J.C. Robaina

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The Irishman | ShotOnWhat?

Stunts

The Irishman (2019)

Directed by: Martin Scorsese

Cinematography by: Rodrigo Prieto

Edited by: Thelma Schoonmaker

Cameras: ARRI ALEXA Mini Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Red Digital Cinema Cameras

A Quiet Place | ShotOnWhat?

Stunts

A Quiet Place (2018)

Directed by: John Krasinski

Cinematography by: Charlotte Bruus Christensen

Edited by: Christopher Tellefsen

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Panavision Anamorphic Macro Panatar Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses

First Man | ShotOnWhat?

Stunt Performer

First Man (2018)

Directed by: Damien Chazelle

Cinematography by: Linus Sandgren

Edited by: Tom Cross

Cameras: Aaton A-Minima Camera, Aaton Penelope Camera, Aaton Xterà Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 416 Plus Camera, ARRIFLEX 435 Camera, IMAX MSM 9802 Camera

Lenses: CamTec Vintage Series Ultra Prime Lenses, Canon Lenses, Fujinon Premier ZK Cabrio PL Compact Lenses, Hasselblad Lenses, Kowa Cine Prominar Anamorphic Lenses

X-Men: Apocalypse | ShotOnWhat?

Stunts

X-Men: Apocalypse (2016)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Michael Louis Hill, John Ottman

Cameras: Phantom Flex4K Camera, Red Epic Dragon Camera

Lenses: Leitz Summilux-C Series Lenses

Doctor Strange | ShotOnWhat?

Utility Stunts

Doctor Strange (2016)

Directed by: Scott Derrickson

Cinematography by: Ben Davis

Edited by: Sabrina Plisco, Wyatt Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Panavision 65mm Prime Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Winter's Tale | ShotOnWhat?

Stunts

Winter's Tale (2014)

Directed by: Akiva Goldsman

Cinematography by: Caleb Deschanel

Edited by: Tim Squyres, Wayne Wahrman

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Cake | ShotOnWhat?

Utility Stunts

Cake (2014)

Directed by: Daniel Barnz

Cinematography by: Rachel Morrison

Edited by: Kristina Boden, Michelle Harrison

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

This Is Where I Leave You | ShotOnWhat?

Stunts

This Is Where I Leave You (2014)

Directed by: Shawn Levy

Cinematography by: Terry Stacey

Edited by: Dean Zimmerman

Cameras: ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Birdman or (The Unexpected Virtue of Ignorance) | ShotOnWhat?

Stunts

Birdman or (The Unexpected Virtue of Ignorance) (2014)

Directed by: Alejandro G. Iñárritu

Cinematography by: Emmanuel Lubezki

Edited by: Douglas Crise, Stephen Mirrione

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera

Lenses: Leitz Summilux-C Series Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

22 Jump Street | ShotOnWhat?

Stunts

22 Jump Street (2014)

Directed by: Phil Lord, Christopher Miller

Cinematography by: Barry Peterson

Edited by: Keith Brachmann, David Rennie

Cameras: ARRI ALEXA XT Camera

Noah | ShotOnWhat?

Stunts

Noah (2014)

Directed by: Darren Aronofsky

Cinematography by: Matthew Libatique

Edited by: Andrew Weisblum

Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk 150-450 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Now You See Me | ShotOnWhat?

Stunt Driver

Now You See Me (2013)

Directed by: Louis Leterrier

Cinematography by: Mitchell Amundsen, Larry Fong

Edited by: Robert Leighton, Vincent Tabaillon

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses

G.I. Joe: Retaliation | ShotOnWhat?

Stunts

G.I. Joe: Retaliation (2013)

Directed by: Jon M. Chu

Cinematography by: Stephen F. Windon

Edited by: Roger Barton, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Iron Man Three | ShotOnWhat?

21 Jump Street | ShotOnWhat?

Stunts

21 Jump Street (2012)

Directed by: Phil Lord, Christopher Miller

Cinematography by: Barry Peterson

Edited by: Joel Negron

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera

Premium Rush | ShotOnWhat?

Stunts

Premium Rush (2012)

Directed by: David Koepp

Cinematography by: Mitchell Amundsen

Edited by: Derek Ambrosi, Jill Savitt

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Wanderlust | ShotOnWhat?

Stunts: New York

Wanderlust (2012)

Directed by: David Wain

Cinematography by: Michael Bonvillain

Edited by: David Moritz, Robert Nassau

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

One for the Money | ShotOnWhat?

Stunts

One for the Money (2012)

Directed by: Julie Anne Robinson

Cinematography by: Jim Whitaker

Edited by: Lisa Zeno Churgin

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

The Campaign | ShotOnWhat?

