Sean P. Gilbert

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Nyad | ShotOnWhat?

Underwater Camera Operator

Nyad (2023)

Directed by: Jimmy Chin, Elizabeth Chai Vasarhelyi

Cinematography by: Claudio Miranda

Edited by: Christopher Tellefsen

Cameras: Sony CineAlta VENICE 2 Camera, Sony ILME-FX3 Camera

Lenses: Fujinon Lenses, Zeiss Master Prime Lenses

Underwater Camera Operator

Avatar: The Way of Water (2022)

Directed by: James Cameron

Cinematography by: Russell Carpenter

Edited by: David Brenner, James Cameron, John Refoua, Stephen E. Rivkin

Lenses: Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Fujinon MK 18-55mm T2.9 Lens, Fujinon MK 50-135mm T2.9 Lens

Ride Along 2 | ShotOnWhat?

First Assistant Camera: Second Unit

Ride Along 2 (2016)

Directed by: Tim Story

Cinematography by: Mitchell Amundsen

Edited by: Peter S. Elliot

Cameras: Red Epic Dragon Camera

Lenses: Panavision Primo 70 Lenses

The Nice Guys | ShotOnWhat?

First Assistant Camera: Underwater

The Nice Guys (2016)

Directed by: Shane Black

Cinematography by: Philippe Rousselot

Edited by: Joel Negron

Cameras: ARRI ALEXA XT Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Panavision G Series Anamorphic Lenses

War Dogs | ShotOnWhat?

First Assistant Camera: "b" Camera

War Dogs (2016)

Directed by: Todd Phillips

Cinematography by: Lawrence Sher

Edited by: Jeff Groth

Cameras: ARRI ALEXA XT Camera

Jurassic World | ShotOnWhat?

First Assistant Camera: Underwater

Jurassic World (2015)

Directed by: Colin Trevorrow

Cinematography by: John Schwartzman

Edited by: Kevin Stitt

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Platinum Camera, Red Epic Dragon Camera

Lenses: Fujinon Cabrio (ZK4.7x19) 19-90mm T2.9 Lens, Panavision 65mm Prime Lenses, Panavision Primo Primes Spherical Lenses

Dolphin Tale 2 | ShotOnWhat?

Underwater First Assistant Camera

Dolphin Tale 2 (2014)

Directed by: Charles Martin Smith

Cinematography by: Daryn Okada

Edited by: Harvey Rosenstock

Cameras: Sony PMW-F55 Camera

Lenses: Panavision Primo Primes Spherical Lenses

"Burn Notice" Bitter Pill | ShotOnWhat?

First Assistant Camera: "b" Camera

'Burn Notice' Bitter Pill (2013)

Television Episode

Directed by: Bill Eagles

Cinematography by: Bart Tau

Edited by: Zack Arnold

All Is Lost | ShotOnWhat?

Second Assistant Camera: Underwater, Bahamas Ocean & Underwater Unit

All Is Lost (2013)

Directed by: J.C. Chandor

Cinematography by: Frank G. DeMarco, Peter Zuccarini

Edited by: Pete Beaudreau

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Standard Speed Prime Lenses

Editing System: Avid Editing System

"Burn Notice" Tipping Point | ShotOnWhat?

First Assistant Camera: "b" Camera

'Burn Notice' Tipping Point (2013)

Television Episode

Directed by: Scott Peters

Cinematography by: Bart Tau

Edited by: Casey Brown, Scott van Beever

"Burn Notice" Things Unseen | ShotOnWhat?

First Assistant Camera: "b" Camera

'Burn Notice' Things Unseen (2013)

Television Episode

Directed by: Craig Siebels

Cinematography by: Bart Tau

Edited by: Steven Lang

Step Up Revolution | ShotOnWhat?

First Assistant Camera: "a" Camera

Step Up Revolution (2012)

Directed by: Scott Speer

Cinematography by: Karsten Gopinath

Edited by: Matt Friedman, Avi Youabian

Cameras: Red Epic Camera

Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Life of Pi | ShotOnWhat?

Assistant Camera

Life of Pi (2012)

Directed by: Ang Lee

Cinematography by: Claudio Miranda

Edited by: Tim Squyres

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Dolphin Tale | ShotOnWhat?

