Film Negative Stock » Eastman Kodak Neg. Films

Eastman 400T 5295 Neg. Film : 17Eastman Color Negative 100T 5254/7254 Film : 30Eastman Color Negative 125T 5247 Film : 32Eastman Color Negative 250T 5293/7293 Film : 19Eastman Color Negative 400T 5294 Film : 23Eastman Color Negative 50T 5251 Neg. Film : 12Eastman Color Negative II 100T 5247/7247 F... : 24Eastman Double-X 5222/7222 Neg. Film : 44Eastman Ektachrome (Daylight) 160D 5239/72... : 8Eastman Ektachrome (Tungsten) 7240 Neg. Fi... : 4Eastman Ektachrome 25T 7252 Neg. Film : 2Eastman Ektachrome High Speed (Daylight) 7... : 3Eastman Ektachrome High Speed (Tungsten) 7... : 1Eastman EXR Neg. Film : 261Eastman High Speed 250D 5297/7297 Neg. Fil... : 18Eastman Plus-X 7276 Neg. Film : 4Eastman Plus-X 80D/64T 5231/7231 Neg. Film : 9Eastman Super-XX 1232 Neg. Film : 2Eastman Tri-X 7278 Neg. Film : 2Kodachrome 25 (Daylight) 7267 Neg. Film : 1Kodachrome Professional 5267 Neg. Film : 1Kodak 500T 5230/7230 Neg. Film : 6Kodak Ektachrome 100D 5285/7285 Neg. Film : 18Kodak SFX 200T SO-214 Neg. Film : 17Kodak Tri-X 7266 Neg. Film : 1Kodak Vision 2 Film Neg. Film : 402Kodak Vision 200T 5274 Neg. Film : 98Kodak Vision 250D 5246/7246 Neg. Film : 96Kodak Vision 3 Film Neg. Film : 398Kodak Vision 320T 5277/7277 Neg. Film : 55Kodak Vision 500T 5263/7263 Neg. Film : 3Kodak Vision 500T 5279 Neg. Film : 226Kodak Vision 800T 5289/7289 Neg. Film : 31Kodak Vision Expression 500T 5284/7284 Neg... : 10Kodak Vision Film : 7

Eastman Kodak Neg. Films | 1495 Titles

Eastman Kodak Neg. Films 4.00/5 2 Votes

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Saving Private Ryan (1998)

Motion Picture | 2D | Color | 1.85:1 | 169 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Tom Hanks, Matt Damon, Tom Sizemore, Edward Burns

Cameras | Aaton 35-III Camera, Moviecam Superlight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses | Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses

Looper (2012)

Motion Picture | 2D | Color | 2.35:1 | 113 Minutes

Looper | ShotOnWhat?

Directed by | Rian Johnson | Cinematography by | Steve Yedlin | Editing by | Bob Ducsay

Starring | Joseph Gordon-Levitt, Bruce Willis, Emily Blunt, Paul Dano

Cameras | Canon EOS-7D Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Central Station (1998)

Motion Picture | 2D | Color | 2.39:1 | 113 Minutes

Directed by | Walter Salles | Cinematography by | Walter Carvalho | Editing by | Felipe Lacerda, Isabelle Rathery

Starring | Fernanda Montenegro, Vinícius de Oliveira, Marília Pêra, Soia Lira

Cameras | Moviecam Cameras, Panavision Panaflex Series Cameras

Ocean’s Thirteen (2007)

Motion Picture | 2D | Color | 2.39:1 | 122 Minutes

Ocean’s Thirteen | ShotOnWhat?

Directed by | Steven Soderbergh | Cinematography by | Steven Soderbergh | Editing by | Stephen Mirrione

Starring | George Clooney, Brad Pitt, Matt Damon, Michael Mantell

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Prince of Persia: The Sands of Time (2010)

Motion Picture | 2D | Color | 2.35:1 | 116 Minutes

Prince of Persia: The Sands of Time | ShotOnWhat?

Directed by | Mike Newell | Cinematography by | John Seale | Editing by | Mick Audsley, Michael Kahn, Martin Walsh

Starring | Jake Gyllenhaal, Gemma Arterton, Ben Kingsley, Alfred Molina

Cameras | Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

100 Feet (2008)

Motion Picture | 2D | Color | 2.39:1 | 96 Minutes

Directed by | Eric Red | Cinematography by | Ken Kelsch | Editing by | Janice Hampton, Anthony Redman

Starring | Famke Janssen, Bobby Cannavale, Ed Westwick, Michael Paré

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Larry Crowne (2011)

Motion Picture | 2D | Color | 2.35:1 | 98 Minutes

Larry Crowne | ShotOnWhat?

Directed by | Tom Hanks | Cinematography by | Philippe Rousselot | Editing by | Alan Cody

Starring | Tom Hanks, Julia Roberts, Sarah Mahoney, Roxana Ortega

Cameras | Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Footloose (2011)

Motion Picture | 2D | Color | 2.35:1 | 113 Minutes

Footloose | ShotOnWhat?

