David Giammarco

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Indiana Jones and the Dial of Destiny | ShotOnWhat?

Re-recording Mixer: Fox Studio Lot

Indiana Jones and the Dial of Destiny (2023)

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: Andrew Buckland, Michael McCusker, Dirk Westervelt

Cameras: ARRI ALEXA LF Camera, ARRI ALEXA Mini LF Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Sound of Freedom | ShotOnWhat?

Re-recording Mixer

Sound of Freedom (2023)

Directed by: Alejandro Monteverde

Cinematography by: Gorka Gómez Andreu

Edited by: Brian Scofield

Cameras: ARRI ALEXA Camera

The Last Duel | ShotOnWhat?

Re-recording Mixer

The Last Duel (2021)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Claire Simpson

Cameras: ARRI ALEXA Mini LF Camera

Lenses: Angenieux Type EZ-1 S35 30-90 mm T3.0 Lens, Angenieux Type EZ-2 S35 15-40 mm T2.0 Lens, Panavision 65 Vintage Series Lenses

Ford v Ferrari | ShotOnWhat?

Re-recording Mixer / Sound Designer

Ford v Ferrari (2019)

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: Andrew Buckland, Michael McCusker, Dirk Westervelt

Cameras: ARRI ALEXA LF Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision H Series Lenses, Panavision T Series Anamorphic Lenses

The Hate U Give | ShotOnWhat?

Re-recording Mixer

The Hate U Give (2018)

Directed by: George Tillman Jr.

Cinematography by: Mihai Malaimare Jr.

Edited by: Alex Blatt, Craig Hayes

Cameras: Panavision Millennium DXL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision Primo 70 Lenses, Panavision Ultra Panatar Anamorphic Lenses

The Predator | ShotOnWhat?

Re-recording Mixer

The Predator (2018)

Directed by: Shane Black

Cinematography by: Larry Fong

Edited by: Harry B. Miller III

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Series Cameras

Lenses: Panavision Ultra Speed MKII Lenses

Love, Simon | ShotOnWhat?

Re-recording Mixer

Love, Simon (2018)

Directed by: Greg Berlanti

Cinematography by: John Guleserian

Edited by: Harry Jierjian

Cameras: ARRI ALEXA XT Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses

Flatliners | ShotOnWhat?

Re-recording Mixer

Flatliners (2017)

Directed by: Niels Arden Oplev

Cinematography by: Eric Kress

Edited by: Tom Elkins

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision Lenses

Logan | ShotOnWhat?

Re-recording Mixer

Logan (2017)

Directed by: James Mangold

Cinematography by: John Mathieson

Edited by: Michael McCusker, Dirk Westervelt

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera, Sony α7S II Camera

Lenses: Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

A Cure for Wellness | ShotOnWhat?

Re-recording Mixer

A Cure for Wellness (2016)

Directed by: Gore Verbinski

Cinematography by: Bojan Bazelli

Edited by: Pete Beaudreau, Lance Pereira

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRI ALEXA XT Studio Camera

Lenses: Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Think Like a Man Too | ShotOnWhat?

Re-recording Mixer

Think Like a Man Too (2014)

Directed by: Tim Story

Cinematography by: Christopher Duskin

Edited by: Peter S. Elliot

Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses: Panavision Super Speed Lenses

The Amazing Spider-Man 2 | ShotOnWhat?

Re-recording Mixer

The Amazing Spider-Man 2 (2014)

Directed by: Marc Webb

Cinematography by: Dan Mindel

Edited by: Pietro Scalia

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

About Last Night | ShotOnWhat?

Re-recording Mixer

About Last Night (2014)

Directed by: Steve Pink

Cinematography by: Michael Barrett

Edited by: Tracey Wadmore-Smith, Shelly Westerman

Cameras: Sony CineAlta F65 Camera

Lenses: Leitz Summilux-C Series Lenses

The Interview | ShotOnWhat?

Re-recording Mixer

The Interview (2014)

Directed by: Evan Goldberg, Seth Rogen

Cinematography by: Brandon Trost

Edited by: Zene Baker, Evan Henke

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

The Mortal Instruments: City of Bones | ShotOnWhat?

Re-recording Mixer

The Mortal Instruments: City of Bones (2013)

Directed by: Harald Zwart

Cinematography by: Geir Hartly Andreassen

Edited by: Jacqueline Carmody

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision G Series Anamorphic Lenses

The Host | ShotOnWhat?

Co-supervising Adr Editor / Co-supervising Dialogue Editor / Re-recording Mixer

The Host (2013)

Directed by: Andrew Niccol

Cinematography by: Roberto Schaefer

Edited by: Thomas J. Nordberg

Cameras: ARRI ALEXA Camera

After Earth | ShotOnWhat?

