Peter Tothpal

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Guardians of the Galaxy Vol. 3 | ShotOnWhat?

Hair Stylist: Ms. Saldaña

Guardians of the Galaxy Vol. 3 (2023)

Directed by: James Gunn

Cinematography by: Henry Braham

Edited by: Greg D'Auria, Fred Raskin

Cameras: Red Digital Cinema Cameras, Red Komodo Camera, Red Monstro 8K Camera, Red V-Raptor Camera

Lenses: Angenieux Optimo Ultra 12x Lens, Angenieux Type EZ-1 VV 45-135 mm T3.0 Lens, Angenieux Type EZ-2 VV 22-60 mm T3.0 Lens, Leitz M 0.8 Series Lenses

Avengers: Endgame | ShotOnWhat?

Hair Stylist: Ms. Saldana

Avengers: Endgame (2019)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera

Lenses: Panavision APO Panatar Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Avengers: Infinity War | ShotOnWhat?

Hair Stylist: Ms. Saldana

Avengers: Infinity War (2018)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, Red Helium (Weapon) 8K, Red Weapon Dragon Camera

Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Ghost in the Shell | ShotOnWhat?

Hair Department Head: Los Angeles

Ghost in the Shell (2017)

Directed by: Rupert Sanders

Cinematography by: Jess Hall

Edited by: Billy Rich, Neil Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision Sphero 65 65SP100 100mm T2.0 Lens, Panavision Sphero 65 65SP40 40mm T2.8 Lens, Panavision Sphero 65 65SP50 50mm T2.0 Lens, Panavision Sphero 65 65SP75 75mm T2.0 Lens

Guardians of the Galaxy Vol. 2 | ShotOnWhat?

Hair Department Head: Los Angeles

Guardians of the Galaxy Vol. 2 (2017)

Directed by: James Gunn

Cinematography by: Henry Braham

Edited by: Fred Raskin, Craig Wood

Cameras: Red Weapon Dragon Camera

Lenses: Panavision Primo 70 Lenses

Miracles from Heaven | ShotOnWhat?

Hair Department Head

Miracles from Heaven (2016)

Directed by: Patricia Riggen

Cinematography by: Checco Varese

Edited by: Emma E. Hickox

Cameras: ARRI Cameras

Lenses: ARRI Lenses

Nine Lives | ShotOnWhat?

Hair Stylist: To Jennifer Garner

Nine Lives (2016)

Directed by: Barry Sonnenfeld

Cinematography by: Karl Walter Lindenlaub

Edited by: David Zimmerman, Don Zimmerman

Cameras: ARRI ALEXA Mini Camera

Lenses: Cooke S4/i Lenses, Zeiss Ultra Prime Lenses

Jurassic World | ShotOnWhat?

Key Hair Stylist

Jurassic World (2015)

Directed by: Colin Trevorrow

Cinematography by: John Schwartzman

Edited by: Kevin Stitt

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Platinum Camera, Red Epic Dragon Camera

Lenses: Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Panavision 65mm Prime Lenses, Panavision Primo Primes Spherical Lenses

Horrible Bosses 2 | ShotOnWhat?

Hair Department Head

Horrible Bosses 2 (2014)

Directed by: Sean Anders

Cinematography by: Julio Macat

Edited by: Eric Kissack

Cameras: ARRI ALEXA XT Camera

Lenses: Leitz Summilux-C Series Lenses

The Incredible Burt Wonderstone | ShotOnWhat?

Hair Department Head

The Incredible Burt Wonderstone (2013)

Directed by: Don Scardino

Cinematography by: Matthew Clark

Edited by: Lee Haxall

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Prisoners | ShotOnWhat?

Hair Department Head

Prisoners (2013)

Directed by: Denis Villeneuve

Cinematography by: Roger Deakins

Edited by: Joel Cox, Gary Roach

Cameras: ARRI ALEXA Studio Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Avid Editing System

Iron Man Three | ShotOnWhat?

Parental Guidance | ShotOnWhat?

