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Brad Sherman

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Re-recording Mixer

Horrible Bosses 2  (2014)

| USA
Directed by: Sean Anders
Cinematography by: Julio Macat
Edited by: Eric Kissack

Re-recording Mixer

Parker  (2013)

| USA
Directed by: Taylor Hackford
Cinematography by: James M. Muro
Edited by: Mark Warner

Re-recording Mixer

Final Destination 5  (2011)

| USA, Canada, Singapore, Hong Kong
Directed by: Steven Quale
Cinematography by: Brian Pearson
Edited by: Eric A. Sears
Editing System:

Re-recording Mixer

Spread  (2009)

| USA
Directed by: David Mackenzie
Cinematography by: Steven Poster
Edited by: Nicholas Erasmus

Re-recording Mixer

Splice  (2009)

| Canada, France, USA
Directed by: Vincenzo Natali
Cinematography by: Tetsuo Nagata
Edited by: Michele Conroy

Re-recording Mixer

He's Just Not That Into You  (2009)

| Germany, USA
Directed by: Ken Kwapis
Cinematography by: John Bailey
Edited by: Cara Silverman

Re-recording Mixer

City Island  (2009)

| USA
Directed by: Raymond De Felitta
Cinematography by: Vanja Cernjul
Edited by: David Leonard

Re-recording Mixer

Four Christmases  (2008)

| Germany, USA
Directed by: Seth Gordon
Cinematography by: Jeffrey L. Kimball

Re-recording Mixer

Towelhead  (2007)

| USA
Directed by: Alan Ball
Cinematography by: Newton Thomas Sigel
Edited by: Andy Keir

Re-recording Mixer

In the Land of Women  (2007)

| USA
Directed by: Jonathan Kasdan
Cinematography by: Paul Cameron

Re-recording Mixer

License to Wed  (2007)

| USA, Australia
Directed by: Ken Kwapis
Cinematography by: John Bailey
Edited by: Kathryn Himoff

Re-recording Mixer

The Wicker Man  (2006)

| USA, Germany, Canada
Directed by: Neil LaBute
Cinematography by: Paul Sarossy
Edited by: Joel Plotch

Re-recording Mixer

The Break-Up  (2006)

| USA
Directed by: Peyton Reed
Cinematography by: Eric Alan Edwards

Re-recording Mixer

Firewall  (2006)

| USA
Directed by: Richard Loncraine
Cinematography by: Marco Pontecorvo
Edited by: Jim Page

Re-recording Mixer

Alpha Dog  (2006)

| Germany, USA
Directed by: Nick Cassavetes
Cinematography by: Robert Fraisse
Edited by: Alan Heim

Re-recording Mixer

The TV Set  (2006)

| USA
Directed by: Jake Kasdan
Cinematography by: Uta Briesewitz
Edited by: Tara Timpone

Additional Sound Re-recording Mixer

Hustle & Flow  (2005)

| USA
Directed by: Craig Brewer
Cinematography by: Amy Vincent
Edited by: Billy Fox

Re-recording Mixer

Into the Blue  (2005)

| USA
Directed by: John Stockwell
Cinematography by: Shane Hurlbut

Re-recording Mixer

Son of the Mask  (2005)

| USA, Germany
Directed by: Lawrence Guterman
Cinematography by: Greg Gardiner

Re-recording Mixer

The Big White  (2005)

| Germany, Canada, New Zealand, USA
Directed by: Mark Mylod
Cinematography by: James Glennon
Edited by: Julie Monroe

Re-recording Sound Mixer

The Amityville Horror  (2005)

| USA
Directed by: Andrew Douglas
Cinematography by: Peter Lyons Collister

Re-recording Mixer

Bad News Bears  (2005)

| USA
Directed by: Richard Linklater
Cinematography by: Rogier Stoffers
Edited by: Sandra Adair

Re-recording Mixer

13 Going on 30  (2004)

| USA
Directed by: Gary Winick
Cinematography by: Don Burgess
Edited by: Susan Littenberg

Re-recording Mixer

The Notebook  (2004)

| USA
Directed by: Nick Cassavetes
Cinematography by: Robert Fraisse
Edited by: Alan Heim

Re-recording Mixer

The Punisher  (2004)

| USA, Germany
Directed by: Jonathan Hensleigh
Cinematography by: Conrad W. Hall

Re-recording Mixer

The Texas Chainsaw Massacre  (2003)

| USA
Directed by: Marcus Nispel
Cinematography by: Daniel Pearl
Edited by: Glen Scantlebury

Re-recording Mixer

The Tuxedo  (2002)

| USA
Directed by: Kevin Donovan
Cinematography by: Stephen F. Windon
Edited by: Craig Herring

Additional Sound Re-recordist

The Good Girl  (2002)

| USA, Germany, Netherlands
Directed by: Miguel Arteta
Cinematography by: Enrique Chediak
Edited by: Jeff Betancourt

