Mika Saito

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Tenet | ShotOnWhat?

Unit Production Manager: India

Tenet (2020)

Directed by: Christopher Nolan

Cinematography by: Hoyte Van Hoytema

Edited by: Jennifer Lame

Cameras: ARRIFLEX 765 Camera, IMAX MKIII Reflex Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision System 65 Camera

Lenses: Hasselblad Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Red Sparrow | ShotOnWhat?

Unit Production Manager

Red Sparrow (2018)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Allegiant | ShotOnWhat?

Production Supervisor

Allegiant (2016)

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Stuart Levy

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Zoom Lenses, ARRI / Zeiss Master Anamorphic Lenses, ARRI Anamorphic Ultra Wide Zoom 19-36mm T4.2 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Leitz Summilux-C Series Lenses

Magic Mike XXL | ShotOnWhat?

Production Supervisor

Magic Mike XXL (2015)

Directed by: Gregory Jacobs

Cinematography by: Steven Soderbergh

Edited by: Steven Soderbergh

Cameras: Red Epic Dragon Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses

The Hunger Games: Mockingjay - Part 2 | ShotOnWhat?

Production Supervisor

The Hunger Games: Mockingjay - Part 2 (2015)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell, Mark Yoshikawa

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Hunger Games: Mockingjay - Part 1 | ShotOnWhat?

Production Supervisor

The Hunger Games: Mockingjay - Part 1 (2014)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell, Mark Yoshikawa

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Oblivion | ShotOnWhat?

Production Supervisor: Iceland

Oblivion (2013)

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: Richard Francis-Bruce

Cameras: Red Epic Camera, Sony CineAlta F65 Camera

Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens

Editing System: Avid Editing System

The Dark Knight Rises | ShotOnWhat?

Production Coordinator, Production Supervisor

The Dark Knight Rises (2012)

Directed by: Christopher Nolan

Cinematography by: Wally Pfister

Edited by: Lee Smith

Cameras: ARRIFLEX 235 Camera, Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera, Panavision System 65 Camera

Lenses: Hasselblad Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Transformers: Dark of the Moon | ShotOnWhat?

Production Coordinator

Transformers: Dark of the Moon (2011)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, William Goldenberg, Joel Negron

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Due Date | ShotOnWhat?

Production Supervisor: Second Unit

Due Date (2010)

Directed by: Todd Phillips

Cinematography by: Lawrence Sher

Edited by: Debra Neil-Fisher

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

Production Supervisor: Los Angeles Live Action

Avatar (2009)

Directed by: James Cameron

Cinematography by: Mauro Fiore

Edited by: James Cameron, John Refoua, Stephen E. Rivkin

Cameras: Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony HDC-F950 Camera

Lenses: Canon Lenses, Fujinon HA16x6.3BE 6.3-101 mm T1.8 Lens, Fujinon HA5x7B-W50 7-35 mm Lens, Fujinon Lenses

Editing System: Adobe Premiere Editing System, Autodesk Smoke Editing System, Avid Editing System

Public Enemies | ShotOnWhat?

Second Assistant Accountant

Public Enemies (2009)

Directed by: Michael Mann

Cinematography by: Dante Spinotti

Edited by: Jeffrey Ford, Paul Rubell

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Sony HDC-F950 Camera, Sony PMW-EX1 Camera

Lenses: Cooke S4 Lenses, Fujinon E Series Lenses, Zeiss DigiPrime Lenses

G-Force | ShotOnWhat?

Production Coordinator

G-Force (2009)

Directed by: Hoyt Yeatman

Cinematography by: Bojan Bazelli

Edited by: Mark Goldblatt, Jason Hellmann

Twilight | ShotOnWhat?

Production Coordinator

Twilight (2008)

Directed by: Catherine Hardwicke

Cinematography by: Elliot Davis

Edited by: Nancy Richardson

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

The Curious Case of Benjamin Button | ShotOnWhat?

Production Coordinator: Los Angeles

The Curious Case of Benjamin Button (2008)

Directed by: David Fincher

Cinematography by: Claudio Miranda

Edited by: Kirk Baxter, Angus Wall

Cameras: ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Thomson Viper Camera

Lenses: Zeiss DigiPrime Lenses

Editing System: Final Cut Pro Editing System

Transformers | ShotOnWhat?

Production Coordinator: Las Vegas

Transformers (2007)

Directed by: Michael Bay

Cinematography by: Mitchell Amundsen

Edited by: Tom Muldoon, Paul Rubell, Glen Scantlebury

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Angenieux HR 25-250 mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens

Editing System: Avid Editing System, Final Cut Pro Editing System

Big Momma's House 2 | ShotOnWhat?

