Film Negative Stock » Eastman Kodak Neg. Films

Eastman 400T 5295 Neg. Film : 17Eastman Color Negative 100T 5254/7254 Film : 30Eastman Color Negative 125T 5247 Film : 32Eastman Color Negative 250T 5293/7293 Film : 19Eastman Color Negative 400T 5294 Film : 23Eastman Color Negative 50T 5251 Neg. Film : 12Eastman Color Negative II 100T 5247/7247 F... : 24Eastman Double-X 5222/7222 Neg. Film : 44Eastman Ektachrome (Daylight) 160D 5239/72... : 8Eastman Ektachrome (Tungsten) 7240 Neg. Fi... : 4Eastman Ektachrome 25T 7252 Neg. Film : 2Eastman Ektachrome High Speed (Daylight) 7... : 3Eastman Ektachrome High Speed (Tungsten) 7... : 1Eastman EXR Neg. Film : 261Eastman High Speed 250D 5297/7297 Neg. Fil... : 18Eastman Plus-X 7276 Neg. Film : 4Eastman Plus-X 80D/64T 5231/7231 Neg. Film : 9Eastman Super-XX 1232 Neg. Film : 2Eastman Tri-X 7278 Neg. Film : 2Kodachrome 25 (Daylight) 7267 Neg. Film : 1Kodachrome Professional 5267 Neg. Film : 1Kodak 500T 5230/7230 Neg. Film : 6Kodak Ektachrome 100D 5285/7285 Neg. Film : 18Kodak SFX 200T SO-214 Neg. Film : 17Kodak Tri-X 7266 Neg. Film : 1Kodak Vision 2 Film Neg. Film : 402Kodak Vision 200T 5274 Neg. Film : 98Kodak Vision 250D 5246/7246 Neg. Film : 96Kodak Vision 3 Film Neg. Film : 398Kodak Vision 320T 5277/7277 Neg. Film : 55Kodak Vision 500T 5263/7263 Neg. Film : 3Kodak Vision 500T 5279 Neg. Film : 226Kodak Vision 800T 5289/7289 Neg. Film : 31Kodak Vision Expression 500T 5284/7284 Neg... : 10Kodak Vision Film : 7

Eastman Kodak Neg. Films | 1495 Titles

Eastman Kodak Neg. Films 4.00/5 2 Votes

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Mid90s (2018)

Motion Picture | 2D | 2K Project | Color | 1.33:1 (4x3), 1.78:1 (16x9) | 85 Minutes

Directed by | Jonah Hill | Cinematography by | Christopher Blauvelt | Editing by | Nick Houy

Starring | Sunny Suljic, Katherine Waterston, Lucas Hedges

Cameras | ARRIFLEX 416 Camera

Lenses | Zeiss Super Speed Lenses

Vartul (Circle) (2009)

Short Film | 2D | 2K Project | Color | 18 Minutes

Directed by | Santosh Ram | Cinematography by | Anand Mansukh, Pravin Mokal | Editing by | Vinod Gama Borate

Starring | Ajinkya Bhise, Rohan Choudhari, Jayesh Dikhale

Cameras | ARRIFLEX 435 Camera

Doctor Zhivago (1965)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.35:1 | 197 Minutes

Directed by | David Lean | Cinematography by | Freddie Young | Editing by | Norman Savage

Starring | Omar Sharif, Julie Christie, Geraldine Chaplin, Rod Steiger

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Suspiria (2018)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 152 Minutes

Directed by | Luca Guadagnino | Cinematography by | Sayombhu Mukdeeprom | Editing by | Walter Fasano

Starring | Chloë Grace Moretz, Tilda Swinton, Doris Hick

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera

Lenses | Angenieux Lenses, Cooke Speed Panchro Lenses, Zeiss Super Speed Lenses

A Place in the Sun (1951)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 122 Minutes

Directed by | George Stevens | Cinematography by | William C. Mellor | Editing by | William Hornbeck

Starring | Montgomery Clift, Elizabeth Taylor, Shelley Winters, Anne Revere

The Graduate (1967)

Motion Picture | 2D | Film Project | Color | 2.35:1 | 106 Minutes

Directed by | Mike Nichols | Cinematography by | Robert Surtees | Editing by | Sam O'Steen

Starring | Dustin Hoffman, Anne Bancroft, Katharine Ross, William Daniels

Cameras | ARRIFLEX 35 IIC Camera, Panavision Silent Reflex PSR Camera

Lenses | Angenieux Lenses, Panavision B Series Anamorphic Lenses

The Lighthouse (2019)

Motion Picture | 2D | Film Project | Black & White | 109 Minutes

Directed by | Robert Eggers | Cinematography by | Jarin Blaschke | Editing by | Louise Ford

Starring | Robert Pattinson, Willem Dafoe, Valeriia Karaman, Logan Hawkes

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Bausch & Lomb Lenses, Pathé Lenses

Wonder Woman (2017)

Motion Picture | 3D | 2K Project | Color | 2.20:1, 2.39:1 | 141 Minutes

Directed by | Patty Jenkins | Cinematography by | Matthew Jensen | Editing by | Martin Walsh

