Gregory Irwin

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Joker | ShotOnWhat?

First Assistant Camera "a" Camera

Joker (2019)

Directed by: Todd Phillips

Cinematography by: Lawrence Sher

Edited by: Jeff Groth

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA LF Camera, ARRI ALEXA Mini Camera

Lenses: ARRI Rental Prime 65 Lenses, ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Zeiss Compact Zoom CZ.2 28-80mm T2.9 Lens, Zeiss Compact Zoom CZ.2 70-200mm T2.9 Lens

Editing System: Avid Editing System

Fast 8 | ShotOnWhat?

First Assistant Camera: "a" Camera

The Fate of the Furious (2017)

Directed by: F. Gary Gray

Cinematography by: Stephen F. Windon

Edited by: Paul Rubell, Christian Wagner

Cameras: ARRI ALEXA XT Camera, Red Epic Camera

Star Trek Beyond | ShotOnWhat?

First Assistant Camera: "a" Camera

Star Trek Beyond (2016)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Greg D'Auria, Dylan Highsmith, Kelly Matsumoto, Steven Sprung

Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera

Lenses: ARRI / Zeiss Master Anamorphic Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Furious 7 | ShotOnWhat?

First Assistant Camera

Furious 7 (2015)

Directed by: James Wan

Cinematography by: Marc Spicer, Stephen F. Windon

Edited by: Leigh Folsom Boyd, Dylan Highsmith, Kirk M. Morri, Christian Wagner

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses

Steve Jobs | ShotOnWhat?

First Assistant A Camera

Steve Jobs (2015)

Directed by: Danny Boyle

Cinematography by: Alwin H. Küchler

Edited by: Elliot Graham

Cameras: ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Plus Camera, Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Standard Speed Prime Lenses

Editing System: Avid Editing System

Terminator Genisys | ShotOnWhat?

First Assistant Camera

Terminator Genisys (2015)

Directed by: Alan Taylor

Cinematography by: Kramer Morgenthau

Edited by: Roger Barton

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Panavision Anamorphic Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Interstellar | ShotOnWhat?

First Assistant Camera: "a" Camera

Interstellar (2014)

Directed by: Christopher Nolan

Cinematography by: Hoyte Van Hoytema

Edited by: Lee Smith

Cameras: Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Hasselblad Lenses, Leitz Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

Furious 6 | ShotOnWhat?

First Assistant Camera: "a" Camera, USA

Furious 6 (2013)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Greg D'Auria, Leigh Folsom Boyd, Dylan Highsmith, Kelly Matsumoto, Christian Wagner

Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, ARRIFLEX 435 Xtreme Camera, Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

G.I. Joe: Retaliation | ShotOnWhat?

First Assistant Camera: "a" Camera

G.I. Joe: Retaliation (2013)

Directed by: Jon M. Chu

Cinematography by: Stephen F. Windon

Edited by: Roger Barton, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Snitch | ShotOnWhat?

First Assistant Camera: "a" Camera

Snitch (2013)

Directed by: Ric Roman Waugh

Cinematography by: Dana Gonzales

Edited by: Jonathan Chibnall

Cameras: Red Epic Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses

American Hustle | ShotOnWhat?

First Assistant Camera

American Hustle (2013)

Directed by: David O. Russell

Cinematography by: Linus Sandgren

Edited by: Alan Baumgarten, Jay Cassidy, Crispin Struthers

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Canon K35 Prime Lenses, Zeiss Standard Speed Prime Lenses

The Hangover Part III | ShotOnWhat?

First Assistant Camera

The Hangover Part III (2013)

Directed by: Todd Phillips

Cinematography by: Lawrence Sher

Edited by: Jeff Groth, Debra Neil-Fisher

Cameras: ARRI ALEXA Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Pain & Gain | ShotOnWhat?

First Assistant Camera: "a" Camera

Pain & Gain (2013)

Directed by: Michael Bay

Cinematography by: Ben Seresin

Edited by: Tom Muldoon, Joel Negron

Cameras: Canon EOS-7D Camera, GoPro HD Hero3 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Gold Camera, Red Epic Camera

Lenses: Panavision C Series Anamorphic Lenses

Editing System: Avid Editing System

The Hangover Part II | ShotOnWhat?

First Assistant Camera: "b" Camera

The Hangover Part II (2011)

Directed by: Todd Phillips

Cinematography by: Lawrence Sher

Edited by: Debra Neil-Fisher, Michael L. Sale

Cameras: ARRI ALEXA Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

Fast Five | ShotOnWhat?

First Assistant Camera: "a" Camera

Fast Five (2011)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Kelly Matsumoto, Fred Raskin, Christian Wagner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

Dinner for Schmucks | ShotOnWhat?

First Assistant Photographer: "b" Camera

Dinner for Schmucks (2010)

Directed by: Jay Roach

Cinematography by: Jim Denault

Edited by: Alan Baumgarten, Jon Poll

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

The Fighter | ShotOnWhat?

