Frederic St-Arnaud

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Arrival | ShotOnWhat?

Matte Painting: Raynault VFX

Arrival (2016)

Directed by: Denis Villeneuve

Cinematography by: Bradford Young

Edited by: Joe Walker

Cameras: ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera

Lenses: CamTec Vintage Series Ultra Prime Lenses, Kowa Cine Prominar Spherical Lenses, Zeiss Super Speed Lenses

Gods of Egypt | ShotOnWhat?

Digital Matte Painter: Raynault VFX / Matte Painter: Raynault VFX

Gods of Egypt (2016)

Directed by: Alex Proyas

Cinematography by: Peter Menzies Jr.

Edited by: Richard Learoyd

Cameras: Red Epic Dragon Camera

Lenses: Panavision Primo 70 Lenses

My Big Fat Greek Wedding 2 | ShotOnWhat?

Matte Painter: STARNO

My Big Fat Greek Wedding 2 (2016)

Directed by: Kirk Jones

Cinematography by: Jim Denault

Edited by: Mark Czyzewski

Cameras: Red Epic Dragon Camera

Pan | ShotOnWhat?

Digital Matte Painter: Framestore

Pan (2015)

Directed by: Joe Wright

Cinematography by: John Mathieson, Seamus McGarvey

Edited by: William Hoy, Paul Tothill

Cameras: ARRI ALEXA XT Camera, Phantom Flex Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision PVintage Prime Lenses

Brick Mansions | ShotOnWhat?

Visual Effects Art Director

Brick Mansions (2014)

Directed by: Camille Delamarre

Cinematography by: Christophe Collette

Edited by: Carlo Rizzo, Arthur Tarnowski

Cameras: Red Epic Camera

Lenses: Hawk V-Lite Lenses

Wild | ShotOnWhat?

Digital Matte Painter: Raynault Vfx

Wild (2014)

Directed by: Jean-Marc Vallée

Cinematography by: Yves Bélanger

Edited by: Martin Pensa, Jean-Marc Vallée

Cameras: ARRI ALEXA XT Camera

Lenses: Zeiss Master Prime Lenses, Zeiss Super Speed Lenses

The Best of Me | ShotOnWhat?

Digital Matte Painter: Raynault Vfx

The Best of Me (2014)

Directed by: Michael Hoffman

Cinematography by: Oliver Stapleton

Edited by: Matt Chesse

Cameras: ARRI ALEXA XT Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Series Lenses

Elysium | ShotOnWhat?

Matte Painter: Raynault VFX

Elysium (2013)

Directed by: Neill Blomkamp

Cinematography by: Trent Opaloch

Edited by: Julian Clarke, Lee Smith

Cameras: Canon EOS-5D Mark II Camera, Red Epic Camera

Lenses: Canon L Series Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Editing System: Avid Editing System

The Lone Ranger | ShotOnWhat?

Digital Matte Artist: Industrial Light & Magic

The Lone Ranger (2013)

Directed by: Gore Verbinski

Cinematography by: Bojan Bazelli

Edited by: James Haygood, Craig Wood

Cameras: ARRI ALEXA Studio Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Red Epic Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision SL21 21 mm T1.9 Lens

Jack the Giant Slayer | ShotOnWhat?

Lead Matte Painter: Rodeo FX

Jack the Giant Slayer (2013)

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Bob Ducsay, John Ottman

Cameras: ARRI ALEXA Camera, Panavision Genesis Camera, Red Epic Camera

Lenses: Panavision Primo Primes Spherical Lenses

Riddick | ShotOnWhat?

Digital Matte Painter: Raynault VFX

Riddick (2013)

Directed by: David Twohy

Cinematography by: David Eggby

Edited by: Tracy Adams

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Pacific Rim | ShotOnWhat?

Digital Matte Artist: ILM

Pacific Rim (2013)

Directed by: Guillermo del Toro

Cinematography by: Guillermo Navarro

Edited by: Peter Amundson, John Gilroy

Cameras: Red Epic Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Zeiss Ultra Prime Lenses

Mirror Mirror | ShotOnWhat?

Matte Painter: Rodeo FX

Mirror Mirror (2012)

Directed by: Tarsem Singh

Cinematography by: Brendan Galvin

Edited by: Robert Duffy, Nick Moore

Cameras: Sony CineAlta F35 Camera

Lenses: Panavision Primo Anamorphic Lenses

Red Tails | ShotOnWhat?