Hair Department Head

Parental Guidance (2012)

Directed by: Andy Fickman

Cinematography by: Dean Semler

Edited by: Kent Beyda

Cameras: Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Seeking a Friend for the End of the World | ShotOnWhat?

Co-key Hair Stylist

Seeking a Friend for the End of the World (2012)

Directed by: Lorene Scafaria

Cinematography by: Tim Orr

Edited by: Zene Baker

Cameras: ARRI ALEXA Plus Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Battleship | ShotOnWhat?

Hair Department Head

Battleship (2012)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr., Billy Rich, Paul Rubell

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Savages | ShotOnWhat?

Hair Co-department Head

Savages (2012)

Directed by: Oliver Stone

Cinematography by: Dan Mindel

Edited by: Joe Hutshing, Stuart Levy, Alex Marquez

Cameras: ARRIFLEX 35 IIC Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Crazy, Stupid, Love. | ShotOnWhat?

Hair Department Head / Hair Stylist: Steve Carell

Crazy, Stupid, Love. (2011)

Directed by: Glenn Ficarra, John Requa

Cinematography by: Andrew Dunn

Edited by: Lee Haxall

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Dinner for Schmucks | ShotOnWhat?

Hair Department Head

Dinner for Schmucks (2010)

Directed by: Jay Roach

Cinematography by: Jim Denault

Edited by: Alan Baumgarten, Jon Poll

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Extraordinary Measures | ShotOnWhat?

Key Hair Stylist

Extraordinary Measures (2010)

Directed by: Tom Vaughan

Cinematography by: Andrew Dunn

Edited by: Anne V. Coates

G.I. Joe: The Rise of Cobra | ShotOnWhat?

Hair Department Head

G.I. Joe: The Rise of Cobra (2009)

Directed by: Stephen Sommers

Cinematography by: Mitchell Amundsen

Edited by: Bob Ducsay, Kelly Matsumoto, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Red One Camera

G-Force | ShotOnWhat?

Hair Department Head

G-Force (2009)

Directed by: Hoyt Yeatman

Cinematography by: Bojan Bazelli

Edited by: Mark Goldblatt, Jason Hellmann

Nights in Rodanthe | ShotOnWhat?

Hairstylist: Ms. Lane

Nights in Rodanthe (2008)

Directed by: George C. Wolfe

Cinematography by: Affonso Beato

Edited by: Brian A. Kates

Love in the Time of Cholera | ShotOnWhat?

Hair Designer

Love in the Time of Cholera (2007)

Directed by: Mike Newell

Cinematography by: Affonso Beato

Edited by: Mick Audsley

The Legend of Zorro | ShotOnWhat?

Hair Department Head

The Legend of Zorro (2005)

Directed by: Martin Campbell

Cinematography by: Phil Meheux

Edited by: Stuart Baird

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Be Cool | ShotOnWhat?

Hair Department Head

Be Cool (2005)

Directed by: F. Gary Gray

Cinematography by: Jeffrey L. Kimball

Edited by: Sheldon Kahn

Terminator 3: Rise of the Machines | ShotOnWhat?

Hair Department Head

Terminator 3: Rise of the Machines (2003)

Directed by: Jonathan Mostow

Cinematography by: Don Burgess

Edited by: Nicolas De Toth, Neil Travis

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

The Rundown | ShotOnWhat?

Hair Designer

The Rundown (2003)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Richard Pearson

Collateral Damage | ShotOnWhat?

Hair Department Head

Collateral Damage (2002)

Directed by: Andrew Davis

Cinematography by: Adam Greenberg

Edited by: Dov Hoenig, Dennis Virkler

The Scorpion King | ShotOnWhat?

Hair Department Head

The Scorpion King (2002)

Directed by: Chuck Russell

Cinematography by: John R. Leonetti

Edited by: Greg Parsons, Michael Tronick

Mission: Impossible II | ShotOnWhat?

