Autodesk VFX | 206 Titles
Rise of the Planet of the Apes (2011)
Directed by | Rupert Wyatt | Cinematography by | Andrew Lesnie | Editing by | Conrad Buff IV, Mark Goldblatt
Cameras | ARRICAM Lite (LT) Camera
Black Swan (2010)
Directed by | Darren Aronofsky | Cinematography by | Matthew Libatique | Editing by | Andrew Weisblum
Cameras | ARRIFLEX 416 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera
Lenses | Zeiss Ultra 16 Lenses
Æon Flux (2005)
Directed by | Karyn Kusama | Cinematography by | Stuart Dryburgh | Editing by | Jeff Gullo, Peter Honess, Plummy Tucker
Nanny McPhee Returns (2010)
Directed by | Susanna White | Cinematography by | Mike Eley | Editing by | Sim Evan-Jones
Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens
Cinderella Man (2005)
Directed by | Ron Howard | Cinematography by | Salvatore Totino | Editing by | Daniel P. Hanley, Mike Hill
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Canon Scoopic 16 / 16M Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Young Adult (2011)
Directed by | Jason Reitman | Cinematography by | Eric Steelberg | Editing by | Dana E. Glauberman
Cameras | ARRI ALEXA Camera
Lenses | Cooke S4 Lenses
Iron Man 2 (2010)
Directed by | Jon Favreau | Cinematography by | Matthew Libatique | Editing by | Dan Lebental, Richard Pearson
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses
The Men Who Stare at Goats (2009)
Directed by | Grant Heslov | Cinematography by | Robert Elswit | Editing by | Tatiana S. Riegel
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses
Vantage Point (2008)
Alice in Wonderland (2010)
Directed by | Tim Burton | Cinematography by | Dariusz Wolski | Editing by | Chris Lebenzon
Cameras | Dalsa Evolution Camera, Panavision Genesis Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera
Lenses | Panavision Primo Anamorphic Lenses
Splinterheads (2009)
Directed by | Brant Sersen | Cinematography by | Michael Simmonds | Editing by | Chris Lechler
Cameras | Red One Camera
The Hurt Locker (2008) 
Directed by | Kathryn Bigelow | Cinematography by | Barry Ackroyd | Editing by | Chris Innis, Bob Murawski
The Adventures of Tintin (2011)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn
Cameras | Panavision Cameras
Where the Wild Things Are (2009)
Directed by | Spike Jonze | Cinematography by | Lance Acord | Editing by | James Haygood, Eric Zumbrunnen
Alex Cross (2012)
Directed by | Rob Cohen | Cinematography by | Ricardo Della Rosa | Editing by | Matthew Diezel, Thom Noble
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 35 BL3 Camera, Silicon Imaging SI-2K Mini Camera, Silicon Imaging SI-2K Nano Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)
Directed by | Andrew Adamson | Cinematography by | Donald McAlpine | Editing by | Sim Evan-Jones, Jim May
Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera
Argo (2012)
Directed by | Ben Affleck | Cinematography by | Rodrigo Prieto | Editing by | William Goldenberg
Lenses | Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Kern-Paillard Switar Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Lenses
Snow White and the Huntsman (2012)
Directed by | Rupert Sanders | Cinematography by | Greig Fraser | Editing by | Conrad Buff IV, Neil Smith
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera
Lenses | Panavision 65mm Prime Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Looper (2012)
Directed by | Rian Johnson | Cinematography by | Steve Yedlin | Editing by | Bob Ducsay
Cameras | Canon EOS-7D Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Prince of Persia: The Sands of Time (2010)
Directed by | Mike Newell | Cinematography by | John Seale | Editing by | Mick Audsley, Michael Kahn, Martin Walsh
Cameras | Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
