Visual Effects Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' Episode #6.12 (2019)
Cinematography by: Kyle Jewell
Visual Effects Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' Episode #6.13 (2019)
Edited by: Eric Litman
Visual Effects Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' Episode #6.11 (2019)
Directed by: Jennifer Phang
Visual Effects Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' Episode #6.10 (2019)
Cinematography by: Kyle Jewell
Edited by: Eric Litman
Visual Effects Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' Collision Course (Part I) (2019)
Cinematography by: Kyle Jewell
Visual Effects Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' Inescapable (2019)
Cinematography by: Kyle Jewell
Visual Effects Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' The Other Thing (2019)
Directed by: Lou Diamond Phillips
Visual Effects Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' Code Yellow (2019)
Directed by: Mark Kolpack
Cinematography by: Kyle Jewell
Edited by: Eric Litman
Visual Effects Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' Fear and Loathing on the Planet of Kitson (2019)
Directed by: Jesse Bochco
Edited by: Kelly Stuyvesant
Visual Effects Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' Window of Opportunity (2019)
Directed by: Kevin Tancharoen
Cinematography by: Kyle Jewell
Edited by: Dexter N. Adriano
Visual Effects Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' Missing Pieces (2019)
Directed by: Clark Gregg
Edited by: Eric Litman
Visual Effects Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' The End (2018)
Directed by: Jed Whedon
Cinematography by: Allan Westbrook
Edited by: Eric Litman
Visual Effects Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' The Force of Gravity (2018)
Directed by: Kevin Tancharoen
Cinematography by: Feliks Parnell
Edited by: Kelly Stuyvesant
Visual Effects Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' The One Who Will Save Us All (2018)
Directed by: Cherie Gierhart
Cinematography by: Allan Westbrook
Edited by: Dexter N. Adriano
Visual Effects Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' Option Two (2018)
Directed by: Kevin Tancharoen
Cinematography by: Allan Westbrook
Edited by: Eric Litman
Visual Effects Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' All Roads Lead... (2018)
Directed by: Jennifer Lynch
Cinematography by: Feliks Parnell
Edited by: Kelly Stuyvesant
Visual Effects Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' Inside Voices (2018)
Directed by: Salli Richardson-Whitfield
Cinematography by: Feliks Parnell
Edited by: Eric Litman
Visual Effects Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' The Honeymoon (2018)
Directed by: Garry A. Brown
Cinematography by: Allan Westbrook
Edited by: Dexter N. Adriano
Visual Effects Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' Rise and Shine (2018)
Directed by: Jesse Bochco
Cinematography by: Allan Westbrook
Edited by: Kelly Stuyvesant
Visual Effects Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' Principia (2018)
Directed by: Brad Turner
Cinematography by: Allan Westbrook
Edited by: Eric Litman
Visual Effects Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' The Devil Complex (2018)
Directed by: Nina Lopez-Corrado
Cinematography by: Feliks Parnell
Edited by: Dexter N. Adriano
Visual Effects Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' The Real Deal (2018)
Directed by: Kevin Tancharoen
Cinematography by: Feliks Parnell
Edited by: Kelly Stuyvesant
Visual Effects Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' Past Life (2018)
Directed by: Eric Laneuville
Cinematography by: Feliks Parnell
Edited by: Eric Litman
Visual Effects Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' All the Comforts of Home (2018)
Directed by: Kate Woods
Cinematography by: Allan Westbrook
Edited by: Dexter N. Adriano
Visual Effects Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' Best Laid Plans (2018)
Directed by: Garry A. Brown
Cinematography by: Feliks Parnell
Edited by: Kelly Stuyvesant
Visual Effects Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' The Last Day (2018)
Directed by: Nina Lopez-Corrado
Cinematography by: Allan Westbrook
Edited by: Dexter N. Adriano
Visual Effects Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' Together or Not at All (2018)