Re-recording Mixer

After Earth (2013)

Directed by: M. Night Shyamalan

Cinematography by: Peter Suschitzky

Edited by: Steven Rosenblum

Cameras: Canon EOS-C500 Camera, Sony CineAlta F65 Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Cooke S4 Lenses

The Amazing Spider-Man | ShotOnWhat?

Re-recording Mixer

The Amazing Spider-Man (2012)

Directed by: Marc Webb

Cinematography by: John Schwartzman

Edited by: Alan Edward Bell, Michael McCusker, Pietro Scalia

Cameras: Red Epic Camera

Lenses: Panavision Primo Primes Spherical Lenses

Think Like a Man | ShotOnWhat?

Re-recording Mixer

Think Like a Man (2012)

Directed by: Tim Story

Cinematography by: Larry Blanford

Edited by: Peter S. Elliot

Cameras: Red Epic Camera

Total Recall | ShotOnWhat?

Re-recording Mixer

Total Recall (2012)

Directed by: Len Wiseman

Cinematography by: Paul Cameron

Edited by: Christian Wagner

Cameras: ARRIFLEX 35 III Camera, Red Epic Camera, Weisscam HS-2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

In Time | ShotOnWhat?

Re-recording Mixer

In Time (2011)

Directed by: Andrew Niccol

Cinematography by: Roger Deakins

Edited by: Zach Staenberg

Cameras: ARRI ALEXA Camera

Lenses: Zeiss Master Prime Lenses

Moneyball | ShotOnWhat?

Re-recording Mixer

Moneyball (2011)

Directed by: Bennett Miller

Cinematography by: Wally Pfister

Edited by: Christopher Tellefsen

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Help | ShotOnWhat?

Re-recording Mixer

The Help (2011)

Directed by: Tate Taylor

Cinematography by: Stephen Goldblatt

Edited by: Hughes Winborne

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Battle Los Angeles | ShotOnWhat?

Re-recording Mixer

Battle Los Angeles (2011)

Directed by: Jonathan Liebesman

Cinematography by: Lukas Ettlin

Edited by: Christian Wagner

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony PMW-EX3 Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Tooth Fairy | ShotOnWhat?

Re-recording Mixer

Tooth Fairy (2010)

Directed by: Michael Lembeck

Cinematography by: David Tattersall

Edited by: David Finfer

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

Knight and Day | ShotOnWhat?

Re-recording Mixer

Knight and Day (2010)

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: Quincy Z. Gunderson, Michael McCusker

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

How Do You Know | ShotOnWhat?

Re-recording Mixer

How Do You Know (2010)

Directed by: James L. Brooks

Cinematography by: Janusz Kaminski

Edited by: Richard Marks, Tracey Wadmore-Smith

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Robin Hood | ShotOnWhat?

Re-recording Mixer

Robin Hood (2010)

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Pietro Scalia

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Panavision Genesis Camera

Lenses: Angenieux Optimo Zoom Lenses, Optica Elite Lenses, Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Night at the Museum: Battle of the Smithsonian | ShotOnWhat?

Sound Mixer

Night at the Museum: Battle of the Smithsonian (2009)

Directed by: Shawn Levy

Cinematography by: John Schwartzman

Edited by: Dean Zimmerman, Don Zimmerman

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Red One Camera

Lenses: Panavision Primo Anamorphic Lenses

All About Steve | ShotOnWhat?

Re-recording Mixer

All About Steve (2009)

Directed by: Phil Traill

Cinematography by: Tim Suhrstedt

Edited by: Rod Dean, Virginia Katz

Cameras: Panavision Cameras

This Is It | ShotOnWhat?

Re-recording Mixer

This Is It (2009)

Directed by: Kenny Ortega

Cinematography by: Sandrine Orabona, Tim Patterson

Edited by: Don Brochu, Brandon Key, Tim Patterson, Kevin Stitt

Cameras: Red One Camera

The Taking of Pelham 1 2 3 | ShotOnWhat?

Re-recording Mixer

The Taking of Pelham 123 (2009)

Directed by: Tony Scott

Cinematography by: Tobias A. Schliessler

Edited by: Chris Lebenzon

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

It's Complicated | ShotOnWhat?

Re-recording Sound Mixer

It's Complicated (2009)

Directed by: Nancy Meyers

Cinematography by: John Toll

Edited by: Joe Hutshing, David Moritz

Star Trek | ShotOnWhat?

Re-Recording Mixer

Star Trek (2009)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System, Avid Editing System

X-Men Origins: Wolverine | ShotOnWhat?

Re-recording Mixer

X-Men Origins: Wolverine (2009)

Directed by: Gavin Hood

Cinematography by: Donald McAlpine

Edited by: Nicolas De Toth, Megan Gill

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Editing System: Final Cut Pro Editing System

Jumper | ShotOnWhat?