Utility Stunts

Big Momma's House 2 (2006)

Directed by: John Whitesell

Cinematography by: Mark Irwin

Edited by: Priscilla Nedd-Friendly

X-Men: The Last Stand | ShotOnWhat?

Production Supervisor

X-Men: The Last Stand (2006)

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Goldblatt, Mark Helfrich, Julia Wong

Æon Flux | ShotOnWhat?

Assistant Stunt Coordinator

Æon Flux (2005)

Directed by: Karyn Kusama

Cinematography by: Stuart Dryburgh

Edited by: Jeff Gullo, Peter Honess, Plummy Tucker

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Cooke Varotal Lenses

Cursed | ShotOnWhat?

Stunt Performer

Cursed (2005)

Directed by: Wes Craven

Cinematography by: Robert McLachlan

Edited by: Patrick Lussier, Lisa Mozden

Mr 3000 | ShotOnWhat?

Production Coordinator: Additional Photography

Mr 3000 (2004)

Directed by: Charles Stone III

Cinematography by: Shane Hurlbut

Edited by: Bill Pankow

The Alamo | ShotOnWhat?

Production Coordinator

The Alamo (2004)

Directed by: John Lee Hancock

Cinematography by: Dean Semler

Edited by: Eric L. Beason

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Big Fish | ShotOnWhat?

Stunts

Big Fish (2003)

Directed by: Tim Burton

Cinematography by: Philippe Rousselot

Edited by: Chris Lebenzon

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Hulk | ShotOnWhat?

Stunts

Hulk (2003)

Directed by: Ang Lee

Cinematography by: Frederick Elmes

Edited by: Tim Squyres

Cameras: ARRIFLEX 535 B Camera

Lenses: Cooke Panchro/i Classic Lenses, Cooke S4 Lenses

Duplex | ShotOnWhat?

Utility Stunts

Duplex (2003)

Directed by: Danny DeVito

Cinematography by: Anastas N. Michos

Edited by: Greg Hayden, Lynzee Klingman

Men in Black II | ShotOnWhat?

Stunts

Men in Black II (2002)

Directed by: Barry Sonnenfeld

Cinematography by: Greg Gardiner

Edited by: Richard Pearson, Steven Weisberg

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Planet of the Apes | ShotOnWhat?

Production Coordinator

Planet of the Apes (2001)

Directed by: Tim Burton

Cinematography by: Philippe Rousselot

Edited by: Chris Lebenzon

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Cast Away | ShotOnWhat?

Production Coordinator: Memphis

Cast Away (2000)

Directed by: Robert Zemeckis

Cinematography by: Don Burgess

Edited by: Arthur Schmidt

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Classic Spherical Lenses

How the Grinch Stole Christmas | ShotOnWhat?

Production Coordinator: Second Unit

How the Grinch Stole Christmas (2000)

Directed by: Ron Howard

Cinematography by: Donald Peterman

Edited by: Daniel P. Hanley, Mike Hill

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision SL10 10 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL35-CF 35 mm T1.8 Lens

Deep Blue Sea | ShotOnWhat?

Assistant Coordinator / Second Unit Coordinator

Deep Blue Sea (1999)

Directed by: Renny Harlin

Cinematography by: Stephen F. Windon

Edited by: Derek Brechin, Dallas Puett, Frank J. Urioste

The Parent Trap | ShotOnWhat?

Assistant Production Coordinator

The Parent Trap (1998)

Directed by: Nancy Meyers

Cinematography by: Dean Cundey

Edited by: Stephen A. Rotter

Midnight in the Garden of Good and Evil | ShotOnWhat?

Assistant Production Coordinator

Midnight in the Garden of Good and Evil (1997)

Directed by: Clint Eastwood

Cinematography by: Jack N. Green

Edited by: Joel Cox

Cameras: Panavision Cameras

Volcano | ShotOnWhat?

Production Secretary

Volcano (1997)

Directed by: Mick Jackson

Cinematography by: Theo van de Sande

Edited by: Don Brochu, Michael Tronick

Speed 2: Cruise Control | ShotOnWhat?

Assistant Production Coordinator

Speed 2: Cruise Control (1997)

Directed by: Jan de Bont

Cinematography by: Jack N. Green

Edited by: Alan Cody

Lethal Weapon 3 | ShotOnWhat?

Staff Assistant

Lethal Weapon 3 (1992)

Directed by: Richard Donner

Cinematography by: Jan de Bont

Edited by: Robert Brown, Battle Davis

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

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