Directed by: Brad Turner
Cinematography by: Feliks Parnell
Edited by: Eric Litman
Visual Effects Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' Fun & Games (2018)
Directed by: Clark Gregg
Cinematography by: Allan Westbrook
Edited by: Kelly Stuyvesant
Visual Effects Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' Rewind (2017)
Directed by: Jesse Bochco
Cinematography by: Feliks Parnell
Edited by: Dexter N. Adriano
Visual Effects Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' A Life Spent (2017)
Directed by: Kevin Hooks
Cinematography by: Feliks Parnell
Edited by: Kelly Stuyvesant
Visual Effects Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' A Life Earned (2017)
Directed by: Stanley M. Brooks
Cinematography by: Allan Westbrook
Edited by: Eric Litman
Visual Effects Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' Orientation: Part 2 (2017)
Directed by: David Solomon
Cinematography by: Allan Westbrook
Edited by: Dexter N. Adriano
Visual Effects Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' Orientation: Part 1 (2017)
Directed by: Jesse Bochco
Cinematography by: Feliks Parnell
Edited by: Eric Litman
Visual Effects Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' World's End (2017)
Directed by: Billy Gierhart
Cinematography by: Allan Westbrook
Edited by: Eric Litman
Visual Effects Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' The Return (2017)
Directed by: Kevin Tancharoen
Cinematography by: Feliks Parnell
Edited by: Kelly Stuyvesant
Visual Effects Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' Farewell, Cruel World! (2017)
Directed by: Vincent Misiano
Cinematography by: Allan Westbrook
Edited by: Dexter N. Adriano
Visual Effects Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' All the Madame's Men (2017)
Directed by: Billy Gierhart
Cinematography by: Feliks Parnell
Edited by: Eric Litman
Visual Effects Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' No Regrets (2017)
Directed by: Eric Laneuville
Cinematography by: Allan Westbrook
Edited by: Kelly Stuyvesant
Visual Effects Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' Identity and Change (2017)
Directed by: Garry A. Brown
Cinematography by: Feliks Parnell
Edited by: Dexter N. Adriano
Visual Effects Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' What If... (2017)
Directed by: Oz Scott
Cinematography by: Allan Westbrook
Visual Effects Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' Self Control (2017)
Directed by: Jed Whedon
Cinematography by: Feliks Parnell
Edited by: Kelly Stuyvesant
Visual Effects Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' The Man Behind the Shield (2017)
Directed by: Wendey Stanzler
Cinematography by: Allan Westbrook
Edited by: Dexter N. Adriano
Visual Effects Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' BOOM (2017)
Directed by: Billy Gierhart
Cinematography by: Feliks Parnell
Edited by: Eric Litman
Visual Effects Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' Hot Potato Soup (2017)
Directed by: Nina Lopez-Corrado
Cinematography by: Allan Westbrook
Edited by: Kelly Stuyvesant
Visual Effects Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' Wake Up (2017)
Directed by: Jesse Bochco
Cinematography by: Feliks Parnell
Edited by: Dexter N. Adriano
Visual Effects Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' The Patriot (2017)
Directed by: Kevin Tancharoen
Cinematography by: Allan Westbrook
Edited by: Eric Litman
Visual Effects Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' Broken Promises (2017)
Directed by: Garry A. Brown
Cinematography by: Feliks Parnell
Edited by: Kelly Stuyvesant
Composting Supervisor: CoSA VFX - 8 Episodes, 2016
11.22.63 (2016)
Directed by: James Strong, Frederick E.O. Toye, John David Coles, James Franco, James Kent, Kevin Macdonald
Cameras: Red Epic Dragon Camera
Compositor
The 5th Wave (2016)
Directed by: J Blakeson
Cinematography by: Enrique Chediak
Edited by: Paul Rubell
Cameras: ARRI ALEXA XT Plus Camera
Composting Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' Bouncing Back (2016)
Directed by: Ron Underwood
Edited by: Kelly Stuyvesant
Composting Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' The Inside Man (2016)
Directed by: John Terlesky
Edited by: Eric Litman
