Mark Knapton

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Terminator Genisys | ShotOnWhat?

Carpenter

Terminator Genisys (2015)

Directed by: Alan Taylor

Cinematography by: Kramer Morgenthau

Edited by: Roger Barton

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision Anamorphic Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Hunger Games: Mockingjay - Part 2 | ShotOnWhat?

Carpenter

The Hunger Games: Mockingjay - Part 2 (2015)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell, Mark Yoshikawa

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Hangover Part III | ShotOnWhat?

Carpenter

The Hangover Part III (2013)

Directed by: Todd Phillips

Cinematography by: Lawrence Sher

Edited by: Jeff Groth, Debra Neil-Fisher

Cameras: ARRI ALEXA Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Oblivion | ShotOnWhat?

General Foreman: Iceland / Propmaker Foreman

Oblivion (2013)

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: Richard Francis-Bruce

Cameras: Red Epic Camera, Sony CineAlta F65 Camera

Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens

Editing System: Avid Editing System

The Avengers | ShotOnWhat?

Foreman

The Avengers (2012)

Directed by: Joss Whedon

Cinematography by: Seamus McGarvey

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera

Lenses: Panavision Frazier Lenses, Panavision Lenses

Editing System: Avid Editing System

X: First Class | ShotOnWhat?

Foreman

X: First Class (2011)

Directed by: Matthew Vaughn

Cinematography by: John Mathieson

Edited by: Eddie Hamilton, Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Green Lantern | ShotOnWhat?

Foreman

Green Lantern (2011)

Directed by: Martin Campbell

Cinematography by: Dion Beebe

Edited by: Stuart Baird

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System

The Last Airbender | ShotOnWhat?

Carpenter / Propmaker

The Last Airbender (2010)

Directed by: M. Night Shyamalan

Cinematography by: Andrew Lesnie

Edited by: Conrad Buff IV

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Surrogates | ShotOnWhat?

Foreman

Surrogates (2009)

Directed by: Jonathan Mostow

Cinematography by: Oliver Wood

Edited by: Kevin Stitt

The Curious Case of Benjamin Button | ShotOnWhat?

Foreman

The Curious Case of Benjamin Button (2008)

Directed by: David Fincher

Cinematography by: Claudio Miranda

Edited by: Kirk Baxter, Angus Wall

Cameras: ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Thomson Viper Camera

Lenses: Zeiss DigiPrime Lenses

Editing System: Final Cut Pro Editing System

Tropic Thunder | ShotOnWhat?

Propmaker Foreperson

Tropic Thunder (2008)

Directed by: Ben Stiller

Cinematography by: John Toll

Edited by: Greg Hayden

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Transformers | ShotOnWhat?

Miami Vice | ShotOnWhat?

Propmaker

Miami Vice (2006)

Directed by: Michael Mann

Cinematography by: Dion Beebe

Edited by: William Goldenberg, Paul Rubell

Cameras: Thomson Viper Camera

Memoirs of a Geisha | ShotOnWhat?

Carpenter

Memoirs of a Geisha (2005)

Directed by: Rob Marshall

Cinematography by: Dion Beebe

Edited by: Pietro Scalia

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Serenity | ShotOnWhat?

Propmaker

Serenity (2005)

Directed by: Joss Whedon

Cinematography by: Jack N. Green

Edited by: Lisa Lassek

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses

The Island | ShotOnWhat?

Foreman

The Island (2005)

Directed by: Michael Bay

Cinematography by: Mauro Fiore

Edited by: Paul Rubell, Christian Wagner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux HR Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

Garfield | ShotOnWhat?

Propmaker

Garfield (2004)

Directed by: Peter Hewitt

Cinematography by: Dean Cundey

Edited by: Peter E. Berger, Michael A. Stevenson

Cameras: Panavision Cameras

A Series of Unfortunate Events | ShotOnWhat?

Construction Foreperson

Lemony Snicket's A Series of Unfortunate Events (2004)

Directed by: Brad Silberling

Cinematography by: Emmanuel Lubezki

Edited by: Michael Kahn

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Rundown | ShotOnWhat?

Foreman

The Rundown (2003)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Richard Pearson

Hulk | ShotOnWhat?

Foreman

Hulk (2003)

Directed by: Ang Lee

Cinematography by: Frederick Elmes

Edited by: Tim Squyres

Cameras: ARRIFLEX 535 B Camera

Lenses: Cooke Panchro/i Classic Lenses, Cooke S4 Lenses

Men in Black II | ShotOnWhat?

Carpenter

Men in Black II (2002)

Directed by: Barry Sonnenfeld

Cinematography by: Greg Gardiner

Edited by: Richard Pearson, Steven Weisberg

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Planet of the Apes | ShotOnWhat?

