Head Of Production: BFI
Triangle of Sadness (2022)
Directed by: Ruben Östlund
Cinematography by: Fredrik Wenzel
Head Of Production: BFI
The Lobster (2015)
Directed by: Yorgos Lanthimos
Cinematography by: Thimios Bakatakis
Edited by: Yorgos Mavropsaridis
Cameras: ARRI ALEXA XT Camera
Head Of Production: BFI Film Fund
45 Years (2015)
Directed by: Andrew Haigh
Cinematography by: Lol Crawley
Edited by: Jonathan Alberts
Editing System: Avid Editing System
Head Of Production: BFI
Brooklyn (2015)
Directed by: John Crowley
Cinematography by: Yves Bélanger
Edited by: Jake Roberts
Cameras: ARRI ALEXA XT Camera
Editing System: Avid Editing System
Head Of Production: BFI
Testament of Youth (2014)
Directed by: James Kent
Cinematography by: Rob Hardy
Edited by: Lucia Zucchetti
Cameras: Sony CineAlta F65 Camera
Head Of Production: BFI
'71 (2014)
Directed by: Yann Demange
Cinematography by: Tat Radcliffe
Edited by: Chris Wyatt
Cameras: ARRI ALEXA Camera, ARRIFLEX 416 Camera
Head Of Production: BFI Film Fund
Calvary (2014)
Directed by: John Michael McDonagh
Cinematography by: Larry Smith
Edited by: Chris Gill
Cameras: ARRI ALEXA Series Cameras
Head Of Production: BFI
Belle (2013)
Directed by: Amma Asante
Cinematography by: Ben Smithard
Cameras: Sony CineAlta F65 Camera
Head Of Production: BFI
Philomena (2013)
Directed by: Stephen Frears
Cinematography by: Robbie Ryan
Edited by: Valerio Bonelli
Cameras: ARRI ALEXA Camera
Head Of Production: BFI
Last Passenger (2013)
Directed by: Omid Nooshin
Cinematography by: Angus Hudson
Edited by: Joe Walker
Cameras: ARRI ALEXA Plus Camera
Editing System: Avid Editing System
Head Of Production: BFI Film Fund
Under the Skin (2013)
Directed by: Jonathan Glazer
Cinematography by: Daniel Landin
Edited by: Paul Watts
Cameras: ARRI ALEXA Plus Camera, one-cam Camera
Head Of Production: BFI Film Fund
The Invisible Woman (2013)
Directed by: Ralph Fiennes
Cinematography by: Rob Hardy
Edited by: Nicolas Gaster
Editing System: Avid Editing System
Head Of Production: UKFC/BFI
Shadow Dancer (2012)
Directed by: James Marsh
Cinematography by: Rob Hardy
Edited by: Jinx Godfrey
Head Of Production: The BFI Film Fund
Seven Psychopaths (2012)
Directed by: Martin McDonagh
Cinematography by: Ben Davis
Edited by: Lisa Gunning
Head Of Production: BFI Film Fund
Byzantium (2012)
Directed by: Neil Jordan
Cinematography by: Sean Bobbitt
Edited by: Tony Lawson
Cameras: ARRI ALEXA Plus Camera
Lenses: Zeiss Master Prime Lenses
Representative: BFI
The Angels' Share (2012)
Directed by: Ken Loach
Cinematography by: Robbie Ryan
Edited by: Jonathan Morris
Head Of Physical Production: BFI
Great Expectations (2012)
Directed by: Mike Newell
Cinematography by: John Mathieson
Edited by: Tariq Anwar
Head Of Production: UK Film Council
The Woman in Black (2012)
Directed by: James Watkins
Cinematography by: Tim Maurice-Jones
Edited by: Jon Harris
Head Of Production: UK Film Council
Horrid Henry: The Movie (2011)
Directed by: Nick Moore
Cinematography by: Sam McCurdy
Edited by: Simon Cozens
Head Of Production: UK Film Council
Kill List (2011)
Directed by: Ben Wheatley
Cinematography by: Laurie Rose
Cameras: Red One Camera
Head Of Production: UK Film Council
Attack the Block (2011)
Directed by: Joe Cornish
Cinematography by: Thomas Townend
