Chris Weigand

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Live by Night | ShotOnWhat?

Lighting Technician

Live by Night (2016)

Directed by: Ben Affleck

Cinematography by: Robert Richardson

Edited by: William Goldenberg

Cameras: ARRI ALEXA 65 Camera

Lenses: Panavision Sphero 65 Series Lenses, Panavision Super Panavision 70 Series Lenses

The Neon Demon | ShotOnWhat?

Electrician

The Neon Demon (2016)

Directed by: Nicolas Winding Refn

Cinematography by: Natasha Braier

Edited by: Matthew Newman

Cameras: ARRI ALEXA Series Cameras, ARRI ALEXA XT Camera, ARRI Cameras

Lenses: Cooke Lenses, Cooke Xtal Express Lenses

La La Land | ShotOnWhat?

Lighting Technician

La La Land (2016)

Directed by: Damien Chazelle

Cinematography by: Linus Sandgren

Edited by: Tom Cross

Cameras: Aaton A-Minima Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision C35 35 mm T2.3 Lens, Panavision C50 50 mm T2.3 Lens, Panavision E Series Anamorphic Lenses, Panavision E35 35 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens

Jurassic World | ShotOnWhat?

Lighting Technician

Jurassic World (2015)

Directed by: Colin Trevorrow

Cinematography by: John Schwartzman

Edited by: Kevin Stitt

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Platinum Camera, Red Epic Dragon Camera

Lenses: Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Panavision 65mm Prime Lenses, Panavision Primo Primes Spherical Lenses

Dawn of the Planet of the Apes | ShotOnWhat?

Carbon Arc Lighting Technician

Dawn of the Planet of the Apes (2014)

Directed by: Matt Reeves

Cinematography by: Michael Seresin

Edited by: William Hoy, Stan Salfas

Cameras: ARRI ALEXA M Camera

Lenses: ARRI / Fujinon Lenses, Leitz Summilux-C Series Lenses

Editing System: Avid Editing System

The Lone Ranger | ShotOnWhat?

Lighting Technician

The Lone Ranger (2013)

Directed by: Gore Verbinski

Cinematography by: Bojan Bazelli

Edited by: James Haygood, Craig Wood

Cameras: ARRI ALEXA Studio Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Red Epic Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision SL21 21 mm T1.9 Lens

Nebraska | ShotOnWhat?

Electrician

Nebraska (2013)

Directed by: Alexander Payne

Cinematography by: Phedon Papamichael

Edited by: Kevin Tent

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus 4:3 Camera

Lenses: Panavision Anamorphic Telephoto Lenses, Panavision Anamorphic Zoom Lenses, Panavision C Anamorphic Flare Lenses, Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses

Editing System: Avid Editing System

Flight | ShotOnWhat?

Electrician

Flight (2012)

Directed by: Robert Zemeckis

Cinematography by: Don Burgess

Edited by: Jeremiah O'Driscoll

Cameras: Red Epic Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Avid Editing System

This Is 40 | ShotOnWhat?

Lighting Technician

This Is 40 (2012)

Directed by: Judd Apatow

Cinematography by: Phedon Papamichael

Edited by: David L. Bertman, Jay Deuby, Brent White

Cameras: ARRI ALEXA Camera

The Hangover Part II | ShotOnWhat?

Lighting Technician

The Hangover Part II (2011)

Directed by: Todd Phillips

Cinematography by: Lawrence Sher

Edited by: Debra Neil-Fisher, Michael L. Sale

Cameras: ARRI ALEXA Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

The Ides of March | ShotOnWhat?

Lamp Operator

The Ides of March (2011)

Directed by: George Clooney

Cinematography by: Phedon Papamichael

Edited by: Stephen Mirrione

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Green Lantern | ShotOnWhat?

Lighting Technician

Green Lantern (2011)

Directed by: Martin Campbell

Cinematography by: Dion Beebe

Edited by: Stuart Baird

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System

The Social Network | ShotOnWhat?