Directed by | Craig Brewer | Cinematography by | Amy Vincent | Editing by | Billy Fox

Starring | Kenny Wormald, Julianne Hough, Dennis Quaid, Andie MacDowell

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

About Adam (2000)

Motion Picture | 2D | Color | 1.85:1 | 97 Minutes

Directed by | Gerard Stembridge | Cinematography by | Bruno de Keyzer | Editing by | Mary Finlay

Starring | Stuart Townsend, Kate Hudson, Tommy Tiernan, Frances O'Connor

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Magnolia (1999)

Motion Picture | 2D | Color | 2.39:1 | 188 Minutes

Directed by | Paul Thomas Anderson | Cinematography by | Robert Elswit | Editing by | Dylan Tichenor

Starring | Tom Cruise, Jason Robards, Julianne Moore, Philip Seymour Hoffman

Cameras | Panavision Cameras, Pathé Cameras

Lenses | Panavision Lenses

King Kong (2005)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 187 Minutes

Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jamie Selkirk

Starring | Naomi Watts, Jack Black, Adrien Brody, Thomas Kretschmann

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, Mitchell Cameras

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Night at the Museum: Battle of the Smithsonian (2009)

Motion Picture | 2D | Color, Black and White | 2.35:1 | 105 Minutes

Night at the Museum: Battle of the Smithsonian | ShotOnWhat?

Directed by | Shawn Levy | Cinematography by | John Schwartzman | Editing by | Dean Zimmerman, Don Zimmerman

Starring | Ben Stiller, Owen Wilson, Amy Adams, Hank Azaria

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Red One Camera

Lenses | Panavision Primo Anamorphic Lenses

35 Shots of Rum (2008)

Motion Picture | 2D | Color | 1.85:1 | 100 Minutes

Directed by | Claire Denis | Cinematography by | Agnès Godard | Editing by | Guy Lecorne

Starring | Alex Descas, Mati Diop, Nicole Dogué, Grégoire Colin

Cameras | Aaton 35-III Camera

Lenses | Cooke Speed Panchro Lenses, Zeiss Standard Speed Prime Lenses

Black Hawk Down (2001)

Motion Picture | 2D | Color | 2.39:1 | 144 Minutes

Directed by | Ridley Scott | Cinematography by | Slawomir Idziak | Editing by | Pietro Scalia

Starring | Josh Hartnett, Ewan McGregor, Tom Sizemore, Eric Bana

Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses | Angenieux HR Zoom Lenses, Zeiss Ultra Prime Lenses

No Escape (1994)

Motion Picture | 2D | Color | 118 Minutes

Directed by | Martin Campbell | Cinematography by | Phil Meheux | Editing by | Terry Rawlings

Starring | Ray Liotta, Lance Henriksen, Stuart Wilson, Kevin Dillon

Cameras | ARRIFLEX 35 BL4 Camera

I Am Sam (2001)

Motion Picture | 2D | Color | 1.85:1 | 132 Minutes

Directed by | Jessie Nelson | Cinematography by | Elliot Davis | Editing by | Richard Chew

Starring | Sean Penn, Michelle Pfeiffer, Dakota Fanning, Dianne Wiest

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision Lightweight Zoom Lenses, Panavision Primo Classic Spherical Lenses

The Crazies (2010)

Motion Picture | 2D | Color | 2.35:1, 2.40:1 | 101 Minutes

The Crazies | ShotOnWhat?

Directed by | Breck Eisner | Cinematography by | Maxime Alexandre | Editing by | Billy Fox

Starring | Radha Mitchell, Timothy Olyphant, Danielle Panabaker, Joe Anderson

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera

Lenses | Zeiss Master Prime Lenses

Armageddon (1998)

Motion Picture | 2D | Color | 2.20:1, 2.39:1 | 151 Minutes

Directed by | Michael Bay | Cinematography by | John Schwartzman | Editing by | Mark Goldblatt, Chris Lebenzon, Glen Scantlebury

Starring | Bruce Willis, Billy Bob Thornton, Ben Affleck, Liv Tyler

Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

36th Precinct (2004)

Motion Picture | 2D | Color | 2.39:1 | 111 Minutes

Directed by | Olivier Marchal | Cinematography by | Denis Rouden | Editing by | Hugues Darmois

Starring | Daniel Auteuil, Gérard Depardieu, André Dussollier, Valeria Golino

Cameras | Aaton 35-III Camera, Panavision Panaflex Millennium Camera

Lenses | Panavision Primo Primes Spherical Lenses

Air Force One (1997)

Motion Picture | 2D | Color | 2.39:1 | 124 Minutes

Directed by | Wolfgang Petersen | Cinematography by | Michael Ballhaus | Editing by | Richard Francis-Bruce

Starring | Harrison Ford, Gary Oldman, Glenn Close, Wendy Crewson

Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 Camera

Lenses | Zeiss Variable Prime Lenses

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