Underwater First Assistant Camera

Dolphin Tale (2011)

Directed by: Charles Martin Smith

Cinematography by: Karl Walter Lindenlaub

Edited by: Harvey Rosenstock

Cameras: Red One MX Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

The Mechanic | ShotOnWhat?

Underwater First Assistant Camera

The Mechanic (2011)

Directed by: Simon West

Cinematography by: Eric Schmidt

Edited by: T.G. Herrington, Todd E. Miller

Piranha 3D | ShotOnWhat?

Underwater First Assistant Camera

Piranha 3D (2010)

Directed by: Alexandre Aja

Cinematography by: John R. Leonetti

Edited by: Baxter

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux HR Zoom Lenses, Cooke S4 Lenses, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

Killers | ShotOnWhat?

Underwater First Assistant Camera

Killers (2010)

Directed by: Robert Luketic

Cinematography by: Russell Carpenter

Edited by: Richard Francis-Bruce, Mary Jo Markey

Cameras: ARRIFLEX D-21 Camera

Lenses: Hawk V-Series Lenses

Let Me In | ShotOnWhat?

First Assistant Camera: Underwater Unit

Let Me In (2010)

Directed by: Matt Reeves

Cinematography by: Greig Fraser

Edited by: Stan Salfas

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

Océans | ShotOnWhat?

Assistant Camera

Océans (2009)

Directed by: Jacques Perrin, Jacques Cluzaud

Cinematography by: Michel Benjamin, Simon Christidis, Luc Drion, Laurent Fleutot, René Heuzey, Valérie Le Gurun, David Reichert, Philippe Ros, Luciano Tovoli

Edited by: Ellen Keneshea, Catherine Mauchain, Gregory F. Plotts, John Damien Ryan, Vincent Schmitt

Terminator Salvation | ShotOnWhat?

Underwater First Assistant Camera

Terminator Salvation (2009)

Directed by: McG

Cinematography by: Shane Hurlbut

Edited by: Conrad Buff IV

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, Pan-Arri 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

The Curious Case of Benjamin Button | ShotOnWhat?

Underwater First Assistant Camera

The Curious Case of Benjamin Button (2008)

Directed by: David Fincher

Cinematography by: Claudio Miranda

Edited by: Kirk Baxter, Angus Wall

Cameras: ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Thomson Viper Camera

Lenses: Zeiss DigiPrime Lenses

Editing System: Final Cut Pro Editing System

Fool's Gold | ShotOnWhat?

Assistant Camera

Fool's Gold (2008)

Directed by: Andy Tennant

Cinematography by: Don Burgess

Edited by: Troy Takaki, Tracey Wadmore-Smith

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Never Back Down | ShotOnWhat?

First Assistant Camera: "c" Camera

Never Back Down (2008)

Directed by: Jeff Wadlow

Cinematography by: Lukas Ettlin

Edited by: Victor Du Bois, Debra Beth Weinfeld

Stop-Loss | ShotOnWhat?

First Assistant Camera: Underwater

Stop-Loss (2008)

Directed by: Kimberly Peirce

Cinematography by: Chris Menges

Edited by: Claire Simpson

Jumper | ShotOnWhat?

Underwater First Assistant Camera

Jumper (2008)

Directed by: Doug Liman

Cinematography by: Barry Peterson

Edited by: Saar Klein, Dean Zimmerman, Don Zimmerman

Cameras: Panavision Cameras, Red One Camera

Pride | ShotOnWhat?

Underwater First Assistant Camera

Pride (2007)

Directed by: Sunu Gonera

Cinematography by: Matthew F. Leonetti

Edited by: Billy Fox

Cameras: Moviecam Compact Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Heartbreak Kid | ShotOnWhat?

Underwater First Assistant Camera

The Heartbreak Kid (2007)

Directed by: Bobby Farrelly, Peter Farrelly

Cinematography by: Matthew F. Leonetti

Edited by: Alan Baumgarten, Sam Seig

"The Sopranos" Remember When | ShotOnWhat?

B Camera Second Assistant Camera: Miami

'The Sopranos' Remember When (2007)

Television Episode

Directed by: Phil Abraham

Cinematography by: William Coleman

Edited by: Lynne Whitlock

Pirates of the Caribbean: At World's End | ShotOnWhat?

Underwater First Assistant Camera

Pirates of the Caribbean: At World's End (2007)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Editing System: Avid Editing System

Burn Notice | ShotOnWhat?

