Re-recording Mixer
The Beekeeper (2024)
Directed by: David Ayer
Cinematography by: Gabriel Beristain
Edited by: Geoffrey O'Brien
Cameras: ARRI Alexa 35 Camera
Sound Designer / Re-recording Mixer / Sound Mixer - 11 Episodes, 2022
The Sandman (2022)
Directed by: Jamie Childs, Andrés Baiz, Louise Hooper, Hisko Hulsing, Mairzee Almas, Mike Barker, Coralie Fargeat
Cameras: Red Monstro 8K Camera
Additional Re-recording Mixer
Creed II (2018)
Directed by: Steven Caple Jr.
Cinematography by: Kramer Morgenthau
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Sound Effects Editor
Blade Runner 2049 (2017)
Directed by: Denis Villeneuve
Cinematography by: Roger Deakins
Edited by: Joe Walker
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera, ARRI ALEXA XT Series Cameras, ARRI ALEXA XT Studio Camera
Lenses: ARRI / Zeiss Zoom Lenses, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Re-recording Mixer
'Arrow' Underneath (2017)
Directed by: Wendey Stanzler
Cinematography by: Corey Robson
Edited by: Jessie Murray
Sound Designer
Mad Max: Fury Road (2015)
Directed by: George Miller
Cinematography by: John Seale
Edited by: Margaret Sixel
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Blackmagic Cinema Camera, Canon EOS-5D Mark II Camera, Nikon D800 Camera, Olympus E-P5 Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses
Editing System: Avid Editing System
Dialogue Editor
We Are Your Friends (2015)
Directed by: Max Joseph
Cinematography by: Brett Pawlak
Cameras: Red Epic Dragon Camera
Re-recording Mixer / Supervising Sound Editor
Anomalisa (2015)
Cinematography by: Joe Passarelli
Edited by: Garret Elkins
Cameras: Canon EOS-7D Camera
Sound Designer / Supervising Sound Editor
Dolphin Tale 2 (2014)
Directed by: Charles Martin Smith
Cinematography by: Daryn Okada
Edited by: Harvey Rosenstock
Cameras: Sony PMW-F55 Camera
Co-supervising Sound Editor
Neighbors (2014)
Directed by: Nicholas Stoller
Cinematography by: Brandon Trost
Edited by: Zene Baker
Cameras: ARRI ALEXA Camera, Red Epic Camera
Supervising Sound Editor
Deliverance Creek (2014)
Directed by: Jon Amiel
Cinematography by: Theo van de Sande
Edited by: Josh Beal
Cameras: ARRI ALEXA Camera
Sound Effects Editor
This Is the End (2013)
Cinematography by: Brandon Trost
Edited by: Zene Baker
Cameras: Panavision Cameras, Red Epic Camera
Sound Effects Designer
Man of Steel (2013)
Directed by: Zack Snyder
Cinematography by: Amir Mokri
Edited by: David Brenner
Sound Effects Editor
Won't Back Down (2012)
Directed by: Daniel Barnz
Cinematography by: Roman Osin
Edited by: Kristina Boden
Cameras: ARRICAM Lite (LT) Camera
Re-recording Mixer - 1 Episode, 2017
Arrow (2012)
Directed by: James Bamford, John Behring, Glen Winter, Michael Schultz, Wendey Stanzler, Gregory Smith, Laura Belsey, Guy Norman Bee, Nick Copus, Jesse Warn, Gordon Verheul, Antonio Negret, Kristin Windell, Thor Freudenthal, Eagle Egilsson, Rob Hardy, Dermott Downs, Kevin Tancharoen, Mark Bunting, Ben Hernandez Bray, Joel Novoa, Tara Miele, David Barrett, Kenneth Fink, Douglas Aarniokoski, Mairzee Almas, J.J. Makaro, Ken Shane, Andi Armaganian, Alexandra La Roche, David Ramsey, John Dahl, David Grossman, Vincent Misiano, David Nutter, Michael Offer, Bethany Rooney, Peter Leto, Stephen Surjik, Larry Teng, Lexi Alexander, John Badham, Dwight H. Little, Charlotte Brändström, Kevin Fair, John F. Showalter, Mary Lambert, Katie Cassidy, Ruba Nadda, Patia Prouty, Marcus Stokes, Avi Youabian
Cinematography by: Gordon Verheul, Corey Robson, Glen Winter, Neil Cervin, Bruce Worrall, C. Kim Miles, Chris Banting, Gregory Middleton, Todd Elyzen, Shamus Whiting-Hewlett
