Adr Editor: Skywalker Sound
Black Panther: Wakanda Forever (2022)
Directed by: Ryan Coogler
Cinematography by: Autumn Durald Arkapaw
Cameras: Sony CineAlta VENICE Camera
Dialogue Editor
West Side Story (2021)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Adr Editor / Supervising Dialogue Editor
The Old Man & the Gun (2018)
Directed by: David Lowery
Cinematography by: Joe Anderson
Edited by: Lisa Zeno Churgin
Cameras: ARRIFLEX 416 Camera
Lenses: Canon Lenses, Cooke S4 Lenses
Dialogue/adr Editor
Columbus (2017)
Directed by: Kogonada
Cinematography by: Elisha Christian
Edited by: Kogonada
Cameras: ARRI ALEXA Mini Camera
Lenses: Cooke S4 Lenses
Dialogue/adr Supervisor
Pete's Dragon (2016)
Directed by: David Lowery
Cinematography by: Bojan Bazelli
Edited by: Lisa Zeno Churgin
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Cooke Anamorphic/i Prime Lenses
Adr Editor
Creed (2015)
Directed by: Ryan Coogler
Cinematography by: Maryse Alberti
Editing System: Avid Editing System
Supervising Adr Editor
Maleficent (2014)
Directed by: Robert Stromberg
Cinematography by: Dean Semler
Adr Editor
A Most Violent Year (2014)
Directed by: J.C. Chandor
Cinematography by: Bradford Young
Edited by: Ron Patane
Editing System: Final Cut Pro Editing System
Adr Editor , Dialogue Editor
The Boxtrolls (2014)
Cinematography by: John Ashlee Prat
Edited by: Edie Ichioka
Cameras: Canon EOS-5D Mark III Camera
Additional Dialogue Editor
Fruitvale Station (2013)
Directed by: Ryan Coogler
Cinematography by: Rachel Morrison
Cameras: ARRIFLEX 416 Camera
Lenses: Zeiss Ultra 16 Lenses
Dialogue & Adr Editor
Oblivion (2013)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: Richard Francis-Bruce
Cameras: Red Epic Camera, Sony CineAlta F65 Camera
Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Editing System: Avid Editing System
Dialogue/adr Editor
The Company You Keep (2012)
Directed by: Robert Redford
Cinematography by: Adriano Goldman
Edited by: Mark Day
Cameras: ARRICAM Lite (LT) Camera
Dialogue Editor
Journey 2: The Mysterious Island (2012)
Directed by: Brad Peyton
Cinematography by: David Tattersall
Edited by: David Rennie
Dialogue Editor
Flight (2012)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Jeremiah O'Driscoll
Cameras: Red Epic Camera
Lenses: Zeiss Master Prime Lenses
Editing System: Avid Editing System
Adr Supervisor
Cowboys & Aliens (2011)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Adr Editor
Iron Man 2 (2010)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Adr Supervisor, Supervising Dialogue And Adr Editor
My Bloody Valentine (2009)
Directed by: Patrick Lussier
Cinematography by: Brian Pearson
Cameras: Red One Camera, Silicon Imaging SI-2K Camera
Adr Editor
The Curious Case of Benjamin Button (2008)
Directed by: David Fincher
Cinematography by: Claudio Miranda
Lenses: Zeiss DigiPrime Lenses
Editing System: Final Cut Pro Editing System
Adr Editor / Dialogue/adr Editor
Indiana Jones and the Kingdom of the Crystal Skull (2008)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Dialogue Editor
Two Lovers (2008)
Directed by: James Gray
Cinematography by: Joaquín Baca-Asay
Edited by: John Axelrad
Lenses: Cooke S4 Lenses
Adr Editor
The Kite Runner (2007)
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Edited by: Matt Chesse
Dialogue Editor
Lions for Lambs (2007)
Directed by: Robert Redford
Cinematography by: Philippe Rousselot
Edited by: Joe Hutshing
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Editor / Dialog/adr Editor
We Own the Night (2007)
Directed by: James Gray
Cinematography by: Joaquín Baca-Asay
Edited by: John Axelrad
Adr Editor
Lady in the Water (2006)
Directed by: M. Night Shyamalan
Cinematography by: Christopher Doyle
Edited by: Barbara Tulliver
Dialogue Editor
Munich (2005)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Cooke Cine Varotal Mark II 25-250mm T3.9 Lens, Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Editing System: Moviola Editing System
Adr Editor
Rent (2005)
Directed by: Chris Columbus