Re-recording Mixer

Jumper (2008)

Directed by: Doug Liman

Cinematography by: Barry Peterson

Edited by: Saar Klein, Dean Zimmerman, Don Zimmerman

Cameras: Panavision Cameras, Red One Camera

Meet Dave | ShotOnWhat?

Re-recording Mixer

Meet Dave (2008)

Directed by: Brian Robbins

Cinematography by: Clark Mathis

Edited by: Ned Bastille

Pineapple Express | ShotOnWhat?

Re-recording Mixer

Pineapple Express (2008)

Directed by: David Gordon Green

Cinematography by: Tim Orr

Edited by: Craig Alpert

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

The Spirit | ShotOnWhat?

Re-recording Mixer

The Spirit (2008)

Directed by: Frank Miller

Cinematography by: Bill Pope

Edited by: Gregory Nussbaum

What Happens in Vegas | ShotOnWhat?

Re-recording Mixer

What Happens in Vegas (2008)

Directed by: Tom Vaughan

Cinematography by: Matthew F. Leonetti

Edited by: Matt Friedman

Cameras: Panavision Cameras

3:10 to Yuma | ShotOnWhat?

Sound Mixer

3:10 to Yuma (2007)

Directed by: James Mangold

Cinematography by: Phedon Papamichael

Edited by: Michael McCusker

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

The Seeker: The Dark Is Rising | ShotOnWhat?

Sound Mixer

The Seeker: The Dark Is Rising (2007)

Directed by: David L. Cunningham

Cinematography by: Joel Ransom

Edited by: Geoffrey Rowland, Eric A. Sears

Cameras: Panavision Cameras

Night at the Museum | ShotOnWhat?

Sound Mixer

Night at the Museum (2006)

Directed by: Shawn Levy

Cinematography by: Guillermo Navarro

Edited by: Don Zimmerman

Nacho Libre | ShotOnWhat?

Re-recording Mixer / Supervising Sound Editor

Nacho Libre (2006)

Directed by: Jared Hess

Cinematography by: Xavier Grobet

Edited by: Billy Weber

For Your Consideration | ShotOnWhat?

Re-recording Mixer

For Your Consideration (2006)

Directed by: Christopher Guest

Cinematography by: Roberto Schaefer

Edited by: Robert Leighton

Cameras: Aaton XTR Prod Camera, Ultracam 35 Camera

Lenses: Angenieux HR 25-250 mm T3.5 Lens, Angenieux HR Zoom Lenses, Canon Lenses, Zeiss Lenses

Amazing Grace | ShotOnWhat?

Sound Mixer

Amazing Grace (2006)

Directed by: Michael Apted

Cinematography by: Remi Adefarasin

Edited by: Rick Shaine

Cameras: ARRI Cameras

The Last Kiss | ShotOnWhat?

Re-recording Mixer / Supervising Sound Editor

The Last Kiss (2006)

Directed by: Tony Goldwyn

Cinematography by: Tom Stern

Edited by: Lisa Zeno Churgin

In Her Shoes | ShotOnWhat?

Supervising Sound Editor

In Her Shoes (2005)

Directed by: Curtis Hanson

Cinematography by: Terry Stacey

Edited by: Lisa Zeno Churgin, Craig Kitson

Bewitched | ShotOnWhat?

Dialogue Editor

Bewitched (2005)

Directed by: Nora Ephron

Cinematography by: John Lindley

Edited by: Tia Nolan

The Life Aquatic with Steve Zissou | ShotOnWhat?

Re-recording Mixer / Supervising Sound Editor

The Life Aquatic with Steve Zissou (2004)

Directed by: Wes Anderson

Cinematography by: Robert D. Yeoman

Edited by: David Moritz

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

The Lizzie McGuire Movie | ShotOnWhat?

Re-recording Mixer / Supervising Sound Editor

The Lizzie McGuire Movie (2003)

Directed by: Jim Fall

Cinematography by: Jerzy Zielinski

Edited by: Margaret Goodspeed

Cameras: Panavision Cameras

Divine Secrets of the Ya-Ya Sisterhood | ShotOnWhat?

Supervising Sound Editor

Divine Secrets of the Ya-Ya Sisterhood (2002)

Directed by: Callie Khouri

Cinematography by: John Bailey

Edited by: Andrew Marcus

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

America's Sweethearts | ShotOnWhat?

Supervising Sound Editor

America's Sweethearts (2001)

Directed by: Joe Roth

Cinematography by: Phedon Papamichael

Edited by: Stephen A. Rotter

What Women Want | ShotOnWhat?