Edited by: Jonathan Amos
Lenses: Cooke S4 Lenses
Head Of Production: UK Film Council
The Deep Blue Sea (2011)
Directed by: Terence Davies
Cinematography by: Florian Hoffmeister
Edited by: David Charap
Head Of Production: UK Film Council
We Need to Talk About Kevin (2011)
Directed by: Lynne Ramsay
Cinematography by: Seamus McGarvey
Edited by: Joe Bini
Head Of Production: UK Film Council
Wuthering Heights (2011)
Directed by: Andrea Arnold
Cinematography by: Robbie Ryan
Edited by: Nicolas Chaudeurge
Head Of Production: UK Film Council
Shame (2011)
Directed by: Steve McQueen
Cinematography by: Sean Bobbitt
Edited by: Joe Walker
Cameras: ARRICAM Lite (LT) Camera
Lenses: Cooke S4 Lenses
Head Of Production: UK Film Council
The Iron Lady (2011)
Directed by: Phyllida Lloyd
Cinematography by: Elliot Davis
Edited by: Justine Wright
Head Of Production: UK Film Council
Tyrannosaur (2011)
Directed by: Paddy Considine
Cinematography by: Erik Wilson
Edited by: Pia Di Ciaula
Cameras: Canon EOS-5D Mark II Camera, Red One MX Camera
Lenses: Cooke Speed Panchro Lenses
Head Of Production: UK Film Council
Salmon Fishing in the Yemen (2011)
Directed by: Lasse Hallström
Cinematography by: Terry Stacey
Edited by: Lisa Gunning
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Head Of Production: UK Film Council
Made in Dagenham (2010)
Directed by: Nigel Cole
Cinematography by: John de Borman
Edited by: Michael Parker
Head Of Production: UK Film Council
Chatroom (2010)
Directed by: Hideo Nakata
Cinematography by: Benoît Delhomme
Edited by: Masahiro Hirakubo
Head Of Production: UK Film Council
The King's Speech (2010)
Directed by: Tom Hooper
Cinematography by: Danny Cohen
Edited by: Tariq Anwar
Lenses: Zeiss Master Prime Lenses
Editing System: Lightworks Editing System
Head Of Production: UK Film Council
Centurion (2010)
Directed by: Neil Marshall
Cinematography by: Sam McCurdy
Edited by: Chris Gill
Editing System: Lightworks Editing System
Head Of Production: UK Film Council
Brighton Rock (2010)
Directed by: Rowan Joffe
Cinematography by: John Mathieson
Edited by: Joe Walker
Head Of Production: UK Film Council
The Arbor (2010)
Directed by: Clio Barnard
Cinematography by: Ole Bratt Birkeland
Head Of Physical Production: UK Film Council
Another Year (2010)
Directed by: Mike Leigh
Cinematography by: Dick Pope
Edited by: Jon Gregory
Lenses: Cooke S4 Lenses
Head Of Production: UK Film Council
The First Grader (2010)
Directed by: Justin Chadwick
Cinematography by: Rob Hardy
Edited by: Paul Knight
Head Of Production: UK Film Council
Dorian Gray (2009)
Directed by: Oliver Parker
Cinematography by: Roger Pratt
Edited by: Guy Bensley
Lenses: Angenieux Lenses, Cooke S4 Lenses
Head Of Physical Production Finance: UK Film Council
Harry Brown (2009)
Directed by: Daniel Barber
Cinematography by: Martin Ruhe
Edited by: Joe Walker
Cameras: Sony CineAlta F35 Camera
Head Of Production: UK Film Council
Bright Star (2009)
Directed by: Jane Campion
Cinematography by: Greig Fraser
Edited by: Alexandre de Franceschi
Lenses: Cooke S4 Lenses, Optica Elite Lenses
Head Of Production: UK Film Council
Nowhere Boy (2009)
Directed by: Sam Taylor-Johnson
Cinematography by: Seamus McGarvey
Edited by: Lisa Gunning
Head Of Production: UK Film Council
Glorious 39 (2009)
