Adr Performer
The Mummy (2017)
Directed by: Alex Kurtzman
Cinematography by: Ben Seresin
Adr Voice
Gods of Egypt (2016)
Directed by: Alex Proyas
Cinematography by: Peter Menzies Jr.
Edited by: Richard Learoyd
Cameras: Red Epic Dragon Camera
Lenses: Panavision Primo 70 Lenses
Adr Voice
Mad Max: Fury Road (2015)
Directed by: George Miller
Cinematography by: John Seale
Edited by: Margaret Sixel
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Blackmagic Cinema Camera, Canon EOS-5D Mark II Camera, Nikon D800 Camera, Olympus E-P5 Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses
Editing System: Avid Editing System
Voiceover Actor
Furious 7 (2015)
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
Adr Performer
American Sniper (2014)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Cameras: ARRI ALEXA XT Camera
Adr Voice
RoboCop (2014)
Directed by: José Padilha
Cinematography by: Lula Carvalho
Cameras: ARRI ALEXA Camera, Red Epic Camera
Adr Performer / Adr Voice Actor
Night at the Museum: Secret of the Tomb (2014)
Directed by: Shawn Levy
Cinematography by: Guillermo Navarro
Edited by: Dean Zimmerman
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Cultural Consultant/translator
Iron Man Three (2013)
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Cultural Advisor And Dialect Coach
'NCIS' Canary (2013)
Directed by: Terrence O'Hara
Cinematography by: William Webb
Edited by: Gregory Gontz
Loop Group
The Scorpion King 3: Battle for Redemption (2012)
Directed by: Roel Reiné
Cinematography by: Roel Reiné
Cultural Advisor & Dialect Coach
'NCIS' Engaged (Part I) (2011)
Directed by: James Whitmore Jr.
Cinematography by: William Webb
Edited by: David C. Cook
Adr Voice
5 Days of War (2011)
Directed by: Renny Harlin
Cinematography by: Checco Varese
Edited by: Brian Berdan
Adr / Advisor: Mideast
Green Zone (2010)
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Edited by: Christopher Rouse
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Pakistani Business Man
'Undercovers' Instructions (2010)
Directed by: Stephen Williams
Edited by: Mark Goldman
Pakistani Business Man
Undercovers (2010)
Directed by: Stephen Williams, Tucker Gates, J.J. Abrams, Brad Anderson, Daniel Attias, Anthony Hemingway, Jonas Pate, Rosemary Rodriguez, Frederick E.O. Toye, Jeff T. Thomas
Cameras: Red One MX Camera
Extras Casting
Red Sands (2009)
Directed by: Alex Turner
Cinematography by: Sean O'Dea
Edited by: Alexis Spraic
Cultural Advisor & Dialect Coach
'NCIS' Good Cop, Bad Cop (2009)
Directed by: Leslie Libman
Cinematography by: William Webb
Edited by: Gregory Gontz
Adr Loop Artist
The Soloist (2009)
Directed by: Joe Wright
Cinematography by: Seamus McGarvey
Edited by: Paul Tothill
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Lightworks Editing System
Cultural Advisor & Dialect Coach
'NCIS' Truth or Consequences (2009)
Directed by: Dennis Smith
Cinematography by: William Webb
Edited by: Gregory Gontz
Cultural Advisor & Dialect Coach
'NCIS' Broken Bird (2009)
Directed by: James Whitmore Jr.