Cinematography by: Stephen Goldblatt
Edited by: Richard Pearson
Adr Supervisor / Supervising Adr Editor / Supervising Dialogue Editor , Dialogue Supervisor
The Polar Express (2004)
Directed by: Robert Zemeckis
Adr Editor, Supervising Dialogue Editor
Shrek 2 (2004)
Adr Editor / Dialogue Editor
Ghosts of the Abyss (2003)
Directed by: James Cameron
Cinematography by: Vince Pace
Dialogue/ADR Editor
Star Wars: Episode II - Attack of the Clones (2002)
Directed by: George Lucas
Cinematography by: David Tattersall
Cameras: Sony HDW-F900 Camera
Adr Editor
Hart's War (2002)
Directed by: Gregory Hoblit
Cinematography by: Alar Kivilo
Edited by: David Rosenbloom
Adr Editor
Kate & Leopold (2001)
Directed by: James Mangold
Cinematography by: Stuart Dryburgh
Edited by: David Brenner
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Adr Supervisor / Dialogue Supervisor
Cast Away (2000)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Adr/dialogue Supervisor
What Lies Beneath (2000)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Cameras: Panavision Panaflex Platinum Camera
Adr Editor
Pitch Black (2000)
Directed by: David Twohy
Cinematography by: David Eggby
Edited by: Rick Shaine
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Editor
The Horse Whisperer (1998)
Directed by: Robert Redford
Cinematography by: Robert Richardson
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Adr Supervisor
Halloween H20: 20 Years Later (1998)
Directed by: Steve Miner
Cinematography by: Daryn Okada
Edited by: Patrick Lussier
Adr Editor
Great Expectations (1998)
Directed by: Alfonso Cuarón
Cinematography by: Emmanuel Lubezki
Edited by: Steven Weisberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Editor
54 (1998)
Directed by: Mark Christopher
Cinematography by: Alexander Gruszynski
Edited by: Lee Percy
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Editor
Wag the Dog (1997)
Directed by: Barry Levinson
Cinematography by: Robert Richardson
Edited by: Stu Linder
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Editor: Skywalker Sound
Romeo + Juliet (1996)
Directed by: Baz Luhrmann
Cinematography by: Donald McAlpine
Edited by: Jill Bilcock
Cameras: Panavision Panaflex Gold Camera
Editing System: Lightworks Editing System
Sound Effects Editor
The Getaway (1994)
Directed by: Roger Donaldson
Cinematography by: Peter Menzies Jr.
Edited by: Conrad Buff IV
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Editor
The Secret Garden (1993)
Directed by: Agnieszka Holland
Cinematography by: Roger Deakins
Edited by: Isabelle Lorente
Cameras: Panavision Cameras
Dialogue Editor
House of Cards (1993)
Directed by: Michael Lessac
Cinematography by: Victor Hammer
Edited by: Walter Murch
Supervising Adr Editor
The Saint of Fort Washington (1993)
Directed by: Tim Hunter
Cinematography by: Frederick Elmes
Edited by: Howard E. Smith
Adr Editor
The Meteor Man (1993)
Directed by: Robert Townsend
Cinematography by: John A. Alonzo
Cameras: Panavision Panaflex Gold Camera
Sound Editor
Single White Female (1992)
Directed by: Barbet Schroeder
Cinematography by: Luciano Tovoli
Edited by: Lee Percy
Dialogue Editor: 1993 Special Edition
Terminator 2: Judgment Day (1991)
Directed by: James Cameron
Cinematography by: Adam Greenberg
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera
Adr Editor
The Godfather Part III (1990)
Directed by: Francis Ford Coppola
Cinematography by: Gordon Willis
Adr Editor
Dead Poets Society (1989)
Directed by: Peter Weir
Cinematography by: John Seale
Edited by: William M. Anderson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Dialogue Editor
Always (1989)
Directed by: Steven Spielberg
Cinematography by: Mikael Salomon
Edited by: Michael Kahn
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Adr Editor
Masters of the Universe (1987)
Directed by: Gary Goddard
Cinematography by: Hanania Baer
Edited by: Anne V. Coates
Dialogue Assistant
The Right Stuff (1983)
Directed by: Philip Kaufman
Cinematography by: Caleb Deschanel
