Director Of Photography: Aerial Unit, Visual Effects Camera Operator
Ted 2 (2015)
Directed by: Seth MacFarlane
Cinematography by: Michael Barrett
Edited by: Jeff Freeman
Cameras: Sony CineAlta F65 Camera
Aerial Director Of Photography: Second Unit
A Million Ways to Die in the West (2014)
Directed by: Seth MacFarlane
Cinematography by: Michael Barrett
Edited by: Jeff Freeman
Cameras: Sony PMW-F55 Camera
Editing System: Avid Editing System
Director Of Photography: Aerial Unit
Phantom (2013)
Directed by: Todd Robinson
Cinematography by: Byron Werner
Edited by: Terel Gibson
Cameras: Red Epic Camera
Lenses: Angenieux Optimo Zoom Lenses
Director Of Photography: Aerial Unit
The Call (2013)
Directed by: Brad Anderson
Cinematography by: Thomas Yatsko
Edited by: Avi Youabian
Cameras: ARRI ALEXA Camera, Phantom Flex Camera
Lenses: Angenieux Optimo Zoom Lenses
Aerial Director Of Photography
Battleship (2012)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Director Of Photography: Aerial Unit , Visual Effects Aerials
The Hunger Games (2012)
Directed by: Gary Ross
Cinematography by: Tom Stern
Editing System: Avid Editing System
Director Of Photography: Aerial Unit, Visual Effects Camera Operator
The Amazing Spider-Man (2012)
Directed by: Marc Webb
Cinematography by: John Schwartzman
Cameras: Red Epic Camera
Director Of Photography: Aerial Unit
Contraband (2012)
Directed by: Baltasar Kormákur
Cinematography by: Barry Ackroyd
Edited by: Elísabet Ronaldsdóttir
Cameras: Aaton Penelope Camera
Director Of Photography: Aerial Unit, Helicopter Co-Pilot
The Green Hornet (2011)
Directed by: Michel Gondry
Cinematography by: John Schwartzman
Edited by: Michael Tronick
Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Director Of Photography: Aerial Unit
'The Cape' Pilot (2011)
Directed by: Simon West
Cinematography by: Barry Peterson
Director Of Photography: Aerial Unit - 1 Episode, 2011
The Cape (2011)
Directed by: Deran Sarafian, Roxann Dawson, Ernest R. Dickerson, Karen Gaviola, Dennie Gordon, David Jackson, Michael Nankin, David Straiton, Simon West
Edited by: Casey Brown, Heather MacDougall, Michael O'Halloran, Sue Blainey, Ray Daniels III, John Duffy
Director Of Photography: Aerial Unit, Visual Effects Camera Operator
Hop (2011)
Directed by: Tim Hill
Cinematography by: Peter Lyons Collister
Director Of Photography: Aerial Unit
Take Me Home Tonight (2011)
Directed by: Michael Dowse
Cinematography by: Terry Stacey
Edited by: Lee Haxall
Director Of Photography: Aerial Unit
'Hawaii Five-0' Ohana (2010)
Directed by: Brad Turner
Cinematography by: Donald E. Thorin Jr.
Director Of Photography: Aerial Unit
'Hawaii Five-0' Nalowale (2010)
Directed by: Brad Turner
Cinematography by: Ronald Víctor García
Edited by: Scott Powell
Director Of Photography: Aerial Unit
'Hawaii Five-0' Lanakila (2010)
Directed by: Alex Zakrzewski
Cinematography by: Donald E. Thorin Jr.