Sound Effects Editor

What Women Want (2000)

Directed by: Nancy Meyers

Cinematography by: Dean Cundey

Edited by: Thomas J. Nordberg, Stephen A. Rotter

Mission: Impossible II | ShotOnWhat?

Adr Editor

Mission: Impossible II (2000)

Directed by: John Woo

Cinematography by: Jeffrey L. Kimball

Edited by: Steven Kemper, Christian Wagner

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Meet the Parents | ShotOnWhat?

Dialogue Editor

Meet the Parents (2000)

Directed by: Jay Roach

Cinematography by: Peter James

Edited by: Greg Hayden, Jon Poll

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Wonder Boys | ShotOnWhat?

Supervising Sound Editor

Wonder Boys (2000)

Directed by: Curtis Hanson

Cinematography by: Dante Spinotti

Edited by: Dede Allen

Cameras: Panavision Panaflex Millennium Camera

Lenses: Panavision Frazier Lenses, Panavision Primo Primes Spherical Lenses, Panavision Slant Focus Lenses

Passion of Mind | ShotOnWhat?

Supervising Sound Editor

Passion of Mind (2000)

Directed by: Alain Berliner

Cinematography by: Eduardo Serra

Edited by: Anne V. Coates

Cameras: Panavision Cameras

The Nephew | ShotOnWhat?

Adr: Los Angeles

The Nephew (1998)

Directed by: Eugene Brady

Cinematography by: Jack Conroy

Edited by: J. Patrick Duffner

The Big Hit | ShotOnWhat?

Adr Supervisor

The Big Hit (1998)

Directed by: Kirk Wong

Cinematography by: Danny Nowak

Edited by: Robin Russell, Pietro Scalia

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

The Parent Trap | ShotOnWhat?

Dialogue Editor

The Parent Trap (1998)

Directed by: Nancy Meyers

Cinematography by: Dean Cundey

Edited by: Stephen A. Rotter

Leave It to Beaver | ShotOnWhat?

Foley Editor

Leave It to Beaver (1997)

Directed by: Andy Cadiff

Cinematography by: Thomas Del Ruth

Edited by: Alan Heim

As Good as It Gets | ShotOnWhat?

Supervising Sound Editor

As Good as It Gets (1997)

Directed by: James L. Brooks

Cinematography by: John Bailey

Edited by: Richard Marks

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Lolita | ShotOnWhat?

Adr Editor

Lolita (1997)

Directed by: Adrian Lyne

Cinematography by: Howard Atherton

Edited by: David Brenner, Julie Monroe

Cameras: Panavision Panaflex Series Cameras

Lenses: Panavision Lenses

Editing System: Avid Editing System

Dunston Checks In | ShotOnWhat?

Supervising Adr Editor

Dunston Checks In (1996)

Directed by: Ken Kwapis

Cinematography by: Peter Lyons Collister

Edited by: Jon Poll

Cameras: Panavision Cameras

French Kiss | ShotOnWhat?

Dialogue Editor

French Kiss (1995)

Directed by: Lawrence Kasdan

Cinematography by: Owen Roizman

Edited by: Joe Hutshing

Cameras: Panavision Panaflex Camera

Lenses: Panavision E Series Anamorphic Lenses

Under Siege 2: Dark Territory | ShotOnWhat?

Dialogue Editor

Under Siege 2: Dark Territory (1995)

Directed by: Geoff Murphy

Cinematography by: Robbie Greenberg

Edited by: Michael Tronick

Groundhog Day | ShotOnWhat?

Sound Editor

Groundhog Day (1993)

Directed by: Harold Ramis

Cinematography by: John Bailey

Edited by: Pembroke J. Herring

Rudy | ShotOnWhat?

Supervising Adr Editor

Rudy (1993)

Directed by: David Anspaugh

Cinematography by: Oliver Wood

Edited by: David Rosenbloom

Boyz n the Hood | ShotOnWhat?

Assistant Film Editor

Boyz n the Hood (1991)

Directed by: John Singleton

Cinematography by: Charles Mills

Edited by: Bruce Cannon

Cameras: ARRI Cameras

Lenses: ARRI / Zeiss Lenses

Class Action | ShotOnWhat?

Dialogue Editor

Class Action (1991)

Directed by: Michael Apted

Cinematography by: Conrad L. Hall

Edited by: Ian Crafford

Dead Ringers | ShotOnWhat?

Second Assistant Editor, Sound Editor

Dead Ringers (1988)

Directed by: David Cronenberg

Cinematography by: Peter Suschitzky

Edited by: Ronald Sanders

The Fly | ShotOnWhat?

Assistant Sound Editor

The Fly (1986)

Directed by: David Cronenberg

Cinematography by: Mark Irwin

Edited by: Ronald Sanders

Cameras: ARRIFLEX Camera

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