Stunts

The Campaign (2012)

Directed by: Jay Roach

Cinematography by: Jim Denault

Edited by: Craig Alpert, Jon Poll

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 45-120 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Leitz Summilux-C Series Lenses

Man on a Ledge | ShotOnWhat?

Utility Stunts

Man on a Ledge (2012)

Directed by: Asger Leth

Cinematography by: Paul Cameron

Edited by: Kevin Stitt

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

Zookeeper | ShotOnWhat?

Stunts

Zookeeper (2011)

Directed by: Frank Coraci

Cinematography by: Michael Barrett

Edited by: Scott Hill

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Anamorphic Lenses

Mr. Popper's Penguins | ShotOnWhat?

Stunt Rigger , Stunts

Mr. Popper's Penguins (2011)

Directed by: Mark Waters

Cinematography by: Florian Ballhaus

Edited by: Bruce Green

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

New Year's Eve | ShotOnWhat?

Stunt Driver , Stunts

New Year's Eve (2011)

Directed by: Garry Marshall

Cinematography by: Charles Minsky

Edited by: Michael Tronick

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

We Need to Talk About Kevin | ShotOnWhat?

Stunt Performer

We Need to Talk About Kevin (2011)

Directed by: Lynne Ramsay

Cinematography by: Seamus McGarvey

Edited by: Joe Bini

Cameras: Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Adjustment Bureau | ShotOnWhat?

Stunts

The Adjustment Bureau (2011)

Directed by: George Nolfi

Cinematography by: John Toll

Edited by: Jay Rabinowitz

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses

Tower Heist | ShotOnWhat?

Stunt Double

Tower Heist (2011)

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Helfrich

Cameras: ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Hawk V-Lite Lenses, Panavision G Series Anamorphic Lenses

The Smurfs | ShotOnWhat?

Stunt Rigger , Stunts

The Smurfs (2011)

Directed by: Raja Gosnell

Cinematography by: Phil Meheux

Edited by: Ellier Dov, Sabrina Plisco

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Classic Spherical Lenses

Editing System: Avid Editing System

"Boardwalk Empire" What Does the Bee Do? | ShotOnWhat?

Stunts

'Boardwalk Empire' What Does the Bee Do? (2011)

Television Episode

Directed by: Ed Bianchi

Cinematography by: David Franco

Edited by: Tim Streeto

The Beaver | ShotOnWhat?

Stunt Rigger / Utility Stunts

The Beaver (2011)

Directed by: Jodie Foster

Cinematography by: Hagen Bogdanski

Edited by: Lynzee Klingman

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision G Series Anamorphic Lenses

Abduction | ShotOnWhat?

Stunt Rigger

Abduction (2011)

Directed by: John Singleton

Cinematography by: Peter Menzies Jr.

Edited by: Bruce Cannon

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Wall Street: Money Never Sleeps | ShotOnWhat?

Stunts

Wall Street: Money Never Sleeps (2010)

Directed by: Oliver Stone

Cinematography by: Rodrigo Prieto

Edited by: David Brenner, Julie Monroe

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Zeiss Master Prime Lenses

Boardwalk Empire | ShotOnWhat?

Stunts - 1 Episode, 2011

Boardwalk Empire (2010)

Television Series

Directed by: Timothy Van Patten, Allen Coulter, Jeremy Podeswa, Ed Bianchi, Brad Anderson, Alik Sakharov, Jake Paltrow, Simon Cellan Jones, Brian Kirk, Martin Scorsese, Alan Taylor, David Petrarca, Susanna White, Kari Skogland

Cinematography by: William Coleman, David Franco, Jonathan Freeman, Kramer Morgenthau, Stuart Dryburgh, Eric Moynier

Edited by: Kate Sanford, Tim Streeto, Eric Lorenz, Sidney Wolinsky, Perri B. Frank

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Anamorphic Lenses

All Good Things | ShotOnWhat?

Stunts

All Good Things (2010)

Directed by: Andrew Jarecki

Cinematography by: Michael Seresin

Edited by: David Rosenbloom, Shelby Siegel

The Other Guys | ShotOnWhat?

Stunts

The Other Guys (2010)

Directed by: Adam McKay

Cinematography by: Oliver Wood

Edited by: Brent White

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Zombieland | ShotOnWhat?

Stunts

Zombieland (2009)

Directed by: Ruben Fleischer

Cinematography by: Michael Bonvillain

Edited by: Alan Baumgarten

Cameras: Panavision Genesis Camera, Phantom HD Camera, Phantom HD Gold Camera

Lenses: Panavision Primo Anamorphic Lenses, Panavision Ultra Speed MKII Lenses

Sorority Row | ShotOnWhat?