Lighting Technician

The Social Network (2010)

Directed by: David Fincher

Cinematography by: Jeff Cronenweth

Edited by: Kirk Baxter, Angus Wall

Cameras: Red One MX Camera

Editing System: Adobe Premiere Editing System

Death at a Funeral | ShotOnWhat?

Lighting Technician

Death at a Funeral (2010)

Directed by: Neil LaBute

Cinematography by: Rogier Stoffers

Edited by: Tracey Wadmore-Smith

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Classic Spherical Lenses

Alice in Wonderland | ShotOnWhat?

Electric

Alice in Wonderland (2010)

Directed by: Tim Burton

Cinematography by: Dariusz Wolski

Edited by: Chris Lebenzon

Cameras: Dalsa Evolution Camera, Panavision Genesis Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Lighting Technician

Avatar (2009)

Directed by: James Cameron

Cinematography by: Mauro Fiore

Edited by: James Cameron, John Refoua, Stephen E. Rivkin

Cameras: Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony HDC-F950 Camera

Lenses: Canon Lenses, Fujinon HA16x6.3BE 6.3-101 mm T1.8 Lens, Fujinon HA5x7B-W50 7-35 mm Lens, Fujinon Lenses

Editing System: Adobe Premiere Editing System, Autodesk Smoke Editing System, Avid Editing System

Star Trek | ShotOnWhat?

Assistant Chief Lighting Technician

Star Trek (2009)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Mary Jo Markey

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System, Avid Editing System

Land of the Lost | ShotOnWhat?

Lighting Technician

Land of the Lost (2009)

Directed by: Brad Silberling

Cinematography by: Dion Beebe

Edited by: Peter Teschner

Cameras: Panavision Cameras

The Hangover | ShotOnWhat?

Lighting Technician

The Hangover (2009)

Directed by: Todd Phillips

Cinematography by: Lawrence Sher

Edited by: Debra Neil-Fisher

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Anamorphic Lenses

Lakeview Terrace | ShotOnWhat?

Lighting Technician

Lakeview Terrace (2008)

Directed by: Neil LaBute

Cinematography by: Rogier Stoffers

Edited by: Joel Plotch

Knocked Up | ShotOnWhat?

Set Lighting Technician

Knocked Up (2007)

Directed by: Judd Apatow

Cinematography by: Eric Alan Edwards

Edited by: Craig Alpert, Brent White

Cameras: Panavision Cameras

Disturbia | ShotOnWhat?

Electrician

Disturbia (2007)

Directed by: D.J. Caruso

Cinematography by: Rogier Stoffers

Edited by: Jim Page

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Pirates of the Caribbean: At World's End | ShotOnWhat?

Electrician

Pirates of the Caribbean: At World's End (2007)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Editing System: Avid Editing System

Mission: Impossible III | ShotOnWhat?

Lighting Technician

Mission: Impossible III (2006)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Nick Gibbs, Mary Jo Markey

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Zoom Lenses

The Skeleton Key | ShotOnWhat?

Lighting Technician

The Skeleton Key (2005)

Directed by: Iain Softley

Cinematography by: Dan Mindel

Edited by: Joe Hutshing

Domino | ShotOnWhat?

Lighting Technician

Domino (2005)

Directed by: Tony Scott

Cinematography by: Dan Mindel

Edited by: William Goldenberg, Christian Wagner

Soul Plane | ShotOnWhat?

Lighting Technician

Soul Plane (2004)

Directed by: Jessy Terrero

Cinematography by: Jonathan Sela

Edited by: Michael R. Miller

The Rundown | ShotOnWhat?

Lighting Technician

The Rundown (2003)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Richard Pearson

Anger Management | ShotOnWhat?

Rigging Electrician

Anger Management (2003)

Directed by: Peter Segal

Cinematography by: Donald McAlpine

Edited by: Jeff Gourson

Masked and Anonymous | ShotOnWhat?

Rigging Electrician

Masked and Anonymous (2003)

Directed by: Larry Charles

Cinematography by: Rogier Stoffers

Edited by: Luis Alvarez y Alvarez, Pietro Scalia

Panic Room | ShotOnWhat?