Edited by: Kristin Windell, Andi Armaganian, Patrick Brian, Jessie Murray, Thomas Wallerstein, Paul Karasick, David Holland, Carol Stutz, Dexter N. Adriano, Iris Hershner, Jennifer Hoks
Cameras: ARRI ALEXA Camera
Lenses: Angenieux HP Zoom Lenses
Sound Effects Editor
One for the Money (2012)
Directed by: Julie Anne Robinson
Cinematography by: Jim Whitaker
Edited by: Lisa Zeno Churgin
Additional Sound Supervision
Immortals (2011)
Directed by: Tarsem Singh
Cinematography by: Brendan Galvin
Supervising Sound Editor
5 Days of War (2011)
Directed by: Renny Harlin
Cinematography by: Checco Varese
Edited by: Brian Berdan
Sound Designer
Dolphin Tale (2011)
Directed by: Charles Martin Smith
Cinematography by: Karl Walter Lindenlaub
Edited by: Harvey Rosenstock
Cameras: Red One MX Camera
Supervising Sound Editor
Just Wright (2010)
Directed by: Sanaa Hamri
Cinematography by: Terry Stacey
Edited by: Melissa Kent
Sound Designer / Supervising Sound Editor
Yogi Bear (2010)
Directed by: Eric Brevig
Cinematography by: Peter James
Edited by: Kent Beyda
Sound Designer / Supervising Sound Editor
12 Rounds (2009)
Directed by: Renny Harlin
Cinematography by: David Boyd
Edited by: Brian Berdan
Supervising Sound Editor
Chaos Theory (2008)
Directed by: Marcos Siega
Cinematography by: Ramsey Nickell
Edited by: Nicholas Erasmus
Supervising Sound Editor
Get Smart (2008)
Directed by: Peter Segal
Cinematography by: Dean Semler
Edited by: Richard Pearson
Lenses: Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Sound Effects Editor
Nim's Island (2008)
Cinematography by: Stuart Dryburgh
Edited by: Stuart Levy
Cameras: Panavision Cameras
Sound Designer
The Assassination of Jesse James by the Coward Robert Ford (2007)
Directed by: Andrew Dominik
Cinematography by: Roger Deakins
Lenses: Cooke Lenses, Cooke S4 Lenses
Sound Designer / Supervising Sound Editor
The Condemned (2007)
Directed by: Scott Wiper
Cinematography by: Ross Emery
Edited by: Derek Brechin
Additional Sound Designer
The Brave One (2007)
Directed by: Neil Jordan
Cinematography by: Philippe Rousselot
Edited by: Tony Lawson
Cameras: Panavision Panaflex Camera
Sound Editor
Transformers (2007)
Directed by: Michael Bay
Cinematography by: Mitchell Amundsen
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Angenieux HR 25-250 mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens
Editing System: Avid Editing System, Final Cut Pro Editing System
Supervising Sound Editor
Unaccompanied Minors (2006)
Directed by: Paul Feig
Cinematography by: Christopher Baffa
Sound Effects Editor
All the King's Men (2006)
Directed by: Steven Zaillian
Cinematography by: Pawel Edelman
Edited by: Wayne Wahrman
Sound Effects Editor
Superman Returns (2006)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: Panavision Genesis Camera
Editing System: Adobe Premiere Editing System, Avid Editing System
Supervising Sound Editor
The Marine (2006)
Directed by: John Bonito
Cinematography by: David Eggby
Edited by: Dallas Puett
Sound Editor
Get Rich or Die Tryin' (2005)
Directed by: Jim Sheridan
Cinematography by: Declan Quinn
Cameras: Panavision Cameras
Sound Editor
The Interpreter (2005)
Directed by: Sydney Pollack
Cinematography by: Darius Khondji
Edited by: William Steinkamp
Supervising Sound Editor
The Big Bounce (2004)
Directed by: George Armitage
Cinematography by: Jeffrey L. Kimball
Supervising Sound Editor
Iron Jawed Angels (2004)
Directed by: Katja von Garnier
Cinematography by: Robbie Greenberg
Edited by: Hans Funck