First Assistant Camera: "a" Camera

The Fighter (2010)

Directed by: David O. Russell

Cinematography by: Hoyte Van Hoytema

Edited by: Pamela Martin

Cameras: Aaton Penelope Camera, Sony BVP-900 Camera, Sony BVP-950 Camera

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

Valentine's Day | ShotOnWhat?

First Assistant Camera

Valentine's Day (2010)

Directed by: Garry Marshall

Cinematography by: Charles Minsky

Edited by: Bruce Green

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

The Hangover | ShotOnWhat?

First Assistant Camera

The Hangover (2009)

Directed by: Todd Phillips

Cinematography by: Lawrence Sher

Edited by: Debra Neil-Fisher

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Anamorphic Lenses

I Love You, Man | ShotOnWhat?

First Assistant Camera: "b" Camera

I Love You, Man (2009)

Directed by: John Hamburg

Cinematography by: Lawrence Sher

Edited by: William Kerr

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Four Christmases | ShotOnWhat?

First Assistant Camera

Four Christmases (2008)

Directed by: Seth Gordon

Cinematography by: Jeffrey L. Kimball

Edited by: Mark Helfrich, Melissa Kent

The Chronicles of Narnia: Prince Caspian | ShotOnWhat?

First Assistant Camera: "a" Camera

The Chronicles of Narnia: Prince Caspian (2008)

Directed by: Andrew Adamson

Cinematography by: Karl Walter Lindenlaub

Edited by: Josh Campbell, Sim Evan-Jones

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera

Lenses: Zeiss Master Prime Lenses

The Bucket List | ShotOnWhat?

First Assistant Camera

The Bucket List (2007)

Directed by: Rob Reiner

Cinematography by: John Schwartzman

Edited by: Robert Leighton

Cameras: Panavision Cameras

Mr. Brooks | ShotOnWhat?

First Assistant Camera: "a" Camera

Mr. Brooks (2007)

Directed by: Bruce A. Evans

Cinematography by: John Lindley

Edited by: Miklos Wright

The Fast and the Furious: Tokyo Drift | ShotOnWhat?

First Assistant Camera: "a" Camera

The Fast and the Furious: Tokyo Drift (2006)

Directed by: Justin Lin

Cinematography by: Stephen F. Windon

Edited by: Kelly Matsumoto, Dallas Puett, Fred Raskin

Be Cool | ShotOnWhat?

First Assistant Camera

Be Cool (2005)

Directed by: F. Gary Gray

Cinematography by: Jeffrey L. Kimball

Edited by: Sheldon Kahn

Bewitched | ShotOnWhat?

First Assistant Camera: "a" Camera

Bewitched (2005)

Directed by: Nora Ephron

Cinematography by: John Lindley

Edited by: Tia Nolan

The Last Shot | ShotOnWhat?

First Assistant Camera

The Last Shot (2004)

Directed by: Jeff Nathanson

Cinematography by: John Lindley

Edited by: David Rosenbloom

Bad Boys II | ShotOnWhat?

First Assistant Camera

Bad Boys II (2003)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, Mark Goldblatt, Tom Muldoon

Cameras: Bell & Howell Eyemo Camera, Cine SL-35 Camera, Pan-Arri 435es Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Editing System: Avid Editing System

The Core | ShotOnWhat?

First Assistant Camera: "a" Camera

The Core (2003)

Directed by: Jon Amiel

Cinematography by: John Lindley

Edited by: Terry Rawlings

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Windtalkers | ShotOnWhat?

First Assistant Camera: "d" Camera

Windtalkers (2002)

Directed by: John Woo

Cinematography by: Jeffrey L. Kimball

Edited by: Jeff Gullo, Steven Kemper, Tom Rolf

The Country Bears | ShotOnWhat?

First Assistant Camera: "a" Camera

The Country Bears (2002)

Directed by: Peter Hastings

Cinematography by: Mitchell Amundsen

Edited by: George Bowers, Seth Flaum

Spider-Man | ShotOnWhat?

First Assistant Camera

Spider-Man (2002)

Directed by: Sam Raimi

Cinematography by: Don Burgess

Edited by: Arthur Coburn, Bob Murawski

Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Pearl Harbor | ShotOnWhat?

Assistant Steadicam Operator / First Assistant Camera: "b" Camera

Pearl Harbor (2001)

Directed by: Michael Bay

Cinematography by: John Schwartzman

Edited by: Roger Barton, Mark Goldblatt, Chris Lebenzon, Steven Rosenblum

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

Hollow Man | ShotOnWhat?

First Assistant Camera: "a" Camera

Hollow Man (2000)

Directed by: Paul Verhoeven

Cinematography by: Jost Vacano

Edited by: Mark Goldblatt, Ron Vignone

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Moviecam Compact Camera

Lenses: Zeiss Standard Speed Prime Lenses

American Pie | ShotOnWhat?

First Assistant Camera: "c" Camera

American Pie (1999)

Directed by: Paul Weitz, Chris Weitz

Cinematography by: Richard Crudo

Edited by: Priscilla Nedd-Friendly

Life | ShotOnWhat?