Lighting Technician

Panic Room (2002)

Directed by: David Fincher

Cinematography by: Conrad W. Hall, Darius Khondji

Edited by: James Haygood, Angus Wall

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Austin Powers in Goldmember | ShotOnWhat?

Fixtures

Austin Powers in Goldmember (2002)

Directed by: Jay Roach

Cinematography by: Peter Deming

Edited by: Greg Hayden, Jon Poll

Adaptation. | ShotOnWhat?

Assistant Chief Lighting Technician

Adaptation. (2002)

Directed by: Spike Jonze

Cinematography by: Lance Acord

Edited by: Eric Zumbrunnen

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Mexican | ShotOnWhat?

Lighting Technician

The Mexican (2001)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Craig Wood

Cameras: Panavision Cameras

The Cell | ShotOnWhat?

Rigging Electrician

The Cell (2000)

Directed by: Tarsem Singh

Cinematography by: Paul Laufer

Edited by: Robert Duffy, Paul Rubell

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Panavision Panaflex Platinum Camera

Lenses: Cooke S4 Lenses, Panavision Primo Primes Spherical Lenses

O Brother, Where Art Thou? | ShotOnWhat?

Rigging Electrician

O Brother, Where Art Thou? (2000)

Directed by: Joel Coen, Ethan Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen, Tricia Cooke

Cameras: ARRIFLEX 535 B Camera

Lenses: Cooke S4 Lenses

Editing System: Final Cut Pro Editing System

Fight Club | ShotOnWhat?

Rigging Electrician

Fight Club (1999)

Directed by: David Fincher

Cinematography by: Jeff Cronenweth

Edited by: James Haygood

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

Austin Powers: The Spy Who Shagged Me | ShotOnWhat?

Rigging Electrician

Austin Powers: The Spy Who Shagged Me (1999)

Directed by: Jay Roach

Cinematography by: Ueli Steiger

Edited by: Debra Neil-Fisher, Jon Poll

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Can't Hardly Wait | ShotOnWhat?

Lighting Technician

Can't Hardly Wait (1998)

Directed by: Harry Elfont, Deborah Kaplan

Cinematography by: Lloyd Ahern II

Edited by: Michael Jablow

The Big Lebowski | ShotOnWhat?

Rigging Electrician

The Big Lebowski (1998)

Directed by: Joel Coen, Ethan Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen, Tricia Cooke

Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 535 B Camera

Armageddon | ShotOnWhat?

Rigging Electrician

Armageddon (1998)

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Mark Goldblatt, Chris Lebenzon, Glen Scantlebury

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Horse Whisperer | ShotOnWhat?

Lighting Technician

The Horse Whisperer (1998)

Directed by: Robert Redford

Cinematography by: Robert Richardson

Edited by: Hank Corwin, Freeman A. Davies, Tom Rolf

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision E Series Anamorphic Lenses

Editing System: Lightworks Editing System

Deep Impact | ShotOnWhat?

Rigging Electrician

Deep Impact (1998)

Directed by: Mimi Leder

Cinematography by: Dietrich Lohmann

Edited by: Paul Cichocki, David Rosenbloom

Cameras: ARRIFLEX 535 Camera

The Game | ShotOnWhat?

Lighting Technician

The Game (1997)

Directed by: David Fincher

Cinematography by: Harris Savides

Edited by: James Haygood

Cameras: Bolex Cameras, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision SL27 27 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL75 75 mm T1.9 Lens

8 Heads in a Duffel Bag | ShotOnWhat?

Lighting Technician

8 Heads in a Duffel Bag (1997)

Directed by: Tom Schulman

Cinematography by: Adam Holender

Edited by: David Holden

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Volcano | ShotOnWhat?

Rigging Electrician

Volcano (1997)

Directed by: Mick Jackson

Cinematography by: Theo van de Sande

Edited by: Don Brochu, Michael Tronick

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