Film Negative Stock » Eastman Kodak Neg. Films

Eastman 400T 5295 Neg. Film : 17Eastman Color Negative 100T 5254/7254 Film : 30Eastman Color Negative 125T 5247 Film : 32Eastman Color Negative 250T 5293/7293 Film : 19Eastman Color Negative 400T 5294 Film : 23Eastman Color Negative 50T 5251 Neg. Film : 12Eastman Color Negative II 100T 5247/7247 F... : 24Eastman Double-X 5222/7222 Neg. Film : 44Eastman Ektachrome (Daylight) 160D 5239/72... : 8Eastman Ektachrome (Tungsten) 7240 Neg. Fi... : 4Eastman Ektachrome 25T 7252 Neg. Film : 2Eastman Ektachrome High Speed (Daylight) 7... : 3Eastman Ektachrome High Speed (Tungsten) 7... : 1Eastman EXR Neg. Film : 261Eastman High Speed 250D 5297/7297 Neg. Fil... : 18Eastman Plus-X 7276 Neg. Film : 4Eastman Plus-X 80D/64T 5231/7231 Neg. Film : 9Eastman Super-XX 1232 Neg. Film : 2Eastman Tri-X 7278 Neg. Film : 2Kodachrome 25 (Daylight) 7267 Neg. Film : 1Kodachrome Professional 5267 Neg. Film : 1Kodak 500T 5230/7230 Neg. Film : 6Kodak Ektachrome 100D 5285/7285 Neg. Film : 18Kodak SFX 200T SO-214 Neg. Film : 17Kodak Tri-X 7266 Neg. Film : 1Kodak Vision 2 Film Neg. Film : 402Kodak Vision 200T 5274 Neg. Film : 98Kodak Vision 250D 5246/7246 Neg. Film : 96Kodak Vision 3 Film Neg. Film : 398Kodak Vision 320T 5277/7277 Neg. Film : 55Kodak Vision 500T 5263/7263 Neg. Film : 3Kodak Vision 500T 5279 Neg. Film : 226Kodak Vision 800T 5289/7289 Neg. Film : 31Kodak Vision Expression 500T 5284/7284 Neg... : 10Kodak Vision Film : 7

Eastman Kodak Neg. Films | 1495 Titles

Eastman Kodak Neg. Films 4.00/5 2 Votes

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Charlie Wilson’s War (2007)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 102 Minutes

Directed by | Mike Nichols | Cinematography by | Stephen Goldblatt | Editing by | John Bloom, Antonia Van Drimmelen

Starring | Tom Hanks, Julia Roberts, Philip Seymour Hoffman, Amy Adams

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

The Savages (2007)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 113 Minutes

Directed by | Tamara Jenkins | Cinematography by | W. Mott Hupfel III | Editing by | Brian A. Kates

Starring | Laura Linney, Philip Seymour Hoffman, Philip Bosco, Peter Friedman

Cameras | ARRICAM Lite (LT) Camera

Lenses | Cooke S4 Lenses

Shakespeare in Love (1998)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 123 Minutes

Directed by | John Madden | Cinematography by | Richard Greatrex | Editing by | David Gamble

Starring | Gwyneth Paltrow, Joseph Fiennes, Geoffrey Rush, Tom Wilkinson

Cameras | ARRIFLEX 535 B Camera

Lenses | Zeiss Variable Prime Lenses

Life as a House (2001)

Motion Picture | Color | 2.39:1 | 125 Minutes

Directed by | Irwin Winkler | Cinematography by | Vilmos Zsigmond | Editing by | Julie Monroe

Starring | Hayden Christensen, Kevin Kline, Kristin Scott Thomas, Jena Malone

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Alice in Wonderland (2010)

Motion Picture | 3D | 2K Project | Color | 1.44:1, 1.78:1 (16x9), 1.85:1 | 108 Minutes

Directed by | Tim Burton | Cinematography by | Dariusz Wolski | Editing by | Chris Lebenzon

Starring | Mia Wasikowska, Johnny Depp, Helena Bonham Carter, Anne Hathaway

Cameras | Dalsa Evolution Camera, Panavision Genesis Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera

Lenses | Panavision Primo Anamorphic Lenses

Die Hard 2 (1990)

Motion Picture | 2D | Color | 2.20:1, 2.39:1 | 124 Minutes

Directed by | Renny Harlin | Cinematography by | Oliver Wood | Editing by | Stuart Baird, Robert A. Ferretti

Starring | Bruce Willis, William Atherton, Bonnie Bedelia, Reginald VelJohnson

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Photo-Sonics 35mm-4ER Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Men of Honor (2000)

Motion Picture | 2D | Color | 2.39:1 | 129 Minutes

Directed by | George Tillman Jr. | Cinematography by | Anthony B. Richmond | Editing by | John Carter, Dirk Westervelt

Starring | Cuba Gooding Jr., Robert De Niro, Charlize Theron, Aunjanue Ellis-Taylor