Edited by: Maja Vrvilo
Director Of Photography: Aerial Unit
'The Mentalist' Red Herring (2010)
Directed by: Eric Laneuville
Cinematography by: Geary McLeod
Edited by: Christopher Cibelli
Director Of Photography: Aerial Unit - 3 Episodes, 2010
Hawaii Five-0 (2010)
Directed by: Bryan Spicer, Jerry Levine, Maja Vrvilo, Peter Weller, Larry Teng, Joe Dante, Steve Boyum, Eagle Egilsson, Brad Turner, Sylvain White, Jeffrey G. Hunt, Duane Clark, Brad Tanenbaum, Frederick E.O. Toye, Matt Earl Beesley, Eric Laneuville, Stephen Herek, Carlos Bernard, Ron Underwood, Bronwen Hughes, Roderick Davis, Paul A. Edwards, Chris Fisher, Christine Moore, Allison Liddi-Brown, Jeff Cadiente, Bobby Roth, Jennifer Lynch, Jim Jost, Antonio Negret, Krishna Rao, Tara Miele, Gabriel Beristain, Alex O'Loughlin, Karen Gaviola, Elodie Keene, James Whitmore Jr., Len Wiseman, Alex Zakrzewski, Jeff T. Thomas, Kate Woods, Gwyneth Horder-Payton, Steven DePaul, John Terlesky, Hanelle M. Culpepper, Daniel Dae Kim, Joel Surnow, James Wilcox, Ruba Nadda, Elizabeth Allen Rosenbaum, David Straiton, Carl Weathers
Cinematography by: James L. Carter, Krishna Rao, Michael Martinez, Kurt Jones, Alan Caso, Newton TerMeer, Ronald Víctor García, Donald E. Thorin Jr., Gabriel Beristain
Edited by: Roderick Davis, Maja Vrvilo, John A. Keris, James Wilcox, Johnathon Pensky, Scott Powell, Harry B. Miller III, Casey O. Rohrs, Peter Basinski, Scott Gamzon, Andrew Charlton, Paul Fontaine, Roy C. Poole, Douglas Clark, Nicolas De Toth, Elisa Cohen, Felicia Mignon Livingston, Christopher Oakes, John Gilbert
Cameras: ARRI ALEXA Camera, Sony CineAlta F35 Camera
Director Of Photography: Aerial Unit
The Other Guys (2010)
Directed by: Adam McKay
Cinematography by: Oliver Wood
Edited by: Brent White
Director Of Photography: Aerial Unit
Did You Hear About the Morgans? (2009)
Directed by: Marc Lawrence
Cinematography by: Florian Ballhaus
Edited by: Susan E. Morse
Cameras: ARRICAM Studio (ST) Camera
Lenses: Hawk V-Series Lenses
Director Of Photography: Aerial Unit
Horsemen (2009)
Directed by: Jonas Åkerlund
Cinematography by: Eric Broms
Aerial Director Of Photography
The Unborn (2009)
Directed by: David S. Goyer
Cinematography by: James Hawkinson
Edited by: Jeff Betancourt
Cameras: Panavision Cameras
Director Of Photography: Aerial Unit
Safe Harbor (2009)
Directed by: Jerry Jameson
Cinematography by: Dane Peterson
Edited by: George W. Brooks
Additional Photography
'Desperate Housewives' Boom Crunch (2009)
Directed by: David Grossman
Cinematography by: David J. Miller
Edited by: Karen Castañeda
Director Of Photography: Aerial Unit, Visual Effects Cameraman
The Love Guru (2008)
Directed by: Marco Schnabel
Cinematography by: Peter Deming
Aerial Director Of Photography
Traitor (2008)
Directed by: Jeffrey Nachmanoff
Cinematography by: James M. Muro
Edited by: Billy Fox
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Final Cut Pro Editing System
Director Of Photography: Aerial Unit - 1 Episode, 2010
The Mentalist (2008)
Directed by: Chris Long, Eric Laneuville, John F. Showalter, Charles Beeson, Randy Zisk, David Barrett, John Polson, Simon Baker, Guy Ferland, Geary McLeod, Martha Mitchell, Norberto Barba, Lesli Linka Glatter, Roxann Dawson, Tom Verica, Elodie Keene, Robert Duncan McNeill, David Nutter, Adam Kane, Stephen Gyllenhaal, Bobby Roth, Anton Cropper, W. Thomas Snyder, James Hayman, Paris Barclay, Matt Earl Beesley, John Behring, Kevin Dowling, Rod Hardy, Paul Holahan, Dean White, Bill D'Elia, Dan Lerner, Darnell Martin, Bruno Heller, Kevin Hooks, David Von Ancken, Allison Anders, Tawnia McKiernan, David Paymer, Bill Eagles, Michael Nankin, J. Miller Tobin, Sylvain White, Rod Holcomb, Paul A. Kaufman, Nina Lopez-Corrado, Edward Ornelas