Sound Editor
Starsky & Hutch (2004)
Directed by: Todd Phillips
Cinematography by: Barry Peterson
Edited by: Leslie Jones
Supervising Sound Editor
A Cinderella Story (2004)
Directed by: Mark Rosman
Cinematography by: Anthony B. Richmond
Edited by: Cara Silverman
Lenses: Panavision Lenses
Supervising Sound Editor
Confidence (2003)
Directed by: James Foley
Cinematography by: Juan Ruiz Anchía
Edited by: Stuart Levy
Supervising Sound Editor
Showtime (2002)
Directed by: Tom Dey
Cinematography by: Thomas Kloss
Edited by: Billy Weber
Sound Effects Editor
K-PAX (2001)
Directed by: Iain Softley
Cinematography by: John Mathieson
Edited by: Craig McKay
Supervising Sound Editor
Pay It Forward (2000)
Directed by: Mimi Leder
Cinematography by: Oliver Stapleton
Edited by: David Rosenbloom
Cameras: Panavision Cameras
Supervising Sound Editor
Battlefield Earth (2000)
Directed by: Roger Christian
Cinematography by: Giles Nuttgens
Edited by: Robin Russell
Sound Design Sequences
Deep Blue Sea (1999)
Directed by: Renny Harlin
Cinematography by: Stephen F. Windon
Sound Effects Editor
The Thin Red Line (1998)
Directed by: Terrence Malick
Cinematography by: John Toll
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses: Panavision C100 100 mm T2.8 Lens, Panavision C40 40 mm T2.8 Lens, Panavision C50 50 mm T2.3 Lens, Panavision C75 75 mm T2.5 Lens, Panavision Primo AL100 100 mm T2.0 Lens, Panavision Primo AL40 40 mm T2.0 Lens, Panavision Primo AL50 50 mm T2.0 Lens, Panavision Primo AL75 75 mm T2.0 Lens
Editing System: Avid Editing System
Sound Effects Editor
Deep Impact (1998)
Directed by: Mimi Leder
Cinematography by: Dietrich Lohmann
Cameras: ARRIFLEX 535 Camera
Sound Effects Editor
The Mask of Zorro (1998)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Thom Noble
Lenses: Cooke Lenses
Sound Effects Editor
The Peacemaker (1997)
Directed by: Mimi Leder
Cinematography by: Dietrich Lohmann
Edited by: David Rosenbloom
Sound Effects Editor
Murder at 1600 (1997)
Directed by: Dwight H. Little
Cinematography by: Steven Bernstein
Sound Editor
Truth or Consequences, N.M. (1997)
Directed by: Kiefer Sutherland
Cinematography by: Ric Waite
Edited by: Lawrence Jordan
Sound Effects Editor
The Glimmer Man (1996)
Directed by: John Gray
Cinematography by: Rick Bota
Edited by: Donn Cambern
Sound Effects Editor
Eraser (1996)
Directed by: Chuck Russell
Cinematography by: Adam Greenberg
Edited by: Michael Tronick
Sound Effects Editor
Under Siege 2: Dark Territory (1995)
Directed by: Geoff Murphy
Cinematography by: Robbie Greenberg
Edited by: Michael Tronick
Foley Editor
Hideaway (1995)
Directed by: Brett Leonard
Cinematography by: Gale Tattersall
Edited by: B.J. Sears
Sound Editor
The Quick and the Dead (1995)
Directed by: Sam Raimi
Cinematography by: Dante Spinotti
Edited by: Pietro Scalia
Sound Effects Editor
Blankman (1994)
Directed by: Mike Binder
Cinematography by: Newton Thomas Sigel
Edited by: Adam Weiss
Sound Editor
Guarding Tess (1994)
Directed by: Hugh Wilson
Cinematography by: Brian J. Reynolds
Edited by: Sidney Levin
Sound Effects Editor
Look Who's Talking Now (1993)
Directed by: Tom Ropelewski
Cinematography by: Oliver Stapleton
Sound Effects Editor
Rudy (1993)
Directed by: David Anspaugh
Cinematography by: Oliver Wood
Edited by: David Rosenbloom
Sound Editor
Poetic Justice (1993)
Directed by: John Singleton
Cinematography by: Peter Lyons Collister
Edited by: Bruce Cannon
Sound Effects Editor
Dracula (1992)
Directed by: Francis Ford Coppola
Cinematography by: Michael Ballhaus
Cameras: ARRIFLEX 535 Camera
