Film Negative Stock » Eastman Kodak Neg. Films

Eastman 400T 5295 Neg. Film : 16Eastman Color Negative 100T 5254/7254 Film : 21Eastman Color Negative 125T 5247 Film : 29Eastman Color Negative 250T 5293/7293 Film : 18Eastman Color Negative 400T 5294 Film : 19Eastman Color Negative 50T 5251 Neg. Film : 6Eastman Color Negative II 100T 5247/7247 F... : 17Eastman Double-X 5222/7222 Neg. Film : 41Eastman Ektachrome (Daylight) 160D 5239/72... : 7Eastman Ektachrome (Tungsten) 7240 Neg. Fi... : 4Eastman Ektachrome 25T 7252 Neg. Film : 2Eastman Ektachrome High Speed (Daylight) 7... : 3Eastman Ektachrome High Speed (Tungsten) 7... : 1Eastman EXR Neg. Film : 256Eastman High Speed 250D 5297/7297 Neg. Fil... : 18Eastman Plus-X 7276 Neg. Film : 4Eastman Plus-X 80D/64T 5231/7231 Neg. Film : 7Eastman Super-XX 1232 Neg. Film : 2Eastman Tri-X 7278 Neg. Film : 2Kodachrome 25 (Daylight) 7267 Neg. Film : 1Kodak 500T 5230/7230 Neg. Film : 5Kodak Ektachrome 100D 5285/7285 Neg. Film : 18Kodak SFX 200T SO-214 Neg. Film : 17Kodak Tri-X 7266 Neg. Film : 1Kodak Vision 2 Film Neg. Film : 399Kodak Vision 200T 5274 Neg. Film : 96Kodak Vision 250D 5246/7246 Neg. Film : 95Kodak Vision 3 Film Neg. Film : 375Kodak Vision 320T 5277/7277 Neg. Film : 55Kodak Vision 500T 5263/7263 Neg. Film : 3Kodak Vision 500T 5279 Neg. Film : 221Kodak Vision 800T 5289/7289 Neg. Film : 31Kodak Vision Expression 500T 5284/7284 Neg... : 10Kodak Vision Film : 7

Eastman Kodak Neg. Films | 1426 Titles

Eastman Kodak Neg. Films 4.00/5 2 Votes

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In Love and War (1996)

Motion Picture | 2D | Color | 2.39:1 | 113 Minutes

Directed by | Richard Attenborough | Cinematography by | Roger Pratt | Editing by | Lesley Walker

Starring | Sandra Bullock, Chris O'Donnell, Mackenzie Astin, Margot Steinberg

Cameras | Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Get Low (2009)

Motion Picture | 2D | Color | 2.39:1 | 103 Minutes

Get Low | ShotOnWhat?

Directed by | Aaron Schneider | Cinematography by | David Boyd | Editing by | Aaron Schneider

Starring | Robert Duvall, Bill Murray, Sissy Spacek, Lucas Black

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision C Series Anamorphic Lenses

Elizabeth (1998)

Motion Picture | 2D | Color | 1.37:1, 1.85:1 | 124 Minutes

Directed by | Shekhar Kapur | Cinematography by | Remi Adefarasin | Editing by | Jill Bilcock

Starring | Cate Blanchett, Liz Giles, Rod Culbertson, Paul Fox

Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera

Lenses | Cooke Varotal Lenses, Zeiss Super Speed Lenses

Ten Canoes (2006)

Motion Picture | 2D | Color, Black and White | 90 Minutes

Ten Canoes | ShotOnWhat?

Directed by | Rolf de Heer, Peter Djigirr | Cinematography by | Ian Jones | Editing by | Tania Nehme

Starring | Crusoe Kurddal, Jamie Gulpilil, Richard Birrinbirrin, Peter Minygululu

Cameras | ARRIFLEX 35 BL4s Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Cooke S4 Lenses

In Bruges (2008)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 107 Minutes

Directed by | Martin McDonagh | Cinematography by | Eigil Bryld | Editing by | Jon Gregory

Starring | Colin Farrell, Brendan Gleeson, Ciarán Hinds, Elizabeth Berrington

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Down with Love (2003)

Motion Picture | 2D | Color | 2.39:1 | 101 Minutes

Down with Love | ShotOnWhat?

Directed by | Peyton Reed | Cinematography by | Jeff Cronenweth | Editing by | Larry Bock

Starring | Ewan McGregor, Renée Zellweger, David Hyde Pierce, Sarah Paulson

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Finding Neverland (2004)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 106 Minutes

Directed by | Marc Forster | Cinematography by | Roberto Schaefer | Editing by | Matt Chesse

Starring | Johnny Depp, Kate Winslet, Julie Christie, Radha Mitchell

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Cooke S4 Lenses

The Royal Tenenbaums (2001)

Motion Picture | 2D | Color | 2.39:1 | 110 Minutes

Directed by | Wes Anderson | Cinematography by | Robert D. Yeoman | Editing by | Dylan Tichenor

Starring | Gene Hackman, Gwyneth Paltrow, Anjelica Huston, Ben Stiller

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Primary Colors (1998)

Motion Picture | 2D | Color | 2.39:1 | 143 Minutes

Directed by | Mike Nichols | Cinematography by | Michael Ballhaus | Editing by | Arthur Schmidt

Starring | John Travolta, Emma Thompson, Kathy Bates, Larry Hagman

Cameras | ARRIFLEX Camera

Gods and Generals (2003)

Motion Picture | 2D | Color | 2.39:1 | 219 Minutes

Gods and Generals | ShotOnWhat?

