John Blake

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Avengers: Endgame | ShotOnWhat?

Makeup Department Head

Avengers: Endgame (2019)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera

Lenses: Panavision APO Panatar Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Avengers: Infinity War | ShotOnWhat?

Makeup Department Head

Avengers: Infinity War (2018)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, Red Helium (Weapon) 8K, Red Weapon Dragon Camera

Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Spider-Man: Homecoming | ShotOnWhat?

Makeup Artist: Mr. Downey Jr.

Spider-Man: Homecoming (2017)

Directed by: Jon Watts

Cinematography by: Salvatore Totino

Edited by: Debbie Berman, Dan Lebental

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera

Lenses: Angenieux Lenses, Cooke S4/i Lenses

Guardians of the Galaxy Vol. 2 | ShotOnWhat?

Makeup Department Head

Guardians of the Galaxy Vol. 2 (2017)

Directed by: James Gunn

Cinematography by: Henry Braham

Edited by: Fred Raskin, Craig Wood

Cameras: Red Weapon Dragon Camera

Lenses: Panavision Primo 70 Lenses

Captain America: Civil War | ShotOnWhat?

Makeup Artist: Mr. Downey / Makeup Department Head

Captain America: Civil War (2016)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses

Jane Got a Gun | ShotOnWhat?

Personal Makeup Artist: Natalie Portman And Joel Edgerton

Jane Got a Gun (2015)

Directed by: Gavin O'Connor

Cinematography by: Mandy Walker

Edited by: Alan Cody

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision B Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Avengers: Age of Ultron | ShotOnWhat?

Makeup Artist: Mr. Downey

Avengers: Age of Ultron (2015)

Directed by: Joss Whedon

Cinematography by: Ben Davis

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA XT Studio Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera, Red One MX Camera

Lenses: Panavision Primo Anamorphic Lenses

The Judge | ShotOnWhat?

Makeup Artist: Robert Downy Jr.

The Judge (2014)

Directed by: David Dobkin

Cinematography by: Janusz Kaminski

Edited by: Mark Livolsi

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses, Panavision PVintage Prime Lenses

Iron Man Three | ShotOnWhat?

Furious 6 | ShotOnWhat?

Makeup Department Head: Los Angeles

Furious 6 (2013)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Greg D'Auria, Leigh Folsom Boyd, Dylan Highsmith, Kelly Matsumoto, Christian Wagner

Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, ARRIFLEX 435 Xtreme Camera, Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

The Avengers | ShotOnWhat?

Makeup Department Head

The Avengers (2012)

Directed by: Joss Whedon

Cinematography by: Seamus McGarvey

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera

Lenses: Panavision Frazier Lenses, Panavision Lenses

Editing System: Avid Editing System

Fast Five | ShotOnWhat?

Makeup Department Head

Fast Five (2011)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Kelly Matsumoto, Fred Raskin, Christian Wagner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

Larry Crowne | ShotOnWhat?

Makeup Department Head

Larry Crowne (2011)

Directed by: Tom Hanks

Cinematography by: Philippe Rousselot

Edited by: Alan Cody

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

Due Date | ShotOnWhat?

Makeup Artist: Robert Downey Jr.

Due Date (2010)

Directed by: Todd Phillips

Cinematography by: Lawrence Sher

Edited by: Debra Neil-Fisher

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

Iron Man 2 | ShotOnWhat?

Makeup Department Head

Iron Man 2 (2010)

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental, Richard Pearson

Cameras: Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Year One | ShotOnWhat?

Makeup Department Head

Year One (2009)

Directed by: Harold Ramis

Cinematography by: Alar Kivilo

Edited by: Craig Herring, Steve Welch

Cameras: Panavision Cameras

Tropic Thunder | ShotOnWhat?

Makeup Artist: Mr. Downey Jr.

Tropic Thunder (2008)

Directed by: Ben Stiller

Cinematography by: John Toll

Edited by: Greg Hayden

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Walk Hard: The Dewey Cox Story | ShotOnWhat?

Head Makeup Artist

Walk Hard: The Dewey Cox Story (2007)

Directed by: Jake Kasdan

Cinematography by: Uta Briesewitz

Edited by: Tara Timpone, Steve Welch

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Anamorphic Lenses

There Will Be Blood | ShotOnWhat?