Propmaker Foreman

Planet of the Apes (2001)

Directed by: Tim Burton

Cinematography by: Philippe Rousselot

Edited by: Chris Lebenzon

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Pearl Harbor | ShotOnWhat?

Carpenter, Propmaker

Pearl Harbor (2001)

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Roger Barton, Mark Goldblatt, Chris Lebenzon, Steven Rosenblum

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

Little Nicky | ShotOnWhat?

Propmaker Foreman

Little Nicky (2000)

Directed by: Steven Brill

Cinematography by: Theo van de Sande

Edited by: Jeff Gourson

Cameras: Panavision Cameras

Thirteen Days | ShotOnWhat?

Propmaker

Thirteen Days (2000)

Directed by: Roger Donaldson

Cinematography by: Andrzej Bartkowiak

Edited by: Conrad Buff IV

Gone in Sixty Seconds | ShotOnWhat?

Foreman

Gone in 60 Seconds (2000)

Directed by: Dominic Sena

Cinematography by: Paul Cameron

Edited by: Roger Barton, Chris Lebenzon, Tom Muldoon

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Bicentennial Man | ShotOnWhat?

Carpenter

Bicentennial Man (1999)

Directed by: Chris Columbus

Cinematography by: Phil Meheux

Edited by: Nicolas De Toth, Neil Travis

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision Primo Classic Spherical Lenses

Mystery Men | ShotOnWhat?

Carpenter / Propmaker Foreman

Mystery Men (1999)

Directed by: Kinka Usher

Cinematography by: Stephen H. Burum

Edited by: Conrad Buff IV

Speed 2: Cruise Control | ShotOnWhat?

Carpenter / Construction Foreman

Speed 2: Cruise Control (1997)

Directed by: Jan de Bont

Cinematography by: Jack N. Green

Edited by: Alan Cody

Red Corner | ShotOnWhat?

Carpenter

Red Corner (1997)

Directed by: Jon Avnet

Cinematography by: Karl Walter Lindenlaub

Edited by: Peter E. Berger

Last Man Standing | ShotOnWhat?

Carpenter

Last Man Standing (1996)

Directed by: Walter Hill

Cinematography by: Lloyd Ahern II

Edited by: Freeman A. Davies

The Glimmer Man | ShotOnWhat?

Carpenter

The Glimmer Man (1996)

Directed by: John Gray

Cinematography by: Rick Bota

Edited by: Donn Cambern

Outbreak | ShotOnWhat?

Art Department

Outbreak (1995)

Directed by: Wolfgang Petersen

Cinematography by: Michael Ballhaus

Edited by: William Hoy, Lynzee Klingman, Stephen E. Rivkin, Neil Travis

Jade | ShotOnWhat?

Propmaker

Jade (1995)

Directed by: William Friedkin

Cinematography by: Andrzej Bartkowiak

Edited by: Augie Hess

On Deadly Ground | ShotOnWhat?

Carpenter

On Deadly Ground (1994)

Directed by: Steven Seagal

Cinematography by: Ric Waite

Edited by: Don Brochu, Robert A. Ferretti

Sliver | ShotOnWhat?

Carpenter

Sliver (1993)

Directed by: Phillip Noyce

Cinematography by: Vilmos Zsigmond

Edited by: Richard Francis-Bruce, William Hoy, Bert Lovitt

Coneheads | ShotOnWhat?

Foreman

Coneheads (1993)

Directed by: Steve Barron

Cinematography by: Francis Kenny

Edited by: Paul Trejo

Rising Sun | ShotOnWhat?

Propmaker

Rising Sun (1993)

Directed by: Philip Kaufman

Cinematography by: Michael Chapman

Edited by: Stephen A. Rotter, William S. Scharf

Free Willy | ShotOnWhat?

Foreman

Free Willy (1993)

Directed by: Simon Wincer

Cinematography by: Robbie Greenberg

Edited by: O. Nicholas Brown

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Wayne's World | ShotOnWhat?

Foreman

Wayne's World (1992)

Directed by: Penelope Spheeris

Cinematography by: Theo van de Sande

Edited by: Malcolm Campbell

Final Analysis | ShotOnWhat?

Carpenter

Final Analysis (1992)

Directed by: Phil Joanou

Cinematography by: Jordan Cronenweth

Edited by: Thom Noble

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Forever Young | ShotOnWhat?

Propmaker

Forever Young (1992)

Directed by: Steve Miner

Cinematography by: Russell Boyd

Edited by: Jon Poll

Batman Returns | ShotOnWhat?

Carpenter

Batman Returns (1992)

Directed by: Tim Burton

Cinematography by: Stefan Czapsky

Edited by: Bob Badami, Chris Lebenzon

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision Primo Primes Spherical Lenses

Oscar | ShotOnWhat?

Propmaker

Oscar (1991)

Directed by: John Landis

Cinematography by: Mac Ahlberg

Edited by: Dale Beldin

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