cameras: Panavision Cameras
Re-recording Mixer
St. Elmo's Fire (1985)
Directed by: Joel Schumacher
Cinematography by: Stephen H. Burum
Edited by: Richard Marks
Dubbing Mixer
Cavegirl (1985)
Directed by: David Oliver Pfeil
Cinematography by: David Oliver Pfeil
Edited by: Robert Field
Cameras: ARRI Cameras
Re-recording Mixer
Summer Rental (1985)
Directed by: Carl Reiner
Cinematography by: Ric Waite
Edited by: Bud Molin
Cameras: Panavision Cameras
Re-recording Mixer
Beverly Hills Cop (1984)
Directed by: Martin Brest
Cinematography by: Bruce Surtees
Sound Re-recordist
The Hotel New Hampshire (1984)
Directed by: Tony Richardson
Cinematography by: David Watkin
Edited by: Robert K. Lambert
Re-recording Mixer
Mass Appeal (1984)
Directed by: Glenn Jordan
Cinematography by: Donald Peterman
Edited by: John Wright
Re-recording Mixer
The River Rat (1984)
Directed by: Thomas Rickman
Cinematography by: Jan Kiesser
Edited by: Steve Mirkovich
Re-recording Mixer
Best Defense (1984)
Directed by: Willard Huyck
Cinematography by: Donald Peterman
Edited by: Sidney Wolinsky
Cameras: Panavision Cameras
Re-recording Mixer
The Survivors (1983)
Directed by: Michael Ritchie
Cinematography by: Billy Williams
Edited by: Richard A. Harris
Re-recording Mixer
Twilight Zone: The Movie (1983)
Re-recording Mixer
The Dead Zone (1983)
Directed by: David Cronenberg
Cinematography by: Mark Irwin
Edited by: Ronald Sanders
Re-recording Mixer
The Man with Two Brains (1983)
Directed by: Carl Reiner
Cinematography by: Michael Chapman
Edited by: Bud Molin
Re-recording Engineer
Rocky III (1982)
Directed by: Sylvester Stallone
Cinematography by: Bill Butler
Sound Re-recordist
The Thing (1982)
Directed by: John Carpenter
Cinematography by: Dean Cundey
Edited by: Todd C. Ramsay
Rerecording Mixer
My Favorite Year (1982)
Directed by: Richard Benjamin
Cinematography by: Gerald Hirschfeld
Edited by: Richard Chew
Re-recording Mixer
Jekyll and Hyde... Together Again (1982)
Directed by: Jerry Belson
Cinematography by: Philip H. Lathrop
Edited by: Billy Weber
Re-recording
Raiders of the Lost Ark (1981)
Directed by: Steven Spielberg
Cinematography by: Douglas Slocombe
Re-recording Mixer
The Postman Always Rings Twice (1981)
Directed by: Bob Rafelson
Cinematography by: Sven Nykvist
Edited by: Graeme Clifford
Rerecording Mixer
Escape from New York (1981)
Directed by: John Carpenter
Cinematography by: Dean Cundey
Edited by: Todd C. Ramsay
Cameras: Panavision Panaflex Gold Camera
Re-recording Mixer
Ordinary People (1980)
Directed by: Robert Redford
Cinematography by: John Bailey
Edited by: Jeff Kanew
Cameras: Panavision Panaflex Series Cameras
Lenses: Panavision Lenses
Re-recording Mixer
Star Wars: Episode V - The Empire Strikes Back (1980)
Directed by: Irvin Kershner
Cinematography by: Peter Suschitzky
Re-recording Mixer
A Man, a Woman and a Bank (1979)
Directed by: Noel Black
Cinematography by: Jack Cardiff
Edited by: Carl Kress
Re-recording Mixer
Star Trek: The Motion Picture (1979)
Directed by: Robert Wise
Cinematography by: Richard H. Kline
Edited by: Todd C. Ramsay
Re-recording Mixer , Sound Rerecording
More American Graffiti (1979)
Directed by: Bill Norton
Cinematography by: Caleb Deschanel
Cameras: Panavision Cameras