Makeup Department Head

There Will Be Blood (2007)

Directed by: Paul Thomas Anderson

Cinematography by: Robert Elswit

Edited by: Dylan Tichenor

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Pathé 43 mm (Modified by Dan Sasaki) Lens

The Fast and the Furious: Tokyo Drift | ShotOnWhat?

Makeup Department Head

The Fast and the Furious: Tokyo Drift (2006)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Kelly Matsumoto, Dallas Puett, Fred Raskin

Pirates of the Caribbean: Dead Man's Chest | ShotOnWhat?

Makeup Artist

Pirates of the Caribbean: Dead Man's Chest (2006)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Three Burials of Melquiades Estrada | ShotOnWhat?

Department Head Makeup

The Three Burials of Melquiades Estrada (2005)

Directed by: Tommy Lee Jones

Cinematography by: Chris Menges

Edited by: Roberto Silvi

Duplex | ShotOnWhat?

Additional Makeup Artist

Duplex (2003)

Directed by: Danny DeVito

Cinematography by: Anastas N. Michos

Edited by: Greg Hayden, Lynzee Klingman

Tears of the Sun | ShotOnWhat?

Makeup Department Head

Tears of the Sun (2003)

Directed by: Antoine Fuqua

Cinematography by: Mauro Fiore

Edited by: Conrad Buff IV, Christopher Holmes

Cameras: Panavision Cameras

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Hunted | ShotOnWhat?

Makeup Artist: Mr. Jones

The Hunted (2003)

Directed by: William Friedkin

Cinematography by: Caleb Deschanel

Edited by: Augie Hess

Men in Black II | ShotOnWhat?

Makeup Artist: Mr. Jones

Men in Black II (2002)

Directed by: Barry Sonnenfeld

Cinematography by: Greg Gardiner

Edited by: Richard Pearson, Steven Weisberg

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Planet of the Apes | ShotOnWhat?

Makeup Supervisor: Human Makeup

Planet of the Apes (2001)

Directed by: Tim Burton

Cinematography by: Philippe Rousselot

Edited by: Chris Lebenzon

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Rules of Engagement | ShotOnWhat?

Makeup Artist: Mr. Jones

Rules of Engagement (2000)

Directed by: William Friedkin

Cinematography by: William A. Fraker, Nicola Pecorini

Edited by: Augie Hess

Cameras: Panavision Panaflex Gold II Camera, Technovision Cameras

Lenses: Panavision E Series Anamorphic Lenses

How the Grinch Stole Christmas | ShotOnWhat?

Makeup Artist

How the Grinch Stole Christmas (2000)

Directed by: Ron Howard

Cinematography by: Donald Peterman

Edited by: Daniel P. Hanley, Mike Hill

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision SL10 10 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL35-CF 35 mm T1.8 Lens

Instinct | ShotOnWhat?

Makeup Supervisor

Instinct (1999)

Directed by: Jon Turteltaub

Cinematography by: Philippe Rousselot

Edited by: Richard Francis-Bruce

Any Given Sunday | ShotOnWhat?

Key Makeup Artist

Any Given Sunday (1999)

Directed by: Oliver Stone

Cinematography by: Salvatore Totino

Edited by: Stuart Levy, Thomas J. Nordberg, Keith Salmon, Stuart Waks

Double Jeopardy | ShotOnWhat?

Makeup Artist: Mr. Jones

Double Jeopardy (1999)

Directed by: Bruce Beresford

Cinematography by: Peter James

Edited by: Mark Warner

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Bulworth | ShotOnWhat?

Makeup Artist

Bulworth (1998)

Directed by: Warren Beatty

Cinematography by: Vittorio Storaro

Edited by: Robert C. Jones, Billy Weber

Zero Effect | ShotOnWhat?

Makeup Artist: Los Angeles

Zero Effect (1998)

Directed by: Jake Kasdan

Cinematography by: Bill Pope

Edited by: Tara Timpone

Starship Troopers | ShotOnWhat?

