Special Makeup Effects Artist
Aftermath (2017)
Directed by: Elliott Lester
Cinematography by: Pieter Vermeer
Edited by: Nicholas Wayman-Harris
Street Vendor
The Fate of the Furious (2017)
Directed by: F. Gary Gray
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Camera
Makeup Artist
It Follows (2014)
Directed by: David Robert Mitchell
Cinematography by: Mike Gioulakis
Edited by: Julio Perez IV
Cameras: ARRI ALEXA Plus Camera, Red Epic Camera
Special Effects Makeup Coordinator
Tusk (2014)
Directed by: Kevin Smith
Cinematography by: James Laxton
Edited by: Kevin Smith
Cameras: ARRI ALEXA Camera, Red Epic Camera
Special Effects Makeup Artist: Second Unit
Texas Chainsaw 3D (2013)
Directed by: John Luessenhop
Cinematography by: Anastas N. Michos
Edited by: Randy Bricker
Cameras: Red Epic Camera
Lenses: Angenieux Optimo DP 16-42mm T2.8 Lens, Angenieux Optimo DP 30-80mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens
Editing System: Avid Editing System
Special Makeup Effects Artist
John Dies at the End (2012)
Directed by: Don Coscarelli
Cinematography by: Mike Gioulakis
Cameras: Aaton XTR Plus Camera, ARRI ALEXA XT M Camera
Special Effects Makeup
Alex Cross (2012)
Directed by: Rob Cohen
Cinematography by: Ricardo Della Rosa
Special Makeup Effects Artist
Kill the Irishman (2011)
Directed by: Jonathan Hensleigh
Cinematography by: Karl Walter Lindenlaub
Edited by: Douglas Crise
Ray, Special Effects Makeup, Visual Effects Supervisor
The Dead Matter (2010)
Directed by: Edward Douglas
Cinematography by: Alex Esber
Special Makeup Effects Supervisor, Visual Effects Supervisor
Deadly Impact (2010)
Directed by: Robert Kurtzman
Cinematography by: Paul Elliott
Edited by: Andrew Sagar
Special Effects Makeup Supervisor, Special Makeup Effects Artist
Children of the Corn (2009)
Directed by: Donald P. Borchers
Cinematography by: Jamie Thompson
Edited by: Danny Saphire
Cameras: ARRIFLEX 235 Camera, Moviecam Cameras
Lenses: Cooke Lenses
Shop Supervisor: P13
The Spirit (2008)
Directed by: Frank Miller
Cinematography by: Bill Pope
Edited by: Gregory Nussbaum
Special Makeup Effects Supervisor
Living Hell (2008)
Directed by: Richard Jefferies
Cinematography by: Eric Leach
Edited by: Russell Denove
Cameras: Panavision Cameras
Editing System: Final Cut Pro Editing System
Gor, Lighting Designer, Special Effects Supervisor, Special Makeup Effects Artist
The Rage (2007)
Directed by: Robert Kurtzman
Cinematography by: Robert Kurtzman
Edited by: Andrew Sagar
Animator: Precinct 13 Entertainment, Inc.
The Devil's Rejects (2005)
Directed by: Rob Zombie
Cinematography by: Phil Parmet
Edited by: Glenn Garland
Special Effects Crew
The Passion of the Christ (2004)
Directed by: Mel Gibson
Cinematography by: Caleb Deschanel
Special Effects Technician
Van Helsing (2004)
Directed by: Stephen Sommers
Cinematography by: Allen Daviau
Editing System: Avid Editing System
Key Special Makeup Effects Studio Technician
Kill Bill: Vol. 1 (2003)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Sally Menke
Cameras: Panavision Panaflex Platinum Camera
Special Makeup Effects Crew
Hulk (2003)
Directed by: Ang Lee
Cinematography by: Frederick Elmes
Edited by: Tim Squyres
Cameras: ARRIFLEX 535 B Camera
Special Makeup Effects Crew
Looney Tunes: Back in Action (2003)
Directed by: Joe Dante
Cinematography by: Dean Cundey
Key Special Makeup Effects Technician
The Time Machine (2002)
Directed by: Simon Wells
Cinematography by: Donald McAlpine
Edited by: Wayne Wahrman
Cameras: Panavision Panaflex Camera
Editing System: Avid Editing System
Key Special Makeup Effects Studio Technician
The Salton Sea (2002)
Directed by: D.J. Caruso
Cinematography by: Amir Mokri
Edited by: Jim Page
Mold Maker / Special Makeup Effects Crew
Bubba Ho-Tep (2002)
Directed by: Don Coscarelli
Cinematography by: Adam Janeiro
Cameras: ARRIFLEX 535 Camera
Special Makeup Effects Crew
Cabin Fever (2002)
Directed by: Eli Roth
Cinematography by: Scott Kevan
Edited by: Ryan Folsey
Cameras: ARRIFLEX 535 B Camera
Lobsterhead Alien, Prosthetic Painter: Cinovation
Men in Black II (2002)
Directed by: Barry Sonnenfeld
Cinematography by: Greg Gardiner
Art Department: KNB Effects Crew
Austin Powers in Goldmember (2002)
Directed by: Jay Roach
Cinematography by: Peter Deming
Mold Department: Kurtzman, Nicotero & Berger EFX Group, Inc.
