Head Greensperson
The Fate of the Furious (2017)
Directed by: F. Gary Gray
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Camera
Greens Gang Boss
Guardians of the Galaxy Vol. 2 (2017)
Directed by: James Gunn
Cinematography by: Henry Braham
Cameras: Red Weapon Dragon Camera
Lenses: Panavision Primo 70 Lenses
Greens Consultant
Passengers (2016)
Directed by: Morten Tyldum
Cinematography by: Rodrigo Prieto
Edited by: Maryann Brandon
Cameras: ARRI ALEXA 65 Camera
Lenses: Panavision Primo 70 Lenses
Greens Coordinator
War Dogs (2016)
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Edited by: Jeff Groth
Cameras: ARRI ALEXA XT Camera
Greens Coordinator
Furious 7 (2015)
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
Greens Foreman
Dawn of the Planet of the Apes (2014)
Directed by: Matt Reeves
Cinematography by: Michael Seresin
Cameras: ARRI ALEXA M Camera
Editing System: Avid Editing System
Lead Greens
Iron Man Three (2013)
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Greens Foreman
The Bling Ring (2013)
Directed by: Sofia Coppola
Edited by: Sarah Flack
Cameras: Red Epic Camera
Greens Foreman
Argo (2012)
Directed by: Ben Affleck
Cinematography by: Rodrigo Prieto
Edited by: William Goldenberg
Greens Foreman: Los Angeles
The Dark Knight Rises (2012)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: ARRIFLEX 235 Camera, Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera, Panavision System 65 Camera
Lenses: Hasselblad Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Greens Foreman
John Carter (2012)
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Greens Stand-by
A Thousand Words (2012)
Directed by: Brian Robbins
Cinematography by: Clark Mathis
Edited by: Ned Bastille
Greens Coordinator
Scandal (2012)
Directed by: Tom Verica, Oliver Bokelberg, Allison Liddi-Brown, Tony Goldwyn, Randy Zisk, Jann Turner, Jeannot Szwarc, Steve Robin, Paul McCrane, Mark Tinker, Debbie Allen, Scott Foley, Sharat Raju, Stephen Cragg, Michael Katleman, Ron Underwood, Roxann Dawson, Julie Anne Robinson, Zetna Fuentes, Regina King, Steph Green, Nzingha Stewart, Nicole Rubio, Paul McGuigan, Bethany Rooney, Jessica Yu, Ava DuVernay, Kevin Bray, David Rodriguez, John Terlesky, Chandra Wilson, Paris Barclay, Salli Richardson-Whitfield, Millicent Shelton, Gregory T. Evans, Joe Morton, Daryn Okada, Darby Stanchfield, Kerry Washington, Valerie Weiss
Cinematography by: Oliver Bokelberg, Michael G. Wojciechowski, Daryn Okada, Steven G. Fracol, Andrew Lemon
Edited by: Gregory T. Evans, Matthew Ramsey, Christal Khatib, Kyle Bond, Matthew Pevic, Joe Mitacek, Karen Castañeda, Julia Grove, Dino DeLorenzo, Jonathan Pledger, David Greenspan, Jamin Bricker, Kurt Courtland
Cameras: ARRI ALEXA Camera, Digital Bolex D16
Lenses: Angenieux Optimo Zoom Lenses
Greens Coordinator: Los Angeles
The Hangover Part II (2011)
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Greens Coordinator
Due Date (2010)
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Edited by: Debra Neil-Fisher
Greens Foreman
Iron Man 2 (2010)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Greens Coordinator
Flipped (2010)
Directed by: Rob Reiner
Cinematography by: Thomas Del Ruth
Edited by: Robert Leighton
Greens Foreman
Star Trek (2009)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System, Avid Editing System
Greens Coordinator: Washington D.C.
Body of Lies (2008)
Directed by: Ridley Scott
Cinematography by: Alexander Witt
Edited by: Pietro Scalia
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Stand-by Greens
Charlie Wilson's War (2007)
Directed by: Mike Nichols
Cinematography by: Stephen Goldblatt
Greens Foreman
Mission: Impossible III (2006)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Production Designer
Hatchet (2006)
Directed by: Adam Green
Cinematography by: Will Barratt
Edited by: Christopher Roth
Stand-by Greens
Serenity (2005)
Directed by: Joss Whedon
Cinematography by: Jack N. Green
Edited by: Lisa Lassek
Lenses: Panavision Lenses
Greensman
The Ring Two (2005)
Directed by: Hideo Nakata
Cinematography by: Gabriel Beristain
Edited by: Michael N. Knue
Greens Foreman
Christmas with the Kranks (2004)
Directed by: Joe Roth
Cinematography by: Don Burgess
Edited by: Nick Moore
Greens Foreman
Starsky & Hutch (2004)
Directed by: Todd Phillips
Cinematography by: Barry Peterson
Edited by: Leslie Jones
Greensman
Garfield (2004)
Directed by: Peter Hewitt
Cinematography by: Dean Cundey
Cameras: Panavision Cameras
Greens Foreman
Tears of the Sun (2003)
Directed by: Antoine Fuqua
Cinematography by: Mauro Fiore
Cameras: Panavision Cameras
Greens Foreman
The Last Samurai (2003)
Directed by: Edward Zwick
Cinematography by: John Toll
Visual Effects Greens Foreman
Men in Black II (2002)
Directed by: Barry Sonnenfeld
Cinematography by: Greg Gardiner
Greens Foreman
Minority Report (2002)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Lenses: Panavision Lenses
Greens Foreman
Dr. Dolittle 2 (2001)
Directed by: Steve Carr
Cinematography by: Daryn Okada
Edited by: Craig Herring
Greensman
How the Grinch Stole Christmas (2000)
Directed by: Ron Howard
Cinematography by: Donald Peterman
Visual Effects Greens Foreman
The Flintstones in Viva Rock Vegas (2000)
Directed by: Brian Levant
Cinematography by: Jamie Anderson
Edited by: Kent Beyda
Greens Foreman
Big Momma's House (2000)
Directed by: Raja Gosnell
Cinematography by: Michael D. O'Shea
Stand-by Greensman
O Brother, Where Art Thou? (2000)
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 535 B Camera
Lenses: Cooke S4 Lenses
Editing System: Final Cut Pro Editing System
Stand-by Greens
Almost Famous (2000)
Directed by: Cameron Crowe
Cinematography by: John Toll
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Greens Department
Instinct (1999)
Directed by: Jon Turteltaub
Cinematography by: Philippe Rousselot
Edited by: Richard Francis-Bruce
Visual Effects Greens Foreman
Stuart Little (1999)
Directed by: Rob Minkoff
Cinematography by: Guillermo Navarro
Edited by: Tom Finan
Cameras: Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Visual Effects Greens Foreman
Mighty Joe Young (1998)
Directed by: Ron Underwood
Edited by: Paul Hirsch
Stand-by Greens
Halloween H20: 20 Years Later (1998)
Directed by: Steve Miner
Cinematography by: Daryn Okada
Edited by: Patrick Lussier
Greens Department
Contact (1997)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
