Sound Consultant: Dolby
Mother! (2017)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Andrew Weisblum
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 416 Camera
Dolby Consultant
Nine Lives (2016)
Directed by: Barry Sonnenfeld
Cinematography by: Karl Walter Lindenlaub
Cameras: ARRI ALEXA Mini Camera
Sound Consultant: Dolby
Carol (2015)
Directed by: Todd Haynes
Cinematography by: Edward Lachman
Edited by: Affonso Gonçalves
Cameras: ARRIFLEX 416 Camera
Sound Consultant: Dolby
A Walk Among the Tombstones (2014)
Directed by: Scott Frank
Cinematography by: Mihai Malaimare Jr.
Edited by: Jill Savitt
Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Engineer: Dolby
The Wolf of Wall Street (2013)
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 140 mm T3.5 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 135 mm T3.0 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Plus 80-180 mm T2.8 Lens, Hawk V-Series 180 mm T3.0 Lens, Zeiss Master Prime Lenses
Editing System: Lightworks Editing System
Sound Consultant: Dolby
Admission (2013)
Directed by: Paul Weitz
Cinematography by: Declan Quinn
Edited by: Joan Sobel
Cameras: ARRI ALEXA Studio Camera
Sound Consultant: Dolby
Thin Ice (2011)
Directed by: Jill Sprecher
Cinematography by: Dick Pope
Edited by: Lee Percy
Sound Consultant: Dolby
A Dangerous Method (2011)
Directed by: David Cronenberg
Cinematography by: Peter Suschitzky
Edited by: Ronald Sanders
Lenses: Cooke S4 Lenses
Sound Consultant: Dolby
Young Adult (2011)
Directed by: Jason Reitman
Cinematography by: Eric Steelberg
Edited by: Dana E. Glauberman
Cameras: ARRI ALEXA Camera
Lenses: Cooke S4 Lenses
Sound Consultant: Dolby
The Adjustment Bureau (2011)
Directed by: George Nolfi
Cinematography by: John Toll
Edited by: Jay Rabinowitz
Sound Consultant: Dolby
Hugo (2011)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Camera
Lenses: Cooke 5/i Lenses, Cooke S4 Lenses
Sound Consultant: Dolby
Another Earth (2011)
Directed by: Mike Cahill
Cinematography by: Mike Cahill
Edited by: Mike Cahill
Cameras: Sony PMW-EX3 Camera
Sound Consultant: Dolby
Courageous (2011)
Directed by: Alex Kendrick
Cinematography by: Bob Scott
Cameras: Canon EOS-5D Mark II Camera, Red One Camera
Lenses: Zeiss Lenses
Editing System: Final Cut Pro Editing System
Sound Consultant: Dolby
Martha Marcy May Marlene (2011)
Directed by: Sean Durkin
Cinematography by: Jody Lee Lipes
Edited by: Zachary Stuart-Pontier
Cameras: ARRICAM Lite (LT) Camera
Sound Consultant: Dolby
It's Kind of a Funny Story (2010)
Cinematography by: Andrij Parekh
Edited by: Anna Boden
Sound Technician: Dolby
Greenberg (2010)
Directed by: Noah Baumbach
Cinematography by: Harris Savides
Edited by: Tim Streeto
Consultant: Dolby
Resident Evil: Afterlife (2010)
Directed by: Paul W.S. Anderson
Cinematography by: Glen MacPherson
Edited by: Niven Howie
Editing System: Avid Editing System
Sound Consultant: Dolby
The Cove (2009)
Directed by: Louie Psihoyos
Cinematography by: Brook Aitken
Edited by: Geoffrey Richman
Cameras: Sony Other Camera, Sony PDW-F350 Camera
Sound Consultant: Dolby
Taking Woodstock (2009)
Directed by: Ang Lee
Cinematography by: Eric Gautier
Edited by: Tim Squyres
Sound Consultant: Dolby
The Limits of Control (2009)
Directed by: Jim Jarmusch
Cinematography by: Christopher Doyle
Edited by: Jay Rabinowitz
Sound Consultant: Dolby
Revolutionary Road (2008)
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Tariq Anwar
Lenses: Zeiss Master Prime Lenses
Editing System: Lightworks Editing System
Sound Consultant: Dolby
Crystal River (2008)
Directed by: Brett Levner
Cinematography by: Edwin Myers
Edited by: Jack Haigis
Sound Consultant: Dolby
The Reader (2008)
Directed by: Stephen Daldry
Edited by: Claire Simpson
Lenses: Zeiss Master Prime Lenses
Consultant: Dolby Sound
Rachel Getting Married (2008)
Directed by: Jonathan Demme
Cinematography by: Declan Quinn