Lead Matte Painter: Rodeo FX

Red Tails (2012)

Directed by: Anthony Hemingway

Cinematography by: John B. Aronson

Edited by: Ben Burtt, Michael O'Halloran

Cameras: Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Sony CineAlta F35 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Lightworks Editing System

Abraham Lincoln: Vampire Hunter | ShotOnWhat?

Matte Painter: Rodeo FX

Abraham Lincoln: Vampire Hunter (2012)

Directed by: Timur Bekmambetov

Cinematography by: Caleb Deschanel

Edited by: William Hoy

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera, Phantom Flex Camera

Lenses: ARRI / Fujinon Lenses, Zeiss Ultra Prime Lenses

The Amazing Spider-Man | ShotOnWhat?

Matte Painting Supervisor: Rodeo FX

The Amazing Spider-Man (2012)

Directed by: Marc Webb

Cinematography by: John Schwartzman

Edited by: Alan Edward Bell, Michael McCusker, Pietro Scalia

Cameras: Red Epic Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Three Musketeers | ShotOnWhat?

Lead Matte Painter: Rodeo FX

The Three Musketeers (2011)

Directed by: Paul W.S. Anderson

Cinematography by: Glen MacPherson

Edited by: Alexander Berner, Claus Wehlisch

Cameras: ARRI ALEXA Camera, Red One MX Camera, Weisscam HS-2 Camera

Lenses: Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens

Immortals | ShotOnWhat?

Matte Painter: Rodeo FX

Immortals (2011)

Directed by: Tarsem Singh

Cinematography by: Brendan Galvin

Edited by: Wyatt Jones, Stuart Levy, David Rosenbloom

Cameras: Panavision Genesis Camera, Phantom HD Gold Camera

Lenses: Panavision Primo Primes Spherical Lenses

Resident Evil: Afterlife | ShotOnWhat?

Matte Painter: Rodeo FX

Resident Evil: Afterlife (2010)

Directed by: Paul W.S. Anderson

Cinematography by: Glen MacPherson

Edited by: Niven Howie

Cameras: Phantom HD Gold Camera, Sony CineAlta F35 Camera

Lenses: Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens

Editing System: Avid Editing System

Repo Men | ShotOnWhat?

Digital Matte Artist

Repo Men (2010)

Directed by: Miguel Sapochnik

Cinematography by: Enrique Chediak

Edited by: Richard Francis-Bruce

Gulliver's Travels | ShotOnWhat?

Matte Painter: Rodeo FX

Gulliver's Travels (2010)

Directed by: Rob Letterman

Cinematography by: David Tattersall

Edited by: Alan Edward Bell, Nicolas De Toth, Dean Zimmerman

Cameras: Canon EOS-1D Mark IV Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

The Last Airbender | ShotOnWhat?

Matte Painter

The Last Airbender (2010)

Directed by: M. Night Shyamalan

Cinematography by: Andrew Lesnie

Edited by: Conrad Buff IV

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Jonah Hex | ShotOnWhat?

Matte Painter

Jonah Hex (2010)

Directed by: Jimmy Hayward

Cinematography by: Mitchell Amundsen

Edited by: Kent Beyda, Daniel P. Hanley, Tom Lewis, Fernando Villena

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Twilight Saga: Eclipse | ShotOnWhat?

Matte Painter: Rodeo FX

The Twilight Saga: Eclipse (2010)

Directed by: David Slade

Cinematography by: Javier Aguirresarobe

Edited by: Art Jones, Nancy Richardson

Cameras: Panavision Cameras

Amelia | ShotOnWhat?

Digital Matte Painter / Matte Painter: Rodeo FX

Amelia (2009)

Directed by: Mira Nair

Cinematography by: Stuart Dryburgh

Edited by: Allyson C. Johnson, Lee Percy

Mr. Nobody | ShotOnWhat?

Visual Effects: Rodeo FX

Mr. Nobody (2009)

Directed by: Jaco Van Dormael

Cinematography by: Christophe Beaucarne

Edited by: Susan Shipton, Matyas Veress

Cameras: ARRICAM Lite (LT) Camera

Lenses: Zeiss Master Prime Lenses

Terminator Salvation | ShotOnWhat?

Digital Matte Artist

Terminator Salvation (2009)

Directed by: McG

Cinematography by: Shane Hurlbut

Edited by: Conrad Buff IV

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, Pan-Arri 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Journey to Mecca | ShotOnWhat?

