Visual Effects Supervisor: Evil Eye Pictures
Oz the Great and Powerful (2013)
Directed by: Sam Raimi
Cinematography by: Peter Deming
Edited by: Bob Murawski
Cameras: Red Epic Camera
Editing System: Avid Editing System
Visual Effects Supervisor: Evil Eye Pictures
The Avengers (2012)
Directed by: Joss Whedon
Cinematography by: Seamus McGarvey
Editing System: Avid Editing System
Visual Effects Supervisor: Evil Eye Pictures
Cirque du Soleil: Worlds Away (2012)
Directed by: Andrew Adamson
Cinematography by: Brett Turnbull
Cameras: Sony HDC-1500 Camera
Visual Effects Supervisor: Evil Eye Pictures
Ghost Rider: Spirit of Vengeance (2011)
Cinematography by: Brandon Trost
Edited by: Brian Berdan
Cameras: Red One MX Camera
Visual Effects: Evil Eye Pictures
The Tree of Life (2011)
Directed by: Terrence Malick
Cinematography by: Emmanuel Lubezki
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Dalsa Evolution Camera, IMAX Cameras, Panavision System 65 Camera, Phantom HD Gold Camera, Red One Camera
Editing System: Avid Editing System
Visual Effects Senior Staff: Evil Eye Pictures
Thor (2011)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Paul Rubell
Visual Effects Supervisor: Evil Eye Pictures
Percy Jackson & the Olympians: The Lightning Thief (2010)
Directed by: Chris Columbus
Cinematography by: Stephen Goldblatt
Edited by: Peter Honess
Visual Effects Supervisor: Evil Eye Pictures
Iron Man 2 (2010)
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Visual Effects Supervisor: Evil Eye Pictures
The Other Guys (2010)
Directed by: Adam McKay
Cinematography by: Oliver Wood
Edited by: Brent White
Visual Effects Supervisor: Evil Eye Pictures
2012 (2009)
Directed by: Roland Emmerich
Cinematography by: Dean Semler
Cameras: Panavision Cameras, Panavision Genesis Camera
Editing System: Avid Editing System
Visual Effects Supervisor: Evil Eye Pictures
Star Trek (2009)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System, Avid Editing System
Visual Effects Supervisor: Evil Eye Pictures
Ninja Assassin (2009)
Directed by: James McTeigue
Cinematography by: Karl Walter Lindenlaub
Lenses: Zeiss Master Prime Lenses
Visual Effects Supervisor: Evil Eye Pictures
Australia (2008)
Directed by: Baz Luhrmann
Cinematography by: Mandy Walker
Visual Effects Supervisor: Evil Eye Pictures
Speed Racer (2008)
Cinematography by: David Tattersall
Lenses: Zeiss DigiPrime Lenses
Visual Effects Supervisor: Evil Eye Pictures
The Curious Case of Benjamin Button (2008)
Directed by: David Fincher
Cinematography by: Claudio Miranda
Lenses: Zeiss DigiPrime Lenses
Editing System: Final Cut Pro Editing System
Visual Effects Supervisor: Evil Eye Pictures
Spider-Man 3 (2007)
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Editing System: Avid Editing System
Visual Effects Supervisor: Evil Eye Pictures
Pirates of the Caribbean: At World's End (2007)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Visual Effects Supervisor: Evil Eye Pictures
Rush Hour 3 (2007)
Directed by: Brett Ratner
Cinematography by: James M. Muro
Visual Effects Supervisor: Evil Eye Pictures
Pirates of the Caribbean: Dead Man's Chest (2006)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Visual Effects Supervisor: Evil Eye Pictures
Fantastic Four (2005)
Directed by: Tim Story
Cinematography by: Oliver Wood
Edited by: William Hoy
Sequence Lead
The Matrix Reloaded (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Sequence Lead
The Matrix Revolutions (2003)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Digital Compositor
Wit (2001)
Directed by: Mike Nichols
Cinematography by: Seamus McGarvey
Edited by: John Bloom
Visual Effects
No Such Thing (2001)
Directed by: Hal Hartley
Cinematography by: Michael Spiller
Edited by: Steve Hamilton
Digital Compositor
Book of Shadows: Blair Witch 2 (2000)
Directed by: Joe Berlinger
Cinematography by: Nancy Schreiber
Digital Effects Artist
Before Night Falls (2000)
Directed by: Julian Schnabel
Edited by: Michael Berenbaum
Cameras: ARRIFLEX 35 BL4s Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Super Speed Lenses
Digital Compositor
Bamboozled (2000)
Directed by: Spike Lee
Cinematography by: Ellen Kuras
Edited by: Samuel D. Pollard
Digital Compositor
O Brother, Where Art Thou? (2000)
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 535 B Camera
Lenses: Cooke S4 Lenses
Editing System: Final Cut Pro Editing System
Digital Compositor
Magnolia (1999)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
Cameras: Panavision Cameras, Pathé Cameras
Lenses: Panavision Lenses
Digital Compositor: Balsmeyer & Everett, Inc.
It All Came True (1998)
Directed by: Peter Yates
Cinematography by: Sven Nykvist
Edited by: Hughes Winborne
Computer Animator
The Big Lebowski (1998)
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 535 B Camera
Digital Artist
Madeline (1998)
Directed by: Daisy von Scherler Mayer
Cinematography by: Pierre Aïm
Edited by: Jeffrey Wolf
Digital Compositor
The Ice Storm (1997)
Directed by: Ang Lee
Cinematography by: Frederick Elmes
Edited by: Tim Squyres
3D Animator
Chinese Box (1997)
Directed by: Wayne Wang
Cinematography by: Vilko Filac
Edited by: Christopher Tellefsen
Digital Compositor
In the Gloaming (1997)
Directed by: Christopher Reeve
Cinematography by: Frederick Elmes
Edited by: David Ray
Digital Compositor
Kundun (1997)
Directed by: Martin Scorsese
Cinematography by: Roger Deakins
Edited by: Thelma Schoonmaker
Cameras: ARRIFLEX 535 B Camera
3D Animator / Digital Artist
Cop Land (1997)
Directed by: James Mangold
Cinematography by: Eric Alan Edwards
Edited by: Craig McKay
Visual Effects
The People vs. Larry Flynt (1996)
Directed by: Milos Forman
Cinematography by: Philippe Rousselot
Edited by: Christopher Tellefsen
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Digital Animator: Balsmeyer & Everett / Digital Compositor: Balsmeyer & Everett
Everyone Says I Love You (1996)
Directed by: Woody Allen
Cinematography by: Carlo Di Palma
Edited by: Susan E. Morse