Cameras | ARRIFLEX 35 III Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses | Cooke S4 Lenses

Solar Crisis (1990)

Motion Picture | 2D | Color | 2.39:1 | 112 Minutes

Directed by | Richard C. Sarafian, Alan Smithee | Cinematography by | Russell Carpenter | Editing by | Richard Trevor

Starring | Tim Matheson, Charlton Heston, Peter Boyle, Annabel Schofield

Cameras | Panavision Panaflex Platinum Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses

Pollock (2000)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 122 Minutes

Directed by | Ed Harris | Cinematography by | Lisa Rinzler | Editing by | Kathryn Himoff

Starring | Ed Harris, Marcia Gay Harden, Robert Knott, Molly Regan

Cameras | Aaton Cameras, Panavision Panaflex Millennium Camera

Lenses | Panavision Primo Primes Spherical Lenses

Why Did I Get Married Too? (2010)

Motion Picture | 2D | Color | 1.85:1 | 121 Minutes

Why Did I Get Married Too? | ShotOnWhat?

Directed by | Tyler Perry | Cinematography by | Toyomichi Kurita | Editing by | Maysie Hoy

Starring | Janet Jackson, Tyler Perry, Jill Scott, Sharon Leal

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

X-Men (2000)

Motion Picture | 2D | Color | 2.39:1 | 104 Minutes

Directed by | Bryan Singer | Cinematography by | Newton Thomas Sigel | Editing by | Steven Rosenblum, Kevin Stitt, John Wright

Starring | Patrick Stewart, Hugh Jackman, Ian McKellen, Famke Janssen

Cameras | Panavision Panaflex Millennium Camera

Lenses | Panavision Primo Anamorphic Lenses

Brief Interviews with Hideous Men (2009)

Motion Picture | 2D | Color | 2.39:1 | 80 Minutes

Directed by | John Krasinski | Cinematography by | John Bailey | Editing by | Zene Baker, Rich Fox

Starring | Julianne Nicholson, Ben Shenkman, Timothy Hutton, Michael Cerveris

Cameras | Panavision Panaflex Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Savages (2012)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 131 Minutes

Directed by | Oliver Stone | Cinematography by | Dan Mindel | Editing by | Joe Hutshing, Stuart Levy, Alex Marquez

Starring | Aaron Taylor-Johnson, Taylor Kitsch, Blake Lively, Benicio Del Toro

Cameras | ARRIFLEX 35 IIC Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Motorcycle Diaries (2004)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 126 Minutes

Directed by | Walter Salles | Cinematography by | Eric Gautier | Editing by | Daniel Rezende

Starring | Gael García Bernal, Rodrigo De la Serna, Mía Maestro, Mercedes Morán

Cameras | Aaton 35-III Camera, Aaton XTR Prod Camera

Lenses | Angenieux Lenses, Canon Lenses, Nikon - Nikkor Lenses, Panavision Primo Primes Spherical Lenses

Being John Malkovich (1999)

Motion Picture | 2D | Color | 1.85:1 | 113 Minutes

Directed by | Spike Jonze | Cinematography by | Lance Acord | Editing by | Eric Zumbrunnen

Starring | John Cusack, Cameron Diaz, Catherine Keener, John Malkovich

Cameras | Moviecam Compact Camera, Moviecam Superlight Camera

Lenses | Cooke S4 Lenses

Free Willy (1993)

Motion Picture | 2D | Color | 2.39:1 | 112 Minutes

Directed by | Simon Wincer | Cinematography by | Robbie Greenberg | Editing by | O. Nicholas Brown

Starring | Jason James Richter, Lori Petty, Michael Madsen, Jayne Atkinson

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

One Day (2011)

Motion Picture | 2D | Color | 2.39:1 | 107 Minutes

Directed by | Lone Scherfig | Cinematography by | Benoît Delhomme | Editing by | Barney Pilling

Starring | Anne Hathaway, Jim Sturgess, Patricia Clarkson, Tom Mison

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

The Grey (2011)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

The Grey | ShotOnWhat?

Directed by | Joe Carnahan | Cinematography by | Masanobu Takayanagi | Editing by | Roger Barton, Jason Hellmann

Starring | Liam Neeson, Dermot Mulroney, Frank Grillo, Dallas Roberts

Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses

DragonHeart (1996)

Motion Picture | Color | 2.39:1 | 103 Minutes

Directed by | Rob Cohen | Cinematography by | David Eggby | Editing by | Peter Amundson

Starring | Dennis Quaid, Sean Connery, Dina Meyer, Pete Postlethwaite

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses | Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Expendables 2 (2012)

Motion Picture | 2D | Color | 2.39:1 | 103 Minutes

Directed by | Simon West | Cinematography by | Shelly Johnson | Editing by | Todd E. Miller

Starring | Sylvester Stallone, Liam Hemsworth, Randy Couture, Jean-Claude Van Damme

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses

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