Digital Matte Artist

Journey to Mecca (2009)

Directed by: Bruce Neibaur

Cinematography by: Matthew Williams

Edited by: Jean-Marie Drot

Cameras: IMAX MSM 9802 Camera

The Day the Earth Stood Still | ShotOnWhat?

Digital Matte Artist

The Day the Earth Stood Still (2008)

Directed by: Scott Derrickson

Cinematography by: David Tattersall

Edited by: Wayne Wahrman

Cameras: Panavision Cameras

Death Race | ShotOnWhat?

Digital Matte Artist

Death Race (2008)

Directed by: Paul W.S. Anderson

Cinematography by: Scott Kevan

Edited by: Niven Howie

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 Camera

Journey to the Center of the Earth | ShotOnWhat?

Matte Painter

Journey to the Center of the Earth (2008)

Directed by: Eric Brevig

Cinematography by: Chuck Shuman

Edited by: Steven Rosenblum, Paul Martin Smith, Dirk Westervelt

Mr. Magorium's Wonder Emporium | ShotOnWhat?

Visual Effects Artist: BarXseven

Mr. Magorium's Wonder Emporium (2007)

Directed by: Zach Helm

Cinematography by: Roman Osin

Edited by: Sabrina Plisco, Steven Weisberg

The Golden Compass | ShotOnWhat?

Matte Painter

The Golden Compass (2007)

Directed by: Chris Weitz

Cinematography by: Henry Braham

Edited by: Anne V. Coates, Peter Honess, Kevin Tent

Cameras: Panavision Cameras, Panavision Genesis Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Anamorphic Lenses

The Covenant | ShotOnWhat?

Matte Painter: Digital Dimension

The Covenant (2006)

Directed by: Renny Harlin

Cinematography by: Pierre Gill

Edited by: Nicolas De Toth

Silent Hill | ShotOnWhat?

Concept Artist / Matte Painter: MOKKO Studio

Silent Hill (2006)

Directed by: Christophe Gans

Cinematography by: Dan Laustsen

Edited by: Sébastien Prangère

The Adventures of Sharkboy and Lavagirl 3-D | ShotOnWhat?

Digital Artist

The Adventures of Sharkboy and Lavagirl 3-D (2005)

Directed by: Robert Rodriguez

Cinematography by: Robert Rodriguez

Edited by: Robert Rodriguez

Sin City | ShotOnWhat?

Textures And Lighting: Hybride Technologies

Sin City (2005)

Directed by: Frank Miller, Robert Rodriguez, Quentin Tarantino

Cinematography by: Robert Rodriguez

Edited by: Robert Rodriguez

Cameras: Sony HDC-F950 Camera, Sony Other Camera

Editing System: Avid Editing System

The Last Sign | ShotOnWhat?

Textures & Lighting: Hybride

The Last Sign (2005)

Directed by: Douglas Law

Cinematography by: Jean-Claude Larrieu

Battle of the Brave | ShotOnWhat?

Matte Painter: Hybride

Battle of the Brave (2004)

Directed by: Jean Beaudin

Cinematography by: Louis de Ernsted

Edited by: Jean-François Bergeron, Yves Langlois

Cameras: ARRIFLEX Camera, Moviecam Cameras

Sky Captain and the World of Tomorrow | ShotOnWhat?

3D Artist: Hybride

Sky Captain and the World of Tomorrow (2004)

Directed by: Kerry Conran

Cinematography by: Eric Adkins

Edited by: Sabrina Plisco

Cameras: Sony HDW-F900 Camera

Editing System: Final Cut Pro Editing System

Spy Kids 3-D: Game Over | ShotOnWhat?

Digital Effects Artist

Spy Kids 3-D: Game Over (2003)

Directed by: Robert Rodriguez

Cinematography by: Robert Rodriguez

Edited by: Robert Rodriguez

Once Upon a Time in Mexico | ShotOnWhat?

Computer Graphics Animator: Hybride Technologies

Once Upon a Time in Mexico (2003)

Directed by: Robert Rodriguez

Cinematography by: Robert Rodriguez

Edited by: Robert Rodriguez

Cameras: Sony HDW-F900 Camera

Spy Kids 2: Island of Lost Dreams | ShotOnWhat?

Textures & Lighting: Hybride

Spy Kids 2: Island of Lost Dreams (2002)

Directed by: Robert Rodriguez

Cinematography by: Robert Rodriguez

Edited by: Robert Rodriguez

Cameras: Sony HDW-F900 Camera

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