Additional Colorist
'Euphoria' Pilot (2019)
Directed by: Augustine Frizzell
Cinematography by: Marcell Rév
Edited by: Julio C. Perez IV
Colorist
'Euphoria' Stuntin' Like My Daddy (2019)
Directed by: Sam Levinson
Edited by: Julio C. Perez IV
Additional Colorist
'Euphoria' Made You Look (2019)
Directed by: Sam Levinson
Cinematography by: Marcell Rév
Additional Colorist
'Euphoria' Shook Ones Pt II (2019)
Directed by: Sam Levinson
Cinematography by: Marcell Rév
Edited by: Julio C. Perez IV
Colorist
'Euphoria' '03 Bonnie and Clyde (2019)
Directed by: Jennifer Morrison
Cinematography by: Drew Daniels
Edited by: Harry Yoon
Colorist
'Euphoria' The Next Episode (2019)
Directed by: Pippa Bianco
Cinematography by: Drew Daniels
Edited by: Laura Zempel
Colorist
'Euphoria' The Trials and Tribulations of Trying to Pee While Depressed (2019)
Directed by: Sam Levinson
Cinematography by: Adam Newport-Berra
Edited by: Harry Yoon
Colorist
'Euphoria' And Salt the Earth Behind You (2019)
Directed by: Sam Levinson
Cinematography by: Adam Newport-Berra
Edited by: Julio C. Perez IV
Colorist / Additional Colorist - 8 Episodes, 2019
Euphoria (2019)
Edited by: Julio C. Perez IV, Laura Zempel, Nikola Boyanov, Aaron I. Butler, Harry Yoon, Darrin Navarro
Cameras: ARRI ALEXA 65 Camera, ARRICAM Lite (LT) Camera
Colorist
'The Resident' None the Wiser (2018)
Directed by: James Roday
Cinematography by: John Brawley
Edited by: Timothy A. Good
Colorist
'The X-Files' My Struggle III (2018)
Directed by: Chris Carter
Cinematography by: Craig Wrobleski
Edited by: Robert Komatsu
Colorist
'The Resident' No Matter the Cost (2018)
Directed by: David Rodriguez
Cinematography by: John Brawley
Edited by: Nicole Vaskell
Colorist
'The Resident' The Elopement (2018)
Directed by: Rob Corn
Cinematography by: John Brawley
Edited by: William Paley
Colorist
'The Resident' Family Affair (2018)
Directed by: Thomas Carter
Cinematography by: John Brawley
Edited by: Nicole Vaskell
Colorist
'The Resident' Lost Love (2018)
Directed by: Bronwen Hughes
Cinematography by: John Brawley
Edited by: Timothy A. Good
Colorist
'The Resident' Independence Day (2018)
Directed by: Phillip Noyce
Cinematography by: John Brawley
Edited by: Timothy A. Good
Colorist
'The Resident' Haunted (2018)
Directed by: David Crabtree
Cinematography by: John Brawley
Edited by: Nicole Vaskell
Colorist
'The Resident' And the Nurses Get Screwed (2018)
Directed by: Elizabeth Allen Rosenbaum
Cinematography by: John Brawley
Edited by: William Paley
Colorist
'The Resident' Rude Awakenings and the Raptor (2018)
Directed by: James Roday
Cinematography by: John Brawley
Edited by: Timothy A. Good
Colorist
'The Resident' Run, Doctor, Run (2018)
Directed by: James Roday
Cinematography by: John Brawley
Edited by: William Paley
Colorist
'The Resident' Total Eclipse of the Heart (2018)
Directed by: Rob Corn
Cinematography by: John Brawley
Colorist - 14 Episodes, 2018
The Resident (2018)
Directed by: Rob Corn, David Crabtree, Bronwen Hughes, James Roday, Paul McCrane, Jann Turner, Phillip Noyce, Thomas Carter, Bill D'Elia, Rob Greenlea, Geary McLeod, David Rodriguez, Elizabeth Allen Rosenbaum, Nicole Rubio, James Whitmore Jr., Satya Bhabha, John Brawley, Timothy A. Good, Robert Duncan McNeill, Edward Ornelas, Valerie Weiss, Kelli Williams
Edited by: Timothy A. Good, William Paley, Nicole Vaskell, Greg Babor, Amanda Panella, Emily Mendez, Patrick McMahon
Cameras: ARRI ALEXA Mini Camera, Blackmagic Micro Cinema Camera, Blackmagic Pocket Cinema 4K Camera, Blackmagic URSA Mini Pro 4.6K G2 Camera, Blackmagic URSA Mini Pro Camera
Lenses: Leitz Summicron-C 135 mm T2.0 Lens, Leitz Summicron-C 18 mm T2.0 Lens, Leitz Summicron-C 21 mm T2.0 Lens, Leitz Summicron-C 25 mm T2.0 Lens, Leitz Summicron-C 29 mm T2.0 Lens, Leitz Summicron-C 35 mm T2.0 Lens, Leitz Summicron-C 40 mm T2.0 Lens, Leitz Summicron-C 50 mm T2.0 Lens, Leitz Summicron-C 75 mm T2.0 Lens, Panavision Primo Primes Spherical Lenses, SLR Magic APO HyperPrime Cine 25mm T2.1 Lens, SLR Magic APO HyperPrime Cine 32mm T2.1 Lens, SLR Magic APO HyperPrime Cine 50mm T2.1 Lens, SLR Magic APO HyperPrime Cine 85mm T2.1 Lens, Zeiss Lenses
