Catherine Hughes

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Elvis | ShotOnWhat?

VFX Producer

Elvis (2022)

Directed by: Baz Luhrmann

Cinematography by: Mandy Walker

Edited by: Jonathan Redmond, Matt Villa

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA LF Camera

Lenses: Panavision Sphero 65 Series Lenses, Panavision T Series Anamorphic Lenses

Once Upon a Time... in Hollywood | ShotOnWhat?

Associate VFX Producer: Luma Pictures, Vfx Producer: Luma Pictures

Once Upon a Time in Hollywood (2019)

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Fred Raskin

Cameras: Aaton A-Minima Camera, ARRIFLEX Camera, Bolex Cameras, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Editing System: Avid Editing System

Mary Poppins Returns | ShotOnWhat?

Associate VFX Producer: Luma Pictures

Mary Poppins Returns (2018)

Directed by: Rob Marshall

Cinematography by: Dion Beebe

Edited by: Wyatt Smith

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses: Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo V Lenses, Panavision Primo V PV21 21mm T1.9 Lens, Panavision Primo V PV27 27mm T1.9 Lens, Panavision Primo V PV50 50mm T1.9 Lens

Black Panther | ShotOnWhat?

Digital Production Manager: Luma Pictures

Black Panther (2018)

Directed by: Ryan Coogler

Cinematography by: Rachel Morrison

Edited by: Debbie Berman, Michael P. Shawver

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera, Canon EOS-C300 Mark II Camera, Red Weapon Dragon Camera

Lenses: Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision SL27-M 27 mm T1.9 Lens, Panavision SL30-MS 30 mm T1.9 Lens, Panavision SL35-M 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens

Spider-Man: Homecoming | ShotOnWhat?

Digital Production Manager: Luma Pictures

Spider-Man: Homecoming (2017)

Directed by: Jon Watts

Cinematography by: Salvatore Totino

Edited by: Debbie Berman, Dan Lebental

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera

Lenses: Angenieux Lenses, Cooke S4/i Lenses

Doctor Strange | ShotOnWhat?

Visual Effects: Digital Production Manager

Doctor Strange (2016)

Directed by: Scott Derrickson

Cinematography by: Ben Davis

Edited by: Sabrina Plisco, Wyatt Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Panavision 65mm Prime Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Allegiant | ShotOnWhat?

Digital Production Manager: Luma Pictures

Allegiant (2016)

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Stuart Levy

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses, ARRI Anamorphic Ultra Wide Zoom 19-36mm T4.2 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Leitz Summilux-C Series Lenses

Deadpool | ShotOnWhat?

Visual Effects: Digital Production Manager

Deadpool (2016)

Directed by: Tim Miller

Cinematography by: Ken Seng

Edited by: Julian Clarke

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Adobe Premiere Editing System

Avengers: Age of Ultron | ShotOnWhat?

Lead Digital Coordinator: Luma Pictures

Avengers: Age of Ultron (2015)

Directed by: Joss Whedon

Cinematography by: Ben Davis

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA XT Studio Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera, Red One MX Camera

Lenses: Panavision Primo Anamorphic Lenses

Captain America: The Winter Soldier | ShotOnWhat?

Lead Digital Coordinator: Luma Pictures

Captain America: The Winter Soldier (2014)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens

Oz the Great and Powerful | ShotOnWhat?

Lead Digital Coordinator: Luma Pictures

Oz the Great and Powerful (2013)

Directed by: Sam Raimi

Cinematography by: Peter Deming

Edited by: Bob Murawski

Cameras: Red Epic Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Saving Mr. Banks | ShotOnWhat?

Lead Digital Coordinator: Luma Pictures

Saving Mr. Banks (2013)

Directed by: John Lee Hancock

Cinematography by: John Schwartzman

Edited by: Mark Livolsi

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Prisoners | ShotOnWhat?

