Digital Compositor
Us (2019)
Directed by: Jordan Peele
Cinematography by: Mike Gioulakis
Edited by: Nicholas Monsour
Digital Compositor
Solo: A Star Wars Story (2018)
Directed by: Ron Howard
Cinematography by: Bradford Young
Edited by: Pietro Scalia
Digital Artist: ILM
Transformers: The Last Knight (2017)
Directed by: Michael Bay
Cinematography by: Jonathan Sela
Digital Compositor
Furious 7 (2015)
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
Compositing Lead
The Maze Runner (2014)
Directed by: Wes Ball
Cinematography by: Enrique Chediak
Edited by: Dan Zimmerman
Digital Compositor
The Interview (2014)
Cinematography by: Brandon Trost
Cameras: ARRI ALEXA Plus 4:3 Camera
Digital Compositor
Fury (2014)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C1000 1000 mm T5.6 Lens, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Digital Compositor
X-Men: Days of Future Past (2014)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera
Compositing Lead: Method
Elysium (2013)
Directed by: Neill Blomkamp
Cinematography by: Trent Opaloch
Cameras: Canon EOS-5D Mark II Camera, Red Epic Camera
Lenses: Canon L Series Lenses, Nikon - Nikkor Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Digital Compositor
A Good Day to Die Hard (2013)
Directed by: John Moore
Cinematography by: Jonathan Sela
Edited by: Dan Zimmerman
Digital Compositor
Abraham Lincoln: Vampire Hunter (2012)
Directed by: Timur Bekmambetov
Cinematography by: Caleb Deschanel
Edited by: William Hoy
Digital Compositor
Cowboys & Aliens (2011)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Digital Compositor
Final Destination 5 (2011)
Directed by: Steven Quale
Cinematography by: Brian Pearson
Edited by: Eric A. Sears
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
2d Artist: Prime Focus VFX
The Tree of Life (2011)
Directed by: Terrence Malick
Cinematography by: Emmanuel Lubezki
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Dalsa Evolution Camera, IMAX Cameras, Panavision System 65 Camera, Phantom HD Gold Camera, Red One Camera
Editing System: Avid Editing System
2d Artist: Zoic Studios
Limitless (2011)
Directed by: Neil Burger
Cinematography by: Jo Willems
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Red One Camera
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Digital Compositor
Battle Los Angeles (2011)
Directed by: Jonathan Liebesman
Cinematography by: Lukas Ettlin
Edited by: Christian Wagner
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony PMW-EX3 Camera
Lenses: Panavision Compact Zoom Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
2d/3d Artist: Zoic Studios
How Do You Know (2010)
Directed by: James L. Brooks
Cinematography by: Janusz Kaminski
Cameras: Panavision Panaflex Platinum Camera
Digital Compositor
RED (2010)
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Thom Noble
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lenses
Digital Compositor
The Karate Kid (2010)
Directed by: Harald Zwart
Cinematography by: Roger Pratt
Edited by: Joel Negron
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Lenses: Cooke S4 Lenses
Digital Compositor
Grown Ups (2010)
Directed by: Dennis Dugan
Cinematography by: Theo van de Sande
Edited by: Tom Costain
Cameras: Panavision Genesis Camera
Compositor: Technicolor Creative Services Vancouver
Jennifer's Body (2009)
Directed by: Karyn Kusama
Cinematography by: M. David Mullen
Edited by: Plummy Tucker
Digital Compositor
The New Daughter (2009)
Directed by: Luiso Berdejo
Cinematography by: Checco Varese
Digital Compositor
Surrogates (2009)
Directed by: Jonathan Mostow
Cinematography by: Oliver Wood
Edited by: Kevin Stitt
Digital Compositor
The Haunting in Connecticut (2009)
Directed by: Peter Cornwell
Cinematography by: Adam Swica
Edited by: Tom Elkins
Cameras: Moviecam Compact Camera, Panavision Cameras
Lenses: Angenieux Optimo Zoom Lenses
Digital Compositor
Far Cry (2008)
Directed by: Uwe Boll
Cinematography by: Mathias Neumann
Edited by: Karen Porter
Digital Compositor
Passchendaele (2008)
Directed by: Paul Gross
Cinematography by: Gregory Middleton
Edited by: David Wharnsby
Compositor: The Orphanage
Live Free or Die Hard (2007)
Directed by: Len Wiseman
Cinematography by: Simon Duggan
Edited by: Nicolas De Toth
Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Editing System: Avid Editing System
Digital Compositor: Technicolor Creative Services Vancouver
Postal (2007)
Directed by: Uwe Boll
Cinematography by: Mathias Neumann
Edited by: Julian Clarke
2D Compositor: Stargate Digital
The Air I Breathe (2007)
Directed by: Jieho Lee
Cinematography by: Walt Lloyd
Edited by: Robert Hoffman
Digital Compositor
'Supernatural' Faith (2006)
Directed by: Allan Kroeker
Cinematography by: Serge Ladouceur
Edited by: Paul Karasick
Digital Compositor
'Supernatural' Devil's Trap (2006)
Directed by: Kim Manners
Cinematography by: Serge Ladouceur
Digital Compositor
'Supernatural' Salvation (2006)
Directed by: Robert Singer
Cinematography by: Serge Ladouceur
Digital Compositor
'Supernatural' Dead Man's Blood (2006)
Directed by: Tony Wharmby
Cinematography by: Serge Ladouceur
Edited by: Bruce Gorman
Digital Compositor
'Supernatural' Provenance (2006)
Directed by: Philip Sgriccia
Cinematography by: Serge Ladouceur
Digital Compositor
'Supernatural' Something Wicked (2006)
Directed by: Whitney Ransick
Cinematography by: Serge Ladouceur
Digital Compositor
'Supernatural' Hell House (2006)
Directed by: Chris Long
Cinematography by: Serge Ladouceur
Edited by: Paul Karasick
Digital Compositor
'Supernatural' Shadow (2006)
Directed by: Kim Manners
Cinematography by: Serge Ladouceur
Digital Compositor
'Supernatural' The Benders (2006)
Directed by: Peter Ellis
Cinematography by: Serge Ladouceur
Digital Compositor
'Supernatural' Nightmare (2006)
Directed by: Philip Sgriccia
Cinematography by: Serge Ladouceur
Edited by: Paul Karasick
Digital Compositor
'Supernatural' Route 666 (2006)
Directed by: Paul Shapiro
Cinematography by: Serge Ladouceur
Digital Compositor
'Supernatural' Scarecrow (2006)
Directed by: Kim Manners
Cinematography by: Serge Ladouceur
Edited by: David Ekstrom
Digital Compositor
'Supernatural' Asylum (2005)
Directed by: Guy Norman Bee
Cinematography by: Serge Ladouceur
Edited by: Anthony Pinker
Digital Compositor
'Supernatural' Home (2005)
Directed by: Ken Girotti
Cinematography by: Serge Ladouceur
Edited by: David Ekstrom
Digital Compositor
'Supernatural' Bugs (2005)
Directed by: Kim Manners
Cinematography by: Serge Ladouceur
Edited by: Paul Karasick
Digital Compositor
'Supernatural' Hook Man (2005)
Directed by: David Jackson
Cinematography by: Serge Ladouceur
Digital Compositor
'Supernatural' Skin (2005)
Directed by: Robert Duncan McNeill
Cinematography by: Serge Ladouceur
Edited by: Anthony Pinker
Digital Compositor
'Supernatural' Bloody Mary (2005)
Directed by: Peter Ellis
Cinematography by: Serge Ladouceur
Edited by: David Ekstrom
Digital Compositor
'Supernatural' Phantom Traveler (2005)
Directed by: Robert Singer
Cinematography by: Serge Ladouceur
Edited by: Paul Karasick
Digital Compositor
'Supernatural' Dead in the Water (2005)
Directed by: Kim Manners
Cinematography by: Serge Ladouceur
Edited by: Anthony Pinker
Digital Compositor
'Supernatural' Wendigo (2005)
Directed by: David Nutter
Cinematography by: Serge Ladouceur
Edited by: Paul Karasick
Digital Compositor
'Supernatural' Pilot (2005)
Directed by: David Nutter
Cinematography by: Aaron Schneider
Edited by: Paul Karasick
Digital Compositor - 22 Episodes, 2005-2006
Supernatural (2005)
Directed by: Robert Singer, Philip Sgriccia, John F. Showalter, Thomas J. Wright, Kim Manners, Charles Beeson, Guy Norman Bee, Mike Rohl, Richard Speight Jr., Steve Boyum, John Badham, Amyn Kaderali, Jensen Ackles, Tim Andrew, Nina Lopez-Corrado, Jeannot Szwarc, P.J. Pesce, J. Miller Tobin, James L. Conway, John MacCarthy, Stefan Pleszczynski, Eduardo Sánchez, Amanda Tapping, Jerry Wanek, Serge Ladouceur, Robert Duncan McNeill, Peter Ellis, David Nutter, Eric Kripke, Ben Edlund, Kevin Parks, Rashaad Ernesto Green, Matt Cohen, Ken Girotti, David Jackson, Tim Iacofano, Allan Kroeker, Chris Long, Whitney Ransick, Paul Shapiro, Tony Wharmby, Cliff Bole, Bradford May, Rachel Talalay, Adam Kane, Rick Bota, Jan Eliasberg, Rod Hardy, Jeff Woolnough, David Barrett, Charles Robert Carner, Nick Copus, Paul A. Edwards, Kevin Hooks, Rob Spera, Misha Collins, Darren Grant, John Fitzpatrick
Edited by: Don Koch, Nicole Baer, James Pickel, Tom McQuade, Anthony Pinker, John Fitzpatrick, David Ekstrom, Paul Karasick, Bruce Gorman, Martin Skibosh