Composting Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' Parting Shot (2016)
Directed by: Michael Zinberg
Composting Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' Watchdogs (2016)
Directed by: Jesse Bochco
Edited by: Kelly Stuyvesant
Composting Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' Spacetime (2016)
Directed by: Kevin Tancharoen
Edited by: Eric Litman
Composting Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' Paradise Lost (2016)
Directed by: Wendey Stanzler
Composting Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' The Team (2016)
Directed by: Elodie Keene
Edited by: Kelly Stuyvesant
Composting Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' The Singularity (2016)
Directed by: Garry A. Brown
Edited by: Eric Litman
Composting Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' Failed Experiments (2016)
Directed by: Wendey Stanzler
Composting Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' Emancipation (2016)
Directed by: Vincent Misiano
Cinematography by: Allan Westbrook
Edited by: Kelly Stuyvesant
Composting Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' Absolution (2016)
Directed by: Billy Gierhart
Cinematography by: Allan Westbrook
Composting Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' Ascension (2016)
Directed by: Kevin Tancharoen
Cinematography by: Allan Westbrook
Visual Effects Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' Ghost Rider: The Ghost (2016)
Directed by: Billy Gierhart
Cinematography by: Feliks Parnell
Edited by: Eric Litman
Visual Effects Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' Ghost Rider: The Laws of Inferno Dynamics (2016)
Directed by: Kevin Tancharoen
Cinematography by: Allan Westbrook
Edited by: Dexter N. Adriano
Visual Effects Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' Ghost Rider: Deals with Our Devils (2016)
Directed by: Jesse Bochco
Cinematography by: Feliks Parnell
Edited by: Eric Litman
Visual Effects Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' Ghost Rider: The Good Samaritan (2016)
Directed by: Billy Gierhart
Cinematography by: Allan Westbrook
Edited by: Kelly Stuyvesant
Visual Effects Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' Ghost Rider: Lockup (2016)
Directed by: Kate Woods
Cinematography by: Feliks Parnell
Edited by: Dexter N. Adriano
Visual Effects Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' Ghost Rider: Let Me Stand Next to Your Fire (2016)
Directed by: Brad Turner
Cinematography by: Allan Westbrook
Edited by: Eric Litman
Visual Effects Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' Ghost Rider: Uprising (2016)
Directed by: Magnus Martens
Cinematography by: Feliks Parnell
Edited by: Kelly Stuyvesant
Visual Effects Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' Ghost Rider: Meet the New Boss (2016)
Directed by: Vincent Misiano
Cinematography by: Allan Westbrook
Edited by: Joshua Charson
Composting Supervisor: CoSA VFX
'11.22.63' The Day in Question (2016)
Directed by: James Strong
Cinematography by: Adam Suschitzky
Edited by: Michael R. Fox
Composting Supervisor: CoSA VFX
'11.22.63' Soldier Boy (2016)
Directed by: James Kent
Cinematography by: Adam Suschitzky
Edited by: Sue Blainey
Composting Supervisor: CoSA VFX
'11.22.63' Happy Birthday, Lee Harvey Oswald (2016)
Directed by: John David Coles
Cinematography by: Adam Suschitzky
Edited by: Sue Blainey
Composting Supervisor: CoSA VFX
'11.22.63' The Truth (2016)
Directed by: James Franco
Cinematography by: Adam Suschitzky
Edited by: Plummy Tucker
Composting Supervisor: CoSA VFX
'11.22.63' The Eyes of Texas (2016)
Directed by: Frederick E.O. Toye
Cinematography by: Adam Suschitzky
Edited by: Michael R. Fox
Composting Supervisor: CoSA VFX
'11.22.63' Other Voices, Other Rooms (2016)
Directed by: James Strong
Cinematography by: Adam Suschitzky
Edited by: Plummy Tucker
Composting Supervisor: CoSA VFX
'11.22.63' The Rabbit Hole (2016)
Directed by: Kevin Macdonald
Cinematography by: David Katznelson
Edited by: Dorian Harris
Compositor
The Intern (2015)
Directed by: Nancy Meyers
Cinematography by: Stephen Goldblatt
Edited by: Robert Leighton
Cameras: ARRI ALEXA XT Camera
Composting Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' Laws of Nature (2015)
Directed by: Vincent Misiano
Cinematography by: Feliks Parnell