Starring | Gal Gadot, Chris Pine, Robin Wright

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses | ARRI Rental Prime 65 Lenses

The Towering Inferno (1974)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 165 Minutes

Directed by | John Guillermin | Cinematography by | Fred J. Koenekamp | Editing by | Carl Kress, Harold F. Kress

Starring | Paul Newman, Steve McQueen, William Holden, Faye Dunaway

Cameras | Panavision Silent Reflex PSR Camera

Lenses | Cooke Lenses, Panavision C Series Anamorphic Lenses

The Mummy (2017)

Motion Picture | 2D, 3D | 2K Project | Color | 2.39:1 | 110 Minutes

Directed by | Alex Kurtzman | Cinematography by | Ben Seresin | Editing by | Gina Hirsch, Paul Hirsch, Andrew Mondshein

Starring | Tom Cruise, Sofia Boutella, Annabelle Wallis

Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | ARRI Rental Prime 65 Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Spartacus (1960)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.35:1 | 197 Minutes

Directed by | Stanley Kubrick | Cinematography by | Russell Metty | Editing by | Robert Lawrence, Irving Lerner

Starring | Kirk Douglas, Laurence Olivier, Jean Simmons, Charles Laughton

Cameras | Technirama Camera

Apocalypse Now (1979)

Motion Picture | 2D | Film Project | Color | 2.0:1, 2.20:1, 2.39:1 | 147 Minutes

Directed by | Francis Ford Coppola | Cinematography by | Vittorio Storaro | Editing by | Lisa Fruchtman, Gerald B. Greenberg, Walter Murch

Starring | Martin Sheen, Marlon Brando, Robert Duvall

Cameras | ARRIFLEX 16ST Camera, ARRIFLEX 35 BL Camera, ARRIFLEX 35 IIC Camera, Mitchell BNCR Camera

Lenses | Technovision Lenses, Todd-AO Lenses

Barry Lyndon (1975)

Motion Picture | 2D | Film Project | Color | 1.66:1 | 185 Minutes

Directed by | Stanley Kubrick | Cinematography by | John Alcott | Editing by | Tony Lawson

Starring | Ryan O'Neal, Marisa Berenson, Patrick Magee, Hardy Krüger

Cameras | ARRIFLEX 35 BL Camera, Mitchell BNC Camera

Lenses | Canon K35 Prime Lenses, Carl Zeiss Planar 50 mm f0.7 Lens (Modified by Ed DiGiulio), Carl Zeiss Planar 50mm with Kollmorgen Adaptor 36.5 mm f0.7 (Modified by Ed DiGiulio), Cinema Products Cine-Pro 24-480 mm T9 Zoom Lens, Cooke Varotal 20-100mm T3.1 Zoom Lens

The Post (2017)

Motion Picture | 2D | Color | 1.85:1 | 116 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Sarah Broshar, Michael Kahn

Starring | Meryl Streep, Tom Hanks, Sarah Paulson

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses

The Lord of the Rings: The Fellowship of the Ring (2001)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 178 Minutes

Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | John Gilbert

Starring | Elijah Wood, Ian McKellen, Orlando Bloom

Cameras | ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 Camera

Lenses | Zeiss Ultra Prime Lenses

Legends of the Fall (1994)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 133 Minutes

Directed by | Edward Zwick | Cinematography by | John Toll | Editing by | Steven Rosenblum

Starring | Brad Pitt, Anthony Hopkins, Aidan Quinn

Cameras | Panavision Panaflex Gold II Camera

Lenses | Canon Lenses, Panavision Lenses

Glory (1989)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 122 Minutes

Directed by | Edward Zwick | Cinematography by | Freddie Francis | Editing by | Steven Rosenblum

Starring | Matthew Broderick, Denzel Washington, Cary Elwes

Cameras | Panavision Panaflex Gold II Camera

La La Land (2016)

Motion Picture | 2D | 2K Project | Color | 2.55:1 | 128 Minutes

Directed by | Damien Chazelle | Cinematography by | Linus Sandgren | Editing by | Tom Cross

Starring | Ryan Gosling, Emma Stone, Rosemarie DeWitt, J.K. Simmons

Cameras | Aaton A-Minima Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision C35 35 mm T2.3 Lens, Panavision C50 50 mm T2.3 Lens, Panavision E Series Anamorphic Lenses, Panavision E35 35 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens

Roman J. Israel, Esq. (2017)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 122 Minutes

Directed by | Dan Gilroy | Cinematography by | Robert Elswit | Editing by | John Gilroy

Starring | Denzel Washington, Colin Farrell, Carmen Ejogo

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Series Cameras, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Zeiss ARRI Macro Lenses

Battle of the Sexes (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 121 Minutes

Directed by | Jonathan Dayton, Valerie Faris | Cinematography by | Linus Sandgren | Editing by | Pamela Martin

Starring | Emma Stone, Steve Carell, Andrea Riseborough

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux HR Zoom Lenses, Canon CN-E Series Lenses, Canon K35 Prime Lenses, Kowa Lenses

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