Second Unit Director , Stunt Coordinator
6 Underground (2019)
Directed by: Michael Bay
Cinematography by: Bojan Bazelli
Gocart Driver
Transformers: The Last Knight (2017)
Directed by: Michael Bay
Cinematography by: Jonathan Sela
Co-producer
13 Hours: The Secret Soldiers of Benghazi (2016)
Directed by: Michael Bay
Cinematography by: Dion Beebe
Second Unit Director
Kingsman: The Secret Service (2014)
Directed by: Matthew Vaughn
Cinematography by: George Richmond
Editing System: Avid Editing System
Stunt Coordinator
Pain & Gain (2013)
Directed by: Michael Bay
Cinematography by: Ben Seresin
Cameras: Canon EOS-7D Camera, GoPro HD Hero3 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Gold Camera, Red Epic Camera
Editing System: Avid Editing System
Utility Stunts
Mission: Impossible - Ghost Protocol (2011)
Directed by: Brad Bird
Cinematography by: Robert Elswit
Edited by: Paul Hirsch
Cameras: ARRIFLEX 435 Xtreme Camera, IMAX MSM 9802 Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Co-producer, Second Unit Director , Stunt Coordinator
Transformers: Dark of the Moon (2011)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Co-producer, Second Unit Director , Stunt Coordinator
Transformers: Revenge of the Fallen (2009)
Directed by: Michael Bay
Cinematography by: Ben Seresin
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Second Unit Director , Stunt Coordinator
G-Force (2009)
Directed by: Hoyt Yeatman
Cinematography by: Bojan Bazelli
Second Unit Director: Czech Republic , Stunt Coordinator
Babylon A.D. (2008)
Directed by: Mathieu Kassovitz
Cinematography by: Thierry Arbogast
Edited by: Benjamin Weill
Agent At Hoover Dam, Co-producer, Second Unit Director, Stunt Coordinator
Transformers (2007)
Directed by: Michael Bay
Cinematography by: Mitchell Amundsen
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Angenieux HR 25-250 mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens
Editing System: Avid Editing System, Final Cut Pro Editing System
Stunt Consultant
The Texas Chainsaw Massacre: The Beginning (2006)
Directed by: Jonathan Liebesman
Cinematography by: Lukas Ettlin
Associate Producer, Second Unit Director , Stunt Coordinator
The Island (2005)
Directed by: Michael Bay
Cinematography by: Mauro Fiore
Action Coordinator
The Amityville Horror (2005)
Directed by: Andrew Douglas
Cinematography by: Peter Lyons Collister
Second Unit Director
The Texas Chainsaw Massacre (2003)
Directed by: Marcus Nispel
Cinematography by: Daniel Pearl
Edited by: Glen Scantlebury
Second Unit Director , Stunt Coordinator
The Italian Job (2003)
Directed by: F. Gary Gray
Cinematography by: Wally Pfister
Second Unit Director: USA
The Hours (2002)
Directed by: Stephen Daldry
Cinematography by: Seamus McGarvey
Edited by: Peter Boyle
Associate Producer, Second Unit Director, Stunt Coordinator
Bad Company (2002)
Directed by: Joel Schumacher
Cinematography by: Dariusz Wolski
Second Unit Director
Changing Lanes (2002)
Directed by: Roger Michell
Cinematography by: Salvatore Totino
Edited by: Christopher Tellefsen
Associate Producer, Stunt Coordinator / Stunts
Pearl Harbor (2001)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Second Unit Director , Stunt Coordinator
Training Day (2001)
Directed by: Antoine Fuqua
Cinematography by: Mauro Fiore
Edited by: Conrad Buff IV
Lenses: Hawk C-Series Lenses
Stunt Player
The Fast and the Furious (2001)
Directed by: Rob Cohen
Cinematography by: Ericson Core
Edited by: Peter Honess
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Stunts
Apt Pupil (1998)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Edited by: John Ottman
Associate Producer, Second Unit Director, Stunt Coordinator
Armageddon (1998)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Associate Producer, Stunt Coordinator
Con Air (1997)
Directed by: Simon West
Cinematography by: David Tattersall
Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Lightworks Editing System
Stunts
Meet Wally Sparks (1997)
Directed by: Peter Baldwin
Cinematography by: Richard H. Kline
Edited by: Raúl Dávalos
Stunt Coordinator
Lawnmower Man 2: Beyond Cyberspace (1996)
Directed by: Farhad Mann
Cinematography by: Ward Russell
Stunt Coordinator
Adrenalin: Fear the Rush (1996)
Directed by: Albert Pyun
Cinematography by: George Mooradian
Edited by: Ken Morrisey
Cameras: Moviecam Compact Camera
Associate Producer, Stunt Coordinator, Stunts
The Rock (1996)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Edited by: Richard Francis-Bruce
Stunts
Waterworld (1995)
Directed by: Kevin Reynolds
Cinematography by: Dean Semler
Edited by: Peter Boyle
Second Unit Director , Stunt Coordinator
Bad Boys (1995)
Directed by: Michael Bay
Cinematography by: Howard Atherton
Edited by: Christian Wagner
Stunts
Fair Game (1995)
Directed by: Andrew Sipes
Cinematography by: Richard Bowen
Cameras: Panavision Cameras
High Fall Stunt Performer / Technical Stunt Rigging
No Escape (1994)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Terry Rawlings
