Visual Effects: Scanline VFX
'Game of Thrones' The Bells (2019)
| USA
Directed by: Miguel Sapochnik
Cinematography by: Fabian Wagner
Edited by: Tim Porter
System Administrator: ScanlineVFX Munich
'Stranger Things' Chapter Five: The Source (2019)
Directed by: Uta Briesewitz
System Administrator: ScanlineVFX Munich
'Stranger Things' Chapter Six: The Birthday (2019)
Directed by: Uta Briesewitz
Visual Effects: Scanline VFX
'Game of Thrones' The Iron Throne (2019)
| USA
Cinematography by: Jonathan Freeman
Edited by: Katie Weiland
System Administrator: ScanlineVFX Munich
'Stranger Things' Chapter Eight: The Battle of Starcourt (2019)
Cinematography by: Lachlan Milne
System Administrator: ScanlineVFX Munich - 3 Episodes, 2019
Stranger Things (2016)
| USA
Lenses: Leica Lenses
Editing System: Avid Editing System
System Administrator: ScanlineVFX Munich
Furious 7 (2015)
| USA, China, Japan, Canada, United Arab Emirates
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-340mm T2.9 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Fujinon Alura Zoom 15.5-45mm T2.8 Lens, Fujinon Alura Zoom 30-80mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
System Administrator: ScanlineVFX Munich
300: Rise of an Empire (2014)
| USA
Directed by: Noam Murro
Cinematography by: Simon Duggan
Cameras: Red Epic Camera
System Administrator: ScanlineVFX
Big Game (2014)
| UK, Finland, Germany
Directed by: Jalmari Helander
Cinematography by: Mika Orasmaa
Edited by: Iikka Hesse
Cameras: ARRI ALEXA Camera, Blackmagic Cinema Camera, Canon EOS-C300 Camera, Phantom Flex Camera, Red Epic Camera
Lenses: Hawk Anamorphic Lenses
System Administrator: Scanline VFX
Don Jon (2013)
| USA
Directed by: Joseph Gordon-Levitt
Cinematography by: Thomas Kloss
Edited by: Lauren Zuckerman
Editing System: Avid Editing System
Systems Admistrator: ScanlineVFX
Snowpiercer (2013)
| South Korea, Czech Republic
Directed by: Joon-ho Bong
Cinematography by: Kyung-pyo Hong
System Administrator: ScanlineVFX
White House Down (2013)
| USA
Directed by: Roland Emmerich
Cinematography by: Anna Foerster
Edited by: Adam Wolfe
System Administrator: Scanline VFX
Looper (2012)
| USA, China
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
System Administrator: ScanlineVFX
Battleship (2012)
| USA
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
System Administrator: ScanlineVFX
Cloud Atlas (2012)
| Germany, USA, Hong Kong, Singapore, China
Research & Development: ScanlineVFX
The Avengers (2012)
| USA
Directed by: Joss Whedon
Cinematography by: Seamus McGarvey
Editing System: Avid Editing System
System Administration: ScanlineVFX
Pirates of the Caribbean: On Stranger Tides (2011)
| USA, UK
Directed by: Rob Marshall
Cinematography by: Dariusz Wolski
Cameras: Red Epic Camera, Red One MX Camera
Visual Effects: Scanline VFX - 2 Episodes, 2019
Game of Thrones (2011)
| USA, UK
Directed by: David Nutter, Alan Taylor, Alex Graves, Miguel Sapochnik, Mark Mylod, Jeremy Podeswa, Daniel Minahan, Alik Sakharov, Michelle MacLaren, Brian Kirk, David Benioff, D.B. Weiss, Timothy Van Patten, Neil Marshall, David Petrarca, Michael Slovis, Jack Bender, Daniel Sackheim, Matt Shakman
Cinematography by: Anette Haellmigk, Jonathan Freeman, Robert McLachlan, Fabian Wagner, David Franco, Gregory Middleton, P.J. Dillon, Matthew Jensen, Alik Sakharov, Martin Kenzie, Marco Pontecorvo, Kramer Morgenthau, Chris Seager, Sam McCurdy, David Katznelson
Edited by: Katie Weiland, Frances Parker, Crispin Green, Tim Porter, Oral Norrie Ottey, Martin Nicholson, Jesse Parker, Yan Miles
Cameras: ARRI ALEXA Camera, ARRI Cameras
Systemadministration: ScanlineVFX
Wickie auf großer Fahrt (2011)
| Germany
Directed by: Christian Ditter
Cinematography by: Christian Rein
Edited by: Ueli Christen
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Systemadministration: ScanlineVFX Munich
Immortals (2011)
| USA
Directed by: Tarsem Singh
Cinematography by: Brendan Galvin
Systems Engineer: ScanlineVFX
The Ghost Writer (2010)
| France, Germany, UK
Directed by: Roman Polanski
Cinematography by: Pawel Edelman
Edited by: Hervé de Luze
Systems Engineer: ScanlineVFX
2012 (2009)
| USA
Directed by: Roland Emmerich
Cinematography by: Dean Semler
Cameras: Panavision Cameras, Panavision Genesis Camera
Editing System: Avid Editing System
Systemadministration: ScanlineVFX
Männerherzen (2009)
| Germany
Directed by: Simon Verhoeven
Cinematography by: Jo Heim
Edited by: Stefan Essl
Systemadministration: ScanlineVFX
The Chronicles of Narnia: Prince Caspian (2008)
| USA, Poland, Slovenia, Czech Republic, UK
Directed by: Andrew Adamson
Cinematography by: Karl Walter Lindenlaub
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera
Lenses: Zeiss Master Prime Lenses
Systems Administrator: Scanline VFX
300 (2006)
| USA, Canada, Bulgaria
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: William Hoy
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Editing System: Final Cut Pro Editing System
Systems Administrator: Scan&record35
Dresden (2006)
| Germany
Directed by: Roland Suso Richter
Cinematography by: Holly Fink
Edited by: Bernd Schlegel
Systems Administrator: SCANLINE
(T)Raumschiff Surprise - Periode 1 (2004)
| Germany
Directed by: Michael Herbig
Cinematography by: Stephan Schuh
Edited by: Alexander Dittner
Cameras: ARRIFLEX Camera
Systems Admistrator: Scan&record 35 GmbH
Downfall (2004)
| Germany, Austria, Italy
Directed by: Oliver Hirschbiegel
Cinematography by: Rainer Klausmann
Edited by: Hans Funck
Lenses: Zeiss Ultra Prime Lenses
Systems Administrator: CA Scanline Production GmbH
Luther (2003)
| Germany, USA
Directed by: Eric Till
Cinematography by: Robert Fraisse
Edited by: Clive Barrett
Cameras: ARRIFLEX 535 Camera
Lenses: Cooke S4 Lenses