Directed by: Stephen Poliakoff
Cinematography by: Danny Cohen
Edited by: Jason Krasucki
Cameras: ARRICAM Lite (LT) Camera
Head Of Production: UK Film Council
In the Loop (2009)
Directed by: Armando Iannucci
Cinematography by: Jamie Cairney
Cameras: Sony HDW-F900 Camera
Lenses: Zeiss DigiPrime Lenses
Head Of Production: UK Film Council
Fish Tank (2009)
Directed by: Andrea Arnold
Cinematography by: Robbie Ryan
Edited by: Nicolas Chaudeurge
Head Of Production: UKFC
The Cottage (2008)
Directed by: Paul Andrew Williams
Cinematography by: Christopher Ross
Edited by: Tom Hemmings
Head Of Production: UK Film Council
Man on Wire (2008)
Directed by: James Marsh
Cinematography by: Igor Martinovic
Edited by: Jinx Godfrey
Head Of Production: UK Film Council
Happy-Go-Lucky (2008)
Directed by: Mike Leigh
Cinematography by: Dick Pope
Edited by: Jim Clark
Cameras: ARRI ARRIFLEX Series Cameras
Head Of Production: UK Film Council
Brideshead Revisited (2008)
Directed by: Julian Jarrold
Cinematography by: Jess Hall
Edited by: Chris Gill
Cameras: Panavision Cameras
Head Of Production: UK Film Council
A Summer in Genoa (2008)
Directed by: Michael Winterbottom
Cinematography by: Marcel Zyskind
Cameras: Sony HDW-750 Camera, Sony HVR-V1(P/E) Camera
Head Of Production: UK Film Council
When Did You Last See Your Father? (2007)
Directed by: Anand Tucker
Cinematography by: Howard Atherton
Edited by: Trevor Waite
Lenses: Hawk V-Series Lenses
Head Of Production: UK Film Council
Closing the Ring (2007)
Directed by: Richard Attenborough
Cinematography by: Roger Pratt
Edited by: Lesley Walker
Head Of Production: UK Film Council
Death Defying Acts (2007)
Directed by: Gillian Armstrong
Cinematography by: Haris Zambarloukos
Edited by: Nicholas Beauman
Head Of Physical Production: UK Film Council
London to Brighton (2006)
Directed by: Paul Andrew Williams
Cinematography by: Christopher Ross
Edited by: Tom Hemmings
Head Of Production: UK Film Council
Venus (2006)
Directed by: Roger Michell
Cinematography by: Haris Zambarloukos
Edited by: Nicolas Gaster
Cameras: ARRIFLEX 16SR3 Camera
Representative: UK Film Council
Miss Potter (2006)
Directed by: Chris Noonan
Cinematography by: Andrew Dunn
Edited by: Robin Sales
Head Of Physical Production: UK Film Council
Opal Dream (2006)
Directed by: Peter Cattaneo
Cinematography by: Robert Humphreys
Head Of Physical Production: UK Film Council
The Constant Gardener (2005)
Directed by: Fernando Meirelles
Cinematography by: César Charlone
Edited by: Claire Simpson
Cameras: Aaton A-Minima Camera, Aaton XTR Prod Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Lenses: Angenieux HR Zoom Lenses
Head Of Physical Production: The UK Film Council
The Proposition (2005)
Directed by: John Hillcoat
Cinematography by: Benoît Delhomme
Edited by: Jon Gregory
Liaison: The UK Film Council
Vera Drake (2004)
Directed by: Mike Leigh
Cinematography by: Dick Pope
Edited by: Jim Clark
Cameras: Aaton XTR Prod Camera
Lenses: Cooke S4 Lenses
Head Of Physical Production: UK Film Council
Ladies in Lavender (2004)
Directed by: Charles Dance
Cinematography by: Peter Biziou
Edited by: Michael Parker
Post-production Supervisor
The Grifters (1990)
Directed by: Stephen Frears
Cinematography by: Oliver Stapleton
Edited by: Mick Audsley
Cameras: Panavision Cameras
