Re-recording Mix Technician
The Color Purple (2023)
Movie
Directed by: Blitz Bazawule
Cinematography by: Dan Laustsen
Edited by: Jon Poll
Lenses: ARRI Signature Prime Lenses
Re-recording Mix Technician: Warner Bros. Post Production Creative Services
Oppenheimer (2023)
Directed by: Christopher Nolan
Cinematography by: Hoyte Van Hoytema
Edited by: Jennifer Lame
Cameras: IMAX MKIII Reflex Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision System 65 Camera
Lenses: Hasselblad Lenses, Panavision Lenses
Re-recording Mix Technician
Barbie (2023)
Directed by: Greta Gerwig
Cinematography by: Rodrigo Prieto
Edited by: Nick Houy
Cameras: ARRI ALEXA 65 Camera
Re-recording Mix Technician: Warner Bros
Dune (2021)
Directed by: Denis Villeneuve
Cinematography by: Greig Fraser
Edited by: Joe Walker
Re-recording Mix Technician
Joker (2019)
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Edited by: Jeff Groth
Lenses: ARRI Rental Prime 65 Lenses, ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Zeiss Compact Zoom CZ.2 28-80mm T2.9 Lens, Zeiss Compact Zoom CZ.2 70-200mm T2.9 Lens
Editing System: Avid Editing System
Re-recording Mix Technician
A Star Is Born (2018)
Directed by: Bradley Cooper
Cinematography by: Matthew Libatique
Edited by: Jay Cassidy
Cameras: ARRI ALEXA Mini Camera
Lenses: Angenieux Optimo Anamorphic Lenses, Cooke Anamorphic/i SF 25mm T2.3 Lens, Cooke Anamorphic/i SF 32mm T2.3 Lens, Cooke Anamorphic/i SF 40mm T2.3 Lens, Cooke Anamorphic/i SF 50mm T2.3 Lens, Cooke Anamorphic/i SF 75mm T2.3 Lens, Cooke Anamorphic/i SF Prime Lenses, Kowa Cine Prominar Anamorphic Lenses
Mix Technician
Dunkirk (2017)
Directed by: Christopher Nolan
Cinematography by: Hoyte Van Hoytema
Edited by: Lee Smith
Re-recording Mix Technician
Live by Night (2016)
Directed by: Ben Affleck
Cinematography by: Robert Richardson
Edited by: William Goldenberg
Cameras: ARRI ALEXA 65 Camera
Mix Technician
War Dogs (2016)
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Edited by: Jeff Groth
Cameras: ARRI ALEXA XT Camera
Mix Technician, Mix Technician: Warner Bros
All I See Is You (2016)
Directed by: Marc Forster
Cinematography by: Matthias Koenigswieser
Edited by: Hughes Winborne
Cameras: ARRI ALEXA XT Camera
Mix Technician
Midnight Special (2016)
Directed by: Jeff Nichols
Cinematography by: Adam Stone
Edited by: Julie Monroe
Re-recording Mix Technician
Get Hard (2015)
Directed by: Etan Cohen
Cinematography by: Tim Suhrstedt
Edited by: Michael L. Sale
Cameras: ARRI ALEXA XT Plus Camera
Sound Re-recording Mix Technician
300: Rise of an Empire (2014)
Directed by: Noam Murro
Cinematography by: Simon Duggan
Cameras: Red Epic Camera
Sound Re-recording Mix Technician
Seventh Son (2014)
Directed by: Sergei Bodrov
Cinematography by: Newton Thomas Sigel
Cameras: ARRI ALEXA Camera
Re-recording Mix Technician
Dolphin Tale 2 (2014)
Directed by: Charles Martin Smith
Cinematography by: Daryn Okada
Edited by: Harvey Rosenstock
Cameras: Sony PMW-F55 Camera
Sound Re-recording Mix Technician
Jack the Giant Slayer (2013)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Sound Re-recording Mix Technician
The Hangover Part III (2013)
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Mix Technician
Gangster Squad (2013)
Directed by: Ruben Fleischer
Cinematography by: Dion Beebe
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Editing System: Avid Editing System
Mix Technician
The Campaign (2012)
Directed by: Jay Roach
Cinematography by: Jim Denault
Cameras: ARRI ALEXA Camera
Re-recording Mix Technician
Rock of Ages (2012)
Directed by: Adam Shankman
Cinematography by: Bojan Bazelli