Directed by | Ron Maxwell | Cinematography by | Kees Van Oostrum | Editing by | Corky Ehlers

Starring | Stephen Lang, Robert Duvall, Jeff Daniels, Donzaleigh Abernathy

Cameras | Mitchell Cameras, Pan-Arri 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Close Focus Spherical Lenses

Piranha 3D (2010)

Motion Picture | 3D | Color | 2.35:1 | 88 Minutes

Piranha 3D | ShotOnWhat?

Directed by | Alexandre Aja | Cinematography by | John R. Leonetti | Editing by | Baxter

Starring | Elisabeth Shue, Jerry O'Connell, Richard Dreyfuss, Ving Rhames

Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera

Lenses | Angenieux HR Zoom Lenses, Cooke S4 Lenses, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Casino (1995)

Motion Picture | 2D | Color | 178 Minutes

Directed by | Martin Scorsese | Cinematography by | Robert Richardson | Editing by | Thelma Schoonmaker

Starring | Robert De Niro, Sharon Stone, Joe Pesci, James Woods

Cameras | Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

House of Tolerance (2011)

Motion Picture | 2D | Color | 1.85:1 | 122 Minutes

Directed by | Bertrand Bonello | Cinematography by | Josée Deshaies | Editing by | Fabrice Rouaud

Starring | Noémie Lvovsky, Hafsia Herzi, Céline Sallette, Jasmine Trinca

Cameras | Moviecam Compact Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens

The Matrix (1999)

Motion Picture | 2D | Color | 2.39:1 | 136 Minutes

Directed by | Lana Wachowski, Lilly Wachowski | Cinematography by | Bill Pope | Editing by | Zach Staenberg

Starring | Keanu Reeves, Laurence Fishburne, Carrie-Anne Moss, Hugo Weaving

Cameras | Pan-Arri 435 Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics Cameras

Lenses | Panavision Lenses

Jumper (2008)

Motion Picture | 2D | Color | 2.35:1 | 88 Minutes

Jumper | ShotOnWhat?

Directed by | Doug Liman | Cinematography by | Barry Peterson | Editing by | Saar Klein, Dean Zimmerman, Don Zimmerman

Starring | Hayden Christensen, Samuel L. Jackson, Jamie Bell, Rachel Bilson

Cameras | Panavision Cameras, Red One Camera

The Hunger Games (2012)

Motion Picture | 2D | Color | 2.39:1 | 142 Minutes

Directed by | Gary Ross | Cinematography by | Tom Stern | Editing by | Christopher S. Capp, Stephen Mirrione, Juliette Welfling

Starring | Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Stanley Tucci

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses | Angenieux Optimo Zoom Lenses, Canon Lenses, Zeiss Ultra Prime Lenses

The Aviator (2004)

Motion Picture | 2D | 2K Project | Black & White, Color | 2.39:1 | 170 Minutes

Directed by | Martin Scorsese | Cinematography by | Robert Richardson | Editing by | Thelma Schoonmaker

Starring | Leonardo DiCaprio, Cate Blanchett, Kate Beckinsale, John C. Reilly

Cameras | Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses | Panavision Primo Primes Spherical Lenses

Hanna (2011)

Motion Picture | 2D | Color | 2.35:1 | 111 Minutes

Hanna | ShotOnWhat?

Directed by | Joe Wright | Cinematography by | Alwin H. Küchler | Editing by | Paul Tothill

Starring | Saoirse Ronan, Cate Blanchett, Eric Bana, Vicky Krieps

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony Other Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Zeiss Master Prime Lenses

Harry Potter and the Deathly Hallows: Part 2 (2011)

Motion Picture | 2D, 3D | Color | 2.39:1 | 130 Minutes

Directed by | David Yates | Cinematography by | Eduardo Serra | Editing by | Mark Day

Starring | Daniel Radcliffe, Emma Watson, Rupert Grint, Michael Gambon

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Cooke S4 Lenses

Yes Man (2008)

Motion Picture | 2D | Color | 2.35:1 | 104 Minutes

Yes Man | ShotOnWhat?

Directed by | Peyton Reed | Cinematography by | Robert D. Yeoman | Editing by | Craig Alpert

Starring | Jim Carrey, Zooey Deschanel, Bradley Cooper, John Michael Higgins

Cameras | Panavision Cameras

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