Edited by: Tim Squyres
Cameras: Sony HDW-F900R Camera
Sound Consultant: Dolby
Doubt (2008)
Directed by: John Patrick Shanley
Cinematography by: Roger Deakins
Edited by: Dylan Tichenor
Cameras: ARRIFLEX 535 B Camera
Lenses: Zeiss Master Prime Lenses
Sound Consultant: Dolby
The Nanny Diaries (2007)
Cinematography by: Terry Stacey
Edited by: Robert Pulcini
Stereo Sound Consultant: Dolby
Never Forever (2007)
Directed by: Gina Kim
Cinematography by: Matthew Clark
Edited by: Pete Beaudreau
Dolby Consultant
Dan in Real Life (2007)
Directed by: Peter Hedges
Cinematography by: Lawrence Sher
Edited by: Sarah Flack
Sound Consultant: Dolby
A Prairie Home Companion (2006)
Directed by: Robert Altman
Cinematography by: Edward Lachman
Edited by: Jacob Craycroft
Cameras: Sony HDW-F900 Camera
Lenses: Fujinon Lenses
Consultant: Dolby Sound
Inside Man (2006)
Directed by: Spike Lee
Cinematography by: Matthew Libatique
Edited by: Barry Alexander Brown
Stereo Sound Consultant: Dolby
The 4th Life (2006)
Directed by: François Miron
Cinematography by: Gilles Blais
Edited by: François Miron
Cameras: ARRI Cameras
Sound Consultant: Dolby
Lucky Number Slevin (2006)
Directed by: Paul McGuigan
Cinematography by: Peter Sova
Edited by: Andrew Hulme
Stereo Sound Consultant: Dolby
The Good Shepherd (2006)
Directed by: Robert De Niro
Cinematography by: Robert Richardson
Edited by: Tariq Anwar
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Sound Consultant: Dolby
Hollywoodland (2006)
Directed by: Allen Coulter
Cinematography by: Jonathan Freeman
Edited by: Michael Berenbaum
Stereo Sound Consultant: Dolby
Kamataki (2005)
Directed by: Claude Gagnon
Cinematography by: Hideho Urata
Stereo Sound Consultant: Dolby
Enron: The Smartest Guys in the Room (2005)
Directed by: Alex Gibney
Cinematography by: Maryse Alberti
Edited by: Alison Ellwood
Sound Consultant: Dolby
Winter Passing (2005)
Directed by: Adam Rapp
Cinematography by: Terry Stacey
Edited by: Meg Reticker
Sound Consultant: Dolby
Rock the Paint (2005)
Directed by: Phil Bertelsen
Cinematography by: John Foster
Edited by: Bryan Gunnar Cole
Stereo Sound Consultant: Dolby
The Ice Harvest (2005)
Directed by: Harold Ramis
Cinematography by: Alar Kivilo
Edited by: Lee Percy
Stereo Sound Consultant: Dolby
Assault on Precinct 13 (2005)
Directed by: Jean-François Richet
Cinematography by: Robert Gantz
Edited by: Bill Pankow
Stereo Sound Consultant: Dolby
Sweet Land (2005)
Directed by: Ali Selim
Cinematography by: David Tumblety
Edited by: James Stanger
Consultant: Dolby Sound
The Ballad of Jack and Rose (2005)
Directed by: Rebecca Miller
Cinematography by: Ellen Kuras
Edited by: Sabine Hoffman
Consultant: Dolby Sound
Alfie (2004)
Directed by: Charles Shyer
Cinematography by: Ashley Rowe
Edited by: Padraic McKinley
Cameras: ARRIFLEX 535 B Camera, Moviecam Compact Camera
Sound Consultant: Dolby
Born Into Brothels: Calcutta's Red Light Kids (2004)
Stereo Sound Consultant: Dolby
Show Me (2004)
Directed by: Cassandra Nicolaou
Cinematography by: Patrick McGowan
Edited by: Saul Pincus
Consultant: Dolby Sound
The Stepford Wives (2004)
Directed by: Frank Oz
Cinematography by: Rob Hahn
Edited by: Jay Rabinowitz
Stereo Sound Consultant: Dolby
The Manchurian Candidate (2004)
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Stereo Sound Consultant: Dolby
Pieces of April (2003)
Directed by: Peter Hedges
Cinematography by: Tami Reiker
Edited by: Mark Livolsi
Cameras: Sony DSR-PD150 Camera
Surround Consultant: Dolby
Little Erin Merryweather (2003)
Cinematography by: Michael Marius Pessah
Cameras: ARRI Cameras
Sound Consultant: Dolby
Kill the Poor (2003)
Directed by: Alan Taylor
Cinematography by: Harlan Bosmajian
Edited by: Malcolm Jamieson
Stereo Sound Consultant: Dolby
My Architect (2003)
Directed by: Nathaniel Kahn
Cinematography by: Robert Richman
Edited by: Sabine Krayenbühl
Stereo Sound Consultant: Dolby