Edited by: Emma E. Hickox
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Mix Technician
Argo (2012)
Directed by: Ben Affleck
Cinematography by: Rodrigo Prieto
Edited by: William Goldenberg
Sound Recordist
In the Land of Blood and Honey (2011)
Directed by: Angelina Jolie
Cinematography by: Dean Semler
Edited by: Patricia Rommel
Re-recording Mix Technician
New Year's Eve (2011)
Directed by: Garry Marshall
Cinematography by: Charles Minsky
Edited by: Michael Tronick
Cameras: ARRI ALEXA Camera
Sound Mix Technician / Sound Recordist
The Ides of March (2011)
Directed by: George Clooney
Cinematography by: Phedon Papamichael
Edited by: Stephen Mirrione
Cameras: Panavision Panaflex Platinum Camera
Re-Recording Mix Tech
Too Big to Fail (2011)
Directed by: Curtis Hanson
Cinematography by: Kramer Morgenthau
Sound Mix Technician
Charlie St. Cloud (2010)
Directed by: Burr Steers
Cinematography by: Enrique Chediak
Edited by: Padraic McKinley
Lenses: Hawk V-Series Lenses
Re-recording Mix Technician
Little Fockers (2010)
Directed by: Paul Weitz
Cinematography by: Remi Adefarasin
Cameras: ARRI Cameras
Re-recording Mix Technician
Repo Men (2010)
Directed by: Miguel Sapochnik
Cinematography by: Enrique Chediak
Edited by: Richard Francis-Bruce
Re-recording Mix Technician
Bunraku (2010)
Directed by: Guy Moshe
Cinematography by: Juan Ruiz Anchía
Sound Mix Recordist
Biutiful (2010)
Directed by: Alejandro G. Iñárritu
Cinematography by: Rodrigo Prieto
Edited by: Stephen Mirrione
Digital Sound Mix Technician
Fighting (2009)
Directed by: Dito Montiel
Cinematography by: Stefan Czapsky
Sound Recordist
The Burning Plain (2008)
Directed by: Guillermo Arriaga
Cinematography by: Robert Elswit
Edited by: Craig Wood
Cameras: Panavision Cameras
Re-recording Mixer
Dance of the Dead (2008)
Directed by: Gregg Bishop
Cinematography by: George Feucht
Edited by: Gregg Bishop
Sound Mix Technician
Tortured (2008)
Directed by: Nolan Lebovitz
Cinematography by: Steven Bernstein
Edited by: Robert K. Lambert
Re-recording Mix Technician
Flash of Genius (2008)
Directed by: Marc Abraham
Cinematography by: Dante Spinotti
Edited by: Jill Savitt
Dubbing Recordist
Role Models (2008)
Directed by: David Wain
Cinematography by: Russ T. Alsobrook
Edited by: Eric Kissack
Cameras: Panavision Cameras
Sound Mix Technician
27 Dresses (2008)
Directed by: Anne Fletcher
Cinematography by: Peter James
Edited by: Priscilla Nedd-Friendly
Sound Re-recordist
The Hitcher (2007)
Directed by: Dave Meyers
Cinematography by: James Hawkinson
Edited by: Jim May
Sound Mix Technician
In the Valley of Elah (2007)
Directed by: Paul Haggis
Cinematography by: Roger Deakins
Edited by: Jo Francis
Lenses: Zeiss Master Prime Lenses
Additional Sound Re-recording Recordist
Good Luck Chuck (2007)
Directed by: Mark Helfrich
Cinematography by: Anthony B. Richmond
Edited by: Julia Wong
Sound Re-recordist
Are We Done Yet? (2007)
Directed by: Steve Carr
Cinematography by: Jack N. Green
Edited by: Craig Herring
Sound Re-recordist
The Number 23 (2007)
Directed by: Joel Schumacher
Cinematography by: Matthew Libatique
Edited by: Mark Stevens
Sound Re-recordist
Gone Baby Gone (2007)
Directed by: Ben Affleck
Cinematography by: John Toll
Edited by: William Goldenberg
Mix Stage Technician
Babel (2006)
Directed by: Alejandro G. Iñárritu
Cinematography by: Rodrigo Prieto
Sound Re-recordist
Scary Movie 4 (2006)
Directed by: David Zucker
Cinematography by: Thomas E. Ackerman
Cameras: Panavision Genesis Camera
Sound Re-recordist
Step Up (2006)
Directed by: Anne Fletcher
Cinematography by: Michael Seresin
Edited by: Nancy Richardson
Cameras: ARRICAM Studio (ST) Camera