Stunt Rigger

Sorority Row (2009)

Directed by: Stewart Hendler

Cinematography by: Ken Seng

Edited by: Elliot Greenberg

I Love You Phillip Morris | ShotOnWhat?

Stunts

I Love You Phillip Morris (2009)

Directed by: Glenn Ficarra, John Requa

Cinematography by: Xavier Grobet

Edited by: Stéphane Garnier, Thomas J. Nordberg

Law Abiding Citizen | ShotOnWhat?

Stunt Driver / Stunts

Law Abiding Citizen (2009)

Directed by: F. Gary Gray

Cinematography by: Jonathan Sela

Edited by: Tariq Anwar

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Cooke S4 Lenses

Body of Lies | ShotOnWhat?

Stunts

Body of Lies (2008)

Directed by: Ridley Scott

Cinematography by: Alexander Witt

Edited by: Pietro Scalia

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Che: Part One | ShotOnWhat?

Stunts

Che: Part One (2008)

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Pablo Zumárraga

Iron Man | ShotOnWhat?

Utility Stunts

Iron Man (2008)

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System, Final Cut Pro Editing System

American Gangster | ShotOnWhat?

Stunt Performer

American Gangster (2007)

Directed by: Ridley Scott

Cinematography by: Harris Savides

Edited by: Pietro Scalia

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Love in the Time of Cholera | ShotOnWhat?

Assistant Marine Coordinator

Love in the Time of Cholera (2007)

Directed by: Mike Newell

Cinematography by: Affonso Beato

Edited by: Mick Audsley

Miami Vice | ShotOnWhat?

Boat Captain, Stunts

Miami Vice (2006)

Directed by: Michael Mann

Cinematography by: Dion Beebe

Edited by: William Goldenberg, Paul Rubell

Cameras: Thomson Viper Camera

War of the Worlds | ShotOnWhat?

Stunts

War of the Worlds (2005)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Transporter 2 | ShotOnWhat?

Coordinator: Sea Sequences, Stunt Player

Transporter 2 (2005)

Directed by: Louis Leterrier

Cinematography by: Mitchell Amundsen

Edited by: Christine Lucas Navarro, Vincent Tabaillon

xXx: State of the Union | ShotOnWhat?

Stunts

xXx: State of the Union (2005)

Directed by: Lee Tamahori

Cinematography by: David Tattersall

Edited by: Mark Goldblatt, Todd E. Miller, Steven Rosenblum

2 Fast 2 Furious | ShotOnWhat?

Stunt Player

2 Fast 2 Furious (2003)

Directed by: John Singleton

Cinematography by: Matthew F. Leonetti

Edited by: Bruce Cannon, Dallas Puett

Cameras: ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Cooke S4 Lenses

Bad Boys II | ShotOnWhat?

Stunts

Bad Boys II (2003)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, Mark Goldblatt, Tom Muldoon

Cameras: Bell & Howell Eyemo Camera, Cine SL-35 Camera, Pan-Arri 435es Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Editing System: Avid Editing System

Collateral Damage | ShotOnWhat?

Stunts

Collateral Damage (2002)

Directed by: Andrew Davis

Cinematography by: Adam Greenberg

Edited by: Dov Hoenig, Dennis Virkler

All About the Benjamins | ShotOnWhat?

Stunts

All About the Benjamins (2002)

Directed by: Kevin Bray

Cinematography by: Glen MacPherson

Edited by: Suzanne Hines

Wild Things | ShotOnWhat?

Marine , Stunt Player

Wild Things (1998)

Directed by: John McNaughton

Cinematography by: Jeffrey L. Kimball

Edited by: Elena Maganini

Holy Man | ShotOnWhat?

Stunt Driver

Holy Man (1998)

Directed by: Stephen Herek

Cinematography by: Adrian Biddle

Edited by: Trudy Ship

Speed 2: Cruise Control | ShotOnWhat?

Marine, Stunts

Speed 2: Cruise Control (1997)

Directed by: Jan de Bont

Cinematography by: Jack N. Green

Edited by: Alan Cody

Bad Boys | ShotOnWhat?

Stunts

Bad Boys (1995)

Directed by: Michael Bay

Cinematography by: Howard Atherton

Edited by: Christian Wagner

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Fair Game | ShotOnWhat?

Stunts

Fair Game (1995)

Directed by: Andrew Sipes

Cinematography by: Richard Bowen

Edited by: David Finfer, Steven Kemper, Christian Wagner

Cameras: Panavision Cameras

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