First Assistant Camera: "b" Camera - 3 Episodes, 2013

Burn Notice (2007)

Television Series

Cinematography by: William Wages, Bart Tau, Roy H. Wagner, Dennis Hall, Tiko Pavoni, Paul Krumper

Edited by: Casey Brown, Steven Lang, Zack Arnold, Doug Hannah, James Kilton, Brad Schreiber, Paul Fontaine, Scott van Beever

Cameras: ARRI ALEXA Camera, ARRIFLEX 416 Camera, Red One MX Camera

Lenses: Angenieux Optimo 45-120 mm T2.8 Lens

Across the Universe | ShotOnWhat?

Underwater First Assistant Camera

Across the Universe (2007)

Directed by: Julie Taymor

Cinematography by: Bruno Delbonnel

Edited by: Françoise Bonnot

Cameras: ARRI Cameras, Panavision Cameras

Lenses: Panavision Lenses

Into the Wild | ShotOnWhat?

First Assistant Camera: Underwater Camera

Into the Wild (2007)

Directed by: Sean Penn

Cinematography by: Eric Gautier

Edited by: Jay Cassidy

Cameras: Aaton 35 II Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera

Lenses: Canon Lenses, Zeiss Ultra Prime Lenses

Pirates of the Caribbean: Dead Man's Chest | ShotOnWhat?

Underwater First Assistant Camera

Pirates of the Caribbean: Dead Man's Chest (2006)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Lady in the Water | ShotOnWhat?

Underwater First Assistant Camera

Lady in the Water (2006)

Directed by: M. Night Shyamalan

Cinematography by: Christopher Doyle

Edited by: Barbara Tulliver

Hoot | ShotOnWhat?

Second Assistant Camera

Hoot (2006)

Directed by: Wil Shriner

Cinematography by: Michael Chapman

Edited by: Alan Edward Bell

Dreamgirls | ShotOnWhat?

Assistant Camera

Dreamgirls (2006)

Directed by: Bill Condon

Cinematography by: Tobias A. Schliessler

Edited by: Virginia Katz

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Into the Blue | ShotOnWhat?

Assistant Underwater Camera

Into the Blue (2005)

Directed by: John Stockwell

Cinematography by: Shane Hurlbut

Edited by: Nicolas De Toth, Dennis Virkler

The Pacifier | ShotOnWhat?

Underwater First Assistant Camera

The Pacifier (2005)

Directed by: Adam Shankman

Cinematography by: Peter James

Edited by: Christopher Greenbury

The New World | ShotOnWhat?

Underwater First Assistant Camera

The New World (2005)

Directed by: Terrence Malick

Cinematography by: Emmanuel Lubezki

Edited by: Richard Chew, Hank Corwin, Saar Klein, Mark Yoshikawa

Cameras: Aaton 35-III Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

After the Sunset | ShotOnWhat?

Underwater Camera Second Assistant

After the Sunset (2004)

Directed by: Brett Ratner

Cinematography by: Dante Spinotti

Edited by: Mark Helfrich

Cameras: ARRICAM Lite (LT) Camera, Panavision Cameras

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Bad Boys II | ShotOnWhat?

Underwater First Assistant Camera

Bad Boys II (2003)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, Mark Goldblatt, Tom Muldoon

Cameras: Bell & Howell Eyemo Camera, Cine SL-35 Camera, Pan-Arri 435es Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Editing System: Avid Editing System

2 Fast 2 Furious | ShotOnWhat?

Second Assistant Camera

2 Fast 2 Furious (2003)

Directed by: John Singleton

Cinematography by: Matthew F. Leonetti

Edited by: Bruce Cannon, Dallas Puett

Cameras: ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Cooke S4 Lenses

The Sopranos | ShotOnWhat?

B Camera Second Assistant Camera: Miami - 1 Episode, 2007

The Sopranos (1999)

Television Series

Cinematography by: Phil Abraham, Alik Sakharov, William Coleman

Edited by: Sidney Wolinsky, William B. Stich, Conrad M. Gonzalez, Lynne Whitlock, Michael Ruscio, Tammis Chandler, Joanna Cappuccilli Lovetti

Cameras: Panavision Panaflex Series Cameras

Lenses: Panavision Lenses

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