Cameras: ARRIFLEX 35 BL4 Camera
Stunts
The Crow (1994)
Directed by: Alex Proyas
Cinematography by: Dariusz Wolski
Cameras: ARRIFLEX 35 BL4 Camera
Lenses: Zeiss Lenses
Stunt Player
The Mask (1994)
Directed by: Chuck Russell
Cinematography by: John R. Leonetti
Edited by: Arthur Coburn
Cameras: Panavision Panaflex Series Cameras
Lenses: Zeiss Lenses
Stunts
A Low Down Dirty Shame (1994)
Directed by: Keenen Ivory Wayans
Cinematography by: Matthew F. Leonetti
Edited by: John F. Link
Stunts
The Shadow (1994)
Directed by: Russell Mulcahy
Cinematography by: Stephen H. Burum
Edited by: Peter Honess
Stunts
In the Line of Fire (1993)
Directed by: Wolfgang Petersen
Cinematography by: John Bailey
Edited by: Anne V. Coates
Stunts
Judgment Night (1993)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Tim Wellburn
Stunts
Extreme Justice (1993)
Directed by: Mark L. Lester
Cinematography by: Mark Irwin
Edited by: Donn Aron
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
Stunt Player
Loaded Weapon 1 (1993)
Directed by: Gene Quintano
Cinematography by: Peter Deming
Edited by: Christopher Greenbury
Fire Coordinator , Fire Coordinator / Technical Consultant
Maniac Cop 3: Badge of Silence (1993)
Directed by: William Lustig
Cinematography by: Jacques Haitkin
Stunts
Army of One (1993)
Directed by: Vic Armstrong
Cinematography by: Daniel L. Turrett
Edited by: Paul Morton
Cameras: Todd-AO CineSpace 70 Camera
Stunts
Demolition Man (1993)
Directed by: Marco Brambilla
Cinematography by: Alex Thomson
Edited by: Stuart Baird
Stunts
Trespass (1992)
Directed by: Walter Hill
Cinematography by: Lloyd Ahern II
Edited by: Freeman A. Davies
Stunts
Rage and Honor (1992)
Directed by: Terence H. Winkless
Cinematography by: Thomas L. Callaway
Edited by: David Byron Lloyd
Stunts
Lethal Weapon 3 (1992)
Directed by: Richard Donner
Cinematography by: Jan de Bont
Cameras: Panavision Panaflex Platinum Camera
Stunts
Ricochet (1991)
Directed by: Russell Mulcahy
Cinematography by: Peter Levy
Edited by: Peter Honess
Stunts
Deceived (1991)
Directed by: Damian Harris
Cinematography by: Jack N. Green
Edited by: Neil Travis
Stunts
I Love You to Death (1990)
Directed by: Lawrence Kasdan
Cinematography by: Owen Roizman
Edited by: Anne V. Coates
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Stunts
Another 48 Hrs. (1990)
Directed by: Walter Hill
Cinematography by: Matthew F. Leonetti
Cameras: Ultracam 35 Camera
Stunts
The First Power (1990)
Directed by: Robert Resnikoff
Cinematography by: Theo van de Sande
Edited by: Michael Bloecher
Stunts
Marked for Death (1990)
Directed by: Dwight H. Little
Cinematography by: Ric Waite
Edited by: O. Nicholas Brown
Stunts
National Lampoon's Christmas Vacation (1989)
Directed by: Jeremiah S. Chechik
Cinematography by: Thomas E. Ackerman
Stunts
See No Evil, Hear No Evil (1989)
Directed by: Arthur Hiller
Cinematography by: Victor J. Kemper
Edited by: Robert C. Jones
Stunts
Sea of Love (1989)
Directed by: Harold Becker
Cinematography by: Ronnie Taylor
Edited by: David Bretherton
Jumper, Stunts
Physical Evidence (1989)
Directed by: Michael Crichton
Cinematography by: John A. Alonzo
Edited by: Glenn Farr
Stunts
Casualties of War (1989)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Bill Pankow
Stunts
Die Hard (1988)
Directed by: John McTiernan
Cinematography by: Jan de Bont
Cameras: Panavision Panaflex Gold Camera
Lenses: Carl Zeiss Planar 50 mm f0.7 Lens (Modified by Ed DiGiulio), Carl Zeiss Planar 50mm with Kollmorgen Adaptor 36.5 mm f0.7 (Modified by Ed DiGiulio), Cooke Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses, Panavision Ultra Speed MKII Lenses
Stunt Coordinator, Stunts
Short Circuit 2 (1988)
Directed by: Kenneth Johnson
Cinematography by: John McPherson
Edited by: Conrad Buff IV
Stunts
*batteries not included (1987)
Directed by: Matthew Robbins
Cinematography by: John McPherson
Edited by: Cynthia Scheider
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Stunt Player
The House on Carroll Street (1987)
Directed by: Peter Yates
Cinematography by: Michael Ballhaus
Edited by: Ray Lovejoy
Cameras: ARRI Cameras
Lenses: Zeiss Lenses
Stunts
Running Scared (1986)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Edited by: James Mitchell
Stunt Marine
Invaders from Mars (1986)
Directed by: Tobe Hooper
Cinematography by: Daniel Pearl
Edited by: Alain Jakubowicz
Stunts
A Fine Mess (1986)
Directed by: Blake Edwards
Cinematography by: Harry Stradling Jr.
Cameras: Panavision Panaflex Gold Camera
Stunt Player
F/X (1986)
Directed by: Robert Mandel
Cinematography by: Miroslav Ondrícek
Edited by: Terry Rawlings
Cameras: Panavision Cameras
Stunts
The Money Pit (1986)
Directed by: Richard Benjamin
Cinematography by: Gordon Willis
Edited by: Jacqueline Cambas
Cameras: Panavision Cameras
Stunts
Sweet Liberty (1986)
Directed by: Alan Alda
Cinematography by: Frank Tidy
Edited by: Michael Economou
Stunts
Police Academy 2: Their First Assignment (1985)
Cinematography by: James Crabe
Edited by: Bob Wyman
Cameras: Panavision Cameras