Editing System: Avid Editing System
Colorist
'The Resident' Comrades in Arms (2018)
Directed by: Rob Corn
Cinematography by: John Brawley
Edited by: Nicole Vaskell
Colorist
'The X-Files' My Struggle IV (2018)
Directed by: Chris Carter
Cinematography by: Craig Wrobleski
Edited by: Eleanor Infante
Colorist
'The X-Files' Nothing Lasts Forever (2018)
Directed by: James Wong
Cinematography by: Craig Wrobleski
Edited by: Kevin D. Ross
Colorist
'The X-Files' Familiar (2018)
Directed by: Holly Dale
Cinematography by: Craig Wrobleski
Edited by: J. Kathleen Gibson
Colorist
'The X-Files' Rm9sbG93ZXJz (2018)
Directed by: Glen Morgan
Cinematography by: Craig Wrobleski
Edited by: Eleanor Infante
Colorist
'The X-Files' Kitten (2018)
Directed by: Carol Banker
Cinematography by: Craig Wrobleski
Edited by: J. Kathleen Gibson
Colorist
'The X-Files' Ghouli (2018)
Directed by: James Wong
Cinematography by: Craig Wrobleski
Edited by: Kevin D. Ross
Colorist
'The X-Files' The Lost Art of Forehead Sweat (2018)
Directed by: Darin Morgan
Cinematography by: Craig Wrobleski
Edited by: Eleanor Infante
Colorist
'The X-Files' Plus One (2018)
Directed by: Kevin Hooks
Cinematography by: Craig Wrobleski
Edited by: J. Kathleen Gibson
Colorist
'The X-Files' This (2018)
Directed by: Glen Morgan
Cinematography by: Craig Wrobleski
Edited by: Eleanor Infante
Colorist
'The Resident' Identity Crisis (2018)
Directed by: Bill D'Elia
Cinematography by: John Brawley
Edited by: William Paley
Colorist
10 Cloverfield Lane (2016)
Directed by: Dan Trachtenberg
Cinematography by: Jeff Cutter
Edited by: Stefan Grube
Cameras: Red Epic Dragon Camera
Assistant Colorist
Star Wars: Episode VII - The Force Awakens (2015)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRI ALEXA Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Retro C 100mm T2.8 Lens, Panavision Retro C 35mm T2.8 Lens, Panavision Retro C 40mm T2.8 Lens, Panavision Retro C 50mm T2.8 Lens, Panavision Retro C 60mm T2.8 Lens, Panavision Retro C 75mm T2.8 Lens
Editing System: Avid Editing System
Assistant Colorist
The Martian (2015)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Additional Colorist
The 33 (2015)
Directed by: Patricia Riggen
Cinematography by: Checco Varese
Edited by: Michael Tronick
Assistant Colorist
Jurassic World (2015)
Directed by: Colin Trevorrow
Cinematography by: John Schwartzman
Edited by: Kevin Stitt
Assistant Colorist
Teenage Mutant Ninja Turtles (2014)
Directed by: Jonathan Liebesman
Cinematography by: Lula Carvalho
Cameras: ARRI ALEXA Plus 4:3 Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Additional Color
The Imitation Game (2014)
Directed by: Morten Tyldum
Cinematography by: Oscar Faura
Edited by: William Goldenberg
Lenses: Zeiss Master Prime Lenses
Digital Intermediate Assistant
Hansel & Gretel: Witch Hunters (2013)
Directed by: Tommy Wirkola
Cinematography by: Michael Bonvillain
Edited by: Jim Page
Cameras: ARRI ALEXA Camera, ARRI ALEXA Plus Camera
Color Assistant
Broken City (2013)
Directed by: Allen Hughes
Cinematography by: Ben Seresin
Edited by: Cindy Mollo
Cameras: ARRI ALEXA Camera, ARRI ALEXA Studio Camera
Editing System: Avid Editing System
Additional Color: Company 3
Star Trek Into Darkness (2013)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Digital Intermediate Assistant
G.I. Joe: Retaliation (2013)
Directed by: Jon M. Chu
Cinematography by: Stephen F. Windon
Digital Intermediate Assistant
Pain & Gain (2013)
Directed by: Michael Bay
Cinematography by: Ben Seresin
Cameras: Canon EOS-7D Camera, GoPro HD Hero3 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Gold Camera, Red Epic Camera
Editing System: Avid Editing System
Additional Color
The Purge (2013)
Directed by: James DeMonaco
Cinematography by: Jacques Jouffret
Edited by: Peter Gvozdas
Cameras: ARRI ALEXA Plus Camera
Editing System: Avid Editing System
Color Assistant
Saving Mr. Banks (2013)
Directed by: John Lee Hancock
Cinematography by: John Schwartzman
Edited by: Mark Livolsi
Digital Intermediate Assistant
Lone Survivor (2013)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Edited by: Colby Parker Jr.