Key Makeup Artist

Starship Troopers (1997)

Directed by: Paul Verhoeven

Cinematography by: Jost Vacano

Edited by: Mark Goldblatt, Caroline Ross

Cameras: ARRIFLEX 35 BL3 Camera, ARRIFLEX 535 B Camera, Moviecam Compact Camera

Lenses: Zeiss Lenses

Amistad | ShotOnWhat?

Makeup Artist

Amistad (1997)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Platinum Camera

Lenses: Zeiss Super Speed Lenses

U Turn | ShotOnWhat?

Key Makeup Artist

U Turn (1997)

Directed by: Oliver Stone

Cinematography by: Robert Richardson

Edited by: Hank Corwin, Thomas J. Nordberg

The Crow: City of Angels | ShotOnWhat?

Makeup Department Head

The Crow: City of Angels (1996)

Directed by: Tim Pope

Cinematography by: Jean-Yves Escoffier

Edited by: Michael N. Knue, Anthony Redman

Fargo | ShotOnWhat?

Key Makeup Artist

Fargo (1996)

Directed by: Joel Coen, Ethan Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen

Cameras: ARRIFLEX 35 BL4 Camera

Lenses: Zeiss Standard Speed Prime Lenses

Showgirls | ShotOnWhat?

Additional Makeup Artist

Showgirls (1995)

Directed by: Paul Verhoeven

Cinematography by: Jost Vacano

Edited by: Mark Goldblatt, Mark Helfrich

Cameras: ARRIFLEX 35 BL4s Camera, Moviecam Compact Camera

The Good Old Boys | ShotOnWhat?

Makeup Artist

The Good Old Boys (1995)

Television Movie

Directed by: Tommy Lee Jones

Cinematography by: Alan Caso

Edited by: Kimberly Ray

Nixon | ShotOnWhat?

Key Makeup Artist

Nixon (1995)

Directed by: Oliver Stone

Cinematography by: Robert Richardson

Edited by: Brian Berdan, Hank Corwin

Cameras: Panavision Panaflex Gold Camera, Panavision Panaflex Gold II Camera

Lenses: Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

Color of Night | ShotOnWhat?

Key Makeup Artist

Color of Night (1994)

Directed by: Richard Rush

Cinematography by: Dietrich Lohmann

Edited by: Jack Hofstra, Thom Noble

Hoffa | ShotOnWhat?

Makeup Artist

Hoffa (1992)

Directed by: Danny DeVito

Cinematography by: Stephen H. Burum

Edited by: Lynzee Klingman, Ronald Roose

Dracula | ShotOnWhat?

Makeup Artist

Dracula (1992)

Directed by: Francis Ford Coppola

Cinematography by: Michael Ballhaus

Edited by: Anne Goursaud, Glen Scantlebury, Nicholas C. Smith

Cameras: ARRIFLEX 535 Camera

Mobsters | ShotOnWhat?

Key Prosthetic Designer And Applicator

Mobsters (1991)

Directed by: Michael Karbelnikoff

Cinematography by: Lajos Koltai

Edited by: Joe D'Augustine, M. Scott Smith

Marked for Death | ShotOnWhat?

Special Makeup Effects

Marked for Death (1990)

Directed by: Dwight H. Little

Cinematography by: Ric Waite

Edited by: O. Nicholas Brown

Pet Sematary | ShotOnWhat?

Makeup Effects Assistant

Pet Sematary (1989)

Directed by: Mary Lambert

Cinematography by: Peter Stein

Edited by: Daniel P. Hanley, Mike Hill

Cameras: Panavision Cameras

DeepStar Six | ShotOnWhat?

Creature Guy

DeepStar Six (1989)

Directed by: Sean S. Cunningham

Cinematography by: Mac Ahlberg

Edited by: David Handman

Alien Nation | ShotOnWhat?

Alien Makeup Effects

Alien Nation (1988)

Directed by: Graham Baker

Cinematography by: Adam Greenberg

Edited by: Kent Beyda

Cameras: ARRIFLEX Camera

Lenses: ARRI / Zeiss Lenses

The Outing | ShotOnWhat?

Special Makeup Effects Artist

The Outing (1987)

Directed by: Tom Daley

Cinematography by: Herbert Raditschnig

Edited by: Claudio M. Cutry

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