Sound Effects Editor
The Fate of the Furious (2017)
Directed by: F. Gary Gray
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Camera
Sound Effects Editor
Lost River (2014)
Directed by: Ryan Gosling
Cinematography by: Benoît Debie
Lenses: Cooke 5/i Lenses, Zeiss Ultra Prime Lenses
Sound Effects Editor: Sound Design
Transcendence (2014)
Directed by: Wally Pfister
Cinematography by: Jess Hall
Edited by: David Rosenbloom
Sound Effects Editor: Sound Design
Nightcrawler (2014)
Directed by: Dan Gilroy
Cinematography by: Robert Elswit
Edited by: John Gilroy
Sound Effects Editor
Pacific Rim (2013)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Cameras: Red Epic Camera
Sound Effects Editor: Sound Design
Riddick (2013)
Directed by: David Twohy
Cinematography by: David Eggby
Edited by: Tracy Adams
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Sound Editor
Jack Reacher (2012)
Directed by: Christopher McQuarrie
Cinematography by: Caleb Deschanel
Edited by: Kevin Stitt
Sound Designer / Sound Effects Editor
Season of the Witch (2011)
Directed by: Dominic Sena
Cinematography by: Amir Mokri
Sound Effects Editor
A Nightmare on Elm Street (2010)
Directed by: Samuel Bayer
Cinematography by: Jeff Cutter
Edited by: Glen Scantlebury
Sound Effects Editor
Charlie St. Cloud (2010)
Directed by: Burr Steers
Cinematography by: Enrique Chediak
Edited by: Padraic McKinley
Lenses: Hawk V-Series Lenses
Sound Designer
Gamer (2009)
Cinematography by: Ekkehart Pollack
Cameras: ARRIFLEX 435 Camera, Red One Camera
Editing System: Final Cut Pro Editing System
Sound Designer
21 (2008)
Directed by: Robert Luketic
Cinematography by: Russell Carpenter
Edited by: Elliot Graham
Cameras: Pan-Arri 435 Camera, Panavision Genesis Camera
Sound Effects Editor
The Incredible Hulk (2008)
Directed by: Louis Leterrier
Cinematography by: Peter Menzies Jr.
Editing System: Avid Editing System
Sound Designer
The Burning Plain (2008)
Directed by: Guillermo Arriaga
Cinematography by: Robert Elswit
Edited by: Craig Wood
Cameras: Panavision Cameras
Sound Designer
Why Did I Get Married? (2007)
Directed by: Tyler Perry
Cinematography by: Toyomichi Kurita
Edited by: Maysie Hoy
Sound Designer / Supervising Sound Editor
The Good Life (2007)
Directed by: Stephen Berra
Cinematography by: Patrice Lucien Cochet
Edited by: Sean Hubbert
Sound Effects Editor
Death Proof (2007)
Directed by: Quentin Tarantino
Cinematography by: Quentin Tarantino
Edited by: Sally Menke
Sound Effects Editor
Poseidon (2006)
Directed by: Wolfgang Petersen
Cinematography by: John Seale
Edited by: Peter Honess
Sound Effects Editor
World Trade Center (2006)
Directed by: Oliver Stone
Cinematography by: Seamus McGarvey
Sound Effects Editor
Mission: Impossible III (2006)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Sound Effects Editor
The Pink Panther (2006)
Directed by: Shawn Levy
Cinematography by: Jonathan Brown
Sound Designer
The Benchwarmers (2006)
Directed by: Dennis Dugan
Cinematography by: Thomas E. Ackerman
Sound Design Editor
Serenity (2005)
Directed by: Joss Whedon
Cinematography by: Jack N. Green
Edited by: Lisa Lassek
Lenses: Panavision Lenses
Sound Designer
Are We There Yet? (2005)
Directed by: Brian Levant
Cinematography by: Thomas E. Ackerman
Edited by: Lawrence Jordan
Foley Editor
Scooby-Doo (2002)
Directed by: Raja Gosnell
Cinematography by: David Eggby
Edited by: Kent Beyda
Cameras: Panavision Cameras
Supervising Sound Editor
Eight Legged Freaks (2002)
Directed by: Ellory Elkayem
Cinematography by: John S. Bartley
Edited by: David Siegel
Sound Effects Editor
Original Sin (2001)
Directed by: Michael Cristofer
Cinematography by: Rodrigo Prieto
Edited by: Eric A. Sears
Sound Supervisor
Bones (2001)
Directed by: Ernest R. Dickerson
Cinematography by: Flavio Martínez Labiano
Sound Effects Editor
Final Destination (2000)
Directed by: James Wong
Cinematography by: Robert McLachlan
Edited by: James Coblentz
Sound Editor
Mission: Impossible II (2000)
Directed by: John Woo
Cinematography by: Jeffrey L. Kimball
Sound Effects Editor
Almost Famous (2000)
Directed by: Cameron Crowe
Cinematography by: John Toll
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Special Sound Effects
Vertical Limit (2000)
Directed by: Martin Campbell
Cinematography by: David Tattersall
Edited by: Thom Noble
Co-supervising Sound Editor
The Corruptor (1999)
Directed by: James Foley
Cinematography by: Juan Ruiz Anchía
Edited by: Howard E. Smith
Supervising Sound Editor
Election (1999)
Directed by: Alexander Payne
Cinematography by: James Glennon
Edited by: Kevin Tent
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Effects Editor
Body Shots (1999)
Directed by: Michael Cristofer
Cinematography by: Rodrigo García
Edited by: Eric A. Sears
Sound Designer / Supervising Sound Editor
Break Up (1998)
Directed by: Paul Marcus
Cinematography by: Hubert Taczanowski
Edited by: Arthur Coburn
Adr Editor
A Simple Plan (1998)
Directed by: Sam Raimi
Cinematography by: Alar Kivilo
Cameras: Panavision Panaflex Platinum Camera
Sound Effects Editor
The Mask of Zorro (1998)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Thom Noble
Lenses: Cooke Lenses
Sound Effects Editor
The Negotiator (1998)
Directed by: F. Gary Gray
Cinematography by: Russell Carpenter
Edited by: Christian Wagner
Cameras: Panavision Cameras
Co-supervising Sound Editor
Wrongfully Accused (1998)
Directed by: Pat Proft
Cinematography by: Glen MacPherson
Edited by: James R. Symons
Sound Editor
The Replacement Killers (1998)
Directed by: Antoine Fuqua
Cinematography by: Peter Lyons Collister
Edited by: Jay Cassidy
Sound Effects Editor
Face/Off (1997)
Directed by: John Woo
Cinematography by: Oliver Wood
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Post-production Sound Supervisor
The Right to Remain Silent (1996)
Directed by: Hubert de La Bouillerie
Cinematography by: Greg Gardiner
Sound Editor
Wish Upon a Star (1996)
Directed by: Blair Treu
Cinematography by: Brian Sullivan
Edited by: David Blangsted
Re-recording Mixer / Sound Effects Editor
Dolly Dearest (1991)
Directed by: Maria Lease
Cinematography by: Eric D. Andersen
Edited by: Geoffrey Rowland
Sound Editor
The Super (1991)
Directed by: Rod Daniel
Cinematography by: Bruce Surtees
Edited by: Jack Hofstra
Sound Effects Editor: Director's Cut
Das Boot (1981)
Directed by: Wolfgang Petersen
Cinematography by: Jost Vacano
Edited by: Hannes Nikel
Cameras: ARRI Cameras
