Camera Operator: "a" Camera
The Fabelmans (2022)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Camera Operator: "a" Camera
West Side Story (2021)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Camera Operator: "a" Camera
Ready Player One (2018)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Camera Operator: "a" Camera
The Post (2017)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Camera Operator: "a" Camera
The BFG (2016)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: ARRI ALEXA XT Series Cameras
Camera Operator: "a" Camera Operator / Camera Operator: "a" Camera
Focus (2015)
Cinematography by: Xavier Grobet
Edited by: Jan Kovac
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Editing System: Final Cut Pro Editing System
Camera Operator: "a" Camera
Terminator Genisys (2015)
Directed by: Alan Taylor
Cinematography by: Kramer Morgenthau
Edited by: Roger Barton
Cameras: ARRI ALEXA XT Plus Camera
Camera Operator: "a" Camera
Bridge of Spies (2015)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Editing System: Avid Editing System
Camera Operator: "a" Camera
Godzilla (2014)
Directed by: Gareth Edwards
Cinematography by: Seamus McGarvey
Edited by: Bob Ducsay
Cameras: ARRI ALEXA Plus Camera, Phantom Flex Camera
Camera Operator: "a" Camera
After Earth (2013)
Directed by: M. Night Shyamalan
Cinematography by: Peter Suschitzky
Edited by: Steven Rosenblum
Camera Operator: "a" Camera
The Avengers (2012)
Directed by: Joss Whedon
Cinematography by: Seamus McGarvey
Editing System: Avid Editing System
A Camera Operator
Lincoln (2012)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Editing System: Avid Editing System
Camera Operator: "a" Camera, Second Unit
Thor (2011)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Paul Rubell
Camera Operator: "a" Camera
War Horse (2011)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Editing System: Avid Editing System
Camera Operator: "a" Camera
Crazy, Stupid, Love. (2011)
Cinematography by: Andrew Dunn
Edited by: Lee Haxall
Cameras: Panavision Panaflex Platinum Camera
Camera Operator: "a" Camera
How Do You Know (2010)
Directed by: James L. Brooks
Cinematography by: Janusz Kaminski
Cameras: Panavision Panaflex Platinum Camera
Camera Operator: "a" Camera
Extraordinary Measures (2010)
Directed by: Tom Vaughan
Cinematography by: Andrew Dunn
Edited by: Anne V. Coates
Camera Operator: "a" Camera
Funny People (2009)
Directed by: Judd Apatow
Cinematography by: Janusz Kaminski
Cameras: Panavision Panaflex Platinum Camera
Camera Operator: "a" Camera
The Soloist (2009)
Directed by: Joe Wright
Cinematography by: Seamus McGarvey
Edited by: Paul Tothill
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Lightworks Editing System
Camera Operator: "a" Camera
Untraceable (2008)
Directed by: Gregory Hoblit
Cinematography by: Anastas N. Michos
Camera Operator: "a" Camera
Indiana Jones and the Kingdom of the Crystal Skull (2008)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Camera Operator: "a" Camera
The Kingdom (2007)
Directed by: Peter Berg
Cinematography by: Mauro Fiore
Camera Operator: "a" Camera
Live Free or Die Hard (2007)
Directed by: Len Wiseman
Cinematography by: Simon Duggan
Edited by: Nicolas De Toth
Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Editing System: Avid Editing System
Camera Operator: "a" Camera
Blades of Glory (2007)
Cinematography by: Stefan Czapsky
Edited by: Richard Pearson
Camera Operator: "a" Camera
Munich (2005)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Cooke Cine Varotal Mark II 25-250mm T3.9 Lens, Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Editing System: Moviola Editing System
Camera Operator: "a" Camera
Fun with Dick and Jane (2005)
Directed by: Dean Parisot
Cinematography by: Jerzy Zielinski
Edited by: Don Zimmerman
Camera Operator: "a" Camera
War of the Worlds (2005)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Camera Operator: "a" Camera
The Skeleton Key (2005)
Directed by: Iain Softley
Cinematography by: Dan Mindel
Edited by: Joe Hutshing
Camera Operator: "a" Camera
The Terminal (2004)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Camera Operator: "a" Camera
Along Came Polly (2004)
Directed by: John Hamburg
Cinematography by: Seamus McGarvey
Camera Operator: "a" Camera