Cinematography by: Geary McLeod, Tom Camarda, Frank Perl, Christopher Faloona, Michael Goi, Alex Nepomniaschy, Jeffrey Jur, Bill Roe
Aerial Director Of Photography: Second Unit , Visual Effects: Aerial Camera Operator
Evan Almighty (2007)
Directed by: Tom Shadyac
Cinematography by: Ian Baker
Edited by: Scott Hill
Cameras: Panavision Cameras
Editing System: Lightworks Editing System
Aerial Director Of Photography , Helicopter Co-Pilot
The Hitcher (2007)
Directed by: Dave Meyers
Cinematography by: James Hawkinson
Edited by: Jim May
Director Of Photography: Additional Photography Second Unit
'24' Day 6: 6:00 a.m.-7:00 a.m. (2007)
Directed by: Jon Cassar
Cinematography by: Rodney Charters
Edited by: David Latham
Aerial Director Of Photography
Deja Vu (2006)
Directed by: Tony Scott
Cinematography by: Paul Cameron
Director Of Photography: Aerial Unit
Domino (2005)
Directed by: Tony Scott
Cinematography by: Dan Mindel
Director Of Aerial Photography
The Amityville Horror (2005)
Directed by: Andrew Douglas
Cinematography by: Peter Lyons Collister
Camera Operator
After the Sunset (2004)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Cameras: ARRICAM Lite (LT) Camera, Panavision Cameras
Director Of Aerial Photography
Win a Date with Tad Hamilton! (2004)
Directed by: Robert Luketic
Cinematography by: Peter Lyons Collister
Edited by: Scott Hill
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Additional Photography - 1 Episode, 2009
Desperate Housewives (2004)
Directed by: David Grossman, Larry Shaw, David Warren, Arlene Sanford, Bethany Rooney, Wendey Stanzler, Lonny Price, Jeff Melman, Fred Gerber, Randy Zisk, Jeff Greenstein, Tara Nicole Weyr, Robert Duncan McNeill, Matthew Diamond, Andrew Doerfer, Ken Whittingham, Charles McDougall, John David Coles, Stephen Cragg, Tom Cherones, Pam Thomas, Sanaa Hamri, Jay Torres, Scott Ellis, Jennifer Getzinger, Tony Plana, James Hayman, Ron Underwood
Cinematography by: Lowell Peterson, David J. Miller, Richard M. Rawlings Jr., Eric Van Haren Noman, Walt Fraser, Michael Negrin, David Franco, Kenneth Zunder
Edited by: Jonathan Posell, Andrew Doerfer, Karen Castañeda, Nancy Morrison, Brent White, Troy Takaki, Kaja Fehr, Michael Berenbaum, William Marrinson
Cameras: ARRI ALEXA Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses
Editing System: Avid Editing System
Director Of Aerial Photography
Friday Night Lights (2004)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Aerial Director Of Photography
The Italian Job (2003)
Directed by: F. Gary Gray
Cinematography by: Wally Pfister
Aerial Director Of Photography: Second Unit
Seabiscuit (2003)
Directed by: Gary Ross
Cinematography by: John Schwartzman
Edited by: William Goldenberg
Editing System: Avid Editing System
Aerial Director Of Photography / Camera Operator, Visual Effects: Aerial Camera Operator
The Rundown (2003)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Edited by: Richard Pearson
Aerial Director Of Photography
NCIS (2003)
Directed by: Dennis Smith, Tony Wharmby, Terrence O'Hara, Thomas J. Wright, James Whitmore Jr., Arvin Brown, Leslie Libman, Rocky Carroll, Bethany Rooney, Michael Zinberg, Alrick Riley, Colin Bucksey, Mark Horowitz, Alan J. Levi, Jeff Woolnough, William Webb, Peter Ellis, Martha Mitchell, Edward Ornelas, Stephen Cragg, Michael Weatherly, Holly Dale, Diana Valentine, Donald P. Bellisario, Bradford May, Ian Toynton, Dan Lerner, Aaron Lipstadt, Oz Scott, Craig Ross Jr., Kevin Rodney Sullivan, Michelle MacLaren, Mario Van Peebles, Allan Arkush
Edited by: Gregory Gontz, Mitchel Stanley, David C. Cook, J. Scott Harvey, Roy C. Poole, Jonathan Poirier, Randy D. Wiles, M. Edward Salier, Jon Koslowsky, Heather MacDougall, Lance Anderson, Stephen Michael, Bert Glatstein, Jordan Goldman
Cameras: ARRI ALEXA Camera, Panavision Genesis Camera