Sound Re-recordist
Final Destination 3 (2006)
Directed by: James Wong
Cinematography by: Robert McLachlan
Edited by: Chris G. Willingham
Dubbing Recordist
Alpha Dog (2006)
Directed by: Nick Cassavetes
Cinematography by: Robert Fraisse
Edited by: Alan Heim
Sound Re-recordist
Son of the Mask (2005)
Directed by: Lawrence Guterman
Cinematography by: Greg Gardiner
Sound Re-recordist
Dreamer: Inspired by a True Story (2005)
Directed by: John Gatins
Cinematography by: Fred Murphy
Edited by: David Rosenbloom
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Final Cut Pro Editing System
Sound Re-recordist
A Lot Like Love (2005)
Directed by: Nigel Cole
Cinematography by: John de Borman
Edited by: Susan Littenberg
Re-recordist
The Amityville Horror (2005)
Directed by: Andrew Douglas
Cinematography by: Peter Lyons Collister
Sound Re-recordist
The Big White (2005)
Directed by: Mark Mylod
Cinematography by: James Glennon
Edited by: Julie Monroe
Sound Re-recordist
Bad News Bears (2005)
Directed by: Richard Linklater
Cinematography by: Rogier Stoffers
Edited by: Sandra Adair
Re-recording Recordist
The Punisher (2004)
Directed by: Jonathan Hensleigh
Cinematography by: Conrad W. Hall
Sound Recordist
The Clearing (2004)
Directed by: Pieter Jan Brugge
Cinematography by: Denis Lenoir
Edited by: Kevin Tent
Additional Sound / Sound Re-recordist
Maria Full of Grace (2004)
Directed by: Joshua Marston
Cinematography by: Jim Denault
Lenses: Cooke S4 Lenses
Sound Re-recordist
Crash (2004)
Directed by: Paul Haggis
Cinematography by: James M. Muro
Edited by: Hughes Winborne
Lenses: Panavision Super Speed Lenses
Editing System: Avid Editing System
Sound Re-recordist
Godsend (2004)
Directed by: Nick Hamm
Cinematography by: Kramer Morgenthau
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Sound Re-recordist
13 Going on 30 (2004)
Directed by: Gary Winick
Cinematography by: Don Burgess
Edited by: Susan Littenberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Recordist
Levity (2003)
Directed by: Ed Solomon
Cinematography by: Roger Deakins
Edited by: Pietro Scalia
Sound Re-recordist
Two Soldiers (2003)
Directed by: Aaron Schneider
Cinematography by: David Boyd
Cameras: Panavision Panaflex Gold II Camera
Sound Recordist
American Splendor (2003)
Cinematography by: Terry Stacey
Edited by: Robert Pulcini
Editing System: Avid Editing System
Sound Re-recordist
A Man Apart (2003)
Directed by: F. Gary Gray
Cinematography by: Jack N. Green
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Re-recordist
The Shape of Things (2003)
Directed by: Neil LaBute
Cinematography by: James L. Carter
Edited by: Joel Plotch
Sound Recordist
21 Grams (2003)
Directed by: Alejandro G. Iñárritu
Cinematography by: Rodrigo Prieto
Edited by: Stephen Mirrione
Cameras: Moviecam Superlight Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Sound Recordist
About Schmidt (2002)
Directed by: Alexander Payne
Cinematography by: James Glennon
Edited by: Kevin Tent
Cameras: Panavision Panaflex Gold II Camera
Sound Recordist
The Rules of Attraction (2002)
Directed by: Roger Avary
Cinematography by: Robert Brinkmann
Edited by: Sharon Rutter
Cameras: ARRIFLEX 535 Camera
Editing System: Final Cut Pro Editing System
Sound Re-recordist
Avenging Angelo (2002)
Directed by: Martyn Burke
Cinematography by: Ousama Rawi
Edited by: David Codron
Sound Re-recording Assistant
This Space Between Us (1999)
Directed by: Matthew Leutwyler
Cinematography by: David Scardina
Edited by: Matthew Leutwyler
Sound Recordist
Break Up (1998)
Directed by: Paul Marcus
Cinematography by: Hubert Taczanowski
Edited by: Arthur Coburn