In-house Compositor: Cheap Shot
Napoleon (2023)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Cameras: ARRI ALEXA Mini LF Camera
Compositor: Cheap Shot, Senior In-house Compositor
Mission: Impossible - Dead Reckoning Part One (2023)
Directed by: Christopher McQuarrie
Cinematography by: Fraser Taggart
Edited by: Eddie Hamilton
Digital Compositor
'Bodyguard' Episode #1.1 (2018)
Directed by: Thomas Vincent
Cinematography by: John Lee
Edited by: Steve Singleton
Digital Compositor
'Bodyguard' Episode #1.2 (2018)
Directed by: Thomas Vincent
Cinematography by: John Lee
Edited by: Steve Singleton
Digital Compositor
'Bodyguard' Episode #1.3 (2018)
Directed by: Thomas Vincent
Cinematography by: John Lee
Edited by: Steve Singleton
Digital Compositor - 3 Episodes, 2018
Bodyguard (2018)
Cinematography by: John Lee
Cameras: Red Helium (Weapon) 8K
Compositor: Warner Bros. In-house
Wonder Woman (2017)
Directed by: Patty Jenkins
Cinematography by: Matthew Jensen
Edited by: Martin Walsh
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera
Lenses: ARRI Rental Prime 65 Lenses
Compositor: Marvel In-house
Doctor Strange (2016)
Directed by: Scott Derrickson
Cinematography by: Ben Davis
Digital Compositor: Peerless
London Has Fallen (2016)
Directed by: Babak Najafi
Cinematography by: Ed Wild
Cameras: Red Epic Dragon Camera
Digital Compositor: Peerless Vfx
Spectre (2015)
Directed by: Sam Mendes
Cinematography by: Hoyte Van Hoytema
Edited by: Lee Smith
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E100 100 mm T2.3 Lens, Panavision Primo 70 Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Digital Compositor, In-house Compositor: CheapShotVFX
Mission: Impossible - Rogue Nation (2015)
Directed by: Christopher McQuarrie
Cinematography by: Robert Elswit
Edited by: Eddie Hamilton
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera
Editing System: Avid Editing System
Digital Compositor: Digital Domain
G.I. Joe: Retaliation (2013)
Directed by: Jon M. Chu
Cinematography by: Stephen F. Windon
Compositor: Cinesite
John Carter (2012)
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Digital Compositor: Framestore London
Salt (2010)
Directed by: Phillip Noyce
Cinematography by: Robert Elswit
Digital Compositor: Senate Visual Effects
Shanghai (2010)
Directed by: Mikael Håfström
Cinematography by: Benoît Delhomme
Digital Compositor: Framestore
Clash of the Titans (2010)
Directed by: Louis Leterrier
Cinematography by: Peter Menzies Jr.
Digital Compositor: Framestore
Where the Wild Things Are (2009)
Directed by: Spike Jonze
Cinematography by: Lance Acord
Editing System: Final Cut Pro Editing System
Compositor: The Mill
The Damned United (2009)
Directed by: Tom Hooper
Cinematography by: Ben Smithard
Edited by: Melanie Oliver
Compositor: Framestore
Avatar (2009)
Directed by: James Cameron
Cinematography by: Mauro Fiore
Digital Compositor: Double Negative
Franklyn (2008)
Directed by: Gerald McMorrow
Cinematography by: Ben Davis
Edited by: Peter Christelis
Digital Compositor
Hellboy II: The Golden Army (2008)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Edited by: Bernat Vilaplana
Cameras: ARRIFLEX 235 Camera, Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Compositor: Double Negative
10,000 BC (2008)
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Edited by: Alexander Berner
Cameras: ARRI Cameras, Moviecam Cameras
Lenses: Angenieux Lenses, Zeiss Lenses
2D Artist: Double Negative
Cloverfield (2008)
Directed by: Matt Reeves
Cinematography by: Michael Bonvillain
Edited by: Kevin Stitt
Cameras: Panasonic AG-HSC1U Camera, Panasonic AG-HVX200 Camera, Sony CineAlta F23 Camera, Thomson Viper Camera
Lenses: Canon Lenses, Zeiss DigiPrime Lenses
Digital Compositor: Double Negative
Doomsday (2008)
Directed by: Neil Marshall
Cinematography by: Sam McCurdy
Digital Compositor: Double Negative
Harry Potter and the Order of the Phoenix (2007)
Directed by: David Yates
Cinematography by: Slawomir Idziak
Edited by: Mark Day
Cameras: ARRI Cameras
Compositor: Double Negative
The Bourne Ultimatum (2007)
Directed by: Paul Greengrass
Cinematography by: Oliver Wood
Edited by: Christopher Rouse
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera
Digital Compositor: Double Negative
The Reaping (2007)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Colby Parker Jr.
Digital Compositor: Double Negative
World Trade Center (2006)
Directed by: Oliver Stone
Cinematography by: Seamus McGarvey
Compositor: Double Negative
Children of Men (2006)
Directed by: Alfonso Cuarón
Cinematography by: Emmanuel Lubezki
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lenses: Zeiss Master Prime Lenses
Digital Artist: Double Negative
United 93 (2006)
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Editing System: Avid Editing System
Compositor: Double Negative
Doom (2005)
Directed by: Andrzej Bartkowiak
Cinematography by: Tony Pierce-Roberts
Edited by: Derek Brechin
Compositor: Double Negative
Pride & Prejudice (2005)
Directed by: Joe Wright
Cinematography by: Roman Osin
Edited by: Paul Tothill
Lenses: Cooke S4 Lenses
Editing System: Lightworks Editing System
Digital Compositor: Double Negative
Kingdom of Heaven (2005)
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Dody Dorn
Visual Effects: Double Negative
Harry Potter and the Goblet of Fire (2005)
Directed by: Mike Newell
Cinematography by: Roger Pratt
Edited by: Mick Audsley
Digital Artist
The Life and Death of Peter Sellers (2004)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: John Smith
I/O Film Supervisor
Buffalo Soldiers (2001)
Directed by: Gregor Jordan
Cinematography by: Oliver Stapleton
Edited by: Lee Smith
Cameras: Panavision Cameras
Scanning/recording: Hypnosis
Revelation (2001)
Directed by: Stuart Urban
Cinematography by: Sam McCurdy
Edited by: Julian Rodd
Film Scanning And Recording
Taliesin Jones (2000)
Directed by: Martin Duffy
Cinematography by: Tony Imi
Edited by: Jonathan Rudd