Matchstick Men (2003)
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Dody Dorn
Camera Operator
Laurel Canyon (2002)
Directed by: Lisa Cholodenko
Cinematography by: Wally Pfister
Edited by: Amy E. Duddleston
Camera Operator: "a" Camera
High Crimes (2002)
Directed by: Carl Franklin
Cinematography by: Theo van de Sande
Edited by: Carole Kravetz Aykanian
Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera
Editing System: Final Cut Pro Editing System
Camera Operator
Minority Report (2002)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Lenses: Panavision Lenses
Camera Operator: "a" Camera
Catch Me If You Can (2002)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Camera Operator: "a" Camera
A.I. Artificial Intelligence (2001)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Panavision Cameras
Lenses: ARRI / Zeiss Lenses
Camera Operator: "a" Camera
Monkeybone (2001)
Directed by: Henry Selick
Cinematography by: Andrew Dunn
Camera Operator: "a" Camera
Any Given Sunday (1999)
Directed by: Oliver Stone
Cinematography by: Salvatore Totino
Camera Operator: "a" Camera
Man on the Moon (1999)
Directed by: Milos Forman
Cinematography by: Anastas N. Michos
Camera Operator: "b" Camera
Another Day in Paradise (1998)
Directed by: Larry Clark
Cinematography by: Eric Alan Edwards
Edited by: Luis Colina
Camera Operator
Practical Magic (1998)
Directed by: Griffin Dunne
Cinematography by: Andrew Dunn
Edited by: Elizabeth Kling
Camera Operator
Saving Private Ryan (1998)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Aaton 35-III Camera, Moviecam Superlight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Editing System: Moviola Editing System
Camera Operator
Amistad (1997)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Panavision Panaflex Platinum Camera
Lenses: Zeiss Super Speed Lenses
Camera Operator: "a" Camera
The Lost World: Jurassic Park (1997)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Camera Operator
The Truth About Cats & Dogs (1996)
Directed by: Michael Lehmann
Cinematography by: Robert Brinkmann
Edited by: Stephen Semel
Cameras: ARRIFLEX 535 Camera
Camera Operator: "a" Camera
The Rock (1996)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Edited by: Richard Francis-Bruce
Camera Operator
Jerry Maguire (1996)
Directed by: Cameron Crowe
Cinematography by: Janusz Kaminski
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Camera Operator: "a" Camera
How to Make an American Quilt (1995)
Directed by: Jocelyn Moorhouse
Cinematography by: Janusz Kaminski
Edited by: Jill Bilcock
Cameras: Panavision Cameras
Camera Operator
Tall Tale (1995)
Directed by: Jeremiah S. Chechik
Cinematography by: Janusz Kaminski
Edited by: Richard Chew
Camera Operator: "b" Camera, Additional Photography
Se7en (1995)
Directed by: David Fincher
Cinematography by: Darius Khondji
Edited by: Richard Francis-Bruce
Camera Operator: "a" Camera
Airheads (1994)
Directed by: Michael Lehmann
Cinematography by: John Schwartzman
Edited by: Stephen Semel
Camera Operator
Ed and His Dead Mother (1993)
Directed by: Jonathan Wacks
Cinematography by: Francis Kenny
Edited by: Lisa Day
Camera Operator
The Vanishing (1993)
Directed by: George Sluizer
Cinematography by: Peter Suschitzky
Edited by: Bruce Green
Camera Operator
Cold Heaven (1991)
Directed by: Nicolas Roeg
Cinematography by: Francis Kenny
Edited by: Tony Lawson
Camera Operator
Pacific Heights (1990)
Directed by: John Schlesinger
Cinematography by: Amir Mokri
Cameras: ARRI Cameras
Camera Operator
Incident at Dark River (1989)
Directed by: Michael Pressman
Cinematography by: Jacek Laskus
Edited by: Ronald Roose
Camera Operator
Heathers (1988)
Directed by: Michael Lehmann
Cinematography by: Francis Kenny
Edited by: Norman Hollyn
Editing System: Moviola Editing System
First Assistant Camera
Desperately Seeking Susan (1985)
Directed by: Susan Seidelman
Cinematography by: Edward Lachman
Edited by: Andrew Mondshein
Camera Department Supervisor
One from the Heart (1981)
Directed by: Francis Ford Coppola
Cameras: ARRIFLEX 35 BL Camera
Staff: Omni Zoetrope Studios
Apocalypse Now (1979)
Directed by: Francis Ford Coppola
Cinematography by: Vittorio Storaro
Lenses: Technovision Lenses, Todd-AO Lenses
Editing System: K.E.M. Editing System, Moviola Editing System