Edited by: Joshua Charson
Composting Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' Purpose in the Machine (2015)
Directed by: Kevin Tancharoen
Cinematography by: Allan Westbrook
Edited by: Kelly Stuyvesant
Composting Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' A Wanted (Inhu)Man (2015)
Directed by: Garry A. Brown
Edited by: Eric Litman
Composting Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' Devils You Know (2015)
Directed by: Ron Underwood
Composting Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' 4,722 Hours (2015)
Directed by: Jesse Bochco
Edited by: Kelly Stuyvesant
Composting Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' Among Us Hide... (2015)
Directed by: Dwight H. Little
Edited by: Eric Litman
Composting Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' Chaos Theory (2015)
Directed by: David Solomon
Composting Supervisor: CoSA VFX
'Agents of S.H.I.E.L.D.' Many Heads, One Tale (2015)
Directed by: Garry A. Brown
Edited by: Kelly Stuyvesant
Visual Effects Supervisor: Hammerhead
Foxcatcher (2014)
Directed by: Bennett Miller
Cinematography by: Greig Fraser
Editing System: Avid Editing System
Compositor
Fury (2014)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C1000 1000 mm T5.6 Lens, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Compositor
Selma (2014)
Directed by: Ava DuVernay
Cinematography by: Bradford Young
Edited by: Spencer Averick
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Hawk V-Plus Lenses, Hawk V-Series Lenses
Compositor
Heaven Is for Real (2014)
Directed by: Randall Wallace
Cinematography by: Dean Semler
Edited by: John Wright
Cameras: Panavision Genesis Camera
Compositor
Hansel & Gretel: Witch Hunters (2013)
Directed by: Tommy Wirkola
Cinematography by: Michael Bonvillain
Edited by: Jim Page
Cameras: ARRI ALEXA Camera, ARRI ALEXA Plus Camera
Cg Artist: Hammerhead
Gangster Squad (2013)
Directed by: Ruben Fleischer
Cinematography by: Dion Beebe
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Editing System: Avid Editing System
Visual Effects Supervisor: CoSA VFX / Composting Supervisor: CoSA VFX - 79 Episodes, 2015-2019
Agents of S.H.I.E.L.D. (2013)
Directed by: Kevin Tancharoen, Jesse Bochco, Billy Gierhart, Vincent Misiano, Garry A. Brown, Bobby Roth, Nina Lopez-Corrado, Roxann Dawson, Milan Cheylov, Kevin Hooks, Ron Underwood, Kate Woods, David Solomon, Brad Turner, Wendey Stanzler, Holly Dale, David Straiton, John Terlesky, Michael Zinberg, Eric Laneuville, Jed Whedon, Clark Gregg, Jonathan Frakes, Joss Whedon, Paul A. Edwards, Kenneth Fink, Karen Gaviola, Dwight H. Little, Elodie Keene, Magnus Martens, Stanley M. Brooks, Oz Scott, Cherie Gierhart, Jennifer Lynch, Salli Richardson-Whitfield, Mark Kolpack, Jennifer Phang, Lou Diamond Phillips
Compositor: Hammerhead
42 (2013)
Directed by: Brian Helgeland
Cinematography by: Don Burgess
Cameras: Red Epic Camera
Editing System: Avid Editing System
Compositing Supervisor
The Guilt Trip (2012)
Directed by: Anne Fletcher
Cinematography by: Oliver Stapleton
Compositor
Cowboys & Aliens (2011)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Compositor
The Green Hornet (2011)
Directed by: Michel Gondry
Cinematography by: John Schwartzman
Edited by: Michael Tronick
Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Compositor
Fright Night (2011)
Directed by: Craig Gillespie
Cinematography by: Javier Aguirresarobe
Edited by: Tatiana S. Riegel
Cameras: Red One MX Camera
Lenses: Zeiss Master Prime Lenses
Digital Artist: Hammerhead Productions
The Book of Eli (2010)
Cinematography by: Don Burgess
Edited by: Cindy Mollo
Cameras: Red One Camera
Compositor
Robin Hood (2010)
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Pietro Scalia
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Panavision Genesis Camera
Lenses: Angenieux Optimo Zoom Lenses, Optica Elite Lenses, Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Set Data Manager
Scooby-Doo! The Mystery Begins (2009)
Directed by: Brian Levant
Cinematography by: Jan Kiesser
Edited by: Eric Osmond
Compositor: Hammerhead Productions
Duplicity (2009)
Directed by: Tony Gilroy
Cinematography by: Robert Elswit
Edited by: John Gilroy
Cameras: Panavision Panaflex Platinum Camera
Compositor: Hammerhead Productions
It's Complicated (2009)
Directed by: Nancy Meyers
