Executive In Charge Of Post-production
Pride and Glory (2008)
Directed by: Gavin O'Connor
Cinematography by: Declan Quinn
Executive In Charge Of Post-production
Fracture (2007)
Directed by: Gregory Hoblit
Cinematography by: Kramer Morgenthau
Edited by: David Rosenbloom
Executive In Charge Of Post Production
Hairspray (2007)
Directed by: Adam Shankman
Cinematography by: Bojan Bazelli
Edited by: Michael Tronick
Executive In Charge Of Post-production
Rendition (2007)
Directed by: Gavin Hood
Cinematography by: Dion Beebe
Edited by: Megan Gill
Executive In Charge Of Post-production
The Golden Compass (2007)
Directed by: Chris Weitz
Cinematography by: Henry Braham
Executive In Charge Of Post-production
Snakes on a Plane (2006)
Directed by: David R. Ellis
Cinematography by: Adam Greenberg
Edited by: Howard E. Smith
Executive In Charge Of Post-production
Final Destination 3 (2006)
Directed by: James Wong
Cinematography by: Robert McLachlan
Edited by: Chris G. Willingham
Executive In Charge Of Post Production
Little Children (2006)
Directed by: Todd Field
Cinematography by: Antonio Calvache
Edited by: Leo Trombetta
Executive In Charge Of Post-production
Wedding Crashers (2005)
Directed by: David Dobkin
Cinematography by: Julio Macat
Edited by: Mark Livolsi
Executive In Charge Of Post-production
The New World (2005)
Directed by: Terrence Malick
Cinematography by: Emmanuel Lubezki
Executive In Charge Of Post-production
A History of Violence (2005)
Directed by: David Cronenberg
Cinematography by: Peter Suschitzky
Edited by: Ronald Sanders
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Executive In Charge Of Post-production
Cellular (2004)
Directed by: David R. Ellis
Cinematography by: Gary Capo
Edited by: Eric A. Sears
Executive In Charge Of Post-production
After the Sunset (2004)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Cameras: ARRICAM Lite (LT) Camera, Panavision Cameras
Executive In Charge Of Post-production
The Lord of the Rings: The Return of the King (2003)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jamie Selkirk
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 535 B Camera, Mitchell Cameras, Moviecam Superlight Camera
Editing System: Avid Editing System
Executive In Charge Of Post-production
Willard (2003)
Directed by: Glen Morgan
Cinematography by: Robert McLachlan
Edited by: James Coblentz
Executive In Charge Of Post-production
Freddy vs. Jason (2003)
Directed by: Ronny Yu
Cinematography by: Fred Murphy
Edited by: Mark Stevens
Executive In Charge Of Post-production
Elf (2003)
Directed by: Jon Favreau
Cinematography by: Greg Gardiner
Edited by: Dan Lebental
Cameras: Panavision Cameras
Executive In Charge Of Post-production
Final Destination 2 (2003)
Directed by: David R. Ellis
Cinematography by: Gary Capo
Edited by: Eric A. Sears
Cameras: Panavision Cameras
Executive In Charge Of Post-production
The Sleeping Dictionary (2003)
Directed by: Guy Jenkin
Cinematography by: Martin Fuhrer
Edited by: Lesley Walker
Executive In Charge Of Post-production
About Schmidt (2002)
Directed by: Alexander Payne
Cinematography by: James Glennon
Edited by: Kevin Tent
Cameras: Panavision Panaflex Gold II Camera
Executive In Charge Of Post-production
S1m0ne (2002)
Directed by: Andrew Niccol
Cinematography by: Edward Lachman
Edited by: Paul Rubell
Executive In Charge Of Post-production
Austin Powers in Goldmember (2002)
Directed by: Jay Roach
Cinematography by: Peter Deming
Executive In Charge Of Post-production
Cheats (2002)
Directed by: Andrew Gurland
Cinematography by: Fred Murphy
Edited by: Troy Takaki
Executive In Charge Of Post-production
The Lord of the Rings: The Two Towers (2002)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Michael Horton
Lenses: Angenieux Lenses, Zeiss Ultra Prime Lenses
Executive In Charge Of Post-production
Life as a House (2001)
Directed by: Irwin Winkler
Cinematography by: Vilmos Zsigmond
Edited by: Julie Monroe
Executive In Charge Of Post-production
15 Minutes (2001)
Directed by: John Herzfeld
Cinematography by: Jean-Yves Escoffier
