Visual Effects Tracking Supervisor: Crafty Apes
Guardians of the Galaxy Vol. 3 (2023)
Directed by: James Gunn
Cinematography by: Henry Braham
Matchmove Supervisor: Rhythm & Hues Studios
Seventh Son (2014)
Directed by: Sergei Bodrov
Cinematography by: Newton Thomas Sigel
Cameras: ARRI ALEXA Camera
Matchmove Supervisor: Rhythm & Hues Studios
The Bourne Legacy (2012)
Directed by: Tony Gilroy
Cinematography by: Robert Elswit
Edited by: John Gilroy
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Matchmove Supervisor: Rhythm & Hues Studios
Chronicle (2012)
Directed by: Josh Trank
Cinematography by: Matthew Jensen
Edited by: Elliot Greenberg
Match Move Lead: Rhythm & Hues Studios
Life of Pi (2012)
Directed by: Ang Lee
Cinematography by: Claudio Miranda
Edited by: Tim Squyres
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Matchmove Supervisor: Rhythm & Hues Studios
Django Unchained (2012)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Fred Raskin
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Digital Artist: ILM
Super 8 (2011)
Directed by: J.J. Abrams
Cinematography by: Larry Fong
Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses
Editing System: Avid Editing System
Integration Artist: Digital Domain
Real Steel (2011)
Directed by: Shawn Levy
Cinematography by: Mauro Fiore
Edited by: Dean Zimmerman
Cameras: Sony CineAlta F35 Camera
Lenses: Cooke Lenses, Cooke S4 Lenses
Editing System: Avid Editing System
Matchmove Technical Director: Rhythm & Hues
The Wolfman (2010)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Matchmove And Layout Artist: Asylum
The Sorcerer's Apprentice (2010)
Directed by: Jon Turteltaub
Cinematography by: Bojan Bazelli
Edited by: William Goldenberg
Stereoscopic Integration Artist: Digital Domain
Tron (2010)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: James Haygood
Cameras: Phantom HD Camera, Sony CineAlta F35 Camera
Editing System: Avid Editing System
Matchmove Technical Director: Rhythm & Hues
Land of the Lost (2009)
Directed by: Brad Silberling
Cinematography by: Dion Beebe
Edited by: Peter Teschner
Cameras: Panavision Cameras
Matchmove Technical Director
Cirque du Freak: The Vampire's Assistant (2009)
Directed by: Paul Weitz
Cinematography by: James M. Muro
Edited by: Leslie Jones
Technical Animator: Rhythm & Hues
Alvin and the Chipmunks: The Squeakquel (2009)
Directed by: Betty Thomas
Cinematography by: Anthony B. Richmond
Edited by: Matt Friedman
Lenses: Cooke S4 Lenses
Lead Matchmove Technical Director: Rhythm & Hues
Aliens in the Attic (2009)
Directed by: John Schultz
Cinematography by: Don Burgess
Edited by: John Pace
Matchmove Artist: CIS Hollywood
The Shaggy Dog (2006)
Directed by: Brian Robbins
Cinematography by: Gabriel Beristain
Edited by: Ned Bastille
Paint And Rotoscope Artist: CIS Hollywood
Fantastic Four (2005)
Directed by: Tim Story
Cinematography by: Oliver Wood
Edited by: William Hoy
Paint And Rotoscope Artist: CIS Hollywood
Constantine (2005)
Directed by: Francis Lawrence
Cinematography by: Philippe Rousselot
Edited by: Wayne Wahrman
Paint And Rotoscope Artist: CIS Hollywood
Ice Princess (2005)
Directed by: Tim Fywell
Cinematography by: David Hennings
Edited by: Janice Hampton
Junior Roto/paint Artist: CIS Hollywood
Wedding Crashers (2005)
Directed by: David Dobkin
Cinematography by: Julio Macat
Edited by: Mark Livolsi
Paint And Rotoscope Artist: CIS Hollywood
Flightplan (2005)
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Thom Noble
Quality Control Coordinator, Digital Intermediate: Efilm/Panavision
The Assassination of Richard Nixon (2004)
Directed by: Niels Mueller
Cinematography by: Emmanuel Lubezki
Edited by: Jay Cassidy
Quality Control Combustion Paint Artist, Digital Intermediate: Efilm/Panavision / Quality Control Coordinator, Digital Intermediate: Efilm/Panavision
The Village (2004)
Directed by: M. Night Shyamalan
Cinematography by: Roger Deakins
Edited by: Christopher Tellefsen
Lenses: Cooke S4 Lenses
Digital Cleanup Artist
Eternal Sunshine of the Spotless Mind (2004)
Directed by: Michel Gondry
Cinematography by: Ellen Kuras
Edited by: Valdís Óskarsdóttir
Cameras: ARRICAM Lite (LT) Camera
Quality Control Combustion Paint Artist, Digital Intermediate: Efilm/Panavision / Quality Control Coordinator, Digital Intermediate: Efilm/Panavision
Spider-Man 2 (2004)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera
Editing System: Avid Editing System
Quality Control Coordinator, Digital Intermediate: Efilm/Panavision
The Ladykillers (2004)
Cinematography by: Roger Deakins