Mambo Italiano (2003)
Directed by: Émile Gaudreault
Cinematography by: Serge Ladouceur
Edited by: Richard Comeau
Stereo Sound Consultant: Dolby
The Company (2003)
Directed by: Robert Altman
Cinematography by: Andrew Dunn
Edited by: Geraldine Peroni
Sound Consultant: Dolby
The Station Agent (2003)
Directed by: Tom McCarthy
Cinematography by: Oliver Bokelberg
Edited by: Tom McArdle
Stereo Sound Consultant: Dolby
The Kid Stays in the Picture (2002)
Cinematography by: John Bailey
Edited by: Jun Diaz
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Stereo Sound Consultant: Dolby
Ball in the House (2001)
Directed by: Tanya Wexler
Cinematography by: Gero Steffen
Edited by: Meg Reticker
Stereo Sound Consultant: Dolby
Flesh and Bone (1993)
Directed by: Steve Kloves
Cinematography by: Philippe Rousselot
Edited by: Mia Goldman
Stereo Sound Consultant: Dolby
Killing Zoe (1993)
Directed by: Roger Avary
Cinematography by: Tom Richmond
Edited by: Kathryn Himoff
Cameras: Moviecam Compact MK2 Camera
Editing System: K.E.M. Editing System
Stereo Sound Consultant: Dolby
King of the Hill (1993)
Directed by: Steven Soderbergh
Cinematography by: Elliot Davis
Edited by: Steven Soderbergh
Cameras: Panavision Cameras
Stereo Sound Consultant: Dolby
Red Rock West (1993)
Directed by: John Dahl
Cinematography by: Marc Reshovsky
Edited by: Scott Chestnut
Stereo Sound Consultant: Dolby
Gunmen (1993)
Directed by: Deran Sarafian
Cinematography by: Hiro Narita
Edited by: Bonnie Koehler
Stereo Consultant: Dolby
Silent Tongue (1993)
Directed by: Sam Shepard
Cinematography by: Jack Conroy
Edited by: Bill Yahraus
Stereo Sound Consultant: Dolby
Leap of Faith (1992)
Directed by: Richard Pearce
Cinematography by: Matthew F. Leonetti
Stereo Sound Consultant: Dolby
Raising Cain (1992)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Cameras: Panavision Cameras
Stereo Sound Consultant: Dolby
Candyman (1992)
Directed by: Bernard Rose
Cinematography by: Anthony B. Richmond
Edited by: Dan Rae
Stereo Sound Consultant: Dolby
Baraka (1992)
Directed by: Ron Fricke
Cinematography by: Ron Fricke
Cameras: Todd-AO 65mm Camera
Lenses: Schneider Lenses
Stereo Sound Consultant: Dolby
Reservoir Dogs (1992)
Directed by: Quentin Tarantino
Cinematography by: Andrzej Sekula
Edited by: Sally Menke
Stereo Sound Consultant: Dolby
Queens Logic (1991)
Directed by: Steve Rash
Cinematography by: Amir Mokri
Edited by: Patrick Kennedy
Stereo Sound Consultant: Dolby
Talent for the Game (1991)
Directed by: Robert M. Young
Cinematography by: Curtis Clark
Edited by: Arthur Coburn
Cameras: Panavision Cameras
Stereo Consultant: Dolby
The Dark Backward (1991)
Directed by: Adam Rifkin
Cinematography by: Joey Forsyte
Edited by: Peter Schink
Stereo Sound Consultant: Dolby
Kafka (1991)
Directed by: Steven Soderbergh
Cinematography by: Walt Lloyd
Edited by: Steven Soderbergh
Stereo Sound Consultant: Dolby
Eye of the Storm (1991)
Directed by: Yuri Zeltser
Cinematography by: Karl Walter Lindenlaub
Edited by: Michael J. Duthie
Stereo Sound Consultant: Dolby
The People Under the Stairs (1991)
Directed by: Wes Craven
Cinematography by: Sandi Sissel
Edited by: James Coblentz
Stereo Sound Consultant: Dolby
Married to It (1991)
Directed by: Arthur Hiller
Cinematography by: Victor J. Kemper
Edited by: Robert C. Jones
Stereo Sound Consultant: Dolby
The Addams Family (1991)
Directed by: Barry Sonnenfeld
Cinematography by: Owen Roizman
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Stereo Sound Consultant: Dolby
Frankie and Johnny (1991)
Directed by: Garry Marshall
Cinematography by: Dante Spinotti
Cameras: Panavision Cameras
Stereo Sound Consultant: Dolby
Hook (1991)
Directed by: Steven Spielberg
Cinematography by: Dean Cundey
Edited by: Michael Kahn
Stereo Consultant: Dolby
Mystery Date (1991)
Directed by: Jonathan Wacks
Cinematography by: Oliver Wood
Edited by: Tina Hirsch
