Film Negative Stock » Eastman Kodak Neg. Films

Eastman 400T 5295 Neg. Film : 17Eastman Color Negative 100T 5254/7254 Film : 30Eastman Color Negative 125T 5247 Film : 32Eastman Color Negative 250T 5293/7293 Film : 19Eastman Color Negative 400T 5294 Film : 23Eastman Color Negative 50T 5251 Neg. Film : 12Eastman Color Negative II 100T 5247/7247 F... : 24Eastman Double-X 5222/7222 Neg. Film : 44Eastman Ektachrome (Daylight) 160D 5239/72... : 8Eastman Ektachrome (Tungsten) 7240 Neg. Fi... : 4Eastman Ektachrome 25T 7252 Neg. Film : 2Eastman Ektachrome High Speed (Daylight) 7... : 3Eastman Ektachrome High Speed (Tungsten) 7... : 1Eastman EXR Neg. Film : 261Eastman High Speed 250D 5297/7297 Neg. Fil... : 18Eastman Plus-X 7276 Neg. Film : 4Eastman Plus-X 80D/64T 5231/7231 Neg. Film : 9Eastman Super-XX 1232 Neg. Film : 2Eastman Tri-X 7278 Neg. Film : 2Kodachrome 25 (Daylight) 7267 Neg. Film : 1Kodachrome Professional 5267 Neg. Film : 1Kodak 500T 5230/7230 Neg. Film : 6Kodak Ektachrome 100D 5285/7285 Neg. Film : 18Kodak SFX 200T SO-214 Neg. Film : 17Kodak Tri-X 7266 Neg. Film : 1Kodak Vision 2 Film Neg. Film : 402Kodak Vision 200T 5274 Neg. Film : 98Kodak Vision 250D 5246/7246 Neg. Film : 96Kodak Vision 3 Film Neg. Film : 398Kodak Vision 320T 5277/7277 Neg. Film : 55Kodak Vision 500T 5263/7263 Neg. Film : 3Kodak Vision 500T 5279 Neg. Film : 226Kodak Vision 800T 5289/7289 Neg. Film : 31Kodak Vision Expression 500T 5284/7284 Neg... : 10Kodak Vision Film : 7

Eastman Kodak Neg. Films | 1495 Titles

Eastman Kodak Neg. Films 4.00/5 2 Votes

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The Crow (1994)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 102 Minutes

Directed by | Alex Proyas | Cinematography by | Dariusz Wolski | Editing by | Dov Hoenig, M. Scott Smith

Starring | Brandon Lee, Michael Wincott, Rochelle Davis, Ernie Hudson

Cameras | ARRIFLEX 35 BL4 Camera

Lenses | Zeiss Lenses

Cobra Verde (1987)

Motion Picture | 2D | Color | 1.85:1 | 111 Minutes

Directed by | Werner Herzog | Cinematography by | Viktor Ruzicka | Editing by | Maximiliane Mainka

Starring | Klaus Kinski, King Ampaw, José Lewgoy

Cameras | ARRIFLEX 35 III Camera

Bad Lieutenant: Port of Call New Orleans (2009)

Motion Picture | 2K Project | Color | 1.85:1 | 122 Minutes

Directed by | Werner Herzog | Cinematography by | Peter Zeitlinger | Editing by | Joe Bini

Starring | Nicolas Cage, Eva Mendes, Russell M. Haeuser

Cameras | Moviecam Compact MK2 Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4/i Lenses

Woodstock (1970)

Documentary | 2D | Film Project | Color | 184 Minutes

Directed by | Michael Wadleigh | Cinematography by | Malcolm Hart, Don Lenzer, Michael Margetts, David Myers, Richard Pearce, Michael Wadleigh, Alfred Wertheimer | Editing by | Jere Huggins, Thelma Schoonmaker, Martin Scorsese, Michael Wadleigh, Stanley Warnow, Yeu-Bun Yee

Starring | Joan Baez, Richie Havens, Roger Daltrey, Joe Cocker

Cameras | Éclair NPR Camera

Incendies (2010)

Motion Picture | 2D | 2K Project | Color | 131 Minutes

Directed by | Denis Villeneuve | Cinematography by | André Turpin | Editing by | Monique Dartonne

Starring | Lubna Azabal, Mélissa Désormeaux-Poulin, Maxim Gaudette, Mustafa Kamel

Cameras | ARRICAM Studio (ST) Camera, ARRIFLEX 535 Camera

Lenses | Zeiss Master Prime Lenses

Austin Powers: The Spy Who Shagged Me (1999)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 95 Minutes

Directed by | Jay Roach | Cinematography by | Ueli Steiger | Editing by | Debra Neil-Fisher, Jon Poll