Cameras: Phantom Flex Camera, Red Epic Camera
Color Assistant
The Company You Keep (2012)
Directed by: Robert Redford
Cinematography by: Adriano Goldman
Edited by: Mark Day
Cameras: ARRICAM Lite (LT) Camera
Color Assistant
Celeste & Jesse Forever (2012)
Directed by: Lee Toland Krieger
Cinematography by: David Lanzenberg
Edited by: Yana Gorskaya
Cameras: ARRI ALEXA Camera
Color Assistant
Hello I Must Be Going (2012)
Directed by: Todd Louiso
Cinematography by: Julie Kirkwood
Edited by: Tom McArdle
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Ultra Prime Lenses
Color Assistant
Act of Valor (2012)
Cinematography by: Shane Hurlbut
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Platinum Camera
Editing System: Adobe Premiere Editing System, Avid Editing System
Color Assistant: Company 3
Machine Gun Preacher (2011)
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Edited by: Matt Chesse
Lenses: Angenieux HR 25-250 mm T3.5 Lens, Hawk V-Lite 16 110 mm T3.0 Lens, Hawk V-Lite 16 14 mm T1.5 Lens, Hawk V-Lite 16 18 mm T1.5 Lens, Hawk V-Lite 16 24 mm T1.5 Lens, Hawk V-Lite 16 28 mm T1.5 Lens, Hawk V-Lite 16 35 mm T1.5 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens
Digital Intermediate Assistant
A Little Bit of Heaven (2011)
Directed by: Nicole Kassell
Cinematography by: Russell Carpenter
Edited by: Stephen A. Rotter
Digital Intermediate Assistant
Love, Wedding, Marriage (2011)
Directed by: Dermot Mulroney
Cinematography by: Óttar Guðnason
Edited by: Heather Persons
Digital Intermediate Assistant: Company 3
Super 8 (2011)
Directed by: J.J. Abrams
Cinematography by: Larry Fong
Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses
Editing System: Avid Editing System
Color Assist: Company 3 LA
Transformers: Dark of the Moon (2011)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Digital Intermediate Assistant
Circumstance (2011)
Directed by: Maryam Keshavarz
Cinematography by: Brian Rigney Hubbard
Edited by: Andrea Chignoli
Color Assistant
Mission: Impossible - Ghost Protocol (2011)
Directed by: Brad Bird
Cinematography by: Robert Elswit
Edited by: Paul Hirsch
Cameras: ARRIFLEX 435 Xtreme Camera, IMAX MSM 9802 Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Digital Intermediate Assistant
The Sorcerer's Apprentice (2010)
Directed by: Jon Turteltaub
Cinematography by: Bojan Bazelli
Edited by: William Goldenberg
Digital Intermediate Assistant
The Switch (2010)
Cinematography by: Jess Hall
Edited by: John Axelrad
Lenses: Cooke S4 Lenses
Digital Intermediate Assistant
The Conspirator (2010)
Directed by: Robert Redford
Cinematography by: Newton Thomas Sigel
Edited by: Craig McKay
Digital Intermediate Assist
G-Force (2009)
Directed by: Hoyt Yeatman
Cinematography by: Bojan Bazelli
Digital Intermediate Assist , Digital Intermediate Assistant
The Uninvited (2009)
Cinematography by: Daniel Landin
Cameras: Panavision Cameras
Digital Intermediate Assistant: Company 3
The Unborn (2009)
Directed by: David S. Goyer
Cinematography by: James Hawkinson
Edited by: Jeff Betancourt
Cameras: Panavision Cameras
Digital Intermediate Assistant
Terminator Salvation (2009)
Directed by: McG
Cinematography by: Shane Hurlbut
Edited by: Conrad Buff IV
Digital Intermediate Assistant
The Killing Room (2009)