Additional Sound Re-recording Mixer / Re-recording Mixer

The Animal  (2001)

| USA
Directed by: Luke Greenfield
Cinematography by: Peter Lyons Collister

Rerecording Mixer: Twentieth Century Fox

Monkeybone  (2001)

| USA
Directed by: Henry Selick
Cinematography by: Andrew Dunn

Re-recording Mixer

Uprising  (2001)

| USA
Directed by: Jon Avnet
Cinematography by: Denis Lenoir
Edited by: Sabrina Plisco

Re-recording Sound Mixer

Original Sin  (2001)

| France, Mexico, USA
Directed by: Michael Cristofer
Cinematography by: Rodrigo Prieto
Edited by: Eric A. Sears

Re-recording Mixer

Freddy Got Fingered  (2001)

| USA
Directed by: Tom Green
Cinematography by: Mark Irwin

Re-recording Mixer

Final Destination  (2000)

| USA
Directed by: James Wong
Cinematography by: Robert McLachlan
Edited by: James Coblentz

Re-recording Mixer

The Gift  (2000)

| USA
Directed by: Sam Raimi
Cinematography by: Jamie Anderson

Re-recording Mixer

Bait  (2000)

| Canada, USA
Directed by: Antoine Fuqua
Cinematography by: Tobias A. Schliessler
Edited by: Alan Edward Bell

Additional Sound Re-recording Mixer

The Mod Squad  (1999)

| USA
Directed by: Scott Silver
Cinematography by: Ellen Kuras
Edited by: Dorian Harris

Re-recording Mixer

Body Shots  (1999)

| USA
Directed by: Michael Cristofer
Cinematography by: Rodrigo García
Edited by: Eric A. Sears

Re-recording Mixer

Sour Grapes  (1998)

| USA
Directed by: Larry David
Cinematography by: Victor Hammer

Sound Re-recording Mixer: Los Angeles

A Civil Action  (1998)

| USA
Directed by: Steven Zaillian
Cinematography by: Conrad L. Hall
Edited by: Wayne Wahrman

Re-recording Mixer

A Simple Plan  (1998)

| UK, Germany, France, USA, Japan
Directed by: Sam Raimi
Cinematography by: Alar Kivilo

Additional Sound Re-recording Mixer

The X Files  (1998)

| USA
Directed by: Rob Bowman
Cinematography by: Ward Russell
Edited by: Stephen Mark

Re-recording Mixer

The Relic  (1997)

| UK, Germany, Japan, New Zealand, USA
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Edited by: Steven Kemper

Re-recording Mixer

U Turn  (1997)

| France, USA
Directed by: Oliver Stone
Cinematography by: Robert Richardson

Additional Sound Mixer

Dante's Peak  (1997)

| USA
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak

Re-recording Mixer

Fools Rush In  (1997)

| USA
Directed by: Andy Tennant
Cinematography by: Robbie Greenberg
Edited by: Roger Bondelli

Sound Re-recordist

A Family Thing  (1996)

| USA
Directed by: Richard Pearce
Cinematography by: Fred Murphy
Edited by: Mark Warner

Re-recording Mixer

Devil in a Blue Dress  (1995)

| USA
Directed by: Carl Franklin
Cinematography by: Tak Fujimoto

Re-recording Mixer

Intersection  (1994)

| USA
Directed by: Mark Rydell
Cinematography by: Vilmos Zsigmond
Edited by: Mark Warner

Re-recording Mixer

Terminal Velocity  (1994)

| USA, Canada
Directed by: Deran Sarafian
Cinematography by: Oliver Wood

Re-recording Mixer

Renaissance Man  (1994)

| USA
Directed by: Penny Marshall
Cinematography by: Adam Greenberg

Re-recording Mixer

The Shadow  (1994)

| USA
Directed by: Russell Mulcahy
Cinematography by: Stephen H. Burum
Edited by: Peter Honess

Re-recording Mixer

Beethoven's 2nd  (1993)

| USA
Directed by: Rod Daniel
Cinematography by: Bill Butler

Re-recording Mixer

And the Band Played On  (1993)

| USA
Directed by: Roger Spottiswoode
Cinematography by: Paul Elliott
Edited by: Lois Freeman-Fox

Re-recording Mixer

...And Then She Was Gone  (1991)

| USA
Directed by: David Greene
Cinematography by: Stevan Larner

Sound Effects Editor

King Ralph  (1991)

| USA
Directed by: David S. Ward
Cinematography by: Kenneth MacMillan
Edited by: John Jympson

Sound Effects Editor

House Party  (1990)

| USA
Directed by: Reginald Hudlin
Cinematography by: Peter Deming
Edited by: Earl Watson

Sound Effects Editor

Cadence  (1990)

| USA, Canada
Directed by: Martin Sheen
Cinematography by: Richard Leiterman
Edited by: Martin Hunter

Sound Effects Editor

Major League  (1989)

| USA
Directed by: David S. Ward
Cinematography by: Reynaldo Villalobos
Edited by: Dennis M. Hill

Sound Effects Editor

Two Moon Junction  (1988)

| USA
Directed by: Zalman King
Cinematography by: Mark Plummer
Edited by: Marc Grossman

Sound Recordist - 1981 Version

Napoleon  (1927)

| France
Directed by: Abel Gance