Starring | Mike Myers, Heather Graham, Michael York, Robert Wagner

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Hail, Caesar! (2016)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 106 Minutes

Directed by | Ethan Coen, Joel Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen

Starring | Josh Brolin, George Clooney, Alden Ehrenreich, Ralph Fiennes

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Lenses | Zeiss Master Prime Lenses

Stalker (1979)

Motion Picture | 2D | Film Project | Black & White, Color | 1.33:1 (4x3) | 162 Minutes

Directed by | Andrei Tarkovsky | Cinematography by | Aleksandr Knyazhinskiy, Georgi Rerberg, Leonid Kalashnikov | Editing by | Lyudmila Feyginova

Starring | Alisa Freyndlikh, Aleksandr Kaydanovskiy, Anatoliy Solonitsyn

Cameras | Kinor 35C 5KSN Camera, Mitchell NC Camera

Lenses | Cooke Varotal 20-100mm T3.1 Zoom Lens

The Day After Tomorrow (2004)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 124 Minutes

Directed by | Roland Emmerich | Cinematography by | Ueli Steiger | Editing by | David Brenner

Starring | Dennis Quaid, Jake Gyllenhaal, Emmy Rossum

Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses

The Bourne Identity (2002)

Motion Picture | 2D | Film Project | Color | 119 Minutes

Directed by | Doug Liman | Cinematography by | Oliver Wood | Editing by | Saar Klein

Starring | Franka Potente, Matt Damon, Chris Cooper

Cameras | Aaton 35-III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Anamorphic Lenses

Home Alone 2: Lost in New York (1992)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 120 Minutes

Directed by | Chris Columbus | Cinematography by | Julio Macat | Editing by | Raja Gosnell

Starring | Macaulay Culkin, Joe Pesci, Daniel Stern, Catherine O'Hara

Cameras | Panavision Panaflex Platinum Camera

Talladega Nights: The Ballad of Ricky Bobby (2006)

Motion Picture | 2D | 2K Project | Color | 108 Minutes

Directed by | Adam McKay | Cinematography by | Oliver Wood | Editing by | Brent White

Starring | Will Ferrell, John C. Reilly, Sacha Baron Cohen, Gary Cole

Cameras | Panavision Cameras

Lenses | Panavision Lenses

The Cat in the Hat (2003)

Motion Picture | 2D | 2K Project | Color | 82 Minutes

Directed by | Bo Welch | Cinematography by | Emmanuel Lubezki | Editing by | Don Zimmerman

Starring | Mike Myers, Spencer Breslin, Dakota Fanning

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Double Indemnity (1944)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 107 Minutes

Directed by | Billy Wilder | Cinematography by | John F. Seitz

Starring | Fred MacMurray, Barbara Stanwyck, Edward G. Robinson

Cameras | Mitchell BNC Camera

To Leslie (2022)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 119 Minutes

Directed by | Michael Morris | Cinematography by | Larkin Seiple | Editing by | Chris McCaleb

Starring | Andrea Riseborough, Drew Youngblood, Tom Virtue

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Aftersun (2022)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 102 Minutes

Directed by | Charlotte Wells | Cinematography by | Gregory Oke | Editing by | Blair McClendon

Starring | Paul Mescal, Frankie Corio, Celia Rowlson-Hall

Cameras | ARRICAM Lite (LT) Camera

Lenses | Cooke S4/i Lenses

The Fabelmans (2022)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 151 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Sarah Broshar, Michael Kahn

Starring | Michelle Williams, Gabriel LaBelle, Paul Dano

Cameras | ARRI ALEXA Mini LF Camera, ARRIFLEX 16ST Camera, ARRIFLEX 416 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses

Elite Squad (2007)

Motion Picture | 2D | Color | 115 Minutes

Directed by | José Padilha | Cinematography by | Lula Carvalho | Editing by | Daniel Rezende

Starring | Wagner Moura, André Ramiro, Caio Junqueira, Milhem Cortaz

Cameras | Panavision Cameras

Maestro (2023)

Motion Picture | 2D | 4K Project | Black & White, Color | 1.33:1 (4x3), 1.85:1 | 129 Minutes

Directed by | Bradley Cooper | Cinematography by | Matthew Libatique | Editing by | Michelle Tesoro

Starring | Carey Mulligan, Bradley Cooper, Matt Bomer

Cameras | Panavision Panaflex Lightweight II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision PVintage Prime Lenses

The Iron Claw (2023)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 132 Minutes

Directed by | Sean Durkin | Cinematography by | Mátyás Erdély | Editing by | Matthew Hannam

Starring | Zac Efron, Jeremy Allen White, Harris Dickinson

Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision Primo Primes Spherical Lenses

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