Directed by: Jonathan Liebesman
Cinematography by: Lukas Ettlin
Edited by: Sean Carter
Digital Intermediate Assist: Company 3
A Single Man (2009)
Directed by: Tom Ford
Cinematography by: Eduard Grau
Edited by: Joan Sobel
Digital Intermediate Assistant
Horsemen (2009)
Directed by: Jonas Åkerlund
Cinematography by: Eric Broms
Visual Effects Assistant
The Joneses (2009)
Directed by: Derrick Borte
Cinematography by: Yaron Orbach
Edited by: Janice Hampton
Digital Intermediate Assistant: Company 3
Friday the 13th (2009)
Directed by: Marcus Nispel
Cinematography by: Daniel Pearl
Edited by: Ken Blackwell
Digital Intermediate Assist
Star Trek (2009)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System, Avid Editing System
Digital Intermediate Assistant
The Hurt Locker (2008)
Directed by: Kathryn Bigelow
Cinematography by: Barry Ackroyd
Editing System: Avid Editing System
Digital Intermediate Assistant: Company 3
The Burning Plain (2008)
Directed by: Guillermo Arriaga
Cinematography by: Robert Elswit
Edited by: Craig Wood
Cameras: Panavision Cameras
Digital Intermediate Assistant: Company 3
Two Lovers (2008)
Directed by: James Gray
Cinematography by: Joaquín Baca-Asay
Edited by: John Axelrad
Lenses: Cooke S4 Lenses
Digital Intermediate Assistant: Company 3
The Midnight Meat Train (2008)
Directed by: Ryûhei Kitamura
Cinematography by: Jonathan Sela
Edited by: Toby Yates
Digital Intermediate Assistant
The Informers (2008)
Directed by: Gregor Jordan
Cinematography by: Petra Korner
Edited by: Robert Brakey
Digital Intermediate Assist: Company 3
Cloverfield (2008)
Directed by: Matt Reeves
Cinematography by: Michael Bonvillain
Edited by: Kevin Stitt
Cameras: Panasonic AG-HSC1U Camera, Panasonic AG-HVX200 Camera, Sony CineAlta F23 Camera, Thomson Viper Camera
Lenses: Canon Lenses, Zeiss DigiPrime Lenses
Assistant Colorist
The Life Before Her Eyes (2007)
Directed by: Vadim Perelman
Cinematography by: Pawel Edelman
Colorist - 10 Episodes, 2018
The X-Files (1993)
Directed by: Kim Manners, Rob Bowman, David Nutter, Chris Carter, R.W. Goodwin, Tony Wharmby, Michael W. Watkins, Daniel Sackheim, Michael Lange, James Wong, Jim Charleston, Cliff Bole, William A. Graham, Peter Markle, David Duchovny, Thomas J. Wright, Rod Hardy, Glen Morgan, Jerrold Freedman, Joe Napolitano, Larry Shaw, Tucker Gates, Vince Gilligan, Richard Compton, Frank Spotnitz, Darin Morgan, Fred Gerber, Michael Katleman, Harry Longstreet, Robert Mandel, Win Phelps, Stephen Surjik, James A. Contner, Nick Marck, Michael Vejar, James Whitmore Jr., Brett Dowler, Allen Coulter, Ralph Hemecker, Robert Lieberman, Bryan Spicer, Gillian Anderson, Paul Shapiro, Terrence O'Hara, Barry K. Thomas, Dwight H. Little, Michelle MacLaren, John Shiban, Carol Banker, Holly Dale, Kevin Hooks
Cinematography by: Bill Roe, John S. Bartley, Joel Ransom, Jon Joffin, Craig Wrobleski, Ron Stannett, Thomas Del Ruth
Edited by: Heather MacDougall, Lynne Willingham, Stephen Mark, Jim Gross, James Coblentz, Louise Innes, Michael Stern, Chris G. Willingham, Scott J. Wallace, Casey O. Rohrs, Christopher Cooke, Michael Kewley, Robert Komatsu, Eleanor Infante, Regis Kimble, J. Kathleen Gibson, Kevin D. Ross, Leon Carrere, Jeff Cahn
Lenses: Panavision Lenses