First Assistant Camera: "a" Camera

Life (1999)

Directed by: Ted Demme

Cinematography by: Geoffrey Simpson

Edited by: Jeffrey Wolf

Fight Club | ShotOnWhat?

Key First Assistant Camera: Second Unit

Fight Club (1999)

Directed by: David Fincher

Cinematography by: Jeff Cronenweth

Edited by: James Haygood

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

Deep Blue Sea | ShotOnWhat?

First Assistant Camera: "a" Camera

Deep Blue Sea (1999)

Directed by: Renny Harlin

Cinematography by: Stephen F. Windon

Edited by: Derek Brechin, Dallas Puett, Frank J. Urioste

The Parent Trap | ShotOnWhat?

First Assistant Camera

The Parent Trap (1998)

Directed by: Nancy Meyers

Cinematography by: Dean Cundey

Edited by: Stephen A. Rotter

The Gingerbread Man | ShotOnWhat?

First Assistant Camera

The Gingerbread Man (1998)

Directed by: Robert Altman

Cinematography by: Changwei Gu

Edited by: Geraldine Peroni

Starship Troopers | ShotOnWhat?

First Assistant Camera

Starship Troopers (1997)

Directed by: Paul Verhoeven

Cinematography by: Jost Vacano

Edited by: Mark Goldblatt, Caroline Ross

Cameras: ARRIFLEX 35 BL3 Camera, ARRIFLEX 535 B Camera, Moviecam Compact Camera

Lenses: Zeiss Lenses

The Truth About Cats & Dogs | ShotOnWhat?

First Assistant Camera

The Truth About Cats & Dogs (1996)

Directed by: Michael Lehmann

Cinematography by: Robert Brinkmann

Edited by: Stephen Semel

Cameras: ARRIFLEX 535 Camera

Barb Wire | ShotOnWhat?

First Assistant Camera: "a" Camera, Second Unit

Barb Wire (1996)

Directed by: David Hogan

Cinematography by: Rick Bota

Edited by: Peter Schink

Bordello of Blood | ShotOnWhat?

First Assistant Camera: Additional Photography Unit

Bordello of Blood (1996)

Directed by: Gilbert Adler

Cinematography by: Tom Priestley Jr.

Edited by: Stephen Lovejoy

Cyber Bandits | ShotOnWhat?

First Assistant Camera: "a" Camera

Cyber Bandits (1995)

Directed by: Erik Fleming

Cinematography by: Denis Maloney

Edited by: Rebecca Ross

Cameras: Panavision Cameras

Batman Forever | ShotOnWhat?

First Assistant Camera: Second Unit

Batman Forever (1995)

Directed by: Joel Schumacher

Cinematography by: Stephen Goldblatt

Edited by: Mark Stevens, Dennis Virkler

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Lightworks Editing System

Showgirls | ShotOnWhat?

Additional First Assistant Camera

Showgirls (1995)

Directed by: Paul Verhoeven

Cinematography by: Jost Vacano

Edited by: Mark Goldblatt, Mark Helfrich

Cameras: ARRIFLEX 35 BL4s Camera, Moviecam Compact Camera

Coneheads | ShotOnWhat?

First Assistant Camera: "a" Camera

Coneheads (1993)

Directed by: Steve Barron

Cinematography by: Francis Kenny

Edited by: Paul Trejo

Ed and His Dead Mother | ShotOnWhat?

First Assistant Camera

Ed and His Dead Mother (1993)

Directed by: Jonathan Wacks

Cinematography by: Francis Kenny

Edited by: Lisa Day

Wayne's World 2 | ShotOnWhat?

First Assistant Camera: "a" Camera

Wayne's World 2 (1993)

Directed by: Stephen Surjik

Cinematography by: Francis Kenny

Edited by: Malcolm Campbell

The Criminal Mind | ShotOnWhat?

Camera Operator: "b" Camera

The Criminal Mind (1993)

Directed by: Joseph Vittorie

Cinematography by: D. Alan Newman

Edited by: Robert Edwards

Encino Man | ShotOnWhat?

First Assistant Camera

Encino Man (1992)

Directed by: Les Mayfield

Cinematography by: Robert Brinkmann

Edited by: Michael Kelly, Eric A. Sears

Cold Heaven | ShotOnWhat?

First Assistant Camera: "a" Camera

Cold Heaven (1991)

Directed by: Nicolas Roeg

Cinematography by: Francis Kenny

Edited by: Tony Lawson

New Jack City | ShotOnWhat?

First Assistant Camera: "a" Camera

New Jack City (1991)

Directed by: Mario Van Peebles

Cinematography by: Francis Kenny

Edited by: Steven Kemper

Cameras: Panavision Cameras

D.O.A. | ShotOnWhat?

First Assistant Camera

D.O.A. (1988)

Directed by: Annabel Jankel, Rocky Morton

Cinematography by: Yuri Neyman

Edited by: Raja Gosnell, Michael R. Miller

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera

Lenses: Zeiss Super Speed Lenses

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