Aerial Director Of Photography: Visual Effects Plate Photography
The Core (2003)
Directed by: Jon Amiel
Cinematography by: John Lindley
Edited by: Terry Rawlings
Aerial Director Of Photography
Murder by Numbers (2002)
Directed by: Barbet Schroeder
Cinematography by: Luciano Tovoli
Edited by: Lee Percy
Aerial Director Of Photography, Visual Effects Camera Operator
Queen of the Damned (2002)
Directed by: Michael Rymer
Cinematography by: Ian Baker
Edited by: Dany Cooper
Aerial Director Of Photography
The Country Bears (2002)
Directed by: Peter Hastings
Cinematography by: Mitchell Amundsen
Director Of Photography: Additional Photography Second Unit - 1 Episode, 2007
24 (2001)
Directed by: Jon Cassar, Brad Turner, Milan Cheylov, Bryan Spicer, Stephen Hopkins, Ian Toynton, Frederick King Keller, James Whitmore Jr., Tim Iacofano, Kevin Hooks, Michael Klick, Rodney Charters, Joseph A. Hodges, Winrich Kolbe, Davis Guggenheim, Paul Shapiro, Ken Girotti, Dwight H. Little, Nelson McCormick
Edited by: David Latham, Scott Powell, Chris G. Willingham, Leon Ortiz-Gil, Casey O. Rohrs, Larry Davenport, Elisa Cohen, David B. Thompson
Aerial Director Of Photography / Camera Operator: "a" Camera, Second Unit / Director Of Aerial Photography
Bandits (2001)
Directed by: Barry Levinson
Cinematography by: Dante Spinotti
Edited by: Stu Linder
Camera Operator: Wescam Camera, Visual Effects Camera Operator
Pearl Harbor (2001)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Aerial Director Of Photography, Visual Effects Camera Operator
Bait (2000)
Directed by: Antoine Fuqua
Cinematography by: Tobias A. Schliessler
Edited by: Alan Edward Bell
Cameras: Panavision Cameras
Director Of Photography: Second Unit
Perfumed Garden (2000)
Directed by: Jag Mundhra
Cinematography by: Ashok Kumar
Edited by: Tom Barger
Aerial Camera Operator
Lethal Weapon 4 (1998)
Directed by: Richard Donner
Cinematography by: Andrzej Bartkowiak
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Aerial Camera Operator / Aerial Director Of Photography , Visual Effects Camera Operator
Sphere (1998)
Directed by: Barry Levinson
Cinematography by: Adam Greenberg
Edited by: Stu Linder
Aerial Director Of Photography
Black Dog (1998)
Directed by: Kevin Hooks
Cinematography by: Buzz Feitshans IV
Aerial Camera Operator: Atlantic City, Director Of Photography: Second Unit
Gunshy (1998)
Directed by: Jeff Celentano
Cinematography by: John B. Aronson
Edited by: Andy Horvitch
Aerial Director Of Photography: Second Unit , Visual Effects Camera Operator
U.S. Marshals (1998)
Directed by: Stuart Baird
Cinematography by: Andrzej Bartkowiak
Edited by: Terry Rawlings
Aerial Director Of Photography , Visual Effects Camera Operator
Armageddon (1998)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Aerial Camera Operator
City of Angels (1998)
Directed by: Brad Silberling
Cinematography by: John Seale
Edited by: Lynzee Klingman
Aerial Camera Operator: Aerial Unit , Visual Effects Camera Operator
Dante's Peak (1997)
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Aerial Director Of Photography: Second Unit
Conspiracy Theory (1997)
Directed by: Richard Donner
Cinematography by: John Schwartzman
Aerial Camera Operator , Camera Operator: Additional Photography / Director Of Photography: Second Unit , Visual Effects Camera Operator
The Edge (1997)
Directed by: Lee Tamahori
Cinematography by: Donald McAlpine
Edited by: Neil Travis
Aerial Camera Operator , Visual Effects Camera Operator
Con Air (1997)
Directed by: Simon West
Cinematography by: David Tattersall
Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Lightworks Editing System
Aerial Director Of Photography
Trial and Error (1997)
Directed by: Jonathan Lynn
Cinematography by: Gabriel Beristain
Edited by: Tony Lombardo
Cameras: ARRIFLEX 535 Camera