Spy Kids (2001)
Directed by: Robert Rodriguez
Cinematography by: Guillermo Navarro
Edited by: Robert Rodriguez
Special Makeup Effects Crew
Ghosts of Mars (2001)
Directed by: John Carpenter
Cinematography by: Gary B. Kibbe
Edited by: Paul C. Warschilka
Lab Department: K.N.B. EFX Group Inc., Mold Maker
Vanilla Sky (2001)
Directed by: Cameron Crowe
Cinematography by: John Toll
Cameras: Panavision Panaflex Gold Camera
Foam Latex Supervisor
Evolution (2001)
Directed by: Ivan Reitman
Cinematography by: Michael Chapman
Cameras: Panavision Cameras
Key Special Makeup Effects Studio Technician
Unbreakable (2000)
Directed by: M. Night Shyamalan
Cinematography by: Eduardo Serra
Edited by: Dylan Tichenor
Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Special Makeup Effects Artist
Little Nicky (2000)
Directed by: Steven Brill
Cinematography by: Theo van de Sande
Edited by: Jeff Gourson
Cameras: Panavision Cameras
Mould Department: K.N.B. Effects Group
The Cell (2000)
Directed by: Tarsem Singh
Cinematography by: Paul Laufer
Laboratory Technician
Picking Up the Pieces (2000)
Directed by: Alfonso Arau
Cinematography by: Vittorio Storaro
Edited by: Michael R. Miller
Key Moldmaker: Makeup Effects Crew
End of Days (1999)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Special Makeup Effects Crew
Virus (1999)
Directed by: John Bruno
Cinematography by: David Eggby
Edited by: M. Scott Smith
Key Special Makeup Effects Studio Technician
The Green Mile (1999)
Directed by: Frank Darabont
Cinematography by: David Tattersall
Edited by: Richard Francis-Bruce
Cameras: Panavision Panaflex Platinum Camera
Makeup Effects Crew
Bats (1999)
Directed by: Louis Morneau
Cinematography by: George Mooradian
Edited by: Glenn Garland
Special Makeup Effects Artist
The Faculty (1998)
Directed by: Robert Rodriguez
Cinematography by: Enrique Chediak
Edited by: Robert Rodriguez
Cameras: Panavision Cameras
Special Makeup Effects Artist
Boogie Nights (1997)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
Key Technician: Stan Winston Studio
The Relic (1997)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Edited by: Steven Kemper
Makeup Effects Crew: K.N.B. EFX Group Inc.
Spawn (1997)
Directed by: Mark A.Z. Dippé
Cinematography by: Guillermo Navarro
Special Effects Crew
Wishmaster (1997)
Directed by: Robert Kurtzman
Cinematography by: Jacques Haitkin
Edited by: David Handman
Special Makeup Effects Crew
Star Trek: First Contact (1996)
Directed by: Jonathan Frakes
Cinematography by: Matthew F. Leonetti
Edited by: John W. Wheeler
Special Makeup Effects And Creature Crew
Eraser (1996)
Directed by: Chuck Russell
Cinematography by: Adam Greenberg
Edited by: Michael Tronick
Mold Department: Stan Winston Studio
The Island of Dr. Moreau (1996)
Cinematography by: William A. Fraker
Special Makeup Effects Artist
Jingle All the Way (1996)
Directed by: Brian Levant
Cinematography by: Victor J. Kemper
Special Makeup Effects Artist
Pulp Fiction (1994)
Directed by: Quentin Tarantino
Cinematography by: Andrzej Sekula
Edited by: Sally Menke
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses
Editing System: Lightworks Editing System