Cinematography by: John Toll
Compositor: Hammerhead Productions
Funny People (2009)
Directed by: Judd Apatow
Cinematography by: Janusz Kaminski
Cameras: Panavision Panaflex Platinum Camera
Compositor: Hammerhead Productions / Digital Artist: Hammerhead Productions
Year One (2009)
Directed by: Harold Ramis
Cinematography by: Alar Kivilo
Cameras: Panavision Cameras
Compositor: Hammerhead
Public Enemies (2009)
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Compositor: Hammerhead Productions
Land of the Lost (2009)
Directed by: Brad Silberling
Cinematography by: Dion Beebe
Edited by: Peter Teschner
Cameras: Panavision Cameras
Compositor
Couples Retreat (2009)
Directed by: Peter Billingsley
Cinematography by: Eric Alan Edwards
Edited by: Dan Lebental
Editing System: Final Cut Pro Editing System
Compositor: Hammerhead
Up in the Air (2009)
Directed by: Jason Reitman
Cinematography by: Eric Steelberg
Edited by: Dana E. Glauberman
Artist: Hammerhead Productions
The Secret Life of Bees (2008)
Directed by: Gina Prince-Bythewood
Cinematography by: Rogier Stoffers
Edited by: Terilyn A. Shropshire
Compositor: Hammerhead Productions
Tropic Thunder (2008)
Directed by: Ben Stiller
Cinematography by: John Toll
Edited by: Greg Hayden
Compositor: Hammerhead Productions
Made of Honor (2008)
Directed by: Paul Weiland
Cinematography by: Tony Pierce-Roberts
Edited by: Richard Marks
Cameras: Panavision Cameras
Compositor: Hammerhead Productions
Stop-Loss (2008)
Directed by: Kimberly Peirce
Cinematography by: Chris Menges
Edited by: Claire Simpson
Digital Compositor
Wanted (2008)
Directed by: Timur Bekmambetov
Cinematography by: Mitchell Amundsen
Edited by: David Brenner
Compositor
Nights in Rodanthe (2008)
Directed by: George C. Wolfe
Cinematography by: Affonso Beato
Edited by: Brian A. Kates
Compositor
Get Smart (2008)
Directed by: Peter Segal
Cinematography by: Dean Semler
Edited by: Richard Pearson
Lenses: Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Compositor: Hammerhead Productions
The Day the Earth Stood Still (2008)
Directed by: Scott Derrickson
Cinematography by: David Tattersall
Edited by: Wayne Wahrman
Cameras: Panavision Cameras
Set Data Manager: Second Unit Pickups
License to Wed (2007)
Directed by: Ken Kwapis
Cinematography by: John Bailey
Edited by: Kathryn Himoff
Compositing: Hammerhead Productions
The Heartbreak Kid (2007)
Cinematography by: Matthew F. Leonetti
Digital Artist / Set Data Surveyor
The Fast and the Furious: Tokyo Drift (2006)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Set Data Manager
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)
Directed by: Andrew Adamson
Cinematography by: Donald McAlpine
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera
Editing System: Avid Editing System
Set Data Manager: Reshoot Only
The Chronicles of Riddick (2004)
Directed by: David Twohy
Cinematography by: Hugh Johnson
Set Date Manager: Rhythm & Hues
Garfield (2004)
Directed by: Peter Hewitt
Cinematography by: Dean Cundey
Cameras: Panavision Cameras
Set Data Manager
The Cat in the Hat (2003)
Directed by: Bo Welch
Cinematography by: Emmanuel Lubezki
Edited by: Don Zimmerman
Editing System: Avid Editing System
Digital Artist
Kangaroo Jack (2003)
Directed by: David McNally
Cinematography by: Peter Menzies Jr.
Cameras: Panavision Cameras
Visual Effects Video Assist Operator
The One (2001)
Directed by: James Wong
Cinematography by: Robert McLachlan
Edited by: James Coblentz
Video Assist Operator: Philippines Unit
Thirteen Days (2000)
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Edited by: Conrad Buff IV
Video Assist Operator: USA , Video Assist Operator: Visual Effects, USA
Mission: Impossible II (2000)
Directed by: John Woo
Cinematography by: Jeffrey L. Kimball
Video Assist Operator: Visual Effects, Re-shoot
Men of Honor (2000)
Directed by: George Tillman Jr.
Cinematography by: Anthony B. Richmond
Lenses: Cooke S4 Lenses
Video Assist Operator
Anna and the King (1999)
Directed by: Andy Tennant
Cinematography by: Caleb Deschanel
Edited by: Roger Bondelli
Cameras: Panavision Cameras
Video Assist Operator: Second Unit
The Postman (1997)
Directed by: Kevin Costner
Cinematography by: Stephen F. Windon
Edited by: Peter Boyle
Lead Video Technician: Digital Domain
Dante's Peak (1997)
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