Hair Stylist: USA

Mission: Impossible II (2000)

Directed by: John Woo

Cinematography by: Jeffrey L. Kimball

Edited by: Steven Kemper, Christian Wagner

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

The 6th Day | ShotOnWhat?

Hair Designer

The 6th Day (2000)

Directed by: Roger Spottiswoode

Cinematography by: Pierre Mignot

Edited by: Michel Arcand, Mark Conte, Dominique Fortin

The 13th Warrior | ShotOnWhat?

Hair Designer

The 13th Warrior (1999)

Directed by: John McTiernan, Michael Crichton

Cinematography by: Peter Menzies Jr.

Edited by: John Wright

Cameras: Panavision Cameras

Lenses: Panavision Lenses

8MM | ShotOnWhat?

Hair Stylist

8MM (1999)

Directed by: Joel Schumacher

Cinematography by: Robert Elswit

Edited by: Mark Stevens

Cameras: Beaulieu Cameras, Panavision Cameras

Lenses: Panavision Lenses

Editing System: Avid Editing System

End of Days | ShotOnWhat?

Hair Designer

End of Days (1999)

Directed by: Peter Hyams

Cinematography by: Peter Hyams

Edited by: Jeff Gullo, Steven Kemper

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Avid Editing System

Deep Blue Sea | ShotOnWhat?

Key Hair Stylist

Deep Blue Sea (1999)

Directed by: Renny Harlin

Cinematography by: Stephen F. Windon

Edited by: Derek Brechin, Dallas Puett, Frank J. Urioste

Batman & Robin | ShotOnWhat?

Hair Stylist: Dr. Freez

Batman & Robin (1997)

Directed by: Joel Schumacher

Cinematography by: Stephen Goldblatt

Edited by: Mark Stevens, Dennis Virkler

Eraser | ShotOnWhat?

Hair Stylist Supervisor

Eraser (1996)

Directed by: Chuck Russell

Cinematography by: Adam Greenberg

Edited by: Michael Tronick

Cameras: Aaton 35-III Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses

Jingle All the Way | ShotOnWhat?

Key Hair Stylist

Jingle All the Way (1996)

Directed by: Brian Levant

Cinematography by: Victor J. Kemper

Edited by: Kent Beyda, Wilt Henderson, Adam Weiss

Casino | ShotOnWhat?

Key Hair Stylist

Casino (1995)

Directed by: Martin Scorsese

Cinematography by: Robert Richardson

Edited by: Thelma Schoonmaker

Cameras: Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

True Lies | ShotOnWhat?

Key Hair Stylist

True Lies (1994)

Directed by: James Cameron

Cinematography by: Russell Carpenter

Edited by: Conrad Buff IV, Mark Goldblatt, Richard A. Harris, James Cameron

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera, Beaumont Vista Vision Camera

Lenses: Cooke Varotal Lenses, Zeiss Super Speed Lenses

Junior | ShotOnWhat?

Hair Stylist: Mr. Schwarzenegger

Junior (1994)

Directed by: Ivan Reitman

Cinematography by: Adam Greenberg

Edited by: Wendy Greene Bricmont, Sheldon Kahn

Last Action Hero | ShotOnWhat?

Hair Stylist

Last Action Hero (1993)

Directed by: John McTiernan

Cinematography by: Dean Semler

Edited by: Richard A. Harris, John Wright

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Cliffhanger | ShotOnWhat?

Key Hair Stylist

Cliffhanger (1993)

Directed by: Renny Harlin

Cinematography by: Alex Thomson

Edited by: Frank J. Urioste

Cameras: Panavision Cameras

Geronimo: An American Legend | ShotOnWhat?

Key Hair Stylist

Geronimo: An American Legend (1993)

Directed by: Walter Hill

Cinematography by: Lloyd Ahern II

Edited by: Donn Aron, Carmel Davies, Freeman A. Davies

Terminator 2: Judgment Day | ShotOnWhat?

