Sound Designer: Formosa Group
John Wick: Chapter 4 (2023)
Directed by: Chad Stahelski
Cinematography by: Dan Laustsen
Edited by: Nathan Orloff
Sound Designer
John Wick: Chapter 3 - Parabellum (2019)
Directed by: Chad Stahelski
Cinematography by: Dan Laustsen
Edited by: Evan Schiff
Sound Designer
John Wick: Chapter 2 (2017)
Directed by: Chad Stahelski
Cinematography by: Dan Laustsen
Edited by: Evan Schiff
Cameras: ARRI ALEXA XT Plus Camera
Sound Effects Editor
The Fate of the Furious (2017)
Directed by: F. Gary Gray
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Camera
Sound Effects Editor
Miracles from Heaven (2016)
Directed by: Patricia Riggen
Cinematography by: Checco Varese
Edited by: Emma E. Hickox
Cameras: ARRI Cameras
Lenses: ARRI Lenses
Sound Designer
The 33 (2015)
Directed by: Patricia Riggen
Cinematography by: Checco Varese
Edited by: Michael Tronick
Sound Designer
Million Dollar Arm (2014)
Directed by: Craig Gillespie
Cinematography by: Gyula Pados
Edited by: Tatiana S. Riegel
Sound Designer
John Wick (2014)
Cinematography by: Jonathan Sela
Edited by: Elísabet Ronaldsdóttir
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera
Sound Effects Designer
Iron Man Three (2013)
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Additional Sound
Walking with Dinosaurs 3D (2013)
Cinematography by: John Brooks
Edited by: John Carnochan
Cameras: Red Epic Camera
Sound Effects Creator
Prometheus (2012)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Cameras: ARRI ALEXA Camera, Red Epic Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Supervising Sound Editor
Jack Reacher (2012)
Directed by: Christopher McQuarrie
Cinematography by: Caleb Deschanel
Edited by: Kevin Stitt
Sound Designer
Devil (2010)
Directed by: John Erick Dowdle
Cinematography by: Tak Fujimoto
Edited by: Elliot Greenberg
Cameras: Panavision Cameras
Sound Designer
Unstoppable (2010)
Directed by: Tony Scott
Cinematography by: Ben Seresin
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera
Editing System: Avid Editing System
Sound Designer
Law Abiding Citizen (2009)
Directed by: F. Gary Gray
Cinematography by: Jonathan Sela
Edited by: Tariq Anwar
Lenses: Cooke S4 Lenses
Supervising Sound Editor
Star Trek (2009)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System, Avid Editing System
Sound Designer
The Hitcher (2007)
Directed by: Dave Meyers
Cinematography by: James Hawkinson
Edited by: Jim May
Sound Designer
Gone Baby Gone (2007)
Directed by: Ben Affleck
Cinematography by: John Toll
Edited by: William Goldenberg
Supervising Sound Editor
The Texas Chainsaw Massacre: The Beginning (2006)
Directed by: Jonathan Liebesman
Cinematography by: Lukas Ettlin
Sound Designer
Mission: Impossible III (2006)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Sound Effects Editor
Be Cool (2005)
Directed by: F. Gary Gray
Cinematography by: Jeffrey L. Kimball
Edited by: Sheldon Kahn
Supervising Sound Editor
The Amityville Horror (2005)
Directed by: Andrew Douglas
Cinematography by: Peter Lyons Collister
Sound Editor
Two for the Money (2005)
Directed by: D.J. Caruso
Cinematography by: Conrad W. Hall
Edited by: Glen Scantlebury
Sound Designer
The Day After Tomorrow (2004)
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Edited by: David Brenner
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera
Editing System: Avid Editing System
Sound Effects Editor: Director's Cut
Troy (2004)
Directed by: Wolfgang Petersen
Cinematography by: Roger Pratt
Edited by: Peter Honess
Lenses: Cooke S4 Lenses
Sound Design Editor
How to Lose a Guy in 10 Days (2003)
Directed by: Donald Petrie
Cinematography by: John Bailey
Edited by: Debra Neil-Fisher
Sound Effects Editor
The Last Samurai (2003)
Directed by: Edward Zwick
Cinematography by: John Toll
Sound Effects Editor
2 Fast 2 Furious (2003)
Directed by: John Singleton
Cinematography by: Matthew F. Leonetti
Lenses: Cooke S4 Lenses
Sound Editor
The Italian Job (2003)
Directed by: F. Gary Gray
Cinematography by: Wally Pfister
Sound Designer
Unfaithful (2002)
Directed by: Adrian Lyne
Cinematography by: Peter Biziou
Edited by: Anne V. Coates
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Sound Editor
Below (2002)
Directed by: David Twohy
Cinematography by: Ian Wilson
Edited by: Martin Hunter
Co-supervising Sound Editor
Windtalkers (2002)
Directed by: John Woo
Cinematography by: Jeffrey L. Kimball
Sound Effects Editor
Blade II (2002)
Directed by: Guillermo del Toro
Cinematography by: Gabriel Beristain
Edited by: Peter Amundson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Sound Effects Editor
Blow (2001)
Directed by: Ted Demme
Cinematography by: Ellen Kuras
Edited by: Kevin Tent
Sound Effects Editor
Mission: Impossible II (2000)
Directed by: John Woo
Cinematography by: Jeffrey L. Kimball
Sound Effects Editor
The 6th Day (2000)
Directed by: Roger Spottiswoode
Cinematography by: Pierre Mignot
Sound Effects Editor
Final Destination (2000)
Directed by: James Wong
Cinematography by: Robert McLachlan
Edited by: James Coblentz
Sound Effects Editor
Vertical Limit (2000)
Directed by: Martin Campbell
Cinematography by: David Tattersall
Edited by: Thom Noble
Sound Design Editor
End of Days (1999)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Sound Effects Editor
American Beauty (1999)
Directed by: Sam Mendes
Cinematography by: Conrad L. Hall
Cameras: Panavision Panaflex Platinum Camera
Sound Editor
A Simple Plan (1998)
Directed by: Sam Raimi
Cinematography by: Alar Kivilo
Cameras: Panavision Panaflex Platinum Camera
Effects Editor
Courage Under Fire (1996)
Directed by: Edward Zwick
Cinematography by: Roger Deakins
Edited by: Steven Rosenblum
Sound Effects Editor
Congo (1995)
Directed by: Frank Marshall
Cinematography by: Allen Daviau
Edited by: Anne V. Coates
Sound Effects Editor
Outbreak (1995)
Directed by: Wolfgang Petersen
Cinematography by: Michael Ballhaus
Assistant Sound Editor
Chasers (1994)
Directed by: Dennis Hopper
Cinematography by: Ueli Steiger
Edited by: Christian Wagner
Assistant Sound Editor
Dennis the Menace (1993)
Directed by: Nick Castle
Cinematography by: Thomas E. Ackerman
Edited by: Alan Heim
Sound Assistant
In the Line of Fire (1993)
Directed by: Wolfgang Petersen
Cinematography by: John Bailey
Edited by: Anne V. Coates
Assistant Sound Editor
Home Alone 2: Lost in New York (1992)
Directed by: Chris Columbus
Cinematography by: Julio Macat
Edited by: Raja Gosnell
Cameras: Panavision Panaflex Platinum Camera