Cinematography by: William Webb
Edited by: Randy D. Wiles
Adr Voice
Eagle Eye (2008)
Directed by: D.J. Caruso
Cinematography by: Dariusz Wolski
Edited by: Jim Page
Adr Voice
Iron Man (2008)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Edited by: Dan Lebental
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Adr / Dialect Coach
Body of Lies (2008)
Directed by: Ridley Scott
Cinematography by: Alexander Witt
Edited by: Pietro Scalia
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Adr Loop Group
The Hurt Locker (2008)
Directed by: Kathryn Bigelow
Cinematography by: Barry Ackroyd
Editing System: Avid Editing System
Cultural Advisor & Dialect Coach
'NCIS' In the Zone (2008)
Directed by: Terrence O'Hara
Cinematography by: William Webb
Edited by: J. Scott Harvey
Adr Loop Group
Rendition (2007)
Directed by: Gavin Hood
Cinematography by: Dion Beebe
Edited by: Megan Gill
Qasim, Technical Advisor: Iraq
Operation Homecoming: Writing the Wartime Experience (2007)
Directed by: Richard Robbins
Cinematography by: Jason Ellson
Edited by: Gillian McCarthy
Adr Loop Group
Enchanted (2007)
Directed by: Kevin Lima
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Voice Actor
The Omen (2006)
Directed by: John Moore
Cinematography by: Jonathan Sela
Edited by: Dan Zimmerman
Cameras: Panavision Cameras
Adr Voice
Flightplan (2005)
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Thom Noble
Adr Voice
The Interpreter (2005)
Directed by: Sydney Pollack
Cinematography by: Darius Khondji
Edited by: William Steinkamp
Adr Voice
Stealth (2005)
Directed by: Rob Cohen
Cinematography by: Dean Semler
Edited by: Stephen E. Rivkin
Call To Prayer Singer
Hidalgo (2004)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Edited by: Robert Dalva
Adr Voice
Collateral (2004)
Directed by: Michael Mann
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Sony HDC-F950 Camera, Sony HDW-F900 Camera, Thomson Viper Camera
Editing System: Avid Editing System
Voiceover Actor
The Passion of the Christ (2004)
Directed by: Mel Gibson
Cinematography by: Caleb Deschanel
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Cultural Advisor & Dialect Coach / Cultural Advisor And Dialect Coach - 6 Episodes, 2008-2013
NCIS (2003)
Directed by: Dennis Smith, Tony Wharmby, Terrence O'Hara, Thomas J. Wright, James Whitmore Jr., Arvin Brown, Leslie Libman, Rocky Carroll, Bethany Rooney, Michael Zinberg, Alrick Riley, Colin Bucksey, Mark Horowitz, Alan J. Levi, Jeff Woolnough, William Webb, Peter Ellis, Martha Mitchell, Edward Ornelas, Stephen Cragg, Michael Weatherly, Holly Dale, Diana Valentine, Donald P. Bellisario, Bradford May, Ian Toynton, Dan Lerner, Aaron Lipstadt, Oz Scott, Craig Ross Jr., Kevin Rodney Sullivan, Michelle MacLaren, Mario Van Peebles, Allan Arkush
Edited by: Gregory Gontz, Mitchel Stanley, David C. Cook, J. Scott Harvey, Roy C. Poole, Jonathan Poirier, Randy D. Wiles, M. Edward Salier, Jon Koslowsky, Heather MacDougall, Lance Anderson, Stephen Michael, Bert Glatstein, Jordan Goldman
Cameras: ARRI ALEXA Camera, Panavision Genesis Camera
Adr Voice
Three Kings (1999)
Directed by: David O. Russell
Cinematography by: Newton Thomas Sigel
Edited by: Robert K. Lambert
Cameras: Panavision Cameras
Desert Man
Mafia! (1998)
Directed by: Jim Abrahams
Cinematography by: Pierre Letarte
Edited by: Terry Stokes
Prince Of Arabia
B*A*P*S (1997)
Directed by: Robert Townsend
Cinematography by: Bill Dill
Edited by: Patrick Kennedy
Body Guard
Beverly Hills Cop II (1987)
Directed by: Tony Scott
Cinematography by: Jeffrey L. Kimball
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Call To Prayer Imam
Down and Out in Beverly Hills (1986)
Directed by: Paul Mazursky
Cinematography by: Donald McAlpine
Edited by: Richard Halsey
Dock Worker
The Man with One Red Shoe (1985)
Directed by: Stan Dragoti
Cinematography by: Richard H. Kline
Cameras: Panavision Cameras