Key Hair Stylist

Terminator 2: Judgment Day (1991)

Directed by: James Cameron

Cinematography by: Adam Greenberg

Edited by: Conrad Buff IV, Dody Dorn, Mark Goldblatt, Richard A. Harris

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera

Lenses: Cooke Varotal Lenses, Zeiss Super Speed Lenses

Another 48 Hrs. | ShotOnWhat?

Hair Stylist

Another 48 Hrs. (1990)

Directed by: Walter Hill

Cinematography by: Matthew F. Leonetti

Edited by: Donn Aron, Carmel Davies, Freeman A. Davies, Tim Ryder

Cameras: Ultracam 35 Camera

Total Recall | ShotOnWhat?

Key Hair Stylist

Total Recall (1990)

Directed by: Paul Verhoeven

Cinematography by: Jost Vacano

Edited by: Carlos Puente, Frank J. Urioste

Cameras: ARRIFLEX Camera

Lenses: Zeiss Lenses

Kindergarten Cop | ShotOnWhat?

Hair Stylist

Kindergarten Cop (1990)

Directed by: Ivan Reitman

Cinematography by: Michael Chapman

Edited by: Wendy Greene Bricmont, Sheldon Kahn

Johnny Handsome | ShotOnWhat?

Key Hair Stylist

Johnny Handsome (1989)

Directed by: Walter Hill

Cinematography by: Matthew F. Leonetti

Edited by: Donn Aron, Carmel Davies, Freeman A. Davies

Twins | ShotOnWhat?

Hair Stylist

Twins (1988)

Directed by: Ivan Reitman

Cinematography by: Andrzej Bartkowiak

Edited by: Donn Cambern, Sheldon Kahn

Red Heat | ShotOnWhat?

Hair Stylist

Red Heat (1988)

Directed by: Walter Hill

Cinematography by: Matthew F. Leonetti

Edited by: Donn Aron, Carmel Davies, Freeman A. Davies

The Running Man | ShotOnWhat?

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The Running Man (1987)

Directed by: Paul Michael Glaser

Cinematography by: Thomas Del Ruth

Edited by: Mark Warner, Edward A. Warschilka, John Wright

Mannequin | ShotOnWhat?

Hair Stylist

Mannequin (1987)

Directed by: Michael Gottlieb

Cinematography by: Tim Suhrstedt

Edited by: Richard Halsey, Frank E. Jimenez

The Terminator | ShotOnWhat?

Hair Stylist

The Terminator (1984)

Directed by: James Cameron

Cinematography by: Adam Greenberg

Edited by: Mark Goldblatt

Cameras: ARRIFLEX 35 BL Camera, ARRIFLEX 35 III Camera

Lenses: Zeiss Super Speed Lenses

Girls of the White Orchid | ShotOnWhat?

Hair Stylist

Girls of the White Orchid (1983)

Television Movie

Directed by: Jonathan Kaplan

Cinematography by: John Lindley

Edited by: Brent A. Schoenfeld

Zapped! | ShotOnWhat?

Hair Stylist

Zapped! (1982)

Directed by: Robert J. Rosenthal

Cinematography by: Daniel Pearl

Edited by: Robert A. Ferretti

Cameras: Panavision Cameras

Android | ShotOnWhat?

Hair Stylist

Android (1982)

Directed by: Aaron Lipstadt

Cinematography by: Tim Suhrstedt

Edited by: Andy Horvitch

Cameras: ARRI Cameras

They Call Me Bruce? | ShotOnWhat?

Hair Stylist

They Call Me Bruce? (1982)

Directed by: Elliott Hong

Cinematography by: Robert Primes

Edited by: Briana London, Lee Percy

Galaxy of Terror | ShotOnWhat?

Hair Stylist

Galaxy of Terror (1981)

Directed by: Bruce D. Clark

Cinematography by: Jacques Haitkin, Austin McKinney

Edited by: Larry Bock, R.J. Kizer, Barry Zetlin

Cameras: ARRIFLEX Camera

Lenses: Zeiss Lenses

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