Lead Digital Coordinator: Luma Pictures

Prisoners (2013)

Directed by: Denis Villeneuve

Cinematography by: Roger Deakins

Edited by: Joel Cox, Gary Roach

Cameras: ARRI ALEXA Studio Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Avid Editing System

RED 2 | ShotOnWhat?

Lead Digital Coordinator: Luma Pictures

RED 2 (2013)

Directed by: Dean Parisot

Cinematography by: Enrique Chediak

Edited by: Don Zimmerman

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Hawk V-Lite Lenses

Thor: The Dark World | ShotOnWhat?

Lead Digital Coordinator: Luma Pictures

Thor: The Dark World (2013)

Directed by: Alan Taylor

Cinematography by: Kramer Morgenthau

Edited by: Dan Lebental, Wyatt Smith

Cameras: ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, Phantom Flex Camera, Red Epic Camera

Lenses: Panavision G Series Anamorphic Lenses

Iron Man Three | ShotOnWhat?

Underworld: Awakening | ShotOnWhat?

Digital Coordinator: Luma Pictures

Underworld Awakening (2012)

Directed by: Måns Mårlind, Björn Stein

Cinematography by: Scott Kevan

Edited by: Jeff McEvoy

Cameras: Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

The Dictator | ShotOnWhat?

Digital Coordinator: Luma Pictures

The Dictator (2012)

Directed by: Larry Charles

Cinematography by: Lawrence Sher

Edited by: Greg Hayden, Eric Kissack

Cameras: ARRI ALEXA Camera, Canon EOS-5D Mark III Camera

Lenses: Panavision Primo Anamorphic Lenses

The Avengers | ShotOnWhat?

Visual Effects Coordinator: Luma Pictures

The Avengers (2012)

Directed by: Joss Whedon

Cinematography by: Seamus McGarvey

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera

Lenses: Panavision Frazier Lenses, Panavision Lenses

Editing System: Avid Editing System

In Time | ShotOnWhat?

Visual Effects Coordinator: Luma Pictures

In Time (2011)

Directed by: Andrew Niccol

Cinematography by: Roger Deakins

Edited by: Zach Staenberg

Cameras: ARRI ALEXA Camera

Lenses: Zeiss Master Prime Lenses

Thor | ShotOnWhat?

Digital Coordinator: Luma Pictures

Thor (2011)

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Paul Rubell

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

Fright Night | ShotOnWhat?

Visual Effects Coordinator: Luma Pictures

Fright Night (2011)

Directed by: Craig Gillespie

Cinematography by: Javier Aguirresarobe

Edited by: Tatiana S. Riegel

Cameras: Red One MX Camera

Lenses: Zeiss Master Prime Lenses

Battle Los Angeles | ShotOnWhat?

Visual Effects Coordinator: Luma Pictures

Battle Los Angeles (2011)

Directed by: Jonathan Liebesman

Cinematography by: Lukas Ettlin

Edited by: Christian Wagner

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony PMW-EX3 Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

The Green Hornet | ShotOnWhat?

Visual Effects Coordinator: Luma Pictures

The Green Hornet (2011)

Directed by: Michel Gondry

Cinematography by: John Schwartzman

Edited by: Michael Tronick

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

X: First Class | ShotOnWhat?

Visual Effects Coordinator: Luma Pictures

X: First Class (2011)

Directed by: Matthew Vaughn

Cinematography by: John Mathieson

Edited by: Eddie Hamilton, Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

True Grit | ShotOnWhat?

Visual Effects Coordinator: Luma Pictures

True Grit (2010)

Directed by: Ethan Coen, Joel Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 535 B Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Final Cut Pro Editing System

Percy Jackson & the Olympians: The Lightning Thief | ShotOnWhat?

Production Assistant: Luma Pictures

Percy Jackson & the Olympians: The Lightning Thief (2010)

Directed by: Chris Columbus

Cinematography by: Stephen Goldblatt

Edited by: Peter Honess

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