Camera Operator: Spacecam Camera , Visual Effects Camera Operator
Men in Black (1997)
Directed by: Barry Sonnenfeld
Cinematography by: Donald Peterman
Edited by: Jim Miller
Camera Operator: Wescam Camera , Visual Effects Camera Operator
Titanic (1997)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Aerial Director Of Photography
Smoke Jumpers (1996)
Directed by: Dick Lowry
Cinematography by: Henry M. Lebo
Edited by: William B. Stich
Aerial Director Of Photography
Up Close & Personal (1996)
Directed by: Jon Avnet
Cinematography by: Karl Walter Lindenlaub
Edited by: Debra Neil-Fisher
Aerial Camera Operator, Visual Effects Camera Operator
Independence Day (1996)
Directed by: Roland Emmerich
Cinematography by: Karl Walter Lindenlaub
Edited by: David Brenner
Cameras: Panavision Panaflex Platinum Camera
Lenses: Panavision Lenses
Aerial Camera Operator , Visual Effects Camera Operator
Down Periscope (1996)
Directed by: David S. Ward
Cinematography by: Victor Hammer
Aerial Director Of Photography / Camera Operator: "a" Camera, Second Unit / Camera Operator: Second Unit , Visual Effects Camera Operator
Jingle All the Way (1996)
Directed by: Brian Levant
Cinematography by: Victor J. Kemper
Aerial Director Of Photography , Visual Effects Camera Operator
The Birdcage (1996)
Directed by: Mike Nichols
Cinematography by: Emmanuel Lubezki
Edited by: Arthur Schmidt
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Camera Operator: Spacecam Camera
The Mirror Has Two Faces (1996)
Directed by: Barbra Streisand
Edited by: Jeff Werner
Cameras: Panavision Panaflex Camera
Aerial Camera Operator , Visual Effects Camera Operator
Mars Attacks! (1996)
Directed by: Tim Burton
Cinematography by: Peter Suschitzky
Edited by: Chris Lebenzon
Camera Operator
Three Wishes (1995)
Directed by: Martha Coolidge
Cinematography by: Johnny E. Jensen
Edited by: Steven Cohen
Aerial Camera Operator
Under Siege 2: Dark Territory (1995)
Directed by: Geoff Murphy
Cinematography by: Robbie Greenberg
Edited by: Michael Tronick
Aerial Camera Operator
The Net (1995)
Directed by: Irwin Winkler
Cinematography by: Jack N. Green
Edited by: Richard Halsey
Aerial Camera Operator / Aerial Director Of Photography
Crimson Tide (1995)
Directed by: Tony Scott
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Cameras: Panavision Panaflex Gold II Camera
Assistant Camera
Boys on the Side (1995)
Directed by: Herbert Ross
Cinematography by: Donald E. Thorin
Edited by: Michael R. Miller
Cameras: Panavision Cameras
Aerial Camera Operator: Spacecam, Visual Effects Camera Operator
Waterworld (1995)
Directed by: Kevin Reynolds
Cinematography by: Dean Semler
Edited by: Peter Boyle
Assistant Camera / Camera Operator: Second Unit
On Deadly Ground (1994)
Directed by: Steven Seagal
Cinematography by: Ric Waite
Camera Assistant: Aerial Unit
Roswell (1994)
Directed by: Jeremy Kagan
Cinematography by: Steven Poster
Cameras: Panavision Cameras
Aerial Assistant Camera
It Could Happen to You (1994)
Directed by: Andrew Bergman
Cinematography by: Caleb Deschanel
Edited by: Barry Malkin
First Assistant Camera: Second Unit
Little Big League (1994)
Directed by: Andrew Scheinman
Cinematography by: Donald E. Thorin
Edited by: Michael Jablow
Camera Operator / Camera Operator: Second Unit
Blood In, Blood Out (1993)
Directed by: Taylor Hackford
Cinematography by: Gabriel Beristain
Cameras: ARRIFLEX Camera
Assistant Camera
Undercover Blues (1993)
Directed by: Herbert Ross
Cinematography by: Donald E. Thorin
Edited by: Priscilla Nedd-Friendly
Assistant Camera
Out on a Limb (1992)
Directed by: Francis Veber
Cinematography by: Donald E. Thorin
Cameras: Panavision Cameras
Second Assistant Camera: Second Unit
Marked for Death (1990)
Directed by: Dwight H. Little
Cinematography by: Ric Waite
Edited by: O. Nicholas Brown