Editing System: Final Cut Pro Editing System
Quality Control Combustion Paint Artist, Digital Intermediate: Efilm/Panavision / Quality Control Coordinator, Digital Intermediate: Efilm/Panavision
The Bourne Supremacy (2004)
Directed by: Paul Greengrass
Cinematography by: Oliver Wood
Cameras: ARRI Cameras
Paint And Rotoscope Artist / Visual Effects: CIS Hollywood
Team America: World Police (2004)
Directed by: Trey Parker
Cinematography by: Bill Pope
Edited by: Thomas M. Vogt
Cameras: ARRIFLEX 435 Camera, Pan-Arri 435 Camera
Digital Cleanup Artist
The Life and Death of Peter Sellers (2004)
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: John Smith
Digital Cleanup Artist
The Butterfly Effect (2004)
Cinematography by: Matthew F. Leonetti
Edited by: Peter Amundson
Quality Control Coordinator, Digital Intermediate: Efilm/Panavision
The Alamo (2004)
Directed by: John Lee Hancock
Cinematography by: Dean Semler
Edited by: Eric L. Beason
Digital Cleanup Artist
Finding Neverland (2004)
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Edited by: Matt Chesse
Editing System: Avid Editing System
Digital Cleanup Artist
Starsky & Hutch (2004)
Directed by: Todd Phillips
Cinematography by: Barry Peterson
Edited by: Leslie Jones
Quality Control Combustion Paint Artist, Digital Intermediate: Efilm/Panavision / Quality Control Coordinator, Digital Intermediate: Efilm/Panavision
Hellboy (2004)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Edited by: Peter Amundson
Quality Control Combustion Paint Artist, Digital Intermediate: Efilm/Panavision / Quality Control Coordinator, Digital Intermediate: Efilm/Panavision
Van Helsing (2004)
Directed by: Stephen Sommers
Cinematography by: Allen Daviau
Editing System: Avid Editing System
Quality Control Combustion Paint Artist, Digital Intermediate: Efilm/Panavision / Quality Control Coordinator, Digital Intermediate: Efilm/Panavision
The Passion of the Christ (2004)
Directed by: Mel Gibson
Cinematography by: Caleb Deschanel
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Quality Control Coordinator, Digital Intermediate: Efilm/Panavision
Dawn of the Dead (2004)
Directed by: Zack Snyder
Cinematography by: Matthew F. Leonetti
Edited by: Niven Howie
Quality Control Coordinator, Digital Intermediate: Efilm/Panavision
The Day After Tomorrow (2004)
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Edited by: David Brenner
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera
Editing System: Avid Editing System
Digital Cleanup Artist
21 Grams (2003)
Directed by: Alejandro G. Iñárritu
Cinematography by: Rodrigo Prieto
Edited by: Stephen Mirrione
Cameras: Moviecam Superlight Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Digital Cleanup Artist
American Wedding (2003)
Directed by: Jesse Dylan
Cinematography by: Lloyd Ahern II
Edited by: Stuart H. Pappé
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Cleanup Artist
Daredevil (2003)
Directed by: Mark Steven Johnson
Cinematography by: Ericson Core
Digital Cleanup Artist
Big Fish (2003)
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Digital Cleanup Artist
2 Fast 2 Furious (2003)
Directed by: John Singleton
Cinematography by: Matthew F. Leonetti
Lenses: Cooke S4 Lenses
Digital Cleanup Artist
Terminator 3: Rise of the Machines (2003)
Directed by: Jonathan Mostow
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Digital Cleanup Artist
Intolerable Cruelty (2003)
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 535 Camera
Editing System: Final Cut Pro Editing System
Digital Cleanup Artist
Down with Love (2003)
Directed by: Peyton Reed
Cinematography by: Jeff Cronenweth
Edited by: Larry Bock
Cameras: Panavision Panaflex Platinum Camera
Digital Cleanup Artist
The Cat in the Hat (2003)
Directed by: Bo Welch
Cinematography by: Emmanuel Lubezki
Edited by: Don Zimmerman
Editing System: Avid Editing System
Digital Cleanup Artist
Charlie's Angels: Full Throttle (2003)
Directed by: McG
Cinematography by: Russell Carpenter
Edited by: Wayne Wahrman
Digital Cleanup Artist
The Rundown (2003)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Edited by: Richard Pearson
Digital Cleanup Artist
Mona Lisa Smile (2003)
Directed by: Mike Newell
Cinematography by: Anastas N. Michos
Edited by: Mick Audsley
Digital Cleanup Artist
Bruce Almighty (2003)
Directed by: Tom Shadyac
Cinematography by: Dean Semler
Edited by: Scott Hill
Lenses: Panavision Primo Close Focus Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses
Editing System: Lightworks Editing System