Edited by: Steven Cohen
Cameras: Panavision Cameras
Executive In Charge Of Post-production
The Lord of the Rings: The Fellowship of the Ring (2001)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: John Gilbert
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Executive In Charge Of Post-production
Blow (2001)
Directed by: Ted Demme
Cinematography by: Ellen Kuras
Edited by: Kevin Tent
Executive In Charge Of Post-production
Bones (2001)
Directed by: Ernest R. Dickerson
Cinematography by: Flavio Martínez Labiano
Executive In Charge Of Production
Lost Souls (2000)
Directed by: Janusz Kaminski
Cinematography by: Mauro Fiore
Executive In Charge Of Post-production
Final Destination (2000)
Directed by: James Wong
Cinematography by: Robert McLachlan
Edited by: James Coblentz
Executive In Charge Of Post-production
Boiler Room (2000)
Directed by: Ben Younger
Cinematography by: Enrique Chediak
Edited by: Chris Peppe
Executive In Charge Of Post-production
The Cell (2000)
Directed by: Tarsem Singh
Cinematography by: Paul Laufer
Executive In Charge Of Post-production
The Bachelor (1999)
Directed by: Gary Sinyor
Cinematography by: Simon Archer
Executive In Charge Of Post-production
The Corruptor (1999)
Directed by: James Foley
Cinematography by: Juan Ruiz Anchía
Edited by: Howard E. Smith
Executive In Charge Of Post-production
Austin Powers: The Spy Who Shagged Me (1999)
Directed by: Jay Roach
Cinematography by: Ueli Steiger
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Executive In Charge Of Post-production
Drop Dead Gorgeous (1999)
Directed by: Michael Patrick Jann
Cinematography by: Michael Spiller
Executive In Charge Of Post-production
Body Shots (1999)
Directed by: Michael Cristofer
Cinematography by: Rodrigo García
Edited by: Eric A. Sears
Executive In Charge Of Post-production
Magnolia (1999)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
Cameras: Panavision Cameras, Pathé Cameras
Lenses: Panavision Lenses
Executive In Charge Of Post-production
Pleasantville (1998)
Directed by: Gary Ross
Cinematography by: John Lindley
Edited by: William Goldenberg
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Executive In Charge Of Post-production
Rush Hour (1998)
Directed by: Brett Ratner
Cinematography by: Adam Greenberg
Edited by: Mark Helfrich
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Executive In Charge Of Post-production
Blade (1998)
Directed by: Stephen Norrington
Cinematography by: Theo van de Sande
Edited by: Paul Rubell
Cameras: Moviecam Compact Camera
Executive In Charge Of Post-production
Living Out Loud (1998)
Directed by: Richard LaGravenese
Cinematography by: John Bailey
Cameras: Panavision Cameras
Post-production Supervisor
Diabolique (1996)
Directed by: Jeremiah S. Chechik
Cinematography by: Peter James
Edited by: Carol Littleton
Post-production Supervisor
Silent Fall (1994)
Directed by: Bruce Beresford
Cinematography by: Peter James
Edited by: Ian Crafford
Post-production Supervisor
Imaginary Crimes (1994)
Directed by: Anthony Drazan
Cinematography by: John J. Campbell
Edited by: Elizabeth Kling
Post-production Supervisor
Ace Ventura: Pet Detective (1994)
Directed by: Tom Shadyac
Cinematography by: Julio Macat
Edited by: Don Zimmerman
Post-production Supervisor
Chasers (1994)
Directed by: Dennis Hopper
Cinematography by: Ueli Steiger
Edited by: Christian Wagner
Post-production Supervisor
The Crush (1993)
Directed by: Alan Shapiro
Cinematography by: Bruce Surtees
Edited by: Ian Crafford
Post-production Supervisor
True Romance (1993)
Directed by: Tony Scott
Cinematography by: Jeffrey L. Kimball
Post-production Supervisor
White Sands (1992)
Directed by: Roger Donaldson
Cinematography by: Peter Menzies Jr.
Edited by: Nicholas Beauman
Cameras: Panavision Cameras
Post-production Supervisor
Stay Tuned (1992)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Edited by: Peter E. Berger
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Post-production Supervisor
Pacific Heights (1990)
Directed by: John Schlesinger
Cinematography by: Amir Mokri
